Poems about Ashima

1. Q: Praise Kunming's poems or Ashima's trip to Kunming?

The waves are 3000 hectares, and the vast mountains embrace the ancient city.

The flowers in the four seasons are not old, and Kunming is in spring.

Daguanlou Changlian

A cloth of ten thousand trees and plum blossoms is like a giant pen and a chicken;

There are long couplets in front of the building, which shows that people, nature and things are in harmony.

Farewell to Spring City

I never leave Kunming in late spring and March, and the great mountains and rivers have new memories;

Unfortunately, the trip was too hasty, and Bridget Jinma divorced.

Mingfengshan Jin Dian Palace

Half a castle peak and half a cloud, the craggy golden hall knocks at Tianmen;

When I rushed to the crown, I was angry and old, and the camellia on the ground reflected in the dusk.

Daguanlou Changlian

Five hundred miles of Dianchi Lake, rushing to the fundus. I am happy with the vast space! The east sees God, the west sees spirit, the north sees collaterals and the south sees mourning. It is better to choose the winner than to board the board. Take the crab island snail state and comb the upper wind and fog temples; It is even more beautiful, dotted with some jade feathers and Danxia. Live up to the surrounding fragrant rice, clear sand, September hibiscus and March willow;

Thousands of years ago, keep it in mind. Who is the hero? I want to learn from China Ship, Tang Biao Iron Column, Song yu fu and Yuan Dynasty Leather Bag. Wei Lie played an important role in moving mountains and rivers. Draw a bead curtain building, which can't be rolled up like dusk rain; Then I broke the wreckage and gave it all to the pale smoke. Only won a few minutes, fishing in half a river, two rows of autumn geese and a pillow of frost removal.

-Sun Youti Kunming Daguanlou

These are all praises to Kunming.

2. Praise the colorful poems in Yunnan.

silver acupuncture needle

April 6, 2008 5438+09 to 25.

Say goodbye to the banks of the Yellow River,

Fly south of the colorful clouds.

Embrace the pearl of the plateau,

Touch Yulong Snow Mountain.

Wandering in the stone forest,

Feng Fengqin is timid.

Three pagodas of Chongsheng Temple,

Stand tall in the Tang Dynasty.

Erhai Cangshan Yuncha,

Dongba cultural feast.

Primitive soil is primitive,

The combination of rigidity and softness is shocking.

Fortunately, Dali is an ancient capital.

Expose the meal in dribs and drabs

Wandering in Lijiang shogunate,

Have fun together.

Speaking of five golden flowers,

Drunk to the side of butterfly spring.

The lotus pond is full of love,

Ashmarong was surprised.

Elegant, sensitive, harmonious,

Seven days is better than a hundred years.

Tit Yulong Snow Mountain

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April 2, 20081

The bluebird sings the plateau,

Dragonflies scatter pearls.

Snow shines on Hongmei and smiles.

Mountain shadows dance.

Topic butterfly spring

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April 23(rd), 2008

In order to report the beautiful spring scenery in Spring City,

Flowers and figures were also photographed.

Butterfly spring reflects golden flowers,

Lotus smile with graceful red makeup.

Tit Qing Tian Yu Zhu Yuanjing

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April 24(th), 2008

God came to landscape painting for a screen,

Wild geese sink their fish into the picture.

Jade dew pours from the top of Diecui Mountain,

Lights, clouds and shadows in the sky.

Stone forest sigh

silver acupuncture needle

April 20(th), 2008

Qi, bones, clouds and roots rise on the plateau.

Draw your sword and compete in heaven.

The devil may cry,

The avalanche set off huge waves.

Lianhuachi meditation

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April 20(th), 2008

Qingqing Shilin Cliff,

Bibi lotus pond

Turn off black brother,

Ashima, dad.

Long love,

Send new flowers every year.

I like it.

Who should I give it to?

Old Town of Lijiang's silhouette

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April 22(nd), 2008

Shi Qiao Shixiong,

Listen to the bamboo wind in the wooden courtyard.

Blue brick cornices,

Gurgling water shines on the palace lantern.

3. Where is the poem Ode to Mu Dan? There are endless rolling mountains, rivers and grasslands, countless dense villages, crowing of chickens and barking of dogs. In the desolate land of Asia, the dry wind whistling in the boundless weeds, singing monotonous water flowing eastward under the low-pressure dark clouds, and countless years buried in the melancholy forest.

They hugged me quietly: endless stories are endless disasters, silence is love, eagles flying in the sky, dry eyes waiting for spring tears, and immovable gray teams crawling in the distant sky; I have too many words and too long feelings. I want to hug you with desolate deserts, bumpy roads, mule carts, trough boats, wild flowers and rainy weather. You, the person I can see everywhere, the person who lives in shame, the rickety person, I want to hug you with blood-stained hands. Because a nation has risen.

A farmer, whose rough body moves in the field, is a woman's child and the father of many children. How many dynasties have risen and fallen around him, putting hopes and disappointments on him, while he always rotates silently behind the plow, turning up the soil that also dissolved his ancestors, and the image of the same suffering freezes on the roadside. How many happy songs have passed on the road, and how many times have you come with his heart; On the way, people talked, shouted and were in high spirits, but he didn't. He just put down the old hoe, once again believed in nouns and dissolved into the love of the public. Firmly, he watched himself dissolve into death. The road was infinitely long, and he could not shed tears. He didn't cry because of the rise of a nation.

Surrounded by mountains and under the blue sky, when Spring and Autumn passed by his house, there was the most subtle sadness in the deep valley: an old woman was waiting for her children, and many children were waiting for hunger, but they endured it. On the roadside, it is still the dark hut, the same unknown fear, and the same erosion of the soil of nature's life. He went and never looked back to curse. I want to hug everyone for him, and I have lost the comfort of hugging him. We can't give happiness because of him. Let's cry for him, because a nation has risen.

It is also the wind of this long age, and it is also the endless groans and chills that emanate from this sloping roof. It sings on the top of withered trees, it blows through barren swamps, reeds and insects, and it is also the sound of crows flying by. When I walked by, stood on the road, and lingered in this shameful history of mountains and rivers for many years, waiting, we had too much silent pain, but a nation rose, but a nation rose.

4. Ashima is a long folk narrative poem of this nation. Time: 2006 Category: Folk Literature Area: Yunnan. : I-28 reporting area or unit: Shilin Yi Autonomous County, Yunnan Province. 1. Introduction to Shilin culture. The Yi culture represented by Ashima has rich connotations and far-reaching influence. The most influential ones are a poem, a shadow, a dance and so on.

Ashima is a long narrative poem of Sani people, a branch of Yi nationality in Shilin Yi Autonomous County, Yunnan Province, which represents "one shadow" and "one song". "A poem" refers to the long narrative poem Ashima recorded in Yi language, which has been translated into more than 20 languages and distributed at home and abroad. "One Shadow" is a long poem adapted from China's first color music film "Ashima", which enjoys a good reputation at home and abroad.

Ashima tells or sings Ashima's story in oral poetic language. The story of Ashima's indomitable struggle against powerful forces reveals that light will eventually replace darkness, goodness and beauty will eventually replace ugliness, and freedom will eventually replace oppression and imprisonment, which embodies the national character and spirit of the Sani people of Yi nationality.

Ashima is called "the song of our nation" by Sani people. The legend of Ashima has become a part of Sani people's daily life, weddings, funerals and celebrations, and is widely sung among the people. Its artistic charm has been renewed with the erosion of time, and it has become a brilliant treasure in the garden of Chinese national literature and is well-known in the world literary world.

Second, the historical legend Ashima is a classic legend of the Yi Sani people. Smart, kind, beautiful and hardworking peasant girl Ashima fell in love with the brave and honest shepherd Ahei.

Ashi, the son of the chief, pursued Ashima with both hard and soft, but Ashima resolutely refused. Thieves and bandits never die, and the central matchmaker went to force marriage with a bride price in the tropics, but was flatly rejected.

So, A Zhi took advantage of Ahei's going to a distant place to shepherd sheep and sent someone to rob Ashima. Ashima took advantage of the gap to throw camellia into the stream, and the stream immediately flowed back, and Ahei was informed to rush back to the rescue.

On the way, he was blocked by the mountain. He shot through the mountain with one arrow, opened the passage, and galloped his horse, making rapid progress. A Zhi tried all kinds of threats and inducements, but she couldn't make Ashima give in.

Achi became angry from embarrassment and was about to whip Ashima, but Ahei arrived in time. A Zhi offered to fight a prophet.

A Zhi lost, but still unwilling, he tried to shoot Ah Hei with an arrow. Angry Ah Hei shot the arrow through the gate of the village entrance and the pillar of the main hall, and the arrow hit the tablet of the Lord of God. Azhi ordered his family to pull the arrow hard, but the arrow did not move.

Azhi was awed and had to release Ashima. Ashima and Ahei ride home happily together.

They came to the river, got off their horses and took a nap. A Zhi and his men stole Ahei's arrow and drowned Ashima.

Ah Hei called her name sadly, but Ashima turned into a towering stone statue and stayed in the world for thousands of years. As the local folk singer sang: "On twelve cliffs, there stood a girl. She is a flower in the sky. She is a lovely Ashima.

"Long poems adopt romantic and mythical poetic techniques, highlighting the goodness and beauty, wisdom and strength, diligence and courage of the characters. Three. The prototype of the characteristic Ashima is written in Sani Yi language, which is the crystallization of collective wisdom formed by Sani people's painstaking efforts and has a wide mass.

Mainly spread in the Sani inhabited area of Yi nationality in Shilin Yi Autonomous County, Yunnan Province, it is divided into two similar schools: South and North. As a narrative poem, it can be sung as well as spoken, with the singing styles of "Happy Tone", "Old Man Tone", "Sad Tone", "Crying Tone" and "Curse Tone". There is no fixed occasion for singing, but it can be sung and spoken in many different occasions such as marriage, sacrifice, funeral, labor and life.

In addition, it has the following main features: 1, and Ashima is vivid in content. Stylistically speaking, it is of course a long narrative poem, but the content is not dry at all, and the lyrical component is very heavy. It is full of emotions in every chapter, first section and every sentence. Make the whole poem like a big garden of life, colorful and fragrant.

2. The plot is simple. Although this is a narrative poem, the story is not too complicated. The Sani people used it to express their emotions and sang 15600 lines. They are telling stories, but they are actually praising their heroes. Love and hate are distinct and strong.

3. A rich rhetorical device "Ashima" is sung in five sentences, in which foreshadowing, exaggeration, satire and homophonic, thimble, couplet and metaphor are used, and the content and form are perfectly unified. Four. The Historical Development of Ashima Fifty years ago, the publication of Ashima, a long folk narrative poem of Sani of Yi nationality, caused a sensation throughout the country.

It has been translated into English, French, German, Spanish, Russian, Japanese, Korean and other languages, and has been adapted into radio dramas, musicals, children's dramas and other art forms in Japan. In China, Ashima was adapted into a film and staged in various places, such as Beijing Opera, Yunnan Opera, Opera, Dance Opera and Sani Opera.

China's first color wide-screen three-dimensional musical song and dance film "Ashima" 1982 won the first international music best dance film award in Santander. Ashima began to enjoy a high reputation at home and abroad.

Since then, the image of Ashima, who is hardworking, kind, good at singing and dancing, and not afraid of power, has lived not only in the hearts of the Yi Sani people, but also in the hearts of the people of the world forever. On August 6th, 2004, the International Symposium on Ashima, co-sponsored by Minzu University of China and Shilin County People's Government, commemorated the 50th anniversary of the publication of the narrative poem Ashima and the 40th anniversary of the filming of Ashima, which once again pushed Ashima onto the stage of the new century. Domestic and foreign experts and scholars from different regions and countries have the same desire.

This is the first international academic seminar with the theme of Ashima. The convening of this conference marks a brand-new page in the study of Ashima, and also sets a milestone for the study of Ashima in the future. However, with the changes of lifestyle, education system and social space in minority languages, the inheritance of Ashima is facing a crisis.

At present, Ashima, a long oral narrative poem in Sani language of Yi people, has been declared as a national intangible cultural heritage.