A short sentence praising blue and white porcelain

1. Which sentences in blue and white porcelain look better? From "Yi Deng's Sorrow at the Independent Window" in Answer Straight to "You are as beautiful as snow when you leave" in "Thousands of miles away" and then to "I will send you away, thousands of miles away, you are silent in black and white", it is an eternal theme for singers to stay sad.

Blue and white porcelain brings us a surprise that this parting is described more delicately, hidden more implicitly, and has a unique charm, like a green olive in the mouth, which can be remembered slowly. In artistic conception, "Blue and White Porcelain" is like a misty and rainy landscape in the south of the Yangtze River, and the white skirt and nepotism of Iraqis can be seen faintly between the water and clouds. In terms of words and expressions, blue and white porcelain is a simple note written at the end of the pen, which twists and turns only because the heart is like a double screen with a Qian Qian knot in it; In tune, blue and white porcelain is like a mountain spring flowing quietly on the stone in the breeze, clear and bright, winding. These three things are superimposed in one place. The blue-and-white porcelain of the Song Dynasty, as the name implies, is like the best celadon of "self-care beauty". It washes away the lead, is simple and elegant, and is fresh and smooth.

The Chinese style of "Blue and White Porcelain" is particularly touching, with guzheng playing and crisp pipa gurgling. Vincent fang used a series of words such as "vegetarian embryo", "lady" and "Han Li" to describe the elegant demeanor of blue-and-white porcelain handed down from ancient times. Jay Chou's singing is gentle and simple, with a little rudiment of Jiangnan opera. Wonderful lyrics and retro music constitute an R&B masterpiece.

In Blue and White Porcelain, I heard that revisiting the old place in Direct Answer is a kind of faint sadness. In Hair Like Snow, I heard the past and the sighs of future generations, and I also heard the unforgettable life waiting in Thousands of Miles away, and even heard the love oath weathered for thousands of years in Love in BC ... The most touching word in blue and white porcelain, I

A word "wait" sang a lot of helplessness and sighs. This kind is hopeless, waiting for the afterlife, knowing that it can't wait, but just singing in a faint tone, as if just waiting for the sunrise every day; While waiting, you can read and write, recite poems and paint, enjoy flowers and play the piano, but you will never forget the person waiting.

Is it painful? No, "Blue and White Porcelain" sings so leisurely that the original sadness can slowly fade away. What if you don't arrive and love to leave? All beings are suffering, and waiting is also a good mood. It is better to meet each other in this life, only to lay the groundwork for the reunion in the next life. I can't help but feel relieved when I think about it.

Even if we can't meet again, we should be grateful that we had a glimpse. Who can hide Mount Fuji with love? So is blue and white porcelain.

At least, we can look at the smoke from the kitchen in the south of the Yangtze River from a distance across the Qian Shan, and silently miss the faint back in our memory across the vast sea of people, just as we quietly watch the blue and white porcelain pass through many history and pass on from generation to generation. The rain outside the banana curtain is urgent, and time passes in a hurry; Blue-and-white porcelain looks old, and only I am getting old. Your beauty will always be fixed on the never-fading blue-and-white porcelain, which can be appreciated, pondered and watched.

2. The sentence describing the blue and white porcelain of orchids is an ordinary piece of paper with several ink marks on it. The knocker provoked verdigris and it rained a few times. How much is Iraqi ecstasy when you lock the door?

————— Inscription

Every time I go to Jingdezhen, I always like to bring back some blue and white porcelain.

I like the green glaze on blue and white porcelain for no reason, just like listening to Wu Nong's soft language, soft and lazy, and I don't know where I am. , full of joy.

I have always liked some old things, such as black and white photos, which faintly exude the smell of old wheat straw; I like to collect some old books, which have a strong ink fragrance; I like to visit old streets and feel the joy of dust settling.

In the south of the Yangtze River in late autumn, the clouds are rolling and the water is cool, and the Iraqis are alone. Outside the window, the rain hits the banana, the phoenix tree rains in the middle of the night, and the Iraqi people grind paper. The sky is blue and raining, but for whom are Iraqis getting thinner?

In the past years, a love that consumed everything. The old man who burned the kiln wrote official script at the bottom of the bottle with tears in his eyes. Ran Ran on blue and white porcelain has the warmth of time, and the years fade from the depths of ink.

The evening breeze blows on the window lattice, my heart is addicted to blue and white porcelain, and I feel that I have seen the time again. Plain but not turbid, light and subtle, tactfully delicate, like the karma of previous lives, calmly beating horses.

There is a lotus bottle in my grandfather's bookstore, which was brought by my grandmother. Later, my grandmother died, and my grandfather broke the vase, polished it into a piece of porcelain and wrapped it around my wrist.

Spiritual jade will produce smoke, and so will porcelain. I have been with her for a long time, hiding the warmth in a vessel, and some memories are swaying like spring.

When I fell in love with her, it was my worst time. I couldn't afford to send her gold and silver jewelry, so I hid in the porcelain kiln, spent a few nights polishing the embryo and burned a string of porcelain bracelets with my heart.

She still wears that bracelet and shows it off in the crowd. She said that this is the best gift she has ever received in her life.

The darkness of night wraps me tightly, like the warmth of blue and white porcelain.

3. Praise the blue-and-white porcelain of Jingdezhen, and the glaze marks of painting show nature in the hands of old masons;

Jingdezhen porcelain has been "famous in the world" since Chen, and "fake jade" appeared as a palace tribute in the Tang Dynasty, and it was even more "called Jingdezhen porcelain in the world" in the Song Dynasty. The aesthetic concept of "green and beneficial tea" advocated by Lu Yu in the Tang Dynasty made Yue kiln celadon, which is known as "thousand peaks and thousands of greens", hide the light of many porcelains in the same period. Although the wind of "fighting tea" prevailed in the Song Dynasty, the excellent situation that "pottery industry was protected by the royal family" made many porcelains shine brilliantly. In the case of equal opportunities, Jingdezhen monopolized the ruling and opposition parties with "thin" blue and white porcelain. In particular, the renaming of Jingdezhen further established the status of Jingdezhen porcelain in the upper class. Westerners even praised Jingdezhen's Song Dynasty as "the era of porcelain success".

After the Song Dynasty, Jingdezhen porcelain became more and more familiar to people and was appreciated and praised by scholars, which greatly enriched the connotation of China literature and China literati life. But strangely, in the Tang Dynasty, almost all beautiful adjectives were monopolized by celadon and white porcelain. People describe Yue kiln celadon as "jade as ice" and Xing kiln white porcelain as "silver as snow". The "green" of Yue Kiln is "ancient mirror breaks moss" and "tender lotus dew", while white porcelain is "buckled like mourning jade" and "better than frost and snow". As a blue-and-white porcelain with both, it really makes literati rack their brains. In fact, in Lu Tao, Jingdezhen, Lan Pu in the Qing Dynasty also talked about the porcelain produced by Jingdezhen fire kiln in the Tang Dynasty. "The pigment is so greasy, the quality is thin, and the best is like jade"; Gong also said in Jingdezhen Ceramic Song: "No wonder Wu De used to call fake jade porcelain, which is the real jade today." Jade as a metaphor for porcelain is an important aesthetic feature of porcelain in Tang Dynasty. The praise of Jingdezhen celadon is represented by the sentences in the Song Dynasty poet Li Qingzhao's Drunken Flower Shadow. All day long, the fog is thick and the clouds are sad, the golden beast is sold in the brain, the double ninth festival is celebrated, and the jade pillow gauze pavilion is cool at midnight. The "jade pillow" in this paper refers to Jingdezhen blue-and-white porcelain, which is jade-colored. Jade is an elegant instrument of literati, which is more similar to the character and virtue of literati. In ancient times, there was a saying that "a gentleman is better than jade". The beauty of porcelain is like jade. Li Qingzhao's gentle style, melancholy feelings and childlike heart are all contained in the "jade pillow" (jade-like celadon pillow), which is still as moist as a pale cloud. "jade-like blue" means "hidden feelings" and gives celadon many mysterious meanings.

Blue and white porcelain is a representative porcelain variety in Jingdezhen. The Yuan Dynasty was the most classic and flourished in the Ming and Qing Dynasties. It features white orchids and is known as the "Pearl of China". Blue and white porcelain is also one of the most influential Jingdezhen porcelain varieties overseas. The "Java Strip" in "Ying Ya Sheng Lan" reads: "China people like China blue and white porcelain best." /kloc-French rococo art in the 0/8th century was influenced by Jingdezhen blue and white porcelain. As Koichiro Kobayashi said in the article "The Formation of Rococo", "At that time, the only mode that could provide such a substantial curve was China's arts and crafts. Especially the curve of soft porcelain, this rococo curve retains the elegant and dignified style of China porcelain and contains strong vitality. " The Japanese even called the blue-and-white porcelain of the Ming Dynasty "Plain Muscle jade bone".

Blue and white porcelain is clean and elegant, which is similar to China's ink painting, so it is appreciated, praised and collected by scholars. Blue and white porcelain can be seen in the inkstone washing of literati, the cups and bowls of Ming and Qing courts, and even the decoration and whitewashing of overseas royal families. It can be seen from Jingdezhen Taoqu that people commented on it at that time: "White glazed blue and white flowers are made in one fire, and the flowers spit out from the glaze. Can participate in the creation of innate wonder, infinite source Tai Chi Sheng. " It is not an exaggeration to describe blue and white porcelain with exquisite craftsmanship and natural beauty. It is worth mentioning that among the porcelain varieties in Jingdezhen, only blue-and-white porcelain can reflect the poetry, painting and situation of literati. Literati' direct participation in the creation of blue-and-white porcelain is the main reason why blue-and-white porcelain, as a kind of arts and crafts, is moving towards the position of literati art. This is mainly reflected in the following aspects: First, the poetic tendency of utensils modeling. Like a jade pot and a spring bottle. It comes from the poem "The First Spring of the Jade Pot" in the Tang Dynasty. Plum bottles mean "thin bones of plums". Second, the literati tendency of decorative themes. Blue and white porcelain is often decorated with paintings and poems that literati like. Such as: "three friends of the old cold"-pine, bamboo and plum, "four gentlemen"-Mei Lan, bamboo and chrysanthemum. There are four famous "love figures": Wang Xizhi loves orchids, Zhou Maoshu loves lotus flowers, Meng Haoran loves plum blossoms and Lin Hejing loves cranes. And the landscapes that literati like. There are also themes that directly reflect the literati's own life: such as reading, drinking tea, meditation, outing, elegant collection and so on. Or historical fairy tales, such as "Xiao He Chasing Han Xin under the Moon", "Empty City Plan", "Wandering Immortals for Birthdays" and "Eight Immortals Crossing the Sea"; Thirdly, we should learn from the literati's brushwork in the method of expression. For example, there are brushstrokes of Xu Wei and Badashan people in flower-and-bird paintings, and there are "four kings" in landscape paintings. Fourthly, the layout of porcelain decoration absorbs many characteristics of Chinese painting, such as the integration of poetry, books and seals. This seems to be more obvious in the era of Tang Ying (1682~ 1756), who was the governor of the Qing Dynasty. If a blue-and-white porcelain is unfolded along the section, it is actually a typical Chinese painting. Five, there are some typical titles related to porcelain, all of which are rich in literary talent. Such as the names of fasting: Daya fasting, Ningyuan fasting, Congju fasting, Wenxin fasting, etc. Such as hall names: Shugutang, Qinzhitang, Yutingtang, Mingyuantang, etc. In addition, such as "Qing Opera" and "Xiangxi Leisure Opera" also appeared on porcelain.

4. Praise the blue-and-white porcelain of Jingdezhen, and the painted glaze marks reveal nature in the hands of old masons;

Jingdezhen porcelain has been "famous in the world" since Chen, and "fake jade" appeared as a palace tribute in the Tang Dynasty, and it was even more "called Jingdezhen porcelain in the world" in the Song Dynasty. The aesthetic concept of "green and beneficial tea" advocated by Lu Yu in the Tang Dynasty made Yue kiln celadon, which is known as "thousand peaks and thousands of greens", hide the light of many porcelains in the same period. Although the wind of "fighting tea" prevailed in the Song Dynasty, the excellent situation that "pottery industry was protected by the royal family" made many porcelains shine brilliantly. In the case of equal opportunities, Jingdezhen monopolized the ruling and opposition parties with "thin" blue and white porcelain. In particular, the renaming of Jingdezhen further established the status of Jingdezhen porcelain in the upper class. Westerners even praised Jingdezhen's Song Dynasty as "the era of porcelain success".

After the Song Dynasty, Jingdezhen porcelain became more and more familiar to people and was appreciated and praised by scholars, which greatly enriched the connotation of China literature and China literati life. But strangely, in the Tang Dynasty, almost all beautiful adjectives were monopolized by celadon and white porcelain. People describe Yue kiln celadon as "jade as ice" and Xing kiln white porcelain as "silver as snow". The "green" of Yue Kiln is "ancient mirror breaks moss" and "tender lotus dew", while white porcelain is "buckled like mourning jade" and "better than frost and snow". As a blue-and-white porcelain with both, it really makes literati rack their brains. In fact, in Lu Tao, Jingdezhen, Lan Pu in the Qing Dynasty also talked about the porcelain produced by Jingdezhen fire kiln in the Tang Dynasty. "The pigment is so greasy, the quality is thin, and the best is like jade"; Gong also said in Jingdezhen Ceramic Song: "No wonder Wu De used to call fake jade porcelain, which is the real jade today." Jade as a metaphor for porcelain is an important aesthetic feature of porcelain in Tang Dynasty. The praise of Jingdezhen celadon is represented by the sentences in the Song Dynasty poet Li Qingzhao's Drunken Flower Shadow. All day long, the fog is thick and the clouds are sad, the golden beast is sold in the brain, the double ninth festival is celebrated, and the jade pillow gauze pavilion is cool at midnight. The "jade pillow" in this paper refers to Jingdezhen blue-and-white porcelain, which is jade-colored. Jade is an elegant instrument of literati, which is more similar to the character and virtue of literati. In ancient times, there was a saying that "a gentleman is better than jade". The beauty of porcelain is like jade. Li Qingzhao's gentle style, melancholy feelings and childlike heart are all contained in the "jade pillow" (jade-like celadon pillow), which is still as moist as a pale cloud. "jade-like blue" means "hidden feelings" and gives celadon many mysterious meanings.

Blue and white porcelain is a representative porcelain variety in Jingdezhen. The Yuan Dynasty was the most classic and flourished in the Ming and Qing Dynasties. It features white orchids and is known as the "Pearl of China". Blue and white porcelain is also one of the most influential Jingdezhen porcelain varieties overseas. The "Java Strip" in "Ying Ya Sheng Lan" reads: "China people like China blue and white porcelain best." /kloc-French rococo art in the 0/8th century was influenced by Jingdezhen blue and white porcelain. As Koichiro Kobayashi said in the article "The Formation of Rococo", "At that time, the only mode that could provide such a substantial curve was China's arts and crafts. Especially the curve of soft porcelain, this rococo curve retains the elegant and dignified style of China porcelain and contains strong vitality. " The Japanese even called the blue-and-white porcelain of the Ming Dynasty "Plain Muscle jade bone".

Blue and white porcelain is clean and elegant, which is similar to China's ink painting, so it is appreciated, praised and collected by scholars. Blue and white porcelain can be seen in the inkstone washing of literati, the cups and bowls of Ming and Qing courts, and even the decoration and whitewashing of overseas royal families. It can be seen from Jingdezhen Taoqu that people commented on it at that time: "White glazed blue and white flowers are made in one fire, and the flowers spit out from the glaze. Can participate in the creation of innate wonder, infinite source Tai Chi Sheng. " It is not an exaggeration to describe blue and white porcelain with exquisite craftsmanship and natural beauty. It is worth mentioning that among the porcelain varieties in Jingdezhen, only blue-and-white porcelain can reflect the poetry, painting and situation of literati. Literati' direct participation in the creation of blue-and-white porcelain is the main reason why blue-and-white porcelain, as a kind of arts and crafts, is moving towards the position of literati art. This is mainly reflected in the following aspects: First, the poetic tendency of utensils modeling. Like a jade pot and a spring bottle. It comes from the poem "The First Spring of the Jade Pot" in the Tang Dynasty. Plum bottles mean "thin bones of plums". Second, the literati tendency of decorative themes. Blue and white porcelain is often decorated with paintings and poems that literati like. Such as: "three friends of the old cold"-pine, bamboo and plum, "four gentlemen"-Mei Lan, bamboo and chrysanthemum. There are four famous "love figures": Wang Xizhi loves orchids, Zhou Maoshu loves lotus flowers, Meng Haoran loves plum blossoms and Lin Hejing loves cranes. And the landscapes that literati like. There are also themes that directly reflect the literati's own life: such as reading, drinking tea, meditation, outing, elegant collection and so on. Or historical fairy tales, such as "Xiao He Chasing Han Xin under the Moon", "Empty City Plan", "Wandering Immortals for Birthdays" and "Eight Immortals Crossing the Sea"; Thirdly, we should learn from the literati's brushwork in the method of expression. For example, there are brushstrokes of Xu Wei and Badashan people in flower-and-bird paintings, and there are "four kings" in landscape paintings. Fourthly, the layout of porcelain decoration absorbs many characteristics of Chinese painting, such as the integration of poetry, books and seals. This seems to be more obvious in the era of Tang Ying (1682~ 1756), who was the governor of the Qing Dynasty. If a blue-and-white porcelain is unfolded along the section, it is actually a typical Chinese painting. Five, there are some typical titles related to porcelain, all of which are rich in literary talent. Such as the names of fasting: Daya fasting, Ningyuan fasting, Congju fasting, Wenxin fasting, etc. Such as hall names: Shugutang, Qinzhitang, Yutingtang, Mingyuantang, etc. In addition, such as "Qing Opera" and "Xiangxi Leisure Opera" also appeared on porcelain.

5. The sentence describing porcelain 1. I am blue and white porcelain handed down from generation to generation! I am the combination of soil and water, the sublimation of glaze and fire, and the blending of aesthetics and strength. The brush came out of the shadow of the nib on the rice paper, the glaze color of the bottle was dyed into rich peony, the noble and quiet splash-ink landscape was gently painted on me, and the white sandalwood smoke rising from the carved incense burner lingered around me. This is how I was born, full of aura. It seems that the poet is creating a dream with Miao Yan's beautiful words, a gentle and elegant dream. It is those aestheticism and romance that make me have a different fate.

2, holding a cup of tea, boutique, facing the blue and white porcelain of plain white jade embryo, my thoughts began to wander. Plain white jade embryo, like your plain face, is naturally carved, and clear water produces hibiscus. The dark blue peony outlined in front of the sideways looks like a smile when looking back, and it is as subtle and beautiful as a budding bud.

3. First of all, a bottle, a bowl ... elegant porcelain jumped out of Fang Zhouzi's lyrics and appeared in front of my eyes. Flowers and bundles of blue and white flowers slowly appeared on the original snow-white porcelain embryo. They bloomed heartily on the plain embryo, and they grew rapidly, one by one, filling the whole plain embryo, leaving only a little gap. Blue peony and blue gourd leaves fluttered with open arms without wind to meet my surprised eyes. Peony petals lazily open, Hua Teng hugged the peony. Small peony leaves rippled gently with the water waves, dancing and rippling on the still blue and white porcelain bottle.