[Wu Yong Calligraphy Works] Wu Yong Calligraphy

Wu Yong, a native of Guizhou, is a member of China Calligraphers Association. Contemporary powerful young calligraphers. Calligraphy works have won many awards in large-scale exhibitions. The following are the calligraphy works of Wu Yong in Guizhou that I compiled for you. I hope it works for you!

Appreciation of Wu Yong's Calligraphy Works

Pictures of Wu Yong's calligraphy works in Guizhou 1

Pictures of Wu Yong's calligraphy works in Guizhou 2

Pictures of Wu Yong's calligraphy works in Guizhou 3

Figure 4 of Wu Yong's calligraphy works in Guizhou

Calligraphy is culture, relying on precipitation!

Calligraphy is a kind of culture,

Relying on the profound cultural background,

In order to attract people's attention and touch their hearts,

Any artificial hype will be counterproductive.

1 calligraphy, if you don't have the heart to work hard, you are just busy with exhibitions, publishing and socializing, and the quality will be the same for several years. I wanted to become famous as soon as possible, but it backfired.

Any artist, including calligrapher, must be able to sit on the bench for ten or twenty years.

If it is profit-driven and does not work hard at the post, it is the idea of propaganda; Don't work hard on theory, but make suggestions on relationships. It can only be? Social activist? , not a calligrapher.

Practice steel, brew wine and write calligraphy.

Endure loneliness, write your own words, and learn calligraphy all your life. If history can generously leave you a sentence, even a sentence, it will be better than a hundred exhibitions, and you will be very responsible to everyone. This life is enough!

Perfection and blame are common manifestations of unwilling loneliness.

In today's book world, all kinds of thoughts, all kinds of phenomena, all kinds of strange schools and all kinds of inexplicable titles are bizarre.

In all this? Phenomenon? In front of us, we should keep a clear head and stand the temptation, so that our calligraphy will always be rooted in tradition and learn from classics.

There is indeed an abnormal phenomenon in calligraphy now. What if your writing is traditional? Yan Liu Ou Zhao? Maybe we really can't win the prize and attend the exhibition. I don't think it's important to participate in the exhibition and win the prize. We don't study calligraphy to attend exhibitions and win prizes. All comrades who are interested in learning calligraphy must not distort their aesthetic ideals and interests and follow the popular calligraphy style in order to win prizes and participate in exhibitions.

3? Yan Liu Ou Zhao? Such traditional calligraphy will never be out of date, and it will never be wrong to learn such classic calligraphy.

It's not worth the loss to uproot a thousand-year-old traditional tree in China and plant a new one. We advocate the elegant style of calligraphy and calligraphy? The beauty of neutralization? .

Throughout the ancient and modern book circles, there were Wang Xizhi and Mi Fei in ancient times, and now there are Qi Gong, Lin Sanzhi and Sha Menghai, all of whom are elegant people.

At the same time, we are not opposed to letting a hundred flowers blossom and a hundred schools of thought contend, and various schools, * * * and * *, are colorful. But no matter what genre or creation, it must come from real kung fu. Work? Where did it come from? Tradition is a teacher. Diligence? Word first! So-called? Work goes with the flow? . Friends, work hard and use your diligence and cleverness to write elegant and beautiful calligraphy that the public likes.

4 resist impetuousness, calligraphy soothes the soul.

Yang Xiong, a scholar of the Western Han Dynasty, said? Books draw for the heart? .

What is Liu Gongquan famous for? Is the heart right and the pen right Said.

Fu Shan, a great calligrapher in the late Ming and early Qing Dynasties, also said, write a word and be a man first. If your personality is not high, your character will be kitsch.

Yang Shoujing said: Calligrapher? First, high quality, high quality, elegant writing, unconventional; First, if you want to be well-educated, you will have everything, and bookish nature will overflow between the lines.

In ancient times, everyone was prepared for this, and there was nothing in their hearts, but who can surpass the anecdote? . Zhu Hegang said in his book "New Interpretation of Linchi". Learning books is just a skill, but building products is the first step.

Celebrity calligraphy is full of business blundering.

High-quality, bit by bit, with their own integrity, low-quality, although frustrated with passion, impressive, but only violent in vertical and horizontal directions, more telling.

Let's turn to the history of China's calligraphy. For the time being, as far as the four great masters of Song Dynasty are concerned, whether it is Su Shi's innocence and leisure, Huang Tingjian's vertical and horizontal rise, the ups and downs of America, and Cai Xiang's gentleness and gentleness, they all have amazing coincidences with their personalities and character, so later generations have them? Like this? Said. These statements are accepted by many artists today.

Calligraphy, as the nectar flowing from the calligrapher's heart, must have a good mood, beautiful? Field? . Preface to the Lanting Pavilion, the world's first running script that has been brilliant for more than 1000 years, could not have been written by Wang Xizhi on the bloody battlefield if it was not for the clear Wan Li, the beautiful environment with pleasant weather and the harmonious state of mind of literati's elegant collection, meandering water and relaxation. According to the history of calligraphy, ancient great calligraphers such as Wang Xizhi, Yan Zhenqing and Su Shi. There are heroes, loyalties, virtuous ministers, people with high character and high book quality everywhere.

Calligraphy is the darling of emotion and needs patient care and cultivation.

Calligraphy creation is not only about the world we can see in ancient calligraphy posts, but also about the world we feel inside.

Picasso has a famous saying? I don't draw the cat itself, I draw its smile? . How monotonous the cat itself is, but the cat's smile is an ever-changing artistic feeling that can be drawn.

Writing about the feelings of the mind is no stranger in China. What is the so-called? Have an answer? 、? Do you have money mountain in your heart? . ? What do you think? And then what? Qianshan in my heart? It's all spiritual and emotional. Most ancient western artists paid attention to realism. Shape? It is difficult to achieve great things by writing an article online.

In the 20th century, why did western artists create so many important schools and produce so many masters? One of the important reasons is that they pursue the world of expressing spiritual feelings and emotions, instead of emphasizing the representation of the appearance and the objective world, they pay attention to expressing the subjective world of the artist's heart.

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Calligraphy works are the building blocks of calligraphers' hearts.

The creation of artistic conception of calligraphy has a strong calligrapher's emotional color.

Only by injecting feelings into the works can stippling lines have vitality, be beautiful and vivid, and build an emotional bridge between the author and the appreciator.

Calligraphy sometimes drives me crazy. Pick up the brush, word by word, flying in my mind in various forms. Sometimes, it roars like a UFO, flashing strange light and changing various forms, which makes you feel a little scared and full of surprises. Artistic conception is the soul of calligraphy and emotion is the soul of artistic conception.

Only by writing poems and singing loudly with high-spirited passion can emotions set off waves, hit the soul and rush to the pen, and create works with beautiful appearance, strong artistic conception and detachment. China's calligraphy, which has lasted for thousands of years, has a thousand kinds of romantic feelings and artistic conception because of different people and places. Only in the bookstore can there be a sea of waves, unpredictable pen and ink categories and calligraphy monuments handed down from generation to generation.