How do you say cross talk? What are the skills?

First of all, we should know the meaning of words.

Crosstalk actors should know the meaning of cross talk before learning it. You should know the theme and characters of the work. The theme is the problem that the author wants to explain through his works. Character thought refers to the thoughts of the characters created in the works, and all the characters created by the author in the works are alive, thoughtful and individual. Actors should not only know the theme and characters' thoughts, but also know the meaning of each line. This is the primary problem of speaking a cross talk well.

Second, we must tell the truth.

As a crosstalk performer, you should have a glib tongue. Crosstalk is the art of laughter and language. Any joke is inseparable from rap, learning and speaking, so the actor is required to pronounce the words accurately and send them to the audience's ears so that the audience can hear them clearly before they can laugh. If the audience can't hear clearly, they can't laugh. You can't ask the audience to listen and then ask others, "What is he talking about?" The man replied, "I didn't really hear it either." This will affect the effect. The pronunciation is not true, such as "cutting meat with a blunt knife" Some people advocate "speaking like a book." I don't think you can bite hard. It's too hard. It sounds uncomfortable. Why do crosstalk performers practice tongue twisters? It is to exercise the lips, teeth, teeth, tongue and throat, and accurately say the words flat, up, down and down.

Third, we should pronounce it correctly.

Crosstalk actors should pronounce accurately. Pronunciation mainly refers to the accuracy of lips, teeth, teeth, tongue and throat. Crosstalk actors pronounce in dantian. Although they don't require a good voice like an opera singer, they must be able to speak and sing. Dantian is full of gas and has a nice voice. It sounds good when you say it, but it tastes good when you sing it. In the past, there were not many people with good voices, because singing was horizontal and vertical, and at that time, life forced me to say seven or eight paragraphs a day, and my voice was horizontal, which meant I was exhausted. In the 1930s and 1940s, only a few people had good voices, and not many people studied opera, drum set, zaqu and singing. Nowadays, many jokes are sung, which requires actors to have a good voice. To learn crosstalk, we should not only practice pronunciation, but also practice pronunciation. The voice should be beautiful, pay attention to the light and heavy tones, high and low tones, try to find the right tone, speak well, avoid strange sounds, strange tones, sharp sounds and sonic boom, and don't make the audience uncomfortable. When you rap, you should make the audience like it.

Fourth, the air outlet should be uniform.

Crosstalk performance art, without drum accompaniment, seems to have no rhythm. In fact, no matter what you say, the performing art of cross talk has a rhythm. Crosstalk is based on the rhythm of the air port, and the air port should be uniform so that the audience can listen.

It is more important to open your mouth, such as a section of 100 in a geographical map. To finish it continuously, it is mainly to use gas, steal gas and take a breath, grasp the uniformity of mouth opening and let the audience applaud. Infiltration has infiltrative content. For example, the cross talk of vitamins has three paragraphs. The first section is the name of the waiter's dish, which is the name of chicken, duck and fish. This section is based on the name of the dish. The second paragraph is the home cooking that second brother wants to eat. This paragraph must be said well, so that everyone can't put it down. The third paragraph is about the nutrition of these dishes and introduces them to the audience. The audience thought it was very learned and nice to say these things, so they applauded. These three paragraphs are designed according to the content. This is the case with penetrating parts, and the air holes should be designed well, and there can be no penetrating parts. Speak fast, keep the audience busy, speak slowly, and hold their breath. The enunciation should be true, the pronunciation should be accurate, and the wind should be even, all of which should give the audience a beautiful feeling.

Step 5 have the right tone

Tone is to express feelings, which can be divided into high and low, fast and slow, and light and heavy. The same sentence, the tone is wrong, the meaning changes. For example, B broke a tea bowl. A asked, "Did you drop this tea bowl?" Answer b has a low tone and slow speech speed, and the stress is on my words; "I fell." He dropped this tea bowl. If B has a high pitch and fast speech speed, and the stress is on the falling tone words, it becomes a rhetorical question "Did I fall?" He didn't drop this tea bowl.

Crosstalk actors have their own accents, but when they say cross talk, they must say it in a cross talk tone, otherwise it won't be like cross talk. The characters in cross talk have different personalities and varied feelings. When a crosstalk performer imitates a character, he should say the right tone, that is, accurately express the feelings of the character. If the tone is wrong, the feelings of the characters will change and the burden will not ring. For example, at the end of "once":

A: Fortunately, the old lady is dead. If she is ill for another two months, her daughter-in-law will be broken! The old lady died and the daughter-in-law cried! Why are you still crying for her? A: No, she (refers to her leg) hurts!

In the last sentence, the stress of the word pain is changed to light tone. When the tone is slow, the burden will not shake. Therefore, actors must accurately express their tone.

Sixth, we must be slow and steady.

Crosstalk is a performing art, which requires the actors to act steadily and accurately. Crosstalk actors, the action is to assist facial expressions. Gestures are used to guide the audience's eyes to the actor's facial expressions, so that the audience can see the charm (eyes) and image of the actor's facial expressions. Don't move the actor's hand or gesture, which will dazzle the audience and affect the expression. Actors holding fans and gesticulating wildly also affect their expressions. For beginners, it is better to learn Pumpkin Darts. You can practice your gestures to give your hands room. Gestures are designed according to the content, and they are ever-changing. Body posture should make people look beautiful. Stand on your feet firmly and unsteadily, just like stepping on the lotus root, which makes the audience absent-minded and unwilling to listen. It can be seen that cross talk performances, big or small, need to be calm and accurate.

Seven, the simulation of work

Simulation is "learning". The performing art of cross talk is that narration is interspersed with character dialogue, and character dialogue is interspersed with narration. This artistic feature determines that crosstalk performance can not be separated from simulation performance. A cross talk has several roles. Cross talk actors don't wear makeup, but they speak language, charm and likeness, trying to make the roles alive. How to make the characters come alive? It is to grasp the personality characteristics of the characters, use the method of exaggerated performance, simulate the characters' speech, expression and action, and put the characters alive in front of the audience. The audience can feel the characters' expressions, distinguish the characters' personalities and feel the truth from the actors' words, charms and images, thus causing laughter. It's like a cartoonist drawing a cartoon, but also grasping the characteristics first, using exaggerated methods, a few strokes can be drawn. Then let people have a look, it is really similar, but it is actually outstanding.

Singing means singing in the middle, talking in singing, and also inseparable from simulation. Learning the performances of Peking Opera actors mainly focuses on genre singing, expressions, movements and, most importantly, imitating characters in Chinese operas.

That is to say the opposite, learn dialect pronunciation, and learn which province people should speak like. We should not only learn dialect phonetics, but also carefully portray characters' personalities according to their contents.

Crosstalk is difficult to show the personality characteristics of the characters, so it is really difficult to say that it is necessary to simulate, that is, to work hard on simulation. As long as you carefully observe the personality characteristics of various people in your life and then practice hard, you can perform well. Without life and hard work, it is difficult to perform well.

Eight, become a burden.

Crosstalk actors should grasp the strength when shaking their burdens with artistic skills. The performing art of crosstalk should master slow rhythm, slow rhythm, fast rhythm, pause and strength. Old artists often remind me: "It's over, it's over." The bottom is the end, and the inch is the mastery inch. A cross talk has a lot of baggage, and the end is a big baggage. The baggage at the end can't be shaken, so this cross talk is in vain. Therefore, actors are required to grasp the strength when they say the end. This inch of strength, neither fast nor slow, neither high nor low, must be appropriate. Not only do you have to master your own strength in the end, but you also need other burdens. Not only an inch of luggage is required, but also an accurate luggage is required. Talk about baggage pediatrics this time, and talk about baggage pediatrics next time. If it vibrates this time and it doesn't move next time, it's called insurance is not allowed.

Nine, hug Doby.

Teasing together is teasing cooperation. A is a joke and B is a partner. Party A and Party B must cooperate well to speak a cross talk well. Before talking about cross talk, learn to tease first, and the teacher gave it a scolding. Because the joke is taught by the teacher, of course, it works well together. After learning to tease, you will naturally know where you need to talk. Both Party A and Party B should grasp the delay of shaking luggage before shaking it. Shaking bags is not only fun, but also important. The audience can't master the high and low notes, shake the burden, and they can't laugh. A comedian is slow to understand, but a comedian is slow to understand. When it's time to speak slowly, he speaks quickly, or when it's time to speak quickly, he speaks slowly to death, so that the burden can't shake. Therefore, good cooperation between Party A and Party B is the key to good cross talk. Senior artist said: "After three years together, you can make money without fire." This sentence emphasizes that both parties can make money even if they are not famous. With long-term cooperation, both parties will learn to study art and learn from each other's strengths. After the performance, they will continue to sum up their artistic experience, and they will cooperate better and better and achieve artistic achievements.

Ten, want a new style.

There are various styles and genres of cross talk performance art, no matter what style or genre, it should give the audience a fresh feeling. Successful artists, their jokes and performing arts, all try to be different, thus creating their own unique style of art school. Beginners, first of all, learn according to the teacher's teaching, learn which style and genre of art, and use which style and genre of art. However, he should not stay in the style and genre art he has learned, but should inherit and develop the genre, improve and innovate the paragraphs and performance styles he has learned, and strive to be different and create his own unique style and art genre. Creating artistic styles and genres is not only a science, but also a new joke or two. Then it is necessary to teach by famous teachers, study hard, practice bravely and study hard. More importantly, he must never leave the audience of the times, because cross talk is for the audience, and whether the audience appreciates the artistic style and genre plays a decisive role. Since the Third Plenary Session of the Eleventh Central Committee of the Communist Party of China, with the development of productive forces, great achievements have been made in modernization, and 1 1 100 million people have solved the problem of food and clothing. After enjoying the material life, they must improve their enjoyment of spiritual beauty. The enjoyment of beauty that people demand is varied. Men, women, old people and young people all have their own beauty needs. You like this, he likes that, and each has his own hobbies and tastes. Some young artists adapt to the aesthetic needs of the audience in today's times and create their own unique artistic styles and genres, which are welcomed by the audience. It is hoped that young artists will continue to reform and innovate with the development of the times, instead of staying at a certain artistic level, they should constantly break through the existing artistic level and reach a higher artistic realm.