Appreciation of landscape poems

1. Appreciation of Landscape Poetry and Ancient Landscape Poetry (Continued)

There are so many beauties in Qian Shan, the literati left us endless quatrains. Here are some poems for everyone. Interested students can search for more by themselves. Please choose your favorite poem, read it several times, feel the poet's feelings and see who remembers it the most.

House of Bamboo

Wang Wei

I leaned alone in the dense bamboo, playing the piano and humming a song.

It's too light for anyone to hear, except my partner, Mingyue.

The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon accompanies him. Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness. Things and I are one.

I forgot that Zen and poetry are in perfect harmony.

Chai Lu

Wang Wei

No one can be seen in the silent valley, only the voice is heard.

The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.

Wang Wei is also good at capturing the touching moments of sound, color, picture and emotion, and unifying them to convey them best.

In the mood and artistic conception, express it in appropriate language.

Niaomingjian

Wang Wei

People are idle, osmanthus flowers fall, and the night is quiet and empty.

When the moon comes out, the birds are startled, and the sound enters the spring stream.

In the mountains.

Wang Wei

The stream of the river has been flowing for less than a day, and white stones are exposed on the riverbed. The weather is getting colder and the red leaves on the branches are becoming scarce.

There is no rain on the winding mountain road, the smoke is misty in the dense pine trees, and the water vapor is heavy, as if to flow, and then the clothes of passers-by.

An autumn night in the mountains

Wang Wei

The empty mountains are bathed in a new rain, and feel the early autumn at night.

The bright moon shed clear light from the cracks and cleared the fountain on the rocks.

The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.

Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.

Spend the night on Jiande River.

meng haoran

Stop the boat in a foggy small state, when new worries come to the guest's heart.

The vastness of the wilderness is deeper than trees, and the moon is very close to the moon.

Tianjin Sha Qiu Si

Ma Zhiyuan

Dead vines, old trees, faint crows,

Small bridges and flowing water.

The ancient road and the west wind are thin.

The sun went down,

Heartbroken people are at the end of the world.

Night berth near Fengqiao

Tang zhangji

Crows fell on the moon, crowed coldly, slept on maple trees, and slept in fishing lanes by the river.

In the lonely Hanshan Temple outside Suzhou, the bell that rang in the middle of the night reached the passenger ship.

Hangzhou wangchun

Bai Juyi

Looking at the sea tower in the distance, the morning is bright and the river bank is white.

That night, he should be recruited into the temple and hide with Liu Sechun.

Tea brocade praises persimmons, and green flag sells wine and pears.

Who opens the southwest road of Lake Temple? The grass-green skirt is inclined at the waist.

Nanhu early spring

Bai Juyi

The clouds have gone, the wind and rain have stopped, the weather is just right, and the sun shines on the lake to form a reflection, which has a warm feeling.

Wild apricots everywhere, broken red spots; The floating water on the lake looks like a neat lawn at first sight.

The rain on Bai Yan dried up, his wings became heavy and he had to fly low; The oriole's tongue is quite stiff.

It's not that the spring in Jiangnan is not good, but that I'm one year old, and my mood has also decreased.

Spend the night on Jiande River.

meng haoran

When my boat was moored in the fog,

As the sun fades, old memories begin.

How wide the world is, how close the trees are to heaven,

The river is so clear that the moon is close to people.

Stay in the mountains

Xu Zhang

Light makes spring glow, not for lightness.

Even if there was no rain in Mystery, the clothes were dyed deep in the clouds.

2. Appreciation of ancient landscape poems 1. Visiting Shanxi Village Song Dynasty: Farmers traveled to Xiao Mo and lived in a rich year with plenty of chickens and dolphins.

There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay. The day of playing flute and drums is approaching, and the villagers are still dressed simply.

In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane. The appreciation is as follows: Shanxi Cunshan is surrounded by water on all sides, with birds and flowers singing and boundless spring scenery. On the other hand, it is full of philosophy, showing some regularity of life change and development, which is memorable.

It shows the poet's unique thinking and spirit-it often contains infinite hope in adversity. The poet described the feeling of being lost in the lingering scenery and the joy of seeing a new scene again. People can learn the philosophy of life from it-no matter how difficult the road ahead is, as long as they have firm beliefs and are brave in pioneering, life can "save the day" (a new realm full of light and hope appears).

2. Jiang Xue Tang Dynasty: Liu Zongyuan, there are no birds in the mountains, and there are no footprints in the thousand paths. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.

Appreciation is as follows: Liu Zongyuan's landscape poems have a remarkable feature, that is, the objective realm is relatively quiet, while the poet's subjective state of mind is relatively lonely, sometimes even too lonely, too cold and cheerless, without any human fireworks. This song "Jiang Xue" is like this. The poet painted a quiet and cold picture in only 20 words: on the snowy river, a boat and an old fisherman were fishing alone on the cold river.

What the poet shows his readers is this: the world is so pure and silent, spotless and silent; The fisherman's life is so noble, and his character is so aloof. In fact, this is an imaginary realm created by Liu Zongyuan because he hated the declining society of the Tang Dynasty at that time. Compared with the characters in Tao Yuanming's Peach Blossom Garden, I'm afraid they are still illusory and far away from the world.

What the poet wants to describe in detail is very simple, but it is just a boat, an old fisherman wearing hemp fiber and Li hat, fishing on the snowy river, and that's all. However, in order to highlight the main description object, the poet did not hesitate to use half of the space to describe its background, and made the background as broad as possible, almost to an infinite extent.

The wider the background, the more prominent the main description object. First of all, the poet used the words "Qianshan" and "Wanjing" to set off the following two pictures of "boating alone" and "fishing alone".

Without the words "thousand" and "ten thousand", the words "loneliness" and "independence" at the back will appear bland and uninspiring. Secondly, birds flying on the mountain and people walking on the road are very common things and the most general image.

But the poet put them under the "Qianshan" and "Wanjing" and added the word "absolutely" and "extinct", which suddenly turned the most common and summarized dynamic into extreme silence and absolute silence, forming an unusual scene. So the following two sentences used to be static descriptions. Because it is placed in this absolutely quiet background, it is exquisite, lively and lively.

It can also be said that the first two sentences were originally a foil. According to the general understanding, it is enough to outline the outline, and there is no need to make great efforts to carve it. However, poets just don't handle it this way.

It's like making a movie. How many close-ups are used to explain and reflect every corner of the background? The more specific and detailed you write, the more exaggerated you are.

The last two sentences, originally the object of the poet's intentional description, turned into a long-distance lens, which was reduced many times, giving readers an ethereal feeling, visible and intangible. Only by writing in this way can we express the lofty and detached thoughts and feelings that the author is eager to show to readers.

As for the formation of this sense of remoteness, it is mainly the effect that the author adds a word "snow" at the end of the whole poem, which is connected with the word "Jiang". In this poem, everything is snowy, the mountains are snowy, the roads are snowy, and "Qian Shan" and "Wanjing" are snowy, making birds fly away and people disappear.

Even the awning and fisherman's hat are covered with snow. But the author did not explicitly associate these scenes with "snow".

On the contrary, in this painting, there is only Jiang and only Rulu. Of course, the river will not store snow, and it will not be covered by snow. Even if it falls into the river, it will immediately become water.

However, the author only used the word "cold river snow" to connect the two farthest images, giving people a vague, distant and narrow feeling and forming a long-distance lens. This makes the main object described in the poem more concentrated, dexterous and prominent.

Because even the river seems to be covered with snow, even the places where there is no snow are covered with snow, which completely describes the dense and thick snow and completely sets off the atmosphere of water and sky. As for the word "cold" used above, it is of course to point out the climate; But the poet's subjective intention is to write the fisherman's spiritual world quietly.

Imagine, in such a cold and quiet environment, the old fisherman is not afraid of the cold and the snow, forgetting everything and devoting himself to fishing. Although his body is lonely, his personality is lofty and aloof, even a little awe-inspiring. This illuminated and beautified image of the fisherman is actually the sustenance and portrayal of Liu Zongyuan's own thoughts and feelings.

It can be seen that the word "Hanjiangxue" is the "finishing touch", which organically links the front and back parts of the whole poem, not only forming a concise and general picture, but also shaping a complete and prominent image of the fisherman. Describe the background in a concrete and meticulous way, and depict the subject image in a long-distance picture; Fine and extremely exaggerated generalizations are intricately unified in a poem, which is the unique artistic feature of this landscape poem.

3. Wanglushan Waterfall in the Tang Dynasty: Li Bai's Rizhao incense burner gave birth to purple smoke, and the waterfall hung over thousands of rivers. On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.

Appreciation is as follows: This is a landscape poem written by the poet Li Bai when he was about 50 years old and lived in seclusion in Lushan Mountain. This poem vividly depicts.

3. Emei Mountain Yuege Landscape Poems and Appreciation

Lipper

In the autumn of the first half of Mount Emei, the Pingqiang River reflected.

In the evening, Qingxi went to the Three Gorges, but the four gentlemen did not see Yuzhou.

This poem was written by young Li Baichu when he was far away from Sichuan, with clear artistic conception, simple language and smooth rhyme.

The poem begins with "Emei Mountain Moon", pointing out that the season of traveling far away is in autumn. The word "autumn" is upside down at the end of the sentence because of its rhyme. Autumn is crisp and the moonlight is bright ("autumn moon is bright"). The word "autumn" also describes the beauty of moonlight, which is natural and wonderful. The moon is only "half a circle", which reminds people of the beautiful artistic conception of the castle peak spitting the moon. There is Pingqiang River in the northeast of Emei Mountain, now Qingyi River, which originates from Lushan County, Sichuan Province, flows to Leshan County and joins Minjiang River. The second sentence "shadow" refers to the shadow of the moon, and the verbs "enter" and "flow" form a linked predicate, indicating that the shadow of the moon is reflected into the river and goes with it. Life experience tells us that no matter how the river flows, the moon shadow in the water is fixed. "When the moon is gone, I will go." Only when the viewer goes down the river will he see the wonderful scenery of "shadow into the river" Therefore, this sentence not only describes the beautiful scenery of Qingjiang River reflected by the moon, but also describes the darkness of sailing in autumn night. Artistic conception can be described as ethereal and wonderful.

There is someone in the second sentence, and the person in the third sentence has appeared: he is leaving Qingxi Station overnight, entering the Minjiang River and heading for the Three Gorges. Young people who "go to the countryside with swords and shadows and leave their loved ones to travel far away" will be reluctant to leave their hometown. Seeing the moon on the river is like seeing an old friend. However, the bright moon is not an old friend after all. I can only "look up at the bright moon and send my feelings for thousands of miles." The last sentence, "I miss you, but I can't see Yuzhou", can be described as infinite separation.

Emei Mountain-Pingqiang River-Qingxi-Yuzhou-Three Gorges, the picturesque landscape gradually unfolds a picture of the Shu River for readers. Apart from the "Emei Mountain Moon", there is almost no more specific description of the scenery in the poem; Except for the word "four kings", there is no lyric. However, the artistic image of "Emei Mountain Moon" runs through the whole poetic realm and becomes a catalyst for poetic sentiment. It has rich implications: the mountains and the moon accompany Wan Li, which can be seen every night, making the feeling of "missing you" deeper and deeper. The bright moon is approachable and unattainable, which is a symbol of missing friends. Where there is a bright moon singing, where there is a feeling of missing friends in the river, which is intoxicating.

Originally, the expression of time and space changes in short quatrains is quite limited, so the general writing method is not to transcend time and space at the same time. The time and space span expressed in this poem is really free. There are five place names in twenty-eight words, and the word * * * is twelve, which is unique among the ten thousand quatrains in the Tang Dynasty. It means "four words in the place name are five, and the ancient and modern eyes are the last words, and they never tire of repeating them" (in Wang Linzhou's language). The reason is that the poet's experience of swimming in the river and his yearning for his friends are permeated in the poetic realm, and the symbolic artistic images of mountains and moons are everywhere, unifying a vast space and a long time. Secondly, the treatment of place names is also full of changes. "Emei Mountain Moon" and "Pingqiang River" are attached to the scenery by place names and are useless; "Faqingxi", "Xiangsanxia" and "Xiayuzhou" are all practical, but their positions in the sentence are also different. I can't feel the trace when I read it. It's wonderful in chemical engineering.

Zhu Wang Tang Wei

(2005-09- 18 02:48: 17)

Leaning alone in the dense bamboo,

I played the lute and hummed.

It's too light for anyone to hear,

Except my comrade, Mingyue.

analyse

Wang Wei (701-761), who is good at landscape, started the southern painting school, which is picturesque. He is good at music, and his good poems are like beautiful music. Most of his later works depict landscapes and natural landscapes.

The seventeenth song of Wangchuan Collection describes the interest of seclusion in the mountains. Poems are written with flat lines, and the poetic landscape is quiet and unique, ethereal and clear. Deep in the bamboo forest, there is no earthly noise, the piano is quiet and the singing is comfortable. At this time, the poet enjoys the freedom of solitude and tastes the elegant taste of artistic life.

Miscellaneous poems in the mountains

Wu Jun

The mountain and the sky are connected into clouds, and the afterglow of the sunset can be seen from the cracks in the bamboo forest.

Birds fly happily to the eaves and white clouds float out of the window.

[Notes]

1 mountain: the place where the mountain meets the sky.

Peep: Look through the gap.

3 eaves: eaves.

[Explanation] This poem describes the poet's interesting life in the mountains. Surrounded by peaks, bamboo trees are flourishing, birds are flying on the eaves of others, and the most interesting thing is that clouds are floating outside the window.

4. About the sentence describing the mountain and appreciating ***6 sentences, immediately adopt the sentence describing the mountain 1. Wulong Mountain Scenic Resort is surrounded by water, with solitary peaks standing upright, lush trees, shady bamboos, steep mountain walls and turbulent rivers.

2. A mountain rises in the distance, with trees and flowers. The whole mountain looks like a demon. Looking at Tianshan Mountain from a distance, the top of the mountain has been covered with snow for thousands of years, lying there peacefully, like an old man in white who has experienced vicissitudes.

When I climbed to the top of the mountain and looked around, the spectacular sight made my blood boil, and the whole Laoshan Mountain seemed to be floating in the fog. The majestic mountain peaks rising from the ground are like giants, camels and horses, with different shapes and steep.

6. Mount Tai rises from the ground and soars into the sky, just like a giant, standing among thousands of mountains and overlooking the earth affectionately.

5. Ancient landscape poems and their appreciation. 5. A photo of Chushan wanting to rain.

In the storm of toasting,

People go to the building.

Alas, the vast Chu River,

Still only flows eastward.

I borrowed a pen from heaven,

Write about your miserable life.

Remember at that time:

Only Chushanke,

Cynical,

It's hard to change your mind.

Want to say all kinds of feelings,

Rock-breaking.

Everyone in the world has fallen.

Be a lonely star.

Wyndell dichinson, night sky, wyndell dichinson,

See the glory of the past.

Look at today:

The air is filled with the breath of Ling Yunzhi.

Leave me,

What's the hurry?

57. A map spanning thousands of miles across the country.

"Dapeng rides the wind for one day,

Soaring into Wan Li. "

Counting the children who have been loved for five thousand years:

Shameful bully,

Female scholar Su Shi.

Dancing and flying, waving a huge pen,

Number one in the world!

Suddenly, I heard the thunder outside.

Millions of creatures are happy.

Deserve righteousness and despise life and death;

Life is endless,

Struggle

How much pride is there in poetry?

Heaven and earth!

postscript

Poetry is surging

Infinite sea, boundless heart.

Poets are crazy in troubled times, and talents come out in prosperous times.

After the crazy trampling of Mongolian soldiers; Suffered from the cruel slavery of Qing Land Rover; The remains were bombarded by Eight-Nation Alliance's artillery; Endure the burning, killing and looting of Japanese robbers ... for decades, hundreds of years. Today, in the land of China, a strong vitality finally broke out, which inspired something that shocked the hearts of all Chinese people in the world-this is "Three Hundred Poems"!

After reading "Three Hundred Poems", I feel quite stirring. There are thunder, horns, roars and dragons in the book. Like stormy waves, it is magnificent and lifts the sky and the ground. A big wave, powerful and invincible. Every word falls to the ground with a deafening sound. Naturally, it reveals the heroism, boldness, optimism and broadmindedness of the seekers who look to the Wan Li world, look to the infinite future, read the eternal romance and monopolize the eternal chic.

Awesome! Three hundred poems. After reading you, we can touch the poet's moral integrity!

Be strong! Three hundred poems. After reading you, we can breathe the poet's integrity!

-Sun Pei Jun.

Over the mountains

rhyme

The way of heaven and earth will last forever.

Finish what you started.

-Zhouyi

"Three Hundred Poems" is really well written and really unique. It's amazing that people can't help being regarded as bosom friends. It is not so much a prelude to the great rejuvenation of the Chinese nation as an important symbol of the prosperity of the people of China.

Every word of her is an eruption of the author's strong feelings. She is not only the author's knowledge development from now on, but also the bitter crystallization of blood and tears as a civilian; A true portrayal of a soldier's life and death; The generous monologue of spirit and flesh as a scholar; As a wanderer, the emotional sublimation of love and hate.

She knocked on the door of the century, played the rhythm of the times and sang a beautiful life. The voice of a group soul is the most appropriate expression, and the mental outlook of a generation is the most direct reflection.

I never forget my previous life, but I am a teacher of future generations. Reading 300 poems can remind people of an unforgettable time. This is the postscript.

-huzhuang

Reprint description

Poetic style is meaningful

Chinese civilization is brilliant.

Rich and beautiful things, outstanding people.

The reprinting of 300 poems once again proves to the world that China has a long history of charm, and its ancient civilization is profound and energetic, which has realized the dreams of many people and teenagers. Finally, inherit the excellent tradition, carry forward the lofty spirit and respect the great personality. In short, it is the general trend, the will of the people, and the will of the people.

Through "Three Hundred Poems", we can realize the hardship of "the road is long, Xiu Yuan is Xi, Xiu Yuan is Xi, and I will go up and down to seek"; Feel the courage of "I am determined to go forward, the more frustrated I am, the more persistent I am"; Appreciate the passion of "self-confidence in life for 200 years, and you will hit the water for three thousand miles".

"Three Hundred Poems" is rich in connotation, simple and fluent; Simple explanation, thick accumulation and thin hair; Easy to learn, remember and memorize. I have produced great cohesion and centripetal force, and I have strengthened my self-esteem and self-confidence. Today, when we read her again, we can not only enjoy and marvel at her atmosphere, but also find back that long-lost pride and comfort, whose historical and practical significance is unpredictable and immeasurable forever. —— Li Zhenggang

6. Appreciation of ancient poems and famous sentences describing landscapes and Tao Yuanming's drinking.

Building a house is human, and there are no horses and chariots.

Ask what you can do, your heart is far from self-prejudice.

Picking chrysanthemums under the east fence, you can see Nanshan leisurely.

The mountains are getting better and better, and the birds are back.

That makes sense. I forgot what I wanted to say.

Knock on the door in the morning and open the door yourself.

Ask the son for whom, Fu Tian is kind-hearted.

The pot will be far-sighted, and I doubt that I will keep pace with the times.

Under the grass eaves, it is not enough for high habitat.

I will be in Shang Tong all my life. May you drown it.

I was impressed by my father's words, and I was very angry.

You can learn honestly, but you are not fascinated!

And * * * Huan this drink, I dare not drive back.

My old friend rewarded me with interest, and the pot was harmonious.

Ban Jing sat in Panasonic and got drunk after counting.

My father and his elders talked nonsense, and when he thought about it, he lost his line.

I didn't know I was there, so I knew things were precious.

Because of its lingering charm, this wine has a deep taste.

7. Appreciation of Landscape Pastoral Poetry and Bamboo Pass Wang Wei leaned alone among the dense bamboos. I played the pipa and hummed, and my voice was so low that no one could hear me except my companion Mingyue. The poet sat alone in the depths of the bamboo forest, playing the piano and whistling. No one knows his existence, only the bright moon comes to accompany him. Nature knows his inner loneliness best, and the bright moon brings him a quiet happiness. Things and I are one, things and I forget each other, and Zen and poetry are integrated. Chai Lu, Wang Wei, there seems to be no one on the empty mountain, but I think I heard a voice. The sun entered a forest and shone on me from the green moss. Wang Wei is also good at capturing the touching moments of sound, color, painting and emotion, unifying the artistic conception that can best convey emotions and expressing it in appropriate language. In the birdsong stream, Wang Wei's people are idle with osmanthus flowers, and the night in the spring mountain is very quiet. When the moon rises, birds are frightened in the spring stream. In the mountains, Wang Weixing's white stone appeared in the west, and the weather was cold and the red leaves were sparse. The mountain road is rainy and the air is green and wet. One autumn evening, an empty mountain after the rain. The crystal stone in the stream, the bamboo language of the laundry girl at home, the lotus leaf in front of the fishing boat, when you are here, your friend's prince, spring has passed, what does it matter? Meng Haoran, the night berth on Jiande River, my boat is moving forward in the fog, the day is getting shorter and the memories of the old days begin. Wild dwarf trees, Jiang Qingyue is close to people. Tianjingsha, Qiu Si, Ma Zhiyuan, withered vines, old trees, faint crows, small bridges and flowing water. Ancient roads, thin horses in the west wind, sunset, heartbroken people in the end of the world. Maple Bridge stays overnight, Tang Waterfalls are all over the sky, and Jiang Feng sleeps in the fire. At the Hanshan Temple outside Gusu, at midnight, the bell of the passenger ship rang. Hang Chun watches Bai Juyi watch the morning light of the sea tower, protect the river bank and tread the fine sand. The sound of the waves enters the military temple at night, and the willow color hides Su Chun. Tea weaves silk to praise persimmons, and bluestone sells wine while pear blossoms. Who opened the southwest road in Hu Si? The grass-green skirt and waist are oblique. In the early spring of Nanhu Lake, Bai Juyi returned to the clouds, and the rain was cut off in Chu Qing, returning to the lake to warm up. Apricot trees in Hongshan are folded in disorder, Meng Haoran sleeps in Jiande at night, the boat is foggy, and it's dusk. I remember how wide the sky is and how close the trees are. Jiang Qingyue stayed in the mountains and stayed in Chunhui, so I plan to come back just to relax. Even if Ingmar doesn't have the color of rain, they are stained with Yun Shenchu's clothes.

8. Landscape Poetry and Appreciation of "Autumn Xiaoxing's South Valley Jing Abandoned Village" Liu Zongyuan's autumn frost is heavy and he walks in the valley in the morning.

Yellow leaves of the Yellow River cover the bridge, and an ancient tree is seen in the deserted village. Cold mountain flowers are scattered alone, and deep stream springs are broken.

This machine has been forgotten for a long time. What's the surprise of elk? Nangu, in rural Yongzhou. What the poet saw all the way from decadence to Nangu is closely related to the uniqueness of the late autumn scenery.

Every sentence has a scene, and the scene is also affectionate, interwoven into a picture of the autumn dawn south valley. The poet got up early in the morning and walked through the frost to the deep valley in the south.

The first sentence points out the season. (mi m: o) at the end, too.

"Autumn" means late autumn. Although Frost Heavy is a late autumn scenery, it also shows that it is morning and it is the theme of Autumn Dawn.

Write the middle four sentences and describe what you saw along the way. The poet came to the stream and set foot on the bridge. Yellow leaves are everywhere. Desolate mountain villages, towering old trees.

The word "cover" means that there are so many trees here that fallen leaves can cover the bridge; The word "Wei" shows that there is nothing but ancient trees in the abandoned village. Not only that, but even the cold-resistant mountain flowers in the south valley grow sparsely; The spring water flowing out of the deep mountain canyon is subtle and intermittent, as if it were rushing out.

As the poet can see, everything in nature presents a barren scene. The four poems revolve around the word "shortage" everywhere.

The poet was in a desolate and lonely place, which touched his inner loneliness and anger. At this moment, I saw a frightened elk, which suddenly ran away from me.

He thus associated with Zhuangzi. The article "Heaven and Earth" said: "If there is a machine, there must be organic things, and if there is an organic thing, there must be an organic heart."

The poet borrowed this sentence, which means: I, Liu Zongyuan, have long been indifferent to the ups and downs of my official career and the gains and losses of my official career, without any ingenuity. Why do wild deer get scared when they see me? The poet pretends to be broad-minded, but in fact it only reflects his helplessness in living in poverty for a long time. This article mostly writes about still scenery: frost dew, deep valleys, yellow leaves, small bridges, abandoned villages, ancient trees, cold flowers and clear springs.

Writing lonely scenes is to set off the poet's mood. The surprise of the elk in the last sentence not only vividly presents the scene in front of us, but also is meaningful and implicit. It is a vivid and wonderful pen.

Although it is an ancient poem with five words, the two couplets in the middle are neat, such as "Yellow Leaves" versus "Abandoned Village", "Xiqiao" versus "Ancient Wood" and "Cold Flowers" versus "Youquan". It can be seen that this sentence pattern is influenced by metrical poems.

The use of antithesis in ancient poetry is helpful to deepen images and enhance readers' association and imagination. When writing ancient poems in the Tang Dynasty, people often use the sentence patterns of metrical poems, which may also be related to this.