Is Hebe Tien good at singing?

Commenting on a singer's singing skills is based on various comprehensive references, not on a certain aspect or a certain performance. Therefore, this is a very complicated issue, and it is not easy to draw conclusions by talking casually.

However, since Hebe Tien has been mentioned, let me briefly talk about my personal feelings.

First of all, Hebe Tien was known as a member of SHE before he released the film in his own name. What's important is that he sang for her in this group for so many years, including the tempering process in the field and in the recording studio. This tempering process is very important, in fact, it is the accumulation of experience, because with the blessing of these performance experiences, her live performance has become very stable, which is true. Therefore, if live performance and performance are to be regarded as the standard of a singer's singing skills, Hebe Tien is still excellent.

On the one hand, the stability of the scene lies in the singer's accurate grasp and understanding of personal voice characteristics and skillful use of singing skills. At this point, Hebe Tien is still doing well. For example, she knows the strength of her voice very well, and she knows how to foster strengths and avoid weaknesses when singing. For example, the lack of relaxation of high notes can be transmitted through the conversion of true and false sounds. Moreover, she is good at using air sounds to form her own singing characteristics and make up for the lack of speech recognition.

In addition, Hebe Tien's voice and expression are still very rich. Her expression in a song does not stick to a single pattern, showing diversity and richness, which also lies in her complete control and understanding of personal singing and her unique views on different songs, all of which are attributed to the singer's own understanding of music. Generally speaking, Hebe Tien is one of the best singers in SHE, and some people in Taiwan Province call her a CD for women walking.

Interested friends can listen to her live documentary album, or feel that she sings with her dream voice, and there will still be surprises.

Finally, singing is not measured by soaring high notes, but by voice ability, which is not directly related to singing.

China T2 (the second echelon), with perfect timbre, D5 hard top true voice, her harmony E5-A5; I fell down in the early stage and sang solo. Hebe Tien, a girl whose early timbre is comparable to that of Angela Zhang, has perfect business knowledge. Yes, Hebe Tien's early timbre was perfect, but now her timbre brightness has disappeared a lot, and her treble ability has also decreased a lot. With * * * singing as the main singing method. I have experienced falling tone.

During the SHE period, she was one of the five groups of chords in the chorus of all songs, and the chord was very high, basically starting from E5 and maintaining the true voice to A5. Because the early stage is relatively young, vocal music cognition still stays in the commercial aspect, and all the high notes are basically forced at the expense of damaging the vocal cords. Hebe Tien of Live works hard every time she sings a high note that S and E can't sing.

Horrible high throat position is very serious for vocal cords, which will lead to the relaxation of acoustic ligaments and destroy the basic timbre composition. At that time, Hebe Tien did not protect his vocal cords and throat, which led to obvious changes in Hebe Tien's voice and singing style. The critical point should be 20 10.

Hebe Tien began to pay attention to the scientificity of vocalization after the voice inversion, but this process was not achieved overnight. After 20 10 years, Hebe Tien still maintained the position of hard top and high throat for several years, further changing the timbre. From the early bright to the present, the nasal cavity is heavier and the voice line is slightly thicker. To be honest, when I first heard Xiao Lucky, it was difficult for me to equate Xiao Lucky's voice line with Tian Fuzhen's fixed impression. Because the timbre of the main song in the two stages is completely different, only the timbre of the high voice part is the same.

With today's Hebe Tien as the core, some of her singing methods seem to be very consistent with Fish Leong's, and many things are her voice, which always makes me feel that this is Fish Leong.

Hebe Tien's throat position still exists. Compared with her early days, SHE no longer sang the horrible high voice of E5-A5, but the high voice of C5 and D5 still existed. Among them, D5 sings weakly, which can relieve the tension of vocal cords. To be sure, in the senior high school in Hebe Tien, which is lower than G4, her thyroarytenoid participation is much better than in the early stage, which is also the main source of timbre difference.

However, near the sound exchange area of G4-B4, Hebe Tien's high throat position is still obvious, and the whole auditory ligament is still tense because of the high throat position, resulting in a certain sound line tension and lack of a certain true sound thickness of the thyroarytenoid muscle. Or poor mixing quality.

The following three aspects are expounded: timbre, range and cavity:

1: timbre; Singing timbre consists of two parts, vocal cord structure+cavity influence.

In early Hebe Tien, vocal cord structure was the core expression of timbre. Now in Hebe Tien, the technical timbre influenced by cavity is the main performance.

Pre-timbre: the brightness is perfect, the vocal cords are thin, the fifth degree is high, and the pronunciation point of TW cavity itself is higher than that of Mandarin. Hebe Tien's early timbre was almost equal to that of Angela Zhang. I feel good when I open my mouth, and I feel recognizable. In "She", because the title song is divided equally among three people, Hebe Tien's main task is to play high notes.

But in fact, the voices with thin vocal cords are not suitable for chorus treble, because their opening sound area is relatively high, which seems to be their overall sound area is high, but it is not. The thinness of vocal cords is related to the limit of maintaining the true sound thickness of thyroarytenoid muscle, which is lower than that of ordinary singers. Starting from E5, Hebe Tien's timbre is basically extremely slender and sharp, and tends to kill chickens and raise their throats. For herself, for live expression, it is mainly the following market, not the professional mainstream music market. Her early experience is the main reason for Hebe Tien's declining voice.

The position of Hebe Tien's early pronunciation point is reasonable, and there is no pronunciation point for vocal music training, which is also very scientific. Similar to Angela Zhang.

Late stage: Cavity influence.

Since Hebe Tien went solo, her singing style has changed a lot. But in essence, she is still an idol singer, who doesn't write lyrics, compose music or play, and has made great progress in vocal music. Mainly reflected in the following timbre skills:

1: The vocal cords are marginalized.

Main timbre skills of popular vocal music. At the expense of some high throat position, the tightness of the two acoustic ligaments is increased, which makes the glottis fissure tend to close in the center. In this way, the two segments of the figure-eight glottic fissure breathe more, and the central respiration is less, forming the edge vibration of the two acoustic ligaments. This kind of singing voice is rich and mellow. Softening the lead voice is the core skill of female singers.

For Hebe Tien, his vocal cord marginalization technique is perfectly embodied in Little Luck. Without the extreme aeroacoustic effects of Isabel and Charlie, it is more compact and melodious. For female singers, many people use this kind of music, such as Karen Mok and Fish Leong. Personally, I think that Hebe Tien is often like Fish Leong because their vocal cord marginalization skills are the same. Probably the same vocal teacher.

2. Strong mixed metal core.

The main timbre explosive force of popular vocal music is maxillary sinus sound based on pronunciation points. For this, the quality of today's Hebe Tien strong mixed metal core is still relatively low. It is still based on concentration, and the development of strong mixed mask is insufficient. Use nasal continuous tone more. Judging from the effect of CD, Hebe Tien's sense of presence seems a little insufficient.

The core of the metal core is based on the texture of the metal core pulled by the thyroarytenoid muscle, so the sense of strength of the thyroarytenoid muscle is the main tone composition, and Hebe Tien's vocal cords are thin, which is extremely inferior. And Hebe Tien's throat position itself has a big problem. Therefore, the effect of strong mixed metal core Hebe Tien is very weak.

3. Weak mixing, falsetto;

The performance in CD is very good, but in Live, I personally think there is still a big problem: the concepts of falsetto and weak mixing are confused. Hebe Tien's weak mixing is falsetto in essence, without the embellishment of the true voice of the thyroarytenoid muscle. The problem is the same as the strong mixed metal nucleus, but the thyroarytenoid muscle is not involved enough.

4. The chest sound is getting stronger;

This is the main progress of Hebe Tien. Compared with the period of She nationality, after solo, Hebe Tien had the concept of pectoral arytenoid muscle participation. On the bass, Hebe Tien has the * * * sound of the pectoral arytenoid and the embellishment of the arytenoid, which directly gives her the emotional cornerstone of the bass. Finally, she sings without a needle, but with the support of the bottom bass. But after changing the sound point, he had to have better voice changing technology because of his early voice changing.

2: scope; Hebe Tien's theoretical range: F3-B4-D5-A5;

Hebe Tien quality range: G#3-B4-D5.

In the register, there are two stages, one is the premise of her, and the other is the later present.

During the SHE period, the single tone quality was low, but the range was high, and a large number of D5 real hard top Live and E5-A5 harmonic trebles appeared. This is not bad in live performance. After all, in 2003- 10, in the sinking market, people's requirements for the quality of single music will not be too harsh. However, according to the current public perception, the quality of E5-A5 at that time was obviously unqualified. Laryngeal muscle traction and high laryngeal position are surprisingly high.

After solo flight, the range performance drops by half an octave, and the high-pitched performance of E5-A5 stops. With G#3-D5, half an octave as the core, so in essence, the music available in Hebe Tien today is not very wide, and T2-level female singers are also common. Specifically, talk about the tone quality in Hebe Tien today:

F4: The bass part is perfect. The vocal cord structure is thin, although the voice is inverted, but the position habit of the pronunciation point is still very good. At the same time, tenor and bass textures of thyroarytenoid muscle are added, which makes Hebe Tien have high monophonic quality in this sound region. Provide the brightness and graininess of pronunciation points, the thickness and overtone area of the thyroarytenoid muscle in the chest.

Gb4-B4: Marginalized vocal cords are completely covered, and they enter the high throat position, which is a little acclimatized. Obviously, it is impossible to achieve a good balance when the thyroarytenoid muscle and throat position are stable. Laryngeal muscles that inhibit laryngeal position are in great demand, but they are very scarce. And it can't be solved. Have early and thorough timbre maintenance.

C5-D5: C5 is the only pitch that can keep the metal core, and most of C#5 and D5 are weak falsetto, which can't reach the weak mixed sound quality. The quality of long notes fluctuates greatly. Take "Little Lucky" as an example, it is excellent on the whole. However, if you use other genres of songs, it is obvious that Hebe Tien is not used to it, and there are certain fluctuations in both rhythm and intonation.

3: cavity; As far as the specific cavity effect is concerned, Hebe Tien has less advantage. Because the early SHE period was basically supported by its own talent and the cost of damaging vocal cords, it was difficult for the voice state to support better cavity ability after solo flight.

The cost of cavity and timbre is basically the opposite. The better the natural sound line, the higher the commercial recognition of timbre, and the lower the singer's attention to the cavity ability. Such as Angela Zhang, such as Hebe Tien. After realizing that cavity is the secret of keeping scientific pronunciation and keeping the peak of career, it still waits for no one.

Briefly speaking, Hebe Tien has no cavity ability:

Throat confrontation+mask * * * sound;

This is the ultimate problem of vocal music, and it is also the reason why Hebe Tien and many professional singers lost their voices. Because when the voice area is higher than the inflection point, physiology will involuntarily raise the position of the larynx, pull the vocal cords, and make the two vocal ligaments emit corresponding pitches. However, improving the position of larynx will lead to timbre splitting, lack of strength and emotion, becoming slender and weak, and even the timbre can't be heard clearly.

The basis of solving laryngeal confrontation lies in * * * tone, and the core lies in laryngeal ability. The solution is two main techniques: facial mask and throat exercise.

Mask singing can better expand the singer's singing ability, while * * * singing is essentially a spontaneous confrontation, forming acoustic collision confrontation in the maxillary sinus. On the premise of stable singing skills, throat muscles can be trained by throat sounds, which can effectively curb the promotion of treble larynx. This technique comes from bel canto. This is also the reason why a large number of professional singers, who are obviously very popular, learn more or less the basic pronunciation of Bel Canto. For example: Charlie, Li Jian, Terry Lin.

These two skills are what Hebe Tien lacks most. Throat confrontation, mask ringing, she will undergo essential changes. Besides, Hebe Tien does not lack many problems. Her problem is essentially caused by high throat position, and she has a certain talent in both the degree of closure and the development of treble.

On the other hand, the tenor who achieved great success in the SHE period played Hebe Tien. He did not give up his voice directly, but was a skilled singer who could concentrate on singing, which was essentially a manifestation of his ability. Because a female singer with a high voice is rarely so tenacious.

I hope she can learn bel canto in the future, so that she can better protect her vocal cords.

It should be said that it is good. After all, when she came to Shang Yan, they never lip-synched it. They all sang with great enthusiasm. After the solo, it was also a real singing skill. Many fans recorded it live and watched the timbre on the video, showing that there was no tuning. Apart from the concert, her concert is definitely a real singing. After all, there is still some singing while chatting, but you can't lip-synch. Then there is tian teacher's own concert. Although I can't chat, I often forget words and chorus, so I won't lip-synch.

To answer this question, we must first understand what kinds of singing skills are divided into. The first one is T 1, and the representative figures are JJ eason and so on. This type of songs can basically hold, and are deeply loved by the public, followed by Wang Feng and Jay. Of course, I'm not saying that Jay is not famous, but there is no denying that Jay's singing is not particularly good. Wang Feng belongs to the type that some people don't like. Well, I don't want to talk about it. Through the voice of dreams, this stage. We can notice that

Brother Zhen's scene was great. The person in charge said that the style was quite recognizable. I admit it was not as good as the big coffee in the music world, but the singing was absolutely good, and the cover also sang its own style. I am lucky to know her, my goddess, Hebe Tien.