What is the reputation of the animated film Our Winter Olympics?

What is the reputation of the animated film Our Winter Olympics? The reputation is particularly good.

First of all, it is not easy. Film planning is not easy. The difficulty of the whole process can be imagined. There are so many classic domestic anime characters, and their production methods are also different. Each IP also has its own worldview and unique expression. At the same time, it takes too much ingenuity to integrate and connect the Winter Olympics completely. As the chief content controller, Mr. Run Niandong began to design the scheme very early and determined the order of the four stories as soon as possible. It is precisely because of this rigorous and efficient arrangement that we can be at ease in the face of tight production cycle.

Secondly, talk about the creative process of this part.

In terms of production, the production process of the original series is all completed within the company, and there is a relatively independent production system. However, there are bound to be several challenges when moving to the big screen this time. 1, the accuracy of drawing needs to be relatively improved to support the details to be enlarged on the big screen; 2. Compared with the original independent process, the five-month production cycle is still a drop in the bucket, so it is necessary to expand cooperation. Then, introducing a more industrialized two-dimensional manufacturing process has become a big challenge this time. But fortunately, the friends of the non-human team are really excellent! Under the severe construction period, we have not lost our original best dynamic performance, but also upgraded our painting style and background art. We still have to applaud the partners who work hard day and night in the team!

In terms of content, I also feel the tolerance and openness of the team in the process of collective creation. Every partner can contribute his own strength and wisdom-Director Zhang Zhe inserted Allegro in curling; Director Wang Liwen designed an interesting hutong chase scene; The clock guide subtly shaped the first encounter between September and the ice pier. Repeatedly revised artistic style strives for perfection. It is precisely because of this that this chapter is full of surprises and flashes of joy. What makes me feel gratified behind this is that I really feel the spirit of cooperation among animators, which adds more hope for the future of China animation.

Finally, it is because of the cooperative spirit of China animators that our Winter Olympics came into being, and it is also because of the sparks of new and old animated characters that the current China animation came into being. Therefore, I am very grateful to the project team of Our Winter Olympics, especially Mr. Wang Chen, for a wonderful collision between China animation and the Olympic spirit.