How to evaluate Adele's singing skills, timbre, range and cavity singing?

T0+, perfect singing, sound, sound pressure, quality and skills serve the high unity of emotions. Adele's theoretical interval: C3-E5-A5; ;

The quality range of Adele: C3-E5-G5;

Actually, I don't want to answer this question, because there is at least a generation gap between China people and European and American singers. Their vocal music theory is the most advanced, and their overall musical quality and pitch cognition are far higher than our masses.

The overall level of European and American singers is too strong in terms of timbre, range and singing skills. A Dai, who is T 1 among European and American singers, is perfect according to my standards of judging China people.

It is obviously not enough to discuss their singing skills and comment on the basic concepts of European and American vocal music. Because of the most common ability, European and American singers basically have it, and they are very proficient.

So the theory of commenting on domestic singers is not suitable for European and American singers. Their status is too high. Evolve into finer things: monophonic sound quality, unified sound, and timbre explosion.

Need to have a higher level of detail requirements. Briefly speaking, A Dai is also the basic skill of T 1 singers in Europe and America.

1: audio integration; What is embodied here is a basic concept: sound separation. This is also the standard skill of first-class singers in A Dai. It is worth learning from China singers.

Generally speaking, in our inertial consciousness, the higher the tone, the louder the sound. The smaller the pitch, the smaller the sound. This is unprofessional and wrong. But because, basically, people who know this concept play professional voice and piano instrumental music, and there are few vocal music.

One of the basic literacy details of European and American singers is to consciously control the volume (sound) of singing.

In live and CD, the volume of singing needs to be controlled by self-awareness, reaching a basic balance value. On the basic balance value, it can cooperate with the emotional arrangement of the song to provide tension. Specifically solve the following problems:

The live level of domestic singers, singers below T2 level, and the main songs with pitches below C3-G3 are hard to hear clearly. The bass voice is low, the volume is low, and there is no basic appreciation hearing at all. The core of solving the problem of sound unification lies in bass hearing.

When singing bass, consciously raise the sound level and volume.

When singing high notes, consciously suppress the sound level and reduce the volume appropriately.

In the two levels, under the antagonism of addition and subtraction, more attention will be paid to the overtone area of the cavity and the content of sound lines will be increased. Let the emotions be more abundant.

The premise of vocal music must be to give a clear and audible track, with the audience's auditory experience as the main core. The unity of voices must be the standard skill of singers. Instead of the grandiose operation of pulling the microphone one meter away.

You can turn on the microphone for one meter. Why should we learn to control the intensity of breath, reduce the volume and give more overtones at the same time, so as to improve the connotation and quality of timbre?

This basic detail is actually important.

Because Chinese pronunciation itself is very vague, it is impossible to distinguish phrases with the same tone in vocal music, so it is impossible to give specific lyrics accurately. If the bass does not guarantee the audible volume, it will basically jump off the street.

The audience can't hear the lyrics clearly, and the audience's auditory experience must be the first core of vocal music promotion. At the same time, vocal art is no louder than anyone else. Just like the range, the range after G5 actually doesn't have much audibility.

Typical example: Rene Liu's Later. The difference between Rene Liu's Later live edition and Japanese live edition can not be explained by the same level. That's several levels. The bass area of the main song itself is low, and the lyrics and phrases cannot be recognized at the same time. It looks extremely hip-pulling.

2. The timbre is explosive; This has something to do with language, and the language factor will be discussed later. Let's talk about the core of the difference-the consciousness of the pronunciation point and the * * * sound of the mask.

For A Dai, the popularity of vocal music education in Britain and friends who like singing must have the basic ability of absolute intonation and focused pronunciation. This part has language advantages, and the other part benefits from the scientific nature of the vocal music system in Europe and America.

Adele's songs and chorus basically have unparalleled explosive power. The core of this explosive power is two points:

1: sharpness of mono background color; Tone.

2. The derivative of high-pitched overtones. Explosive tension.

It sounds awkward, but it's actually very simple. This is the natural feature of * * * singing in different sound zones.

As long as the change of singing pitch focuses on the aria, it should not focus on changing the pronunciation point. It has this trait.

In the specific details of Adele's singing, the main vocal cavity of the pronunciation point is constantly deduced upwards, and the position remains unchanged.

The China singer's cavity, on the whole, is downward, and its position fluctuates.

In the vocal music system in Europe and America, the pronunciation and singing are separated from consciousness.

Bass should also be played in the chest, throat and mouth on the premise of hanging at the pronunciation point.

The alto should also be based on the nasal cavity on the premise of hanging on the pronunciation point.

The treble should also be dominated by the first sound, and the pronunciation point remains the same.

The consciousness of the pronunciation point determines the brightness of the sound line. For example, comparing Boss Huang and A Dai, Boss Huang's awareness of pronunciation points is a failure. The CD effect is another word.

In order to sing the pitch of the bass, the * * * cavity must give the bass mood and frequency. Just a simple introduction, plus personal feelings.

To sing high pitch, the * * * cavity must have this higher frequency timbre, and the penetration, timbre density and sound pressure intensity must have essential changes.

As long as the timbre corresponding to * * * vocals is accurately expressed and flawless, it has its own explosive power.

The concentration of pronunciation points will definitely improve the quality of single tone.

The difference between European and American singers and China singers is that the foundation of vocal singing is too weak. This has a lot to do with language. I can't wait. Fortunately, the younger generation, as well as a large number of vocal music training classes, began to introduce and teach the basic popular vocal music consciousness in Europe and America.

Let's briefly talk about the influence of language on vocal music.

2. Language system; There is a fundamental difference between European and American singers represented by A Dai and China singers-language system.

Don't forget, English is a linear language with no tones; Chinese is a nonlinear language with natural tones. Tone is a kind of pitch change. This is a necessary process of language music: de-tonal.

Simply put, "grandpa" and "every night" are both one sound in vocal music. In addition, ordinary people who are exposed to music often turn to phonology unconsciously. This will lead to a bad pronunciation environment for Chinese. Of course, this situation has improved.

However, English is different. They just don't need to get rid of a language habit, which is great for the development of vocal music. Therefore, it is difficult for us to achieve the single-tone quality of their singers.

This is not a single gap in range, timbre and skill. Is the single-tone quality of singing.

So many people say that English songs are better than Chinese songs, not without certain theoretical support. Because at the level of music language, it is true that Chinese needs to solve many more problems than English.

But this problem is not unsolvable, it just takes time.

In fact, quite a few singers have learned the advanced vocal ability of Europe and America in the China music market, and they have done a good job:

1: G.E.M.; Study in Hong Kong Chorus Class;

2. Wang Leehom: Graduated from Berkeley Conservatory of Music;

3. Charlie: Bel Canto major in Lviv Conservatory of Music;

4. Shan Chunyun: Born in a domestic pop music education institution, he has a perfect sense of music and singing skills.

Cooperate with overseas vocal music skills or domestic vocal music education institutions, and use a large number of European and American vocal music systems for teaching. This shows that China's vocal music has developed rapidly.

Adele's range: two octaves+10; Adele's theoretical interval: C3-E5-A5; ;

The quality range of Adele: C3-E5-G5;

There is nothing to say. The quality of every sound is impeccable. Concentrated, with personal characteristics, and Chinese music singers are still changing their voices, their necks are stuck, and their speech is unclear.