Joke Collection Website - Mood Talk - Who has read the book Butterfly by Wang Meng? Help write a comment, thank you!
Who has read the book Butterfly by Wang Meng? Help write a comment, thank you!
I went to a meeting in Mr. Wang Meng's car. Talking about his new work "Awkward Romance" on the road, he said that writing "Awkward Romance" means that he often encounters embarrassment and sees others' embarrassment, so he wrote it down and became A Le II. I "tout" that he still insists on writing in his seventies, and his reputation is well-known at home and abroad. He said with a smile that people in their 70s forget everything. Famous? Without official retirement, no celebrity can live forever. I don't believe that cancer doesn't hurt because it's famous.
For work reasons, I have visited Mr. Wang Meng with the leaders of the Chinese Writers Association every year in recent years. Although I often see Mr. Wang Meng, I really interviewed him only once. I want to hear Mr. Wang Meng talk about China literature in the 2 1 century, but the topic is too big. But I noticed that his remarks about the writer's mentality were very interesting. So, we talked about this topic. We talked about the active literary world in recent years, but the impetuous phenomenon is also very prominent. Wang Meng believes that some people are speculating and others are watching. Writers still have to write good works. Some works are vulgar and elegant, but the market is promising, but they are not praised by literary achievements. This is a category. There are also some writers whose novels have been adapted into TV series, and the market is also very promising, but they are not only catering to the market, but also have a certain literary content, which is another category. Speaking of this, Wang Meng said, I really want to talk to writers, overcome all difficulties, overcome impetuousness and write something wholeheartedly.
I am a quick-thinking person who is suitable for "rambling", so I suddenly talked about the economic recession in Russia and the unique advantages and status that Russian literature still maintains no matter how it declines. I asked, does China's literature have such advantages? How do you evaluate our current literary situation? Wang Meng said that there are not many Russian literary works really preserved, just a few, and some writers have worked hard in any country to pursue the weight of their works. Don't say that there are thirty or forty writers in a country's literary world, and it is not easy to have three or four such writers. Only a moment of great courage. It is not easy for Chinese literature to have such a situation.
Mr. Wang Meng's words are very incisive. I couldn't catch up again, so I immediately asked, there have been many controversies about Lu Xun in recent years. How to treat this phenomenon?
Mr. Wang Meng quickly took over the topic and said that literary thoughts are really active now. Lu Xun's works are important literary heritage, which should be better studied, inherited and carried forward, but they have been obscured by many non-Lu Xun people for many years. I see several viewpoints from it, which are essentially the same. The first is to describe Lu Xun as an exception of the whole country, nation and literature, and to demonstrate the meanness from the government down to the grassroots with Lu Xun's greatness. The second is that in the past 100 years, China people, including Lu Xun, have failed, and only foreigners can do it. The third way is to actively defend Lu Xun's remarks and not allow any normal academic arguments.
I said, it sounds like these expressions look different, but they are all similar in essence. We respect Lu Xun and should not belittle the nation. Mr. Wang Meng agrees with me. He said that criticizing Lu Xun should not be aimed at belittling the nation. As for the so-called political view of "defending to the death", many emotional factors have been added. Emotional factors and business speculation are meaningless, and it is not clear what his point of view is.
I also raised some worrying phenomena in the literary world. Mr. Wang Meng said that there are many things in the bubble now. In the bubble, people can't see the real "flow" of literature. They only see a lot of bubbles. One minute they think the job is very important, and the next they think it is very important. It doesn't really matter. In a few years, everyone will forget all about it. For example, when a gust of wind blows, some people start chasing after it in their works. Blow a gust of wind again, I have no idea that those works are describing China, and following the trend is really a worrying literary tendency.
Wang Meng is sure that some writers are following suit now, and so are the media. This has induced some writers' creative tendencies. There are several states in the present literary world. Some are very serious, and some are actually writing works; There is also a dance academy; There is also hype. These states may conflict with each other, or they may be more entertaining, combative and artistic. I use fashionable words to tell Mr. Wang Meng's words, which are diverse and complementary, some are nostalgic and some are exploratory. Mr. Wang Meng said that no matter what words you use, no matter how you change them, it is most important for a real writer to concentrate on writing, write with heart and write good works.
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