The skills of broadcasting.

In fact, for the students majoring in broadcasting and hosting, the knowledge of breath does not enable them to learn the real method of controlling breathing, but only provides a basis for reference and comparison. That is to say, only after we find the feeling of chest and abdomen breathing together can we compare this feeling with the correct theory in the book, test our feelings and adjust our state.

We mainly talk about practical methods to realize correct breathing methods. Only by knowing the correct method can we keep practicing and fix this feeling on this basis.

Method 1: This exercise should be conducted by two people, both of whom are in the same phase. Exercisers help people in front and behind. The latter puts his hands on the former's back waist, and presses the back waist with his hands slightly. At this time, the practitioner will use the strength of the waist to slowly push the hands pressed against the waist away. Pay attention to the hard part and remember the feeling of muscle movement in this position. At the same time, you must move slowly and practice repeatedly. When a single person does an exercise, his hands are crossed on his back, that is, his left hand touches the right part of his lower back, his right hand touches the left part of his lower back, and his shoulders are relaxed.

Method 2: this method is practiced on the basis of one, and this exercise is done after keeping the feeling of stretching the lower back.

1. Stay excited.

2. Keep smiling.

○3. Open your eyebrows and waist, and inhale slowly only through your nose.

○4. Repeat the previous step, but change the nasal air intake to simultaneous nasal and oral air intake.

Note: the process must be slow, and feel the breath flowing from the eyebrows, nose and mouth into the open waist.

The above methods can easily help us find the feeling of inspiration, but you should know that this is only the first step. What we call chest-abdomen combined breathing is a more important part of exhalation. We can think that the respiratory diaphragm is completed in the process of rising and falling.

When inhaling, as the breath enters the chest cavity and abdominal cavity from the nose and mouth at the same time, the inflow from top to bottom forces the diaphragm to descend, so that we can inhale more air.

When exhaling, the state is just the opposite of when inhaling, and the diaphragm is lifted up, so that the breath is pressed out.

The above is basically the basic process of combined chest and abdomen breathing. But what we should pay more attention to is that the key to learning breath is the combination of breath and pronunciation, so we need to train the combination of pronunciation and breath, which is particularly important, because we found in teaching that many students can achieve the requirement of "breathing-sucking", but they have no breath to support and rely on when expressing. Let's talk about the combination of voice and breath first.

2. The combination of "voice-breathing"

When we are doing inhalation training, there is such a training "hey-ha-ho-ho" to train our diaphragm performance. We can also use the variation of this exercise to practice the combination of breath and pronunciation, as follows:

We use the sound "ei" to understand that the movement of the lower abdomen is combined with the pronunciation of words. At the beginning, when we consciously pronounce the sound "ei", we will slightly close our lower abdomen. This is the first stage. After we have some experience of this sound, we will find the feeling of combining the micro-contraction of the lower abdomen with pronunciation. It should be noted that at the beginning of practice, there will be a problem that the lower abdomen and pronunciation are out of sync. At this time, we must consciously control the lower abdomen. After this stage, we will gradually move our consciousness away from the lower abdomen and achieve "full automation". This process can only be achieved through repeated practice, because it is to change the original state of life formed over the years.

When changing "ei" into a monosyllabic word, you should pay attention to one breath, one word, and close (the lower abdomen). The next step is to turn words into words, in the same way. One breath, one word, hold (the lower abdomen). Finally, gradually transition to short sentences.

Another training that combines pronunciation with breathing is "hey" repetition. At the beginning, just pronounce three black sounds at a time. The key is to find the feeling of "synchronization". With the improvement of practice proficiency and ability, we can make seven or eight continuous solid, powerful and synchronous black sounds in one breath, but in pronunciation,

It is also said here that there are several points to be emphasized in chest-abdomen combined breathing:

(1) confrontation

This confrontation refers to the confrontation between the lower abdomen and the lower back. The lower abdomen is slightly forced inward, and the lower back is propped up and opened. These two forces are opposites, and it is these two opposing forces that control breathing. Note: the abdomen is inward, not outward. But in the abdomen (three inches below the navel) to find a sense of concentration, which is the "general commander" of breathing control. We have more control over our abdomen when playing high notes, and more control when our breathing is almost exhausted. So we can experience the feeling of abdominal control through these two stages, and it is quite necessary to find this feeling. We will talk about the "acoustic emission line" later.

(2) Feeling of support

This is also the feeling that needs to be found when mastering the chest-abdomen combined breathing method. The so-called support, there are several points worthy of attention. In the process of breathing, we will feel that our ribs are stretched and our waist is stretched. This feeling of stretching makes us feel that our backs are stretched and our belts are gradually tightened.

(3) Air column feeling

This feeling is that there is a vertical air column in our body, which runs through it from top to bottom. Note: When we experience this feeling, our bodies must be "upright" and "straight", and we must be excited and calm to find a stable feeling. On the whole, the gas column is full, full and continuous.

(4) sense of flow

This is also an abstract feeling, but we can feel it by inhaling deeply, fully and fully, then pressing the breath into the abdominal cavity for a few seconds with our mind, and then lifting the breath into the chest for a few seconds. In this way, you will find the feeling of breath movement after repeated practice several times, and at the same time feel the flow in the process of breath pressure and lifting, and try to make it smooth.

We mentioned the word "acoustic emission line" above, and here we will explain it by combining the two lines of "respiratory movement line".

Ok, let's talk about the problem that "the sound goes to the line in the breath". In fact, the direction of sound and breath is basically the same. Pull out a elastic belt from the abdomen (Tian Dan), and the vertically rising throat pops out along the soft palate-the longitudinal line in the mouth-along the oral vault-in front of the hard palate. Here are a few examples to help us understand.

1. Pronunciation must go along the dome of the top cover.

2. Pronunciation must press down the front of the hard palate.

3. There is a kind of pronunciation that comes from the feeling that people "wear".

note:

1. The front of the hard palate has been mentioned repeatedly, but some people can't find its exact location. It is necessary to explain here. Some people say that the front of the hard palate is the back of the upper incisors, while others say that it is the junction of the gums and the back of the upper incisors. However, because everyone's oral structure is different, we can find our hard palate in the following ways. Let's pronounce the single vowel "I" and the extended vowel "I"

(1) Lip-tooth dependence

(2) The corners of the mouth are wide open

(3) I feel a little vibration on my upper lip. By this method, the exact position of the front part of the hard palate can be found. After we find this position, we need to fix it and consciously send every word to this position, so that our pronunciation will be concentrated, which many people don't understand.

2. Speaking of the combination of pronunciation and breath, we also need to emphasize the issue of vocal posture, which is divided into two aspects: standing posture and sitting posture. 1. Standing posture, there are generally two ways to put your feet. One is shoulder width, and the feet are pushed down to find a feeling that the feet grow down like roots. Second, one foot in front, one foot in the back, focus on the palm of the front foot, grab the ground with the front foot, and then press down on the waist and abdomen. 2. Sitting posture, many people only know part of the essentials about sitting posture, so I will talk about it in detail here. First of all, everyone knows that it is hard to sit in a chair. Sit in the front third and lean forward slightly. Watch your step at this time. Grasp the ground in tandem, with your front foot on the ground and your back foot on the ground, so as to get ready for the feeling of starting, so as to exert yourself easily. In addition, when sitting, you should sit with your legs instead of your hips to form a joint force with your feet. Then keep the waist, back (spine) and neck in line. If there is a radio station, pay attention to your chest.

The second part: the skills of the broadcast host to learn pronunciation and adjust the speed of speech;

Recitation speed refers to the pronunciation time of syllables in recitation, or the number of words pronounced per unit time. Generally divided into fast, medium and slow three.

Soon. Generally, it is used to express nervousness, excitement, surprise, fear, anger, eagerness, pleasure and excitement, or to describe rapidly changing things and thrilling scenes, or to depict the alert, lively and enthusiastic character of characters.

Medium speed. Generally, it is used in occasions where there is little fluctuation in feelings and cleanliness, or for ordinary narration, discussion, explanation, statement and so on.

Slow down. It is often used to express heavy, sad, melancholy and mourning feelings, or to describe solemn scenes.

Whether fast, medium or slow, there is a "degree". For example, fast can't be as confusing as setting off firecrackers; Slow, not slow, half a day, it sounds very tired and impatient. In short, the speed should be appropriate.

The speed of reciting mainly depends on the following factors:

First, it depends on the content and plot. Structurally speaking, recitation is generally fast, medium, slow, relaxed and ups and downs; Judging from the content and plot, the speed of complaint is slower than that of lyric, and the speed of lyric is slower than that of discussion; For narration with low emotional appeal, the dialogue between characters is slower; Urgent appeal, angry condemnation, heated argument, passionate statement, tense scene description, be faster. The objective requirements of the content and the plot itself are the most important basis for determining the performance speed.

Second, it depends on the age of the expresser. Obviously, children recite the same content faster than young people, young people are faster than middle-aged people, and middle-aged people are faster than old people.

Third, it depends on the age and acceptance of the audience. Generally speaking, for the elderly, children or listeners with relatively low acceptance ability, or the listeners are generally interested in some content, many people should slow down their expression when they want to record.

Fast is relative to slow. Whether it is fast or slow, the basic starting point should be to express clearly and be understood by the audience. Be quick but not chaotic, slow but not procrastinating, fast but not slow, slow but not fast, slow but not slow.

Broadcast Vocal Skills —— Three Methods of Broadcasting Host's Vocal Practice

If you practice your voice in the morning, it is necessary to warm up so that your voice can wake up quickly. Some students like to run before practicing their voices. If there is, then pay attention. Be sure to wait until your breathing is smooth before you start practicing your voice, otherwise it will be harmful to your voice.

(1) Bubble sound:

(2) Rub your face: 10 second.

(3) neck rotation: 10 times, 10 seconds.

(4) Panasonic: 10 second.

(5) Zygomatic muscle lifting: 10 times, 10 seconds, hand assistance and self-help.

(6) chewing:

(7) Half yawning: 5 times, 10 second.

(8) Lip pinching: 10 times, 20 seconds.

(9) Left and right lip gouging: 10 times (once left and right) for 30 seconds.

(10) lip rotation: 8*8 beats, 30 seconds.

(1 1) lip opening: 30 times, 30 seconds.

(12) Bite lips: 1 min.

(13) Top cheek: 30 times, 30 seconds.

(14) tongue scraping: 20 times, 20 seconds.

(15) tongue stretching: 20 times, 20 seconds.

(16) Tongue standing: 10 times, 30 seconds.

(17) Tongue Translation:

(18) Tongue-beating: (The above is oral practice. It is very important to exercise the muscles related to vocal music training first, so as to ensure the effect and quality of vocal music training. For specific practice methods, please refer to the preparation manual of broadcast host. )

(19) Call Amao or Xiaolan and imagine that they are at 100m and 200m respectively.

(20) Counting "Jujubes": It is required to take as many as 20 "Jujubes" as possible, twice, each time for 2 minutes.

Tip: pursue clarity and power, do not force numbers, and step by step.

(2 1) Tongue twister: Select 10 segment, 10 minute. (800 pacesetters must be selected and transferred to the enemy island to fight special thieves)

Tip: Breath sinks, sound comes out, read clearly, from slow to fast.

(22) Practice initials and finals, and practice every initial and vowel.

(23) Four tones practice. Combine the breath, grasp the essentials, hand-draw the trajectory, and strive to be accurate.

(24) For those who lack intensive training, if the nasal sounds are missing, we should especially strengthen the practice of these words.

(25) Sentence pattern practice, you can choose ancient poems, such as "The foot of my bed is so bright" ... about six o'clock.

(26) Sound ladder practice, great motherland, great people, from low to high, then from high to low, and so on. Li Bo suggested that we must do what we can and not blindly pursue height.

(27) news practice, it is recommended to use the latest news, up to 500 words.

(28) literary manuscript practice, you can change one article every week, and multiple styles are best.

After vocal music practice, sum up the experience of vocal music practice, find out the shortcomings and gains, remember the good state, and strengthen the shortcomings next time. This set of vocal music training methods designed by Li Bo is specially aimed at beginners and amateurs. Because everyone's level is different, some students have mastered other vocal music training methods, which can also be supplemented. Here, establish resplendence ardently want to remind you that the 22nd item of this method has many contents. You can practice a part at first, you can practice two of the five words first, and then slowly increase the amount when you are proficient. Once you feel uncomfortable with your throat, you can reduce it appropriately and don't be too rigid.

When practicing vocal music, we should always think about the essentials, not perfunctory, but practice for the sake of practice. Practice is perseverance, practice more and keep practicing. There will be rich rewards, and your voice will be practiced beautifully. You can't believe it!

Broadcasting and vocalization skills Article 4 Scientific vocalization is extremely important for children who learn broadcasting and hosting, because scientific vocalization can ensure the lasting health of vocal organs, and at the same time, professionally speaking, it is also to make the voice full and round.

First of all, breath is the basis of pronunciation. If you want to have a good voice, a strong breath is the prerequisite. Therefore, to practice your voice well, you can get a strong breath and find your own voice position.

Only through strict training and standardizing your own vocal style can you create a good voice and achieve the purpose of clarity and accuracy.

Generally speaking, the best time to practice vocal music is before breakfast. At this time, our vocal muscles are in a state of sleep, happy and energetic.

Practicing vocal music includes three parts:

1. Practice Qi (length and intensity of breathing)

2. Practice sound (sound quality and tone value)

3. Practice opening and closing your mouth.

If proper aerobic exercise can be carried out, it can not only enhance physical fitness, increase vital capacity, but also make the voice more powerful.

Today I will share a template for practicing my voice with my children. You can follow suit when you get up tomorrow morning.

Practice template

1. Rub your face: 10 second.

2. Turn the neck: 10 times, 10 second.

3. Panasonic: 10 second.

4. Zygomatic muscle lifting: 10 times, 10 seconds, hand assistance and self-help.

5. Chewing: Close and open your mouth 20 times for 30 seconds each time.

6. Half yawning: 5 times, 10 second.

7. lip spray: close your lips and pronounce "p". (30 times)

8. Lip expansion: the lips are closed, pursed, and then extended to both sides (30 times)

9. Turn lips: Turn lips left and right, 8*8 beats, 30 seconds.

10. lip pinching: 10 times, 20 seconds.

1 1. Lip gouging on left and right sides: 10 times (once on left and right sides) for 30 seconds.

12. Lip opening: 30 times, 30 seconds.

13. Top cheek: 30 times, 30 seconds.

14. Tongue translation: 8*8 beats, 1 min.

15. Tongue scraping: 20 times for 20 seconds.

16. Tongue sticking out: 20 times, 20 seconds.

17. Tongue standing: 10 times, 30 seconds.

18. french kiss: 30 seconds.

19. Bubble sound: Keep your mouth closed and open for ***30 seconds.

20. Breathe slowly and breathe quickly: 2 times, 20 seconds.

2 1. Slow breathing and slow calling: 2 times, 20 seconds.

22. Breathe fast and breathe slowly: 4 times, 2 minutes.

23. "hissing" sound: 20 seconds, 30 seconds each twice, 1 minute.

24. Slight buzz: 20 seconds.

25. "Eel" sound: 20 seconds, 30 seconds each twice, 1 minute.

26. "Ah" sound: 20 seconds, 30 seconds each twice, 1 minute.

27. Counting: Count from 1 to 30, three times in one breath for three minutes.

28. Count "sub": one breath 10 Eight beats, three times for three minutes.

29. Count the children: "One two three, three two one, one two three four five six seven; Seven, six, five, six, seven, six, five, four, three, two, three or four rounds at a time. 2 times, 2 minutes.

30. "Hey" and "Ha" * * * 30 seconds.

Tongue twister practice

1. Headquarters order: Company commander Shi Lianchang, the company commander of the 4th regiment, and his party of 40 people arrived at the headquarters on time at 4: 44 on 10, and the division commander held a swearing-in meeting.

Pinyin comparison: sh: bü s: lü ng bü zh ǐ shü: sü tuá n Shí liá n ZHü ng Dí s ü shí rí s ü sü s ü o dá shü.

2, rent early, rent late, always looking for Zhou Zou Zheng Zengzhu.

Pinyin comparison: z m: o zhā o z ū, w m: n zhā o z ū, Z ǒ ng ZH m: O zh not u z not u zhè ng cé ng ZH ū.

3, purple porcelain plate, shark fin, a plate of cooked shark fin, a plate of raw shark fin. Chixiaochi took a porcelain spoon and asked for steamed shark fin. As soon as a bite of shark fin reached his mouth, the fishbone got into his teeth, and Koike patted his leg and scratched his teeth in pain.

Pinyin comparison: zǐ cí pán, shèng yú ch, y and pá n shú yú ch, y and pá n shü ng yú ch. This is a good example. yüküu yüchāng dào zuǐ, Yü cü j n ch ǐ f ng l ǐ, Té ng Dé xi m: o ch ā i tu ǐ ná o y ch ǐ.

The paper is wrapped in fine silver thread, and there are 4444 small dead lice skins lying on the fine silver thread.

Pinyin comparison: zǐ zh l ǐ gu ǐ zhe xǐ yǐ nǐ sǐ, xǐ yǐ nǐ bǐ, xǐ yǐ nǐ, xǐ yǐ nǐ.