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Argument on Tao Yuanming's indifference to fame and fortune
Poems about Tao Yuanming's indifference to fame and fortune 1. Tao Yuanming's Poems about Pursuing Profit without Pursuing Fame
The works of Tao Yuanming and his pastoral poems include more than 20 existing 120 poems, 6 essays and 3 poems, as well as two rhymes close to the four-character poem: Reading Nine Chapters of History and Painting Praise the Fan.
Poetry is the most prominent aspect of the poet's achievements. There are more than one hundred poems with rich contents. The poet lives in an extremely dark society, but he insists on lofty ideals and interests. Some of his works show Geng Jie's persistence in his ambition.
The poem "He Zhu Guo Bo" said: "Fang Ju opened Lin Yao and Song Qingyan watched the platoon; With this beauty, it is outstanding for the cream. " The eighth song of "Drinking" said: "Loose in the East Garden, the grass has no posture; First frost is different and can see the high branches. "
The blooming chrysanthemums and the immortal pine trees under the frost are the symbols of the poet's unyielding character: the poet also sang praises to many people who are steadfast and persistent in poverty in seven poems about the poor and in painting hymns on fans. It is precisely because of this character that the poet shows a detached attitude towards the decadent ruling class.
The first song of Ode to the Poor said: "All ethnic groups have their own support, and they come alone; The air is warm, when will I see the afterglow? " This solitary cloud floats in the clear sky, symbolizing the poet's situation and destiny. It is lonely and will disappear silently, but it also shows the attitude of the poet. It wants to stay away from dust and remain free and noble forever. On the other hand, it also shows strong dissatisfaction with the dirty reality.
In "Twenty Drinking Songs", he used intoxicating language, or accused the society of right and wrong being reversed and sharing the same reputation (the sixth song), or exposed the crisis of political trap (the seventeenth song), or despised worldly hypocrisy and fraud (the twelfth and nineteenth songs). In the last song, he said, "How can six people have no relatives! Driving all day and not seeing what you care about? " Although he beautified Confucius, he was more angry and deeply saddened by the decadent style of pursuing fame and profit. Tao Yuanming's interest and personality finally made him completely break away from the upper class of the political class and return to the countryside.
He wrote many pastoral poems. His pastoral poems are full of hatred for dirty society and love for pure countryside.
For example, the first song of "Returning to the Garden": Less should not be vulgar, and naturally love Qiushan. I sneaked into the official career network and have been away from the game for more than ten years.
Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. I want to open up wasteland in Minamino and keep my humility to the fields.
There are more than ten acres of square houses and eight or nine straw houses. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.
A warm and distant village, the smog in the Yi market. Several dogs barked in the alley, and the mulberry tree was barked by a rooster.
The house is clean and miscellaneous, and the virtual room is idle. Trapped in a cage without freedom for a long time, I finally returned to the forest today.
The poet dismissed the upper class of the ruling class as a "dust net", regarded those who devoted themselves to it as "birds in a cage" and "fish in a pond", and said that retiring from the countryside broke out of the "cage" and returned to "nature", which showed his contempt for ugly society. The poet described the pure and beautiful rural scenery in detail, revealing the author's heartfelt love between the lines.
Here, the simple and quiet rural life is in sharp contrast with the hypocrisy, fraud and mutual struggle of the upper class, which has a particularly attractive force. When the poet has not left his official career, there is always a feeling of "being imprisoned for a while", and his mood cannot be calmed down. He "looked at the clouds and was ashamed to swim in the water."
But when he left the dirty reality and returned to the countryside, he felt that he had a home. "Drinking" No.5: Building a house is based on human feelings, and there are no horses and chariots.
What can you do? The heart is far from being self-centered. Picking chrysanthemums under the east fence, leisurely see Nanshan; The mountains are getting better and better, and the birds are back.
That makes sense. I forgot what I wanted to say. The poet avoided the noise of powerful horses and chariots, and gained a free and quiet mind in his leisurely life.
Although the poet's pastoral life is far from the ruling class, it is closer to the lower literati and farmers. Here are like-minded friends who talk about the article and admire: "The neighboring songs come from time to time, and the words have passed; Wonder * * * appreciation, doubt, analysis "; There is a simple peasant saying called Sang Ma: "When the market is revived, the grass is full." There is no miscellaneous words when you meet, and the road in Sang Ma is long "; There is a banquet in the neighborhood: "I am a newly cooked wine, and the local government only invites chickens"; There is also family happiness: "relatives are in the same place, and children and grandchildren still protect each other. "
Therefore, his pastoral poems are rich in real life content, which is one of the reasons why his pastoral poems are moving. What is particularly commendable is that his pastoral poems also reflect the content of working life.
For example, the third song of "Returning to the Garden": beans are planted in Nanshan, and the grass is full of bean seedlings. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will.
We can clearly see the image of a laborer coming back from a grassy path in the moonlight. The poem "Nostalgia for Tian She" said: "Even the plains are far away from the wind, and good seedlings are new; Although I have not measured my service years, I am happy with many things. "
There is a feeling of joy in the description of field scenery and farming activities. Because the poet personally participated in agricultural labor and sincerely loved it, labor was fully praised in literary creation for the first time.
Some of his pastoral poems also show thoughts and feelings that only laborers can understand. For example, the second song of "Returning to the Garden" says: "Sang Ma is getting longer, and my territory is getting wider.
Often worried about sudden frost, crops wither like shrubs. "Showed his close attention to the crop harvest.
The poem "Harvest Early Rice in the Western Heaven" says: "Life belongs to the Tao, and food and clothing are solid. Don't camp at all, for safety? In spring, I try to do business, and my working years are considerable.
Be a little diligent in the morning, but still be negative during the day. There are two buildings in the mountains, and the atmosphere is cold first and then hot.
Tian Jia is not bitter, Fu is hard to quit. It not only shows the idea of relying on labor life, but also forms a sharp contrast with the parasitic view of the exploiting class; But also shows a tenacious attitude of not being afraid of difficulties and persisting in cultivation.
These are beyond the ideology of ordinary literati, which makes his pastoral poems shine with progressive ideas. Tao Yuanming also has some pastoral poems describing his rural poverty.
"Shi Pang Master Book Deng Zhizhong" said: "Hungry in summer, sleepless in cold nights; Cocks crow at night and move in the morning. " "Meeting Work" said: "When you are weak, you will be hungry for a long time; How dare you be greedy? " Although these poems only describe his own hunger and cold situation when he suffered natural disasters in his later years, we can also imagine the more tragic life scene of farmers at that time.
Tao Yuanming's thoughts and feelings in rural life are extremely complicated. "Reading Qu Family History" says: "Learning moral education will be timely; If there is a contract, you don't want it! " He also.
2. What are the poems about "indifferent to fame and fortune"
1, the origin of Wan Fuyong, the glory of this life.
-Interpretation of Li Bai's "Jack Youth Field Visit": These brave teenagers have added a lot of heroic spirit. 2, white wine is freshly cooked, and yellow chicken is fat in autumn.
-Interpretation of Li Bai's "Nanling Children Going to Beijing": I came back from the mountains as soon as the liquor was cooked, and the yellow chicken was growing fat in the autumn. 3. If you want to be weak, you must feel guilty. If you feel guilty, you must be awake. If you are awake, you must be awake.
-Interpretation of Xue Mingxuan's "Reading Record": Lobbying Wan Chengwang has been suffering from the late time, rushing to get there and starting to run far away. 4, singing, getting drunk and masturbating, dancing the sunset to win glory.
-Interpretation of Li Bai's "Nanling Children Don't Go to Beijing": Qing Qing Shuang Shuang, singing for drunkenness to comfort yourself, dancing drunkenly and competing for glory in autumn. 5. Do not envy gold, white jade cup, province, stage, Xijiang River, and once went to Jingling City.
Interpretation: I envy gold, not white jade cups, not entering the province, not going to dusk, admiring Xijiang River, and once going to Jingling City. 6. Mo Yan's fame and fortune, fame and fortune are personal grievances.
-Tang Dumu Interpretation: Don't talk about fame and fortune, fame and fortune are your own enemies. Enemy: the enemy.
7. Climb the bar to pick Zhu Shi, and take medicine to hit the golden bone. -Li Bai's "Wang Xiao on the Tiantai" Interpretation: Climbing the bar to pick Zhu Shi, taking medicine to refine the real bone.
8, see through the world of mortals, open the lock. -Li Qingru's interpretation: If a person can get rid of the shackles of fame and fortune, his troubles will be much less.
9, peaches and plums are young, who can penetrate the sky. -Interpretation of Li Bai's "Long Songs": peaches and plums must wait for spring, but who can make spring stay forever? 10 Why not ask Lao Wei Chuan and invite wild children?
-Interpretation of Li Bai's "Back to the Peak": Are you going to ask the old man in Weichuan or the children in Ye Xiang for advice on how to govern the country? Not exactly. I came back from the mountains as soon as the white wine was brewed. Yellow chickens pecked at the grain and gained weight in autumn.
This word comes from Li Bai's "Nanling children don't go to Beijing" in the Tang Dynasty. Newly boiled white wine in the mountains, yellow chicken pecking millet, autumn fertilizer. Calling the boys to stew yellow chicken for me, the children shouted my cotton cloth with a smile.
Qing Qing Shuang sang drunk to comfort, drunk dancing won the glory in autumn and dusk. The king of great powers struggled for a long time and rushed to the ground to catch up.
Quidditch's fool looked down on poor Zhu Maichen, and now I have left my hometown to go to Chang 'an and go to Qin in the west. I went out with a big smile. How can I be a person who has lived in the wild for a long time?
I came back from the mountains as soon as the white wine was brewed. Yellow chickens pecked at the grain and gained weight in autumn. Calling the boy servant to stew yellow chicken and pour white wine for me, the children laughed and made noise and pulled my cloth.
Drunk cantata I want to comfort myself. I dance drunk and compete for glory with autumn dusk. Wan Chengwang, who lobbied, had been suffering from the lateness of the hour, so he hurried over and began to run a long way.
The silly woman in Huijili looked down on the poor, and now I quit my family and went to Chang 'an to go to the western state of Qin. How can I be a person who has been in the wild for a long time and walk out the door laughing on my back? Appreciate this poem at the beginning, and describe a bumper harvest scene: "Newly boiled wine returns to the mountains, and yellow chickens peck at autumn millet."
This not only points out that the time to go home from the mountains is the autumn season, but also shows the cheerful atmosphere when the white wine is newly cooked and the yellow chicken pecks at the millet, which sets off the poet's cheerful mood and paves the way for the following description. Then, the poet took several seemingly close-up "shots" to further render this joy.
Li Bai loves to drink. At this time, he was very excited. As soon as he entered the room, he "told the children to roast chicken and drink white wine". His expression was flying and he was quite celebrating. Emotional contagion, a poet, whose family is ruined, is really touching.
Drinking seems to be not enough to show excitement, and then "singing and masturbating, dancing for glory in the sunset", while drinking, singing and expressing happiness. The wine was hot, so I got up and danced the sword, and the light of the sword shone with the sunset.
In this way, the poet's joy is vividly expressed through several typical scenes of children laughing, drinking, singing and dancing. On this basis, I further describe my inner world.
"It is not too early to lobby hard, and it is not too early to whip the horse." Here, the poet uses ups and downs to reflect the poet's happy mood, and at the same time, he feels "bitter but not early", which is a true reflection of the poet's tortuous and complicated mood.
Just because I hate not meeting the emperor earlier and expressing my political opinions, I can't wait to finish this long journey. "Bitter is not early" and "Crossing the Horse with a Whip" show the poet's hopes and aspirations.
"I despise a foolish woman and leave home for Qin." Poetry is naturally associated with Zhu Maichen, who was very successful in his later years.
According to "Biography of Zhu Han Maichen", Zhu Maichen, a native of Huiji, was born in a poor family in his early years. He made a living by selling firewood and often picked up firewood while walking. His wife left him because he was poor.
Later, Zhu Maichen was appreciated by Emperor Wu of the Han Dynasty and became the prefect of Huiji. The poem "Hui Ji fool" refers to Zhu Maichen's wife.
Li Bai compared a short-sighted secular villain who despised himself to a "stupid woman" and compared himself to Zhu Maichen, thinking that, like Zhu Maichen, going west to Chang 'an would help him climb to the top. Its pride is beyond words.
The title of the poem only says "other children", and the allusion of "Hui Ji is a silly woman" here is criticism. Zhan Ai thinks that this poem is "comparing Liu's feelings to' a silly woman in Huiji'", and the emotional waves have reached a climax.
"Laugh and go out, I am Artemisia." "Laugh at the sky", you can imagine its proud expression; "Is it Artemisia people", showing the extremely conceited psychology.
These two sentences show the poet's proud image to the fullest. This poem describes an important event in Li Bai's life, which is of special significance for understanding Li Bai's life experience, thoughts and feelings, and also has its own characteristics in artistic expression.
Poetry is good at expressing emotions in narrative. The description of the poet from returning home to leaving home has a beginning and an end. The whole article adopts the style of Chen Qi incident, and at the same time adopts the method of contrast, which has both positive description and contrast.
The poet's ingenuity is not a straight road to the end, but from the outside to the inside, twists and turns, pushing feelings to the peak layer by layer. Like ups and downs, one wave is not flat, and another wave rises again, which makes the feelings more intense and eventually breaks out.
The whole poem is full of ups and downs, with sincere and vivid feelings. The reference material is Heidi. Complete works of Tang poetry appreciation. Beijing: China Overseas Chinese Publishing House, 20 10.
3. What poems show Tao Yuanming's indifference to fame and fortune? Thank you, and God bless you.
Tao Yuanming's "Preface to Twenty Poems" is more leisurely and unhappy, longer than night. Occasionally, there are famous wines. I don't drink them every night.
Gu Ying was alone, and suddenly he was drunk again. After getting drunk, I amused myself by asking a few questions.
There is too much paper and ink to explain. Talking about the life of an old friend, writing it out, I thought it was a joke.
First, ups and downs, more * * * together with each other. Shaosheng's Gua Tian is better than Dongling's! Both hot and cold have metabolism, and that's human nature.
If a person understands his encounter, his death will no longer be suspected; Suddenly I have a bottle of wine, and I am happy every day and night. Second, there are rewards for good deeds, and Uncle Yi is in Xishan.
If good and evil should not, what is empty! Ninety rope, hungry and cold. It's good to be poor, who will pass it on forever.
Third, the road has been lost for thousands of years, and everyone cherishes its feelings. I refuse to drink, but I care about the name of the world.
So, isn't your body living? How many times can life be restored? It's like being electrocuted. What can you do with this desire within a hundred years of fame! Fourth, social birds still fly alone at dusk.
Wandering endlessly, every night my voice becomes sad. Li went to Qingyuan, where to go.
Because value is lonely, loose and distant. There is no glorious wood in the strong wind, and this shade is absolutely unique.
I have my house, which has a history of 1000 years. Fifth, building a house is in human territory, and there are no chariots and horses.
What can you do? The heart is far from being self-centered. Picking chrysanthemums under the east fence, you can see Nanshan leisurely.
The mountains are getting better and better, and the birds are back. That makes sense. I forgot what I wanted to say.
Sixth: thousands of stops, who knows right or wrong. Contrast between right and wrong, and ruin the reputation.
For more than three seasons, Da Shi seems to be out of place. Vulgarity is a fool, you should learn from Bo Huang.
Seventh: the color of autumn chrysanthemum is good, which makes it more beautiful. Chrysanthemum wine is in the heart, the heart is more beautiful, and the feeling of avoiding customs is deeper.
Although you are alone, the cup is crooked. As the sun sets, birds call to Lin Huan.
Intoxicated in the east window, let this life be this life. Eighth, pine trees stand out from the tall branches in the East Garden, which is different from first frost.
Even foresters don't realize that being alone is strange. Carry a pot to soothe the cold, look far and recover.
In my dream room, there is nothing to worry about. Nine: Smell knocking at the door in the morning and open it backwards.
Ask the son for whom? Father Tian has a kind heart. I am far-sighted and doubt that I will keep pace with the times.
Under the grass eaves, it is not enough for high habitat. I will live in Shang Tong all my life. May you pour mud into it.
I was impressed by my father's words, and I was very angry. You can learn honestly, but you are not fascinated.
And * * * Huan this drink, I dare not drive back. Tenth: I have traveled far away until the corner of the East China Sea.
It's a long way to go, Xiu Yuan, and wind and rain hinder the road. Who made this trip? As if driven by hunger.
Just have a little when you are full. I'm afraid this is not a name, and I'll go back to a leisurely place.
Eleven: Yan Sheng means benevolence, and Rong Gong means things. I have been hungry for several years, and I am getting old. Although I left my name, my life withered. I don't know what to die for, but I am satisfied. I have a daughter's body, and I'm dying. Why is naked burial evil? People should understand the meaning.
Thirteen: Long-term workers have been officials, and they have suddenly lost time; Duman won't come back. He's been dead all his life. Zhongli returned to osawa, where the flurry began.
If you go to lunch, what's suspicious! Go and be sarcastic. The secular world will bully you for a long time. We talked for a long time, please don't bother me.
Thirteen: Guests often stay in the same place and choose different places. A scholar is often drunk alone, and her husband wakes up all year round. When he woke up, he was still smiling. He didn't get a speech.
Rules and regulations are stupid, but arrogance and poverty. Send a message to a guest, and there will be no candles for a day.
Fourteen: the old friend rewarded me with interest, and the pot was harmonious. Ben sat quietly in Panasonic and got drunk after a few drinks. His father and mother were talking at sixes and sevens and forgot their lines when they remembered. He doesn't know where I am, and he knows that things are precious. The wine is left by a long fan and has a deep taste.
Fifteen: the poor lack labor and the shrubs are barren. There are birds in the class, and there is no silence.
Where the universe is, life is as little as one hundred. Time is pressing, and the temples are already white.
It would be a pity if a poor man was not appointed. Sixteen: It is rare for a teenager to swim the Six Classics.
If you are not confused, you will accomplish nothing if you stay for a long time. In fact, I am clinging to poverty, hungry and full.
We live in Hengtai, where weeds have no front yard. Keep the night brown, and the chickens will not crow in the morning.
Meng Gong is not here, so he finally saved my feelings. Seventeen: The orchid gives birth to the vestibule, which contains the breeze.
The breeze is blowing against the wind, and the weeds are fragrant. Go on, lose my old way, conform to nature or Per.
When you wake up, you should think, and the bird will waste its bow. Eighteen: Ziyun is addicted to alcohol, and her family is poor, so there is no reason. He relies on good people and brings mash to solve doubts.
If you do it, someone will consult you. Sometimes you refuse to speak, you are not cutting the country.
The benevolent uses his heart, so he loses his silence. Nineteen: I used to be hungry, so I voted for Lei to study and be an official.
I won't be able to feed myself, I will be frozen and bound. In the new year, I am ashamed of my ambition.
So we parted, brushed off our clothes, and went back to the fields. The Ran Ran star was flowing and graceful. The world has a long road profile, so Yang Zhu stops.
Although there is no money to spend, there is nothing to rely on. Twenty: agriculture has been gone for a long time, and the world is less true.
Draw an old man in the middle of Lu, sew him up and make him pure. Although the phoenix bird has not arrived, the ceremony and music are temporarily new, and our eyes are slightly ringing and floating, catching the crazy Qin.
What is the crime of poetry and calligraphy? Once turned to dust. Just old people, sincere and diligent about things.
How beautiful? Six people have no relatives. Driving all day, I can't see what I want.
If you don't drink quickly, empty the headscarf. But hate is even more fallacious, so forgive my intoxicating.
4. How did Tao Yuanming become indifferent to fame and fortune?
Wisdom in tranquility and indifference
-Tell me about Tao Yuanming.
Gui yuan Tian ju (3)
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will.
Nature, tranquility and comfort, what else can describe Tao Yuanming's poems? Whether it is "Returning to the Garden", "Going to Xi Ci", or "Drinking" and "Biography of Mr. Wu Liu", every word exudes such a unique charm, simple and fresh, plain and meaningful. There are no flowery words, but it seems to naturally reveal his unique quaint style. His writing style and his philosophy of life seem to be mixed together.
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