Master of film criticism

The following is a movie review by Master. Welcome to reading.

Master Film Review (1)

Although I am crazy about martial arts, I don't necessarily want to see all the kung fu movies. Turn on the computer to watch "Taoist Down the Mountain", and turn it off in 10 minutes.

There are only two kinds of martial arts movies I like, real and fake, such as Kung Fu and Hero.

After paying attention to the film reviews of Master, there are basically two points: the real strength of martial arts, and some things I don't understand. I went to the movies yesterday. I thought it was the same as booking a movie. As a result, there was a woman sitting behind, quite speechless. I think she must be confused and didn't understand much, but I was surprised to think that I understood.

All kinds of betrayal and deception in the film, the master betrayed the apprentice, the apprentice calculated the master, the warlord calculated the martial arts, and the martial arts sister Jiang calculated the overall situation, which I couldn't understand at once. Some people have commented that there is no room for real heroes in this world.

As for everyone saying that they didn't understand the ending, I think it's easy to understand. Is it not good to be incomplete? This is not a fairy tale. Give your imagination space. Jiang said he must have killed Liao Fan, but he never really wanted to kill him. Liao Fan has real skill and wisdom in answering questions. His disciples have strength and backbone. It happened that Song Jia's experience was in the same boat as his own. Just as the army line wanted to occupy the army line, no one came forward, so he borrowed Liao Fan's hand to kill the army head. Why not avenge Brother Zheng and clear the way for the military line? Ordering the masters of the major sects to fight Liao Fan one-on-one, is to know that you can't beat him.

In addition, I feel that my understanding of martial arts, especially cold weapons, has reached a higher level, which is worth improving in my usual practice.

Master Film Review (2)

After reading Master, there are both joy and disappointment. This is a film with obvious advantages and disadvantages. The martial arts effect is unexpected, but as a movie, it is a pity that there are too many serious injuries.

An impeccable old-school action movie

Just won the Golden Horse Award for Best Action Design, and Master's action play is undoubtedly the most pleasing part of the whole movie. Xu Haofeng, who wrote, directed and even designed his own movements, said? Hollywood, Hong Kong style and Korean style can't do anything but the old Tianjin style. ? It is this old Tianjin-style martial arts design that gives the martial arts scene of Master a particularly different texture. It is different from the typical martial arts that are full of exaggeration and pretentious chic in the current martial arts films, or it is the combination of pragmatism and Hollywood-style fists and feet. The martial arts scene in Master is over, and there is a dark energy. This kind of dark energy is especially reflected in the training of the master. The distance between them is often very short, and the movements seem unpleasant and small, but they are the most direct and not fancy. They often win or lose in a few hands, without procrastination or fighting, which is rare in martial arts dramas.

In addition to the design of martial arts movements, Xu Haofeng's martial arts dramas also have a leisurely atmosphere and sense of ceremony. One of my two favorite martial arts dramas is a scene in which Liao Fan and his wife are fighting while talking about love. On the one hand, the old god is telling the past seriously, and on the other hand, the panicked mob. The mouth is unambiguous and the hand is unambiguous, forcing dozens of people to dare not cross the line, while this side is calmly leaving, and the momentum of Taishan coping is very enjoyable.

Another martial arts drama, of course, is the final climax decisive battle. Opponents of different weapons took turns to go into battle, but they were all broken by Liao Fan. What I like most about this martial arts drama is that besides being smart and pleasing to the eye, what is more important? Wudao? The reappearance of. Although there are many people on one side, it is also a challenge in turn, not in a hurry; Although one side is highly skilled, it is also a point-to-point, and it does not hurt people's lives. So every time Liao Fan defeated anyone, the opponent in the way took a step back until he was completely knocked down, and Liao Fan roared off. It's like a test of martial arts, full of a sense of ceremony, which can be seen everywhere in this film, creating a kind of once? Martial arts first? A sense of reverence, similar to "a generation of masters."

A sense of rhythm that is out of control.

But only amazing movements can't make a generation of masters. The most disappointing thing about Master is the chaotic and out-of-control rhythm. Perhaps it is because the film itself is adapted from a short story, and Master is more like four portraits pieced together by beautiful fragments, full of meaningless slow motion and various mysterious shots. The handling of many paragraphs is more like the director's whim, without considering the overall atmosphere and rhythm of the film, so although the story logic is barely smooth, the maintenance of the tone is disastrous. The audience often brew an emotion, and the next paragraph is broken by the director himself, which is really embarrassing.

This reminds me of the assassin Nie Yinniang. When Hou Hsiao-hsien was dealing with this film, the story was deliberately left blank, so the audience accustomed to straightforward film logic may be confused, but his grasp of the overall atmosphere of the film is harsh. Every paragraph and detail from beginning to end is to reproduce the real Tang Dynasty. On the contrary, Master's freewheeling in the language of the film makes the film as a whole present an unreal sense of humor, which I think is the biggest failure of this film.

Stiff and abrupt characters and emotions

The overall atmosphere and rhythm are out of control, which directly leads to the rigidity and suddenness of the characters and emotions in the film. The friendship between Master Chen and his apprentice and the love between Master Chen and his wife played by Liao Fan are all so inexplicable. For example, the friendship between master and apprentice, which led to the final climax, should have been well portrayed, but the emotional interaction between the two was almost zero in the film, and even when the last apprentice died, the tears left by Master seemed so deliberate and unnatural.

Another example is the love between master and his wife. The interaction between them is enough, but the problem is that they can hardly feel the spark. Both of them seem to be putting on airs and saying fake deep lines, but they can't see the emotions. In fact, all the characters in the movie have this kind of problem. At the beginning of the movie, this kind of action can make people feel unconscious, but if the whole movie is like this, it will only make the characters superficial, the audience can't put their feelings into it, and the motives of the characters' actions can't stand scrutiny, which will eclipse the story itself.

Master Film Review (3)

Have you watched several episodes of TV series "Master" recently? Learn to be a teacher and a model? These eight words have a deeper understanding.

Master told the story of an old iron master (played by Li Youbin) who led three disciples in the 1980s. With Xia, Li Youbin and Gaowa Siqin starring.

Laotie is a senior welder in a factory and an outstanding representative of the working class. At the beginning of the reform and opening up, he accepted three apprentices with different personalities, Lao Tie, who taught by example. In the 30 years of reform and opening up, many stories have happened between Lao Tiejia and these three disciples.

The great apprentice changed his fate through knowledge and took the leadership position, but he lost himself in the economic tide and went to the road of crime, and repented and reformed under the inspiration of his master. The second apprentice got rich diligently and married the master's daughter, but his family life was full of twists and turns, and he didn't understand the meaning of a happy life until he went through the hardships of business and factory reform. The three apprentices inherited the master's skills and spirit, grew from a naughty and stubborn young man to a model for a new generation of workers, and took over the master's banner. Master Lao Tie taught three apprentices skills and even taught them to be human beings. Mentoring is like father and son, fighting for life and faith together.

In the play, between the master Lao Tie and three disciples? Fight? Did they all explain? Learn to be a teacher and a model? This sentence, they are sometimes warm, sometimes ironic, sometimes serious, sometimes funny, especially the master? Old iron? His lines are profound, humorous and powerful. Classic sentences emerge one after another, which makes people applaud after reading them. Yu Xia is famous in this play? King fighting? From a street gangster who caused trouble to a representative figure of traditional industrial workers, Xu Feng finally completed the process of transformation after many tempering. Xu feng's growth history has also made many male audiences find * * * Ming, from which they have seen their own spiritual growth history, while female audiences have also seen the whole process of a man's maturity and transformation from xu feng.

And it is the master-Lao Tie who controls all this.

First: be a model. Lao Tie is the uncrowned king of the factory. In the words of workers, leadership is not better than leadership. Lao Tie can have such authority, not only because of his excellent technology, but also because he is the representative of enterprising personality and perfect morality. Lao Tie's career achievements can be summarized in his own words. Will gold shine sooner or later, or will the madman go crazy sooner or later? Does he want to lead his disciples and workmates? Flying in the sky? what's up Eagle? In the factory, he spoke with his skills and professional ethics, while at home, he managed his family and love with his delicacy and profundity, which became the moral benchmark of the three disciples. So the arrogant xu feng said to Lao Tie? You are my forever big dipper? . Peach and plum speak for themselves, and personality charm is silent education. The height of teachers' morality determines the height of education.

To be a master, if you want to be upright, you must do two exercises well: one is to cultivate your mind, and the other is to cultivate your brain. To cultivate one's mind is to cultivate teachers' morality, to truly establish the idea of serving the disciples wholeheartedly, and to firmly establish the idea of all for the disciples, all for the disciples, and all for the disciples. Cultivating the brain is to cultivate educational wisdom. Only by using scientific methods can we explore the laws of educational development and apprentice growth, and only by using scientific methods can we be pragmatic in inheritance, develop in pragmatism and innovate in development. Cultivating the mind is more meaningful than cultivating the brain, because the direction of heart management and the method of brain management serve the direction. In other words, no matter how clever a person is, your wisdom and methods are worthless without a passionate dedication.

Second: learn to be a teacher. Li Youbin plays an old iron master in the play. He is an outstanding representative of contemporary workers and a senior welder with many honors. In the grand meeting with Japanese workers, he won the submission of three apprentices, Adrian Xu, with his exquisite skills and good psychological quality. The three disciples decided to be as strong as the master. The apprentice's worship of the master began with the worship of the master's exquisite skills.

Third: attack the heart and teach students in accordance with their aptitude. Lao Tie, like Tang Priest, has always accepted three apprentices, the first one is literate, the second one is simple and honest, and the third one is the most unruly. Xu's personality is more like the Monkey King's. At first, he always made trouble, which made everyone miserable. Master Lao Tie, like Tang Priest, has his own set of principles, insisting on people and things? Don't give up, don't give up? A hero among men. Xu Feng, his three apprentices, fought with each other and compared a pair of complaints in the play. Their lines were not only awesome, but also made Li Youbin yell many times. Facing the Japanese experts in the play, Xu Feng's national sentiment is high and there is a language conflict. At this time, Lao Tie took advantage of the trend. If you want people to respect you, you must be good at this. There are not many opportunities to fight in the future, but there are more opportunities than abilities. I said you are simple-minded, stand on your head. It's no use just wiping your hair. To prepare a war for me. ? Finally, I kicked Adrian Xu's ass, and the love of a strict teacher and a loving father was on this foot.

The "master" here expresses to people the fine tradition of a nation and a perfect process of cultivating and growing outstanding talents. The cultivation of outstanding talents, like the carving of beautiful jade, needs painstaking efforts and careful carving to shine brilliantly and amaze everyone. Is that what it's called? If you don't peck at jade, you won't do anything. People don't learn and don't know righteousness. Talent is also honed hard and then improved step by step.

We are also teachers. Every move, word and deed of teachers have a direct and subtle influence on students. ? Learn to be a teacher and a model? . Educators at all times and all over the world have emphasized that example is better than words. Teachers should first do what students are required to do, and they should do better and set an example for students. Especially the head teacher, his world outlook, his moral character, his behavior and his attitude towards every phenomenon all affect all the students in one way or another. Chernyshevski said? What kind of person a teacher wants a student to be, he should be such a person. ?

Education is a science, and cultivating talents is a finely crafted art. Only by paying attention to science, innovation and art in our work can we cultivate high-quality talents that meet the needs of society.