French symbolism poetry

The originator of symbolism poetry is Eliot.

Eliot (1888- 1965) Yuan, born in the United States and naturalized in Britain, is the greatest representative of the late symbolism literature Xue and the most influential poet and critic in western modernist literature. 1949, won the Xue Nobel Prize and the "Medal of Meritorious Service of the British King" for "The Contribution and Pioneering Role of Contemporary Poetry Ge". 1955 was awarded by Goethe Chiang.

The long poem The Waste Land (1922) is Eliot's masterpiece. The Waste Land is a milestone in modern British and American poetry. Ge is the most representative left in symbolic literature, and Eliot is his most famous and influential work.

What are the representative figures of French symbolism poetry? The period of 1886 ~ 189 1 was the prosperous period of French symbolism. The representative works of this period include Malalem's poems and essays, Laffargue's Flowers of Kindness and Rainier's Interlude. The three masters of symbolism are Mara May, Wei Erlun and Rambo. Baudelaire, the author of Flowers of Evil, is regarded as the pioneer of symbolism. Those anti-realists and naturalists who symbolize Yi Zhu faithfully describe Ke's view of reality. They think that the real material world is illusory and children are bitter. Only the inner world hidden behind is the real stone. A lot of hints and symbols are used in the works to express the inner world of Xi 'an people. There are many vague poems in the poem, which are very obscure and the images in the poem are disgusting. Some of Wei Erlun's poems express deep feelings, such as Romance of Silence. Representative works include Vowel (Vowel) and Drunk Boat; Malarme's most important work is Afternoon of the Faun. Symbolist poets have the characteristics of mysticism, aestheticism and pessimism in thought and art, while Ta's poems are hazy and hazy. Xian, the first symbolist poet in China, declared his departure from symbolism, and many symbolist poets began to develop in the direction chosen by Zi, no longer following the artistic standard of "Yi" of French symbolism.

The classics (short stories) of foreign poems are inspiring;

Oh, captain! My captain!

-walt whitman

Captain! My captain! Our terrible trip is over,

The ship has weathered the wind and rain, and the trophy we are looking for has worn away.

As the port approached, I heard the bell and people were jubilant.

As the eyes see the stable keel, the ship is cold and bold;

But ah, heart! Heart! Heart!

Ah, red blood drops!

My captain is lying on the deck,

Die cold.

Ah, captain! My captain! Get up and listen to the bell;

Get up-the flag is flying for you-the horn is ringing for you,

For you, bouquets and ribbons-for you, the coast is crowded,

They call you, swaying crowd, and their eager faces turn;

Here you are, captain! Dear father!

This arm under your head;

There are some dreams on the deck

You have died of cold.

My captain didn't answer, his lips were pale and silent,

My father can't feel my arm, he has no pulse and will;

The ship has anchored safely and the voyage is over.

From the terrible trip, the winner returned home with a full load;

Rejoice, the coast! Ring, oh, the bell!

But I, with sad steps,

Walking on the deck, my captain is lying down,

Die cold.

Chinese translation:

Captain! My captain!

Walter. surname

Ah, captain! My captain! The terrible voyage ended; ;

The ship experienced all the risks and achieved the expected goal.

The harbor is in sight, the bell is ringing and people are rejoicing.

Thousands of eyes are on the boat-steady, brave and firm.

But it hurts! Sad! Sad!

Look at a drop of red blood!

On the deck lay my captain,

He went down. The ice is cold. Bye.

Ah, captain! Me, Captain Dunham! Get up and listen to the bell;

Qi, come on, the horn is ringing for you, and the banner is hanging high for you;

Greeting you, how many bouquets and wreaths-waiting for you, thousands of people flock to the shore;

They You Xiang shouted, crowded around and raised their eager faces;

Ah, captain! Dear father!

My arm holds your head!

Murphy is a dream: on the deck.

You go to the next song, Han Sheng. Goodbye.

My captain was silent, his lips were pale and motionless;

Father didn't feel my arm, no pulse, no face; ;

The ship broke down and arrived safely; The voyage is over;

After a difficult and dangerous return flight, Du scored a victory goal ... >>

(1854- 189 1) French writer and symbolist poet. /kloc-began to write poems in Latin at the age of 0/5, which showed the poetic talent of Chao's group. /kloc-When he was 0/7 years old, he wrote the famous poem "Drunk Boat". 1870 After the Franco-Prussian War broke out, the poet came to Paris, expressed sympathy for the Paris Commune and wrote the famous poem "The Hand of Jean-Marie". In the middle and late period, the poet turned to explore the adventure course of his poems, and life, society, ideals and reality reflected the hazy light in the poet's spiritual world. The poet focuses on his own hallucinations, dreams and experiences, especially in the Hou period, and his poems are full of rich symbolic significance. At the age of 27, the talented poet immediately stopped writing, interrupted the liberal arts, was keen on adventure, travel and vagrancy, and once roamed Europe. His main works are: Dedicated to Music, Divine Water in the Valley, Drunk Boat, A Season in Hell, Lingguang and so on.

Bo Han is a symbolic poet with the most rebellious spirit. After Baudelaire, he and Malamei were called the three great symbolist poets. Bo Han developed Baudelaire's "theory of correspondence" and the hidden history function of poetry. He believes that poets should be "psychics" and their task is to explore the mysterious "unknown" through emotional dislocation. His poems Vowel and Alchemy of Literature developed Baudelaire's synaesthesia theory, while his masterpieces Drunk Boat and Dawn are famous for their magnificent imagination and ingenious synaesthesia. For a time, the symbolic poem Ge prevailed in France and influenced Europe and even the whole world. Solution: Psychic media invented "word refining" and "new flowers, new stars, new meat and new language".

Brought surrealism to Xue of French symbolism. Symbolists strive to discover (or decipher) the truth hidden behind everyday things, while surrealists further demand that the truth beyond everyday things be created through intuition and fantasy. In this sense, Bo Han is a more radical French symbolist poet.

Bo Han's poems are famous for their gorgeous colors. 187 1 In September, the young Bo Han came to Bali at the invitation of Wei Erlun, and soon became famous for his poem "Drunk Boat". In this poem, the poet compares himself to a drunken boat without rudder and anchor, still drifting with the tide and unrestrained. The poetic style is complicated and gorgeous, which is the representative work of Zheng's poetry. In another famous poem "Yin Mu", Han Bo uses five different colors to symbolize five vowels in French, and then through specific description, he interweaves factors such as shape, color, smell, audio-visual, movement and so on to realize the realm of "synaesthesia" with autumn. Besides, the prose poem "Iraq's Season in Hell" is also a rare work of genius.

Although Bo Han and Wei Erlun are very close, and they had a homosexual relationship with Wei Erlun, their styles are totally different. Wei Erlun is good at natural harmony of sound and rhyme, while Bo Han is famous for his peculiar images and fantastic colors. In 19 12, Rambo is regarded as the originator of the emerging surrealist literature.

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Who is the founder of symbolism poetry? 1857 The Flower of Evil by Baudelaire, a young French poet, is a pioneer of symbolism. The Flower of Evil has sprung up suddenly in French poetry, becoming a remarkable masterpiece in French Guo Wenxue and even in the history of world literature. After Baudelaire became a literary giant, a new school of Yi literature with him as the core also formed rapidly. Moreover, due to the appearance of Rambo and Malami, his important followers, De and Zhe, had a new school at the end of 19; That is, it reached its peak in about 1886- 189 1 year. If we look carefully, the early symbolism can be divided into three stages: Baudelaire was once a budding symbolism. During this period, there was Beltram, the first French essayist; The essayist Naiva, the poet Meng, and the famous American poet and writer Allan Poe. Their poetry and poetic theory have influenced Baudelaire and a large number of symbolist poets after Lai, but Huan is not a real symbolist poet. The second stage is the period of Baudelaire. Baudelaire is not only the originator of symbolism; He is also the pioneer of the whole modernist literature, and we call his stage avant-garde symbolism. In the third stage, after Baudelaire, Shi became three important poets of Malameilian. We call this period the pre-symbolism period of Zheng Tong. Thanks to the joint efforts of the three of them, symbolism had an unprecedented revival at the end of 19. French poets such as La Vogue, Schenier and Moleias mentioned above all joined the ranks of symbolism. The symbolism of elephant has created a large number of poems, forming a romantic momentum that has basically collapsed and a pattern of confrontation with the still-thriving Parnas school. 1After the 1990s, symbolism poetry began to spread to Guo in Western Europe and North America, where many bosom friends were found. These people are also Zhong Chengjian, a late symbolism that appeared in the 1920s. However, after' France' reached its peak, Zhu, the symbolic meaning of the previous period, immediately began to decline. 189 1 year, Moreas, the author of the symbolic Wen Xue Declaration, first announced that he would break away from symbolism and advocate a so-called "Romanesque" literature in an attempt to restore the tradition of ancient Greek and Roman literature. Then,, and Malamei died in 189 1, 1896, 1898 respectively, and Ren and many other symbolic poems also chose a new development direction, no longer following the artistic standards symbolizing Master Yi. As a school of 70 literary schools, the early symbolism had actually disintegrated by the end of 19. However, pre-Qin symbolism, as a literary trend of thought, has been deeply rooted in France. Moreover, due to the use of Left by famous poets such as Malamei, symbolism began to cross the French border at the end of 19 and spread to Western Europe and North America. In the 1920s, post-symbolism rose again.

Recommend some symbolic literature works: Charles Baudelaire's poetry collection "The Evil of China". Wei Erlan's poems are kind and natural, and the beauty of rhythm is unique among Zheng poets. His representative works include Three Years Later (1866), Bai Yue, Prison Bell and so on. Rambo is famous for his poem Drunk Boat. In Zhe's poems, the poet compares himself to a drunken boat without rudder and anchor, drifting with the tide and being free on the sea. The poetic style is complicated and gorgeous, and it is a wonderful flower in stone symbolism poetry. In another famous poem "Vowel of Ge", five different colors are used to symbolize the five vowels of metaphor, and then the factors such as shape, color, taste, audio-visual and movement are intertwined through specific description to achieve the realm of "synaesthesia". In addition, the prose poem "Di Prison Season" is also a rare work of genius. Mara's theory of beauty is full of mysticism and aestheticism. Ta made great achievements in theory and was praised as the leader of Wei by contemporary symbolist poets, but his own poems were not many. The most representative table works are The Swan of the Bell published by 1887 and Herod, which lasted for more than 20 years. However, Ma's most famous work was written by Shi in 1876' s Afternoon of the Faun. This poem by Hou was widely circulated by musician Debussy. Song is based on the story of herdsman's pursuit of the water fairy in Greek mythology. Late symbolism

You can read the works of Valery, Lee, Eliot and others.

The representative figure of modernist literature is western symbolism, which forms the earliest, longest and most influential literary school.

The Literary Symbolic Features of Yi;

1, which emphasizes subjective truth and takes symbolism as the main creative technique, is named symbolism.

2. Use association, metaphor, contrast and other means to express the theme, and use a large number of symbolic associations to stimulate creative inspiration.

3. Strong emotional borrowing.

4. Pursuing the beauty of poetry, sculpture and music; Pursue the neatness of form and the harmony of phonology.

Symbolism literature is a literary school that originated in France in the middle of19th century and spread to Europe and America in the early 20th century. It is the embodiment of symbolism in literary research and a core branch of modernist literature. It mainly covers poetry and drama, and its influence continues to this day. Western mainstream academic circles believe that the birth of literature symbolizing Zhu Zhiyi is the division of water between classical literature and modern literature.

French poet Charles Baudelaire and American poet Poe are pioneers of symbolism. Although the word "symbolism" first appeared in 1886, Baudelaire and Edgar Allan Poe initially involved some symbolic ideas in the creation of Nine as early as the middle of19th century.

abstract

The symbolism formally advocated by Dai in France in the mid-1980s is a reversal of positivism philosophy represented by Confucius and naturalism literature represented by Zola. In the eyes of symbolists, realism only mechanically demonstrates the causal relationship between real things, while naturalism focuses on the influence of heredity and environment on the formation of human nature and cannot reveal the essence of art. Symbolists advocate exploring the ideological world hidden behind nature, exerting personal sensitivity and imagination to create supernatural art. The thoughts of Freud and Bergson can be used as the philosophical basis of Zheng's theory.

Symbolists focus on describing personal illusions and inner feelings, and very few involve a wide range of social themes; In terms of artistic methods, it denies vague rhetoric and blunt preaching, and emphasizes the creation by means of suggestion, comparison and association with textured images. This kind of symbolic literary works pay more attention to musicality and rhythm.

As an international literary trend of thought, symbolism has different development characteristics in different countries and regions, which involves complex factors such as national temperament, cultural tradition and writer's personal temperament. Zhu's symbolic meaning in France is pure, but in Britain and America it is more complicated. Symbolism literature has achieved the highest achievement in the field of poetry, and many great poets in the 20th century can be classified as poets who symbolize Zhu. In addition, symbolism has also made some achievements in the field of drama.

Pioneers: Boyle and Poe

The theory and creation of American poet Allan Poe had a great influence on the formation of French symbolism. In the principle of poetry creation, he advocates Fan's natural and anti-didactic poetics and emphasizes formal beauty, symbolism and musicality, which can be regarded as symbolism theory.

The flower of evil (1857), a collection of poems by French poets, can be said to be the first poem with symbolic significance. In The Sin of China, Baudelaire described morbid sex in a sensual style, eulogized "the fanaticism of mind and function", but also expressed his understanding of light and his pursuit of ideals. In the history of literature, the Flower of Evil is regarded as a transition between romanticism and symbolism, and still uses the traditional poetic rhythm and relies on rhetoric. But this is the first poem that takes the ugliness of prosperity in cities and society as the aesthetic object and expresses the anxiety and irritability in the ugliness of modern society.

Pre-symbolism: Willand, Rambo, Malamei

After Baudelaire, paul weiland (1844- 1896), a famous French poet in 1970s and 1980s, carried forward the symbolist's emphasis on the musicality of poetry. In "The Art of Poetry" (1884), Wei Erlan argued that poetry should have musicality, which is fluid, hazy and spiritual. The choice of words requires the combination of vagueness and accuracy; Color halo, not color; Don't use epigrams and gags In short, poetry needs to pursue a pervasive atmosphere.

Wei Erlan's poems are kind and natural, and the beauty of rhythm is unique among the symbolist stone people. Representative works include Three Years Later (1866), Bai Yue, Prison and Deng.

In the early 1970s, Rambo (1854- 189 1), a talented poet who had homosexual relations with Willem, was a symbol of France ... & gt

Ask for French poems, what romantic and lyrical love poems, as long as they belong to French poets, thank you! 20 points Hugo (1802- 1885), 19, an outstanding French writer, whose creation involves poems and short poems.

Say, drama, etc. , reflecting a historical record of French social history. His poems are full of color and language.

Fierce words and unrestrained feelings. He is a typical representative of positive romanticism.

I put my lips from left.

Ever since I put my lips in your overflowing bottle,

Ever since I put my pale forehead near your palm,

Ever since I had the stone and breathed the gentle breath of your soul,

The fragrance of Iraq is buried in the shadow;

Since Ran, I sometimes learn from your words.

Listen to your mysterious voice;

Ever since I saw you cry, ever since I saw you smile,

My mouth is facing your mouth and my eyes are facing your eyes.

Ever since I saw your star shining on my head,

Alas! Can always be hidden, unreasonable;

Ever since I saw a flower in your tree of years.

Diao down, fell into the waves of my life;

Now I can tell the fleeting Shaoguang:

Go away! Keep going away! I will always be young!

You disappear with your gaunt flowers, ba,

I have a flower in my heart, and no one can pick it.

My thirst-quenching jade pot is full,

Your wings are swept away from Guo, and you can't splash rain in it.

Your ashes are far from enough to put out my spiritual fire!

Your forgetting is far from enough to devour my love!

(Translated by Wen Jia)

Shiren went to other places.

The poet went to the field; He was grateful,

He's praising. He's listening to the harp inside.

See him coming, flowers, all kinds of flowers,

Those ruby-eclipsed flowers,

That Xie is even more beautiful than proud as a peacock.

Golden flower, blue flower,

Welcome Liao, wave the bouquet,

Some people bowed slightly to him, others made charming gestures,

Because this is in line with the identity of a beautiful woman, Ta.

He said affectionately, "Look, we Qing people are coming!"

And those lush trees that grow in the Woods,

Full of sunshine and shadows, my voice became hoarse,

All these old people, yew, bodhi, maple,

Those crumpled willows, those old oak trees, those elms with black branches and moss, just like theologians saw the custodian of the scriptures, gave him a big gift, while Yi lowered their leafy heads and ivy-like beards. They looked at the quiet light on his forehead and whispered, "It's him! This is the visionary! "

(translated by Jin Zhiping)

Come on! Invisible flute

Come on! Yi An's invisible flute is playing leisurely in the orchard. The most peaceful song is the shepherd boy's song. Under the oak tree, a pool of calm water reflects the indigo microwave, which is the happiest song of stone birds singing. I hope nothing bothers you. Ai Xiang! Love forever! The most satisfying song is the lover's song.

(Translated by Wen Jia)

unify

On the Di horizontal line covered by brown mountains,

The sun, this brilliant flower,

At dusk, bend your face to the ground.

Beside the wheat field, in the weeds, a silver chrysanthemum bloomed on a dying grey Qiang.

Timidly radiates innocent and white round light; This little flower, from the broken wall,

Staring at the one in the eternal blue sky

A huge star, from generation to generation, keeps pouring colorful.

"As for me, I am also shining!" Ta said to it.

(Translated by Wen Jia)

Baudelaire (1821-1867),1a great French poet in the 9th century, whose poetry anthology "Evil and Different Records".

Flowers is like an epoch-making work that initiated modernism. Poets often use ugliness, horror and madness.

Crazy images reproduce social reality. He is an important representative of the former Qi symbolism school.

More than one name.

The rainy moon thundered all over the city,

For the cypress residents near the cemetery,

Pour it out of the jar as cold as Zhu,

Spread death to the foggy suburbs.

My cat is looking for grass stalks on the square brick floor.

Constantly shaking thin, giving birth to a wounded body;

The soul of the old poem Ren lingers in the ravine,

Ling's murmur of bitterness.

The clock is lamenting, and the wood is in the smoke.

With a fake voice, it hurts Feng's pendulum;

Zheng is playing a stinking card.

The legacy of this edema old woman,

The handsome attendant of the queen of hearts.

Is gloomily telling the lost love.

Trouble follows four.

When the low-weight sky is pressed down like a big cover

The spirit tortured by long-term boredom,

When the sky around us shoots at us

Never put off till tomorrow what you can is still a sad black dawn;

When the earth became a damp prison,

Gee, I hope to fly like a bat,

By the wall ... >>

Which symbolism in English poet Ye Zhi's symbolism poems occupies the main position of Tao in Ye Zhi's later works? During this period, the poet formed his own complex ideological system. In his symbolism system, Liang contains his own view of history, cosmology and life, while Bao contains a wide range of images. Poets give full play to the symbolic meaning in their poems, expressing their feelings about life, their understanding of history, life and Zhou Dynasty, and their cognition and rational thinking about the world. At this time, Qi's poets no longer just stayed on the perceptual surface, but Zhu gradually aroused the readers' voice with rational thinking, which triggered readers' thinking and in-depth thinking. The distant images and stone-like artistic conception in poetry increase the effect of meditation. This is the difference between Yu and other poets: his poems pay more attention to inspiring readers' rational thinking than to being empty and quiet. This is reflected in many poems in his later period, such as Rita and Xian 'e, Cat and Moon, and Cole's Wild Swan. All these reflect the poet's cognition of life, universe and history.

Symbolism poetry is characterized by "special and unexpected arrangement and combination of daily words and phrases, which makes them have new meanings." At the same time, what it pursues is artistic comfort, not to make readers understand what the poet wants to say, but to make readers seem to understand and make Du people realize that there is profound meaning in it. [1] and for the understanding of this feeling, the poet himself once said, "These poems are meaningful and difficult to understand, perhaps even more difficult than I know. Goethe said that a poet needs philosophy, but he must stay away from it. " [2] This feature is more obvious in the poem Cat and Yue. Cats are common animals in our daily life, and the moon is also a common thing in our life. The poet put the cat and the moon together, put them into the poet's profound thoughts through the poet's wonderful pen, and then set them off by the hazy and mysterious artistic conception, thus sketching out a seemingly illusory atmosphere, thus achieving the sublimation of poetic significance.

In this poem, the poet uses a stepped symbolic system. In "Stone", the moon rotates like a top, from round to missing, from missing to round, and divination constantly changes its appearance. In the poem, the cat walks around the grass and barks, running from here to there, and the changeable pupils are all manifestations of the poet's symbolic system in the poem. It is said that in Xing's poem, the cold light disturbed the blood of the wild cat and made it run on the grass. After that, the cat walked on Cao's ground again. It is lonely, proud and smart. In the meantime, from the brutality of Mao's wildness to the gentleness and tranquility of walking, it is a portrayal of human nature. Human nature has different realms, high and low, and sometimes it is blessed. Everyone has a different state of life in a certain period of time, and will experience different peaks and valleys, but in the end, people will return to calm, return to the original things of human nature, and find peace and serenity in the Tao. The moon in the poem is from round to missing, and from missing to round, which expresses the historical changes. The cat and the moon * * * Wu, just like people, have been integrated into history. People create Li history and write history, so the poet says that cats are close to the Qin Dynasty. Both of them are changing from time to time, constantly changing, without your steady state, going round and round, just like a generation of you disappearing and reborn in the historical trend.

The poet's rationalism is also mixed with the expression of romanticism and Zhu's realism. This is the case with cats in the poem Cat and Motong. The moonlight always shines on it, and it always moves with it. It changes with it, and dancing with the moon is so comfortable. With this slightly romantic technique, the poet creates a half-bright, half-dark and confusing artistic conception, giving people a feeling of being at arm's length, making people feel romantic and mysterious, close and far away. The moon is impermanent, from round to short, from short to round, which makes people feel melancholy, and people can't help but sigh that things are impermanent, which makes Ren Long trapped in this situation. The poet has been depositing Liao for a long time, always detached from things, and reflected the reality in a calm and indifferent language. The poem says: "Maybe the moon got tired of Liao's court dance steps and learned a new way to turn them." [3] This shows that poets are tired of things in reality, while stones are eager for the emergence of new things different from ordinary things. This is the embodiment of stone doctrine now. The poet is dissatisfied with reality and hopes to surpass the present stone.

The symbolism system in the poet's later period, in which he created many poems that were published only after Li's practice, also proved that the poet surpassed Ji and stood tall in the poetic world with a new poetic style, that is, the poet's own symbol Zhu Yi. Rita and the Swan is the pinnacle of Ye Zhi's detachment and a symbol of the poet's maturity. From this poem, we can see that the symbolism is more mature. Stone borrows the legend that Zeus turned into a swan in ancient Greek mythology and combines with beautiful Li Da. According to the poet's own opinion, Yun explained the history of mankind with its mysterious symbolic system and expressed the poet's understanding of the universe. At the same time, the poet Yun used his own symbolic system to express human history since Yuan Dynasty.

I hope to share/recommend a symbolic poem/poem/essay with profound connotation, similar to The Dining Room written by French Gemmel (also known as "Frances Yam"). I was passing by.

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