Joke Collection Website - Mood Talk - What are the skills to sing popular songs well?
What are the skills to sing popular songs well?
The singing of pop songs emphasizes individuality. Singers have different voices and diverse singing styles, which makes it impossible for us to divide them into several parts (tenor, mezzo-soprano, etc.). ) such as bel canto. Even though "sound line" is a very popular but puzzling general term at present, it is still difficult to describe them clearly. But we can still summarize several typical "singing methods" according to its origin, vocal characteristics and singing style.
Humming was formed in the 1930s. At that time, many bars, dance halls and nightclubs were equipped with electronic amplification equipment, and singers began to sing into the microphone. It is in this context that "crooning" came into being. Because of the amplification function of the microphone, singers don't have to shout vertically like opera singers, nor do they have to shout horizontally like some national singers. They only need to hum softly at the same volume as they speak, and many listeners can really hear them. Some very detailed artistic treatment methods, such as a slight sigh and a small pause, can be displayed in detail.
The early "crooning" singers were baritone or bass with a certain foundation of bel canto. Ping crosby is the first generation singer who is very familiar to the audience in China. Lyric songs and jazz-style songs sung by "crooning" singers in 1930s and 1940s were the mainstream songs at that time. After 1950s, with the rise of "rock music" and the revival of folk songs, popular music was no longer dominated by "crooners". However, "crooning" has not died out. As a singing method, "crooning" had a far-reaching influence on the singing of all pop singers later. The basic skills of popular song singing, such as the use of microphone, voice control, the coherence and smoothness of melody lines, the expression of lyrics and tones, vibrato and the use of air, have developed quite maturely in "crooning".
Folk songs play an important role in world popular songs. Folk singers sing with their own voices. Compared with "crooning", this singing method generally does not deliberately pursue the mellow feeling of the voice, and the timbre is gentle and natural, emphasizing the clarity and colloquialism of articulation. Nasal voice is a taboo in Bel Canto and crooning, but many folk singers (such as john denver and Bob Dylan) like to sing with a strong nasal voice, which has a unique lyrical color, especially when singing a soft narrative song, which will produce a natural and magnetic charm. Folk songs often take the form of duet, the main theme is often placed in the middle and bass, and the vocal accompaniment is often sung with soft and transparent falsetto, so falsetto is also an important feature in folk song singing.
Folk singing is not limited to folk singers, but also includes some rock singers. For example, most of the songs of the famous The Beatles are sung in folk style.
Folk singing represents the simple and natural side of pop songs, while African-American singers add gorgeous colors to pop songs.
The origin of African-American songs can be traced back to the field songs in the period of slavery, and then some vocal genres such as soul songs, gospel, blues and soul songs appeared. Black songs mostly adopt the singing form of "one person leads the crowd", and the lead singer mostly adopts decorative singing techniques such as shouting, screaming, sobbing, sliding, vibrato and falsetto. Often, some simple melody fragments can be developed into infectious Bicai phrases, resulting in touching artistic effects.
Passion and improvisation are the soul of American black singers' singing art, and the singing style of many rock singers (especially hard rock and heavy metal rock singers) also comes from this singing style. It's just that most rock singers emphasize the explosive side of screaming, but lack delicate decoration skills.
After the appearance of jazz, African-American singers created a highly publicized singing style. In the impromptu communication with the band, they sing all kinds of complicated and changeable rhythms with some liner words without specific meaning (called Scatting) or imitate the sounds of various instruments in the jazz band with human voices (called Vocalese).
Rap, which emerged in the 1980s, is also a continuation of these difficult vocal expressions to some extent. The above are some typical singing styles of pop songs. In the ever-changing pop music scene, most singers do not stick to a certain "singing method", but often change and integrate these basic singing styles according to their own voice conditions and characteristics and the needs of song performance, thus forming their own unique singing methods and artistic styles.
Range and timbre
Every part of the vocal area has a different color: the high-pitched area is bright, the midrange is soft, and the low-pitched area is heavy. The singing of pop songs usually follows the natural attributes of each sound zone and exerts its own expressive force. But sometimes, according to the needs of the song content, the natural colors of each sound zone are changed. For example, the melody of Nothing often lingers in the high-pitched area, but the timbre should be darkened when singing. If we emphasize the high-pitched area blindly, it will be difficult to show the persistence and struggle contained in the song.
The singing of popular songs pursues authenticity, but many beginners can't find their own authenticity at first, and often imitate the voice characteristics and vocal methods of their favorite singers on tape.
There are many hoarse and noisy singers in pop music, which leads people to mistakenly think that only Sha Zi can be a singer. In fact, there are no fewer sweet and mellow singers in pop music than Sha Zi, but Sha Zi's singers are more concerned by people because of their unique timbre. Advocating the sound of sand is not the only aesthetic direction in pop songs. In folk music of various countries, especially in China's operas, hoarse timbre has long been regarded as a means of expression. The crux of the problem lies not in the huskiness of timbre, but in the intensity and depth of emotion that this timbre can express. When people's emotions reach an extreme state, they are often accompanied by hoarseness. This timbre is sometimes associated with a certain aesthetic image: rough and strong masculine beauty, vicissitudes and mature beauty, quite idol-like. In addition, the common contents of rebellion, struggle, ridicule and ridicule in popular songs are also suitable to be expressed in hoarse timbre.
When singing different types of songs, singers with hoarse voices will slightly adjust their timbre to meet the performance needs of songs. For example, when Tayu Lo sang Super Citizen, his voice was broken and explosive, and when he sang Idiot, he was dumb and oppressive, while his silent expression was much cleaner and softer. Everyone's voice has its own specific timbre. Although this timbre has certain flexibility and plasticity, there is a limit to the adjustment and change of sound. If it exceeds the limit, it will cause fatigue of the vocal organs. After a long time, it will also cause lesions. There are many singers with sweet voices who have destroyed their vocal cords by blindly imitating the sound of sand. Ruined his artistic career.
False sound and air sound
The so-called "falsetto" refers to the sound that only some vocal cords vibrate through conscious control when singing, which is higher and weaker than the "true sound" of the whole vocal cords, and the timbre has a crystal clear feeling.
Most pop singers (both men and women) sing with real voices in order to obtain a natural, intimate and close-to-oral style. Some female singers (such as Chyi Yu and Huang Yingying) mainly sing falsetto when singing songs with wide range and strong artistry. Male singers often use falsetto when singing backup voices, such as garfinkel in the American "Simon and garfinkel" duet group and Terry Lin in the Taiwan Province "Youke Lilin" duet group. This is also an important feature of country music style duet. But there are not many male singers who sing in a soft falsetto like the lead singer in Modern Talking.
The key to producing beautiful falsetto is to have a relatively high vocal position. When using falsetto, we should pay attention to the smooth transition between true and false falsetto, and there should be no interruption. Generally speaking, falsetto is weak, but it can also be converted into half-true, half-false, half-dumb and half-dumb calls when necessary. Many heavy metal rock singers like to sing with hoarse falsetto.
False voice can also be used as a way to modify the sound. The "mixed sound" of the combination of true and false sounds can produce a soft, delicate and slightly ethereal artistic effect. Compare Tong Ange and Tu Honggang's The Passer-by of Life. The former sings with pure true voice, while the latter sings with timbre between true and false voice. Liu Huan and Chyi Chin's Winter are also different in this way.
Tong Ange's "I can't forget", Wu's "I love you very much" and "A true story" are all common falsetto techniques in popular songs. In Whitney Houston's "All Love is for You", the song is gently sung in the mid-low range with warm mixed voices, and then the song is gradually pushed to the climax with the true voice of high notes. When it reached the highest point of the song, it suddenly became a very soft falsetto. This is an excellent example of using the conversion of true and false voices to express ups and downs in singing.
China often has a so-called "vocal singing". In fact, "chorus" is not a kind of "singing", but a sound application skill. The key to the difference between tone and tone is not to abuse it. If we can grasp the opportunity and use it properly, we can make the finishing point. For example, American singer Leonard Ritchie sang Hello, which was first repeated in the chorus with passionate voice, and finally gently uttered "I love you" with angry voice, which was very expressive. Teresa Teng of Taiwan Province is also a singer who is very good at using chorus, which is similar to chorus such as "weeping" and "breaking". You must also use it very carefully.
"Crying" is to mix some elements of sobbing and choking into the song. In Bao Nana's Applause, the word "My tears can't help falling" is appropriately added with a little "crying". Madonna sang a song "Love is No More Here", which was full of "crying" from beginning to end, but it was very layered in concrete treatment. First I sobbed gently, and then I sobbed until I burst into tears. There are also some singers who are called "tear-jerkers" in pop music, such as eddie fisher and tom jones in the United States. There is always something "crying" in their voices. Jacky Cheung and Pan Yueyun are also good at singing in Kuqiang. The "breaking sound" produced by the impact of strong airflow on vocal cords is also a very expressive voice modification technique. The word "I" in the last sentence of Liu Huan's The Sun in My Heart is seldom used.
sway
The accompaniment of pop songs generally has a basic rhythm provided by percussion instruments and bass instruments, which is often relatively stable and distinctive. Singers usually make some slight expansion and contraction changes to the rhythm of the melody on the basis of this accompaniment rhythm to break the integrity of its rhythm. This process is called "swing feeling".
Often put off a long note before:
The "hometown cloud" sometimes rushes forward:
Stupidity, etc
Legato of various big beats (such as triplet of quarter notes) is also a common means to form this rhythm change:
Endless love.
The frequent use of syncopation rhythm is an important feature of popular songs. Long-term continuous segmentation often occurs in popular songs in Europe and America, which makes the basic rhythm of accompaniment and the main theme of vocal music dislocation and produces the effect of "floating". Such as "How Deep Is Your Love" sung by Bee Gees:
There are many subtle syncopation rhythms used in other songs, which can produce a unique rhythm. For example, American singer Michael Jackson sang "Heal the Worle".
Cai Hua is a means for singers to improvise and modify the basic melody of songs, which is very common in folk songs and classical bel canto songs, and is a very important form of expression in pop songs, especially jazz songs.
In the movie "Liberated", there is an instrumental music, and one of the melodies goes like this:
"The Melody of Liberation" sung by the "Justice Brothers" singing group is composed of lyrics. When they sing, they polish it with colorful melodies, and this melody becomes like this:
The episode "I will always love you" in the movie "Bodyguard" was originally a simple country song. Whitney Houston added a lot of coloratura in her singing, which made this song gorgeous and unrestrained:
Coloratura is often used as a means of "variation" when phrases or paragraphs are repeated, so that music can gain greater development momentum, just like Taiwan Province singer Yang Qinghuang sang "One Day".
Sometimes coloratura can also be used as a backup singer and stated at the same time as the unadorned melody prototype. The following is "Sailing" sung by British singer Rod Stewart:
The end of the song is also a good time to show coloratura, such as the end of "I don't know how much" sung by American black singers Aaron and Nayville:
Cai Hua needs superb singing skills. Singers must be able to master difficult skills such as true and false tone conversion, vibrato, pause and fast melody running. Cai Hua also needs the ability to improvise melodies. This kind of creation is not groundless fabrication, but based on the melody trend, harmony framework, emotional development and artistic style of the song. In essence, Cai Hua is a subconscious performance of the singer in a state of high passion, and the success or failure of this performance depends on the singer's usual artistic feelings, cultivation and accumulation.
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Very complete
I believe you can do it.
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