Who can explain the realm of the poem "Silence is the cause of group movement, and emptiness is the cause of the world being full"?

"It's quiet, so the group is moving and empty." It means: emptiness can understand the changes of all things, and emptiness can accept the realm of all things.

Where does this sentence come from? -Song Su Shi's "Sending a Teacher"

The complete original text is like this:

Scholars are bitter and empty, and their thoughts are cold.

The tip of the sword is unique, and the scorched valley is not novel.

Hu Weiwei chased our generation, fighting for Wei Bing?

New poems are like jade crumbs, and when they are spoken, they will clear the police.

On cursive script, everything has not been screened.

A grievance is better than a stroke.

It is strange that the pagoda people think of themselves as mountains and wells.

Modest and indifferent, who is fierce with the French name?

Come to think of it, it's not. What a coincidence, this is not an illusion.

If you want the beauty of poetry, you will be empty.

Quietly, the group moved, but it was empty, so it accepted the thousand boundaries.

See the world and walk the world, and observe the body lying in Yunling.

Both salty and sour taste good, and the best taste lasts forever.

Poetry is harmless, so this language is more important.

I also released a translation for your understanding:

Master Shen Liao, you study Buddhism and have no thoughts at all.

The small hole on the head of the sword ring still only hears the wind whispering, and there are still no new buds on the charred valley.

Why write poetry like us?

Your articles are all colorful, the new poems are as beautiful as jade crumbs, and the sentences are clear and profound.

When Han Yu talked about Zhang Xu's Wild Grass, he thought that nothing could stop Zhang Xu's heart.

On the contrary, his sadness and grievances are at the end of his pen.

Han Yu was very surprised that Tu's cursive script treated people as autumn scenery.

Modest and indifferent, how can we exude the heroic and unrestrained spirit like Zhang Xu?

Not if you think about it. Real skills are not illusory bubbles.

If you want to make a poem smart, don't hate emptiness and stillness.

Virtual quietness can therefore understand the changes of all things, and emptiness can therefore accept the realm of all things.

I have experienced the world and walked through the world just to live in Yunling, a world far from home.

Salty and sour flavors are mixed in various foods, which has a very meaningful charm.

Shi Fo does not interfere with each other, so I should be allowed to say the above.

Here are some words that I think are more important. Let me explain them to you separately:

Bitterness: Buddhism believes that everything in the secular world is bitter and empty. When people die of old age, everything is nothingness, not substance, but emptiness.

Xuè blood: blowing, which means a small and short sound. The sword head refers to the small hole in the head of the sword ring.

Burned grain: roasted and dried grain. Glumes: The top of the awn shell of a seed.

Jade crumbs: metaphor is beautiful, words are like beads, flying crumbs.

Back: Han Yu, the word back.

Tutu: A monk.

Poetic method: it means that poetry and Zen are not contradictory, but unified in "emptiness and quietness", thus achieving the realm of "supreme taste" and "wonderful".

Please: yes, definitely.

This poem takes the purpose of Han Yu's discussion on master Gao Xian's cursive script, but it is the opposite of poetry. Finally, it is put into practice that "poetry and law do not harm each other", which expresses Su Shi's understanding of the relationship between Zen and poetry.

Generally speaking, Zen does not need words. Poetry is the art of language, and there is a great difference between them. However, in artistic practice, poets and critics have found similarities between them. Therefore, Li Zhiyi, a poet in the Song Dynasty, said in his "Pre-collection of Gu Xi laity" Volume 29 "With Li": "Zen is no different from poetry." Of course, it is not easy to distinguish the two, but there are still clues to be found.

For example, both Zen and poetry pay attention to the reflection of subjective spirit. Of course, Zen is "the mind gives birth to all kinds of methods, and the mind destroys all kinds of methods", and poetry also advocates that "all scenery and words are affectionate", thus driving everything to me.

Therefore, in the Southern Song Dynasty, Shi Shaosong said: "Zen people have wisdom in their hearts; Poetry, mind also. Where is wisdom and what is Zen; Where is the ambition, the shape of poetry is also. " In addition, such as the unpredictability of Zen thinking and poetic thinking, and the illogicality of Zen language and poetic language (some works that pursue "direct search" should be an exception), they are also quite similar.

Zen flourished in the Song Dynasty and was deeply loved by literati. So the saying that "learning poetry is like learning Zen" has become a temporary trend. From the time point of view, Su Shi's poems are the forerunner of the trend, and have had an impact on Yan Yu's later poems, such as taking Zen as a metaphor, and so on.

Finally, introduce the author here:

Su Shi, (1037 65438+10.8-165438+August 24, 0),No. Zizhan, He Zhong, a famous Taoist of tin cans, Dongpo Jushi,No. Su Dongpo, Su Xian, Han nationality, Meishan, Meizhou (Sichuan Su Shi was a literary leader in the mid-Northern Song Dynasty, and made great achievements in poetry, ci, writing, calligraphy and painting. Vertical and horizontal text; Poetry has a wide range of themes, fresh and healthy, uses exaggerated metaphors and has a unique style. Also known as "Su Huang" with Huang Tingjian. Ci is an uninhibited school, and Xin Qiji is the representative of the uninhibited school, also known as "Su Xin"; Prose writing is rich and unrestrained, and he is also called "Ou Su" with Ouyang Xiu, and is one of the "Eight Masters in Tang and Song Dynasties". Su Shi's good book, one of Song Sijia; He is good at literati painting, especially ink bamboo, strange stones and dead wood. Together with Han Yu, Liu Zongyuan and Ouyang Xiu, they are also called "the four great writers of the ages". His works include Seven Chapters of Dongpo, Dongpo Yi Zhuan, Dongpo Yuefu, Xiaoxiang Bamboo Stone Atlas, Ancient Wood and Strange Stone Atlas, etc.