Love story between man and ghost

As a classic film, Ghost won't disappoint every audience. The love story with sci-fi color, Ghost, deeply touched the hearts of the audience. Sen, the hero, once said, "When I feel happy, I am most afraid of losing it." Perhaps it is this sentence that laid the foundation for the development of the plot of the film behind.

The film uses the sequential structure of time and space, and the story develops according to the development of time. The narrative way of this kind of story takes time as the axis and the development of character as the order. This structure generally focuses on the performance of external plots and external actions, emphasizing the story's beginning and end and continuous development. Pay attention to the beginning, inheritance, transformation and integration, which is organic and coherent and has strong narrative. Its action, time and the development of the story have a causal relationship, and the development of the plot has strict logic. Therefore, the order of time-space transformation in Ghost is arranged according to the sequence of stories and events.

At the beginning of the film, a noise started the development of the film. The chaotic scenes, strange pictures, irregular lighting and ghostly music filled the beginning of the film with a strange atmosphere. The narrowness of time and space at this time makes people feel uneasy and depressed. This is the foreshadowing of the previous period, laying the groundwork for the development of the story.

The first scene of the film is a description of the feelings of the hero, Sen, his girlfriend, Mei Li, and their good friend, Carl, the second man. The film has several long shots. At this time, the use of long lenses has several meanings. First, take care of the beginning of the story. The beginning of the story makes the depressing atmosphere of the film appear. In order to ease this atmosphere, the director uses a long lens at this time. Second, in order to show the intimacy of their relationship. The atmosphere expressed by the long lens is relatively relaxed, and the use of the long lens is to show a beautiful atmosphere in their lives. The characteristics of the long shot meet the narrative needs of the story, and it shows a relatively stable relationship between time and space. The narrative length of the lens will cause a psychological hint from the audience and express an emotion.

In the next scene, the scene where Sen and Mei Li are making pottery has to be mentioned. It is the various factors of this scene that affect the future development of the story. The most noteworthy thing is the use of music in this play. When the feelings of Sen and Mei Li are generate, the music of Ghost just appears, which is a foreshadowing of the director and a sign that the stories echo each other. At this time, the director used psychological montage to create an atmosphere with pottery and music, which aroused people's association, thus achieving the purpose of the director's performance of the story. At this time, the relationship between time and space is stable, which accords with people's aesthetic psychology. At the back of the story, there was a music called "Ghost", which made the use of music echo each other when Sen borrowed the body of a female psychic and Meili met again, and made people naturally think of the scene when the previous music appeared. The two kinds of time and space were intertwined, which enhanced people's imagination and the shocking degree of the story. Music acts as a medium, allowing people's thinking to shuttle back and forth in time and space.

In the next scene, Sen and Mei Li saw the plane crash on TV, which is the use of a metaphor montage.

Seeing this, Sen was a little worried and gave the audience a hint that something was going to happen.

On their way back from the theatre, Sen and Mei Li met a robber with a gun. The arrangement of the space is like this: on a rainy night, a wide street is full of water, Sam and Meili are walking on the road, the street lights are dim, and robbers appear from the darkness. The arrangement of all the scenes indicates that this is an extraordinary night. Sam was fighting with the robbers when gunshots rang out. At this time, the most wonderful scene in this story appeared. Sen chased the bandits away, then turned around and found that Meili was holding her bleeding body. This is a very important scene in this story. It is the appearance of this scene that sets all the tone of this story. This scene is a turning point. It is precisely because of the gangster's gun that Sen lost his life. It is also this scene that Sen is dead. It is also this scene that Sen has become a ghost, and he has seen everything in the world. It is this scene that this is not an ordinary love story, but a story between a man and a ghost. This shot explains everything and pushes the story to a small climax. In the next few shots, Sam's death and the struggle in his heart are shown, and the reason why he stayed on earth is also explained. He can't leave Meili, and everything is a nightmare. From the beginning of the scene here to the end of the film, the story begins to use the narrative technique of repeating montage. The story between man and ghost begins.

Next, Sen meets a ghost in the hospital. They can communicate and talk with each other, but they can't communicate with each other. The director confessed this at this time, which is the need of the development of the story. It is the inability to communicate between people and ghosts that leads to another main character in the story-the psychic. She can communicate with the soul, which is why he was involved in this story and became the communication person between Sen and Mei Li.

After that, Sen kept seeing ghosts like himself, including ghosts in cemeteries and ghosts on trains. The ghost on the train later taught Sen how to get in touch with real things, which played a key role in the development of later stories. It was this skill that enabled Sen to protect Meili.

The appearance of props will not only improve the appreciation of the film, but also enrich the content of the film. In this film. The appearance of cats has played this role. As the saying goes, cats are messengers of the underworld. The cat can feel the existence of ghosts, and the cat even saved Miley's life, which may be the arrangement in the dark. This shows the artistry of the director's arrangement, and the cat has become a ghost messenger.

The story unfolds with twists and turns, and Sen knows that the mastermind who killed himself turned out to be his best friend-Carl. The director carefully arranged the secret space that Sen discovered, a dark room, and even used low light. Make the development of the story more dramatic. Next, Sen found a psychic and started his own plan. In the film, because the protagonist has become a soul, the director makes the protagonist's appearance very logical. The switching of various people's supervisors' perspectives and ingenious transitions make the appearance of a ghost seem reasonable. It is the switching of various supervisors' perspectives that makes the story full of drama and appreciation.

Sen went on with his plan. He made Miley trust the psychic and uncovered the truth with his own ability. Revenge for yourself, protect Milly, and finally go to heaven.

In addition, it should be mentioned that the director fully embodies the spirit that good people go to heaven and bad people go to hell in the film. Perhaps this is the idea of all good people. After the robbers and Carl died, they were dragged into hell, which also sounded the death knell for the evildoers and aroused people's love and kindness.

The story of Ghost is not complicated. In the current Hollywood production, the special effects of the film are also ordinary, but it will last for a long time and must have its unique charm. I think the key to Ghost is to capture the true feelings. Of course, various montage techniques and ingenious transformation of time and space have constructed a wonderful atmosphere for the film. The use of montage is just right, especially the switching of time and space in the film, and the different time and space where people and ghosts are located. This is the difficulty and key part of film processing. The director used different perspectives, different scenes and made careful arrangements. Finally, the time and space of the film are transformed into the most exciting part of the film. People and ghosts exist in different time and space, which provides a reference for us to make our own films in the future.