Talk about your daughter's feelings.

Subtitle: Writing "Peach Leaves Crossing Homesickness", the answer alludes to Li Wan, and Jia's life is more exciting after copying his family.

Interesting talk about the Red Mansion 230: Husband and wife are doomed, peach leaves cross homesickness, daughter is strong, and Li Gong cuts home.

Jia told everyone that it was all right. "It's better to write a poem as a lantern riddle and play together next year." So Li Wan took all the people to play spring lantern riddles in the warm fragrant dock, and Xue Baoqin and Cai Jie suddenly thought of ten, that is, "Xue Xiaomei's Nostalgia Poems".

Xue Baoqin's ten ancient poems are ten riddles, and the answer is ten ordinary things. "Jun Jian Ya Kan Hong Lou" thinks that the top ten mysteries are river lanterns, hammers, round fans and rice, oil, salt, sauce, vinegar and tea.

In fact, in addition to riddles, ten ancient poems about nostalgia also metaphor ten of the twelve women in Jinling. Except Qiao Jie and Wang Xifeng, only Xue Baochai did not miss the past in Huaiyin. It's all because Baoqin said Baochai said it. Ten nostalgic poems are also equivalent to those written by Xue Baochai, so I don't allude to myself and don't mention them.

As we said earlier, the answer to "The Past of Guangling" is "vinegar". He also borrowed the kindness of Emperor Yang Di to build the Grand Canal, but was vilified as a romantic and fatuous emperor.

Xue Baoqin's Guangling Nostalgia is unfair to Yang Di, because it alludes to the story of Qin Keqing being slandered and "crawled" before and after his death.

Looking Back on the Past in Guangling is followed by Peach Leaves Crossing the Past, which tells a sad story of impermanence through the brief love between Wang Xianzhi and his concubine Peach Leaves.

Peach leaves crossed over, the sixth time.

The withered grass and idle flowers reflect the shallow pool, and the peach blossoms are always separated.

During the Six Dynasties, there were many Liang Dong, and small photos were hung on the walls.

According to legend, Wang Xianzhi, a calligrapher in Jin Dynasty, was called "Two Kings". After middle age, he had a concubine named Ye Tao. At that time, peach leaves often traveled to and from Qinhuai River. Wang Xianzhi always goes to the ferry to pick up my concubine. He once wrote three "Songs of Peach Leaves" as gifts to Peach Leaves, and Peach Leaves wrote four "Songs of the Round Fan" as an answer.

Later generations attached a ferry to Taoyedu, located at the intersection of Qinhuai River and Qingxi River in Nanjing.

Song of peach leaves

Peach leaves reflect red flowers, and there is no wind and graceful.

What is the limit of spring flowers? I was the only one who came to pick me up.

Peach leaf compound peach leaf, peach tree with peach root.

The two pleasures of sympathy make me diligent.

Peach leaves, like peach leaves, do not need to cross the river.

But there is nothing to cross, and I welcome you myself.

Song of Peach Leaves shows Wang Xianzhi's love for peach leaves and the true feelings revealed by the love between lovers.

Fan zhige:

Seven treasures draw a round fan, bright moonlight. It's summer with Lang, but we can't forget each other.

Bamboo in the green forest can be used as a white fan. Hold Yu Lang's hand, because the wind is convenient.

The round fan is complicated and self-defeating. Haggard and unreasonable, ashamed to see Lang.

White fan in hand, as clean as autumn moon. The breeze moves freely, and the charming wind sends it freely.

Song of the Fan expresses Ye Tao's concern, yearning, illness and lyricism with a fan.

Peach leaf is named peach leaf, and it is said that there are two versions of its identity. One is a girl selling fans by Qinhuai River, and the other is a girl selling inkstones. Which one failed the exam.

On the surface, it seems that as a peach leaf, the answer to "Peach leaves crossing the past" should be "inkstone" or "fan". Actually, it's not when you think about it. Let's take a look at this poem first. What is it specifically about?

"Dry grass and idle flowers are reflected in the shallow pond." Autumn has come, and withered grass and withered flowers are reflected in the shallow pond.

In autumn, rotten grass and flowers are shallow ponds ... showing the decadence of autumn. It heralds the tragic ending of Wang Xianzhi and Ye Tao.

"The branches and leaves of peach trees are always separated." Peach blossom branches and leaves will inevitably separate again.

Wang Xianzhi, like his concubine Taoye, can't last forever after all, but they are still separated.

"There were so many Liang Dong in the Six Dynasties," said Wang Jia, a veteran of several generations of Jin Dynasty, while Wang Xianzhi, as a secretariat, was equal to the prime minister and seemed to have unlimited scenery.

"There are small photos hanging on the wall." Leaving only a small portrait of the Iraqi on the wall, reminiscing alone.

"Biography of Wang Xianzhi in the Book of Jin" records: "(Wang Xianzhi) tasted the wall of the book as the abbot's big character, and Xi thought he was capable, with hundreds of viewers. Huan Wen tried to make (present) a book fan, and the pen fell by mistake, because the painting was a black cow, which was wonderful. "

But the word "small photo" combined with the above, refers to the meaning of peach leaf portrait.

Wang Xianzhi was born in the Eastern Jin Dynasty, the son of Wang Xie's family, the book sage Wang Xizhi, and the first person in the world. But he is not happy. Wang Xianzhi was ordered by his parents to marry his cousin when he was a teenager, and was forced to marry the princess at the age of 30. At the age of forty, I met my concubine, Taoye, but in a blink of an eye, they all turned into fleeting clouds like Taozhi Taoye.

In the bleak autumn wind, the whole poem "Peach Leaves Crossing the Past" was devastated, and the peach leaves left the peach branches. It shows that Wang Xianzhi lost the peach leaf of his beloved concubine. Even if Wang Xianzhi grew up in a powerful six-dynasty royal family, he would not be satisfied with his position in the Secretariat. My concubine Taoye "left him" and can only recall her former lover with the help of the small image hanging on the wall.

Judging from the artistic conception of "peach leaves over homesickness", peach leaves are undoubtedly dead. The poem expresses Wang Xianzhi's memory of his beloved concubine, Taoye.

A close reading of Peach Leaves Crossing Homesickness reveals that the central idea is not peach leaves, but parting. Ye Tao's so-called status as a "girl selling inkstones" and "girl selling fans" is a cover. The real answer lies in the first and second sentences.

"The branches and leaves of peach trees are always separated." If the peach branches and leaves are compared to tea leaves, only the peach branches and leaves are left after the tea leaves are picked. Making tea into scented tea and soaking it in a bowl is not like a portrayal of "withered grass falling into a shallow pond"

Therefore, the real answer to "Peach Leaves Crossing Homesickness" is "tea". Together with Zhongshan nostalgia, Huaiyin nostalgia and Guangling nostalgia, seven things will soon be formed, opening the door of "rice, oil, salt, sauce and vinegar tea". This is really a "vulgar thing"!

Because the first two sentences of the poem talk about parting through "tea", the last two sentences talk about your future through the love between Wang Xianzhi and Ye Tao. To sum up, I know that the object of innuendo in Peach Leaves Crossing the Past is Li Wan.

Li Wan was born in Jinling, a noble family. Everyone in the family studies, and there are often officials. She is married to Jia Zhu, the eldest grandson of Jia Daishan, the Rong Gong of Jinling, and is also a hereditary family. It's just Rainbow in the Eastern Jin Dynasty, "There were so many Liang Dong in the Six Dynasties".

Marrying Li Wan is a way for the Jia family to continue their marriage.

Lin Ruhai and Jia Min belong to the marriage between nobles, and their portals are quite similar. The marriage between Li Wan and Jia Zhu is a secular and aristocratic marriage. Like peach leaves and Wang Xianzhi.

Li Wan's Li family is certainly not as good as Jia's, but it is also extraordinary.

With Li Shouzhong's stubbornness, he may not be willing to cling to Jia Fu. Nine times out of ten, this marriage has something to do with Lin Ruhai.

Li Wan married into the Jia family, became the grandmother of Zhu, and will be the head of the family in the future. Soon gave birth to a son, Jia Lan, the fifth generation grandson of the government.

It turns out that everything is beautiful. Who would have thought that Jia Zhu died suddenly at the age of twenty? "So, although this Li Wan is young and widowed and lives in a beautiful home, she is like a dying ember. She only knows how to serve her relatives and raise children, and she only studies with her sister-in-law. "

Li Wan lost her husband in her teens. It's just that Rainbow Xianzhi lost his concubine's peach leaves in "Peach Leaves Crossing the Past". The eternal separation of "peach branches and leaves" is not long for loving couples.

And "peach" was a symbol of a good wife and mother in ancient times.

The Book of Songs Nantao Yao Tao;

Peach blossoms are in full bloom, colorful and fiery red. The girl is going to get married and be happy at her husband's house.

It is a duty for peaches to die. The girl is going to get married, and the heir who gave birth early is going to make a fortune.

Peach blossoms are in full bloom, and green leaves are lush and never fall. The girl is getting married, and Comix is in harmony.

Another meaning of "peach" in "Peach Leaves Crossing Homesickness" implies Li Wan's moral model.

After the girl in Peach Blossom Luck married into her husband's family, the husband and wife were happy, the children were prosperous and the family was prosperous and harmonious. "Peach" represents the virtue of the woman's family.

After our property was looted, the big tree fell down and our Jia family was defeated. Men are useless at this time. Jia Lan is the only one left in the small group.

It was Li Wan who stood up at this time, determined to take Jia Lan through the difficult embarrassment of "yesterday's pity and rags" and made great efforts to study hard. Finally, Jia Lan became the No.1 senior official and later revived Jia Fu.

Judging from the foreshadowing of A Dream of Red Mansions, although the Jiafu of Rongning's Second Duke perished, Jia Lan's Jiafu rose again and continued. Just like Xie Wang's house, it is endless. This is also the reason why "Peach Leaves Crossing Homesickness" alludes to Li Wan.

Li Wan is a good teacher and has made great contributions to protecting Tao. Cao Xueqin also praised Jia Baoyu for "adding green flowers to the songs and protecting Qin Caier's fragrance", and gave her the highest evaluation in poetry, style and elegance.

Li Wan's life really began and flourished after Jia Jia's property! It is true that she lived a hard life. It was not until she was old that her mother took her children to the prime of life and died not long after. But for a mother, although she is eager to succeed in her life, she has no regrets and is satisfied.

The answer to "Peach Leaves Crossing Homesickness" is "Tea", and the tragic life of Li Wan's widowhood is narrated by Wang Xianzhi and "Peach Leaves Where to Go". It also alludes to Li Wan's virtue and political integrity as the hope of Jia Fu's future.

Next, we will welcome the long-awaited Nostalgia of Qingling. Regarding its mystery and innuendo, if you want to know what will happen next time, please see the next decomposition!

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