Talking about kite reading answers

This essay contains Lu Xun's brotherly feelings, the significance of games to children, Lu Xun's spirit of introspection, and Lu Xun's "cruel" affection for his little brother without resentment.

The article said that when I was a child, my little brother was not allowed to fly kites or do such worthless things. His behavior is very rude. When he understood the meaning of games to children, Lu Xun woke up and realized that what he had done in those years was simply "cruel to the spirit". Although it was a long time ago, Lu Xun still wanted to make amends, but his little brother completely forgot that my heavy heart had to be heavy all the time.

From the perspective of brotherhood, my little brother was not allowed to fly kites because he was promising to his little brother, but he hated iron for not turning into steel. Once you know that you are wrong, although it was decades ago, although you are an elder brother, you should also ask your younger brother for forgiveness. The brotherhood of compatriots is beyond words.

From the point of view of games, "games are the most legitimate behavior of children, and toys are their angels". Games are really out of children's nature, making children lively, healthy and smart. So banning games is tantamount to killing children's nature. Lu Xun saw foreign ideas about children's education and realized the backwardness of China's old-style education. He hoped that China's children's education could change the backward prejudice and that children's spirit would never be suppressed and grow up healthily.

Judging from Lu Xun's spirit of introspection, Lu Xun is strict in his anatomy and introspection. He is meticulous about the past and small things, will correct mistakes and be serious and responsible. This spirit is very valuable.

Judging from the phenomenon that little brother suffered "cruelty" but no resentment, Lu Xun's feelings were particularly deep, and the article stopped here, leaving endless sadness and thought-provoking question marks. Why did little brother completely forget? It turned out that he stole a kite, but he didn't think it was justified himself. He thought his brother should be in charge, so he left it alone.

After the first reading, we can feel that Mr. Lu Xun is not a born wise man, and he is also influenced by traditional ideas. Traditional ideas have a backward side. But what is valuable for Mr. Lu Xun is that once he accepts scientific ideas, he will correct his mistakes. Mr. Lu Xun is full of introspection. Lu Xun also lamented that the victims were forgetful and did not struggle. In his view, this is why killers can kill at will.

What do you mean by "the mental cruelty of this scene"?

"I" used to think that flying kites was "a matter for worthless children" As an elder brother, I strictly controlled my younger brother, which was promising for him. Now that I think about it, I was dominated by backward ideas, and my behavior was really "spiritual cruelty." From this scene, we can see the unequal feudal order of Lu Xun's childhood. "As far as age and strength are concerned, he is no match for me", which shows that the rude behavior as a brother is based on violence. Lu Xun wrote himself rudely, with a hint of self-condemnation between the lines. As for my younger brother, he dared not fly unless he was allowed to fly, so he had to secretly make a kite. He was in a panic when he found out. The kite that was about to be completed was trampled by his brother, and he didn't mean to resist. There is no defense except despair.

Once Lu Xun came into contact with scientific ideas, he realized his mistakes and tried to correct them. He didn't forgive himself because his original motives were good, nor did he forgive himself because his original ideas were influenced by tradition, and he didn't let go because of time. His heart is so heavy, which shows how severe and serious he is in dissecting himself.

"I" begged my brother's forgiveness, but he completely forgot it without resentment, so my heart could not relax and had to be heavy, which turned out another meaning. The victim didn't think he was tortured, but thought his brother's behavior was reasonable. This just shows that he doesn't think the game is "legal". Once he was found by his brother, he thought he should be punished. What is particularly sad is that the numbness of the tortured person makes the tortured person do whatever he wants. Therefore, Lu Xun only felt that the world was cold.

By discussing this article, we can realize that China people's thoughts and actions need the guidance of scientific thoughts. Only in this way can we not do things that go against our feelings and are ignorant and backward, and just actions should also defend our legitimate rights. Only scientific thoughts can illuminate the thoughts and behaviors of China people.

After the publication of Kite, its attack on traditional feudal children's educational thought was sharp and exposed, and it was welcomed and loved by readers, especially young readers. At that time, some young artists said, "What I like is the thread of Weeds, which is a struggle against traditional ideas, dark forces and hypocritical gentlemen." According to Fang Zhimin's lover Miao Min, Fang Zhimin loved literature when he was young, and he was very fond of Lu Xun's Scream, Hesitation and Weeds. Lu Xun's prose poems, including Kite, have gained a wide readership because of their essays, essays, new ideas and superb skills. Therefore, "the sales volume of yusi is better in the first period, from 1500 to 2000, from 3000 to 5800, and her influence is great." It's true. In the early 1930s, many middle schools in urban and rural areas in China used a set of mixed Putonghua textbooks for junior middle schools edited by Zhao, and this kite was chosen as a model for middle school students to learn to write vernacular Chinese.

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What's more, Kite was recommended to readers all over the world as Lu Xun's masterpiece. 1September, 936, that is, one month before Lu Xun's death, Asia magazine published in new york (English version) published Kite translated by Yao, an American progressive journalist and China writer, just in time for Lu Xun's death, while1June, 936 compiled Living China-Modern China Short Stories.

1950, Moscow Pravda Publishing House published a collection of Lu Xun's short stories (Russian version), all of which were selected from Scream and Wandering, but somehow Kite was also included. 1955 Moscow Children's Publishing House published a series of middle school students' books, including a collection of short stories of Lu Xun and Kite. It can be seen that putting Kite together with other novels of Lu Xun here follows the practice of Si Nuo; Whether this classification is correct or not is not important. What's important is that we can imagine that Kite, as a representative work of Mr. Lu Xun, is welcomed by readers in China, especially children with other skin colors, which is gratifying to us.

A summary of the ideological content of kites

1. Understanding from the perspective of children's education (Chen Gensheng)

It is precisely because of the great influence after the publication of Kite that the eldest brother who practiced "cruel spirit" in his works was the author himself? That is to say, is the author writing about his own personal experience? This problem has always been of great interest to people. In this way, Lu Xun's relatives naturally become the object of people's diligent consultation. Lu Xun's third brother Zhou wrote before liberation:

Lu Xun sometimes emphasizes one thing, such as the article he wrote against his brother's kite-pasting. In fact, he is not so opposed. He doesn't fly kites himself, but he doesn't strictly object to others flying kites.

For decades, Comrade Zhou answered this question many times. It was not until the 1980s that he gave the visitors a clear answer:

I don't remember this.

However, Xu Guangping, Lu Xun's wife, holds a different view. In her conversation, she introduced the "I" in Kite to people who are the same as Lu Xun, her little brother and Zhou. 1956 in the golden autumn, Lu Xun's memorial service was held in Beijing Beihai Juvenile Home. Comrade Xu Guangping was invited to give a talk to the children at the meeting.

When Lu Xun grew up, he criticized himself for being a little too hard on his brothers. He also said one thing: once, he came home from school and didn't know where his brother (Zhou) had gone. Later, I saw him pasting a kite in a small room full of sundries. He thought it was a hopeless thing, so he tore up his brother's kite. When he grew up, he thought it was very wrong for his younger brother. I mentioned it to my brother. Did his brother say it happened? I don't even remember. Later, Uncle Lu Xun said he didn't remember, and I felt even worse. He also said: you should remember the mistakes you made firmly, and you can't live without remembering them.

Comrade Xu Guangping's speech was widely appreciated, and many Lu Xun researchers carefully used the materials provided in Kite when writing Lu Xun's biography.

So, is Comrade Zhou all wrong? Of course, the problem is not that simple. Because it was clearly written with a kite, as early as that year, my little brother "he doesn't remember anything." However, even if Kite is about the author's own experience, it doesn't mean that Lu Xun didn't choose materials, didn't stand out, and didn't need to be rendered and emphasized. Otherwise, I'm afraid it is difficult to achieve the expected artistic effect.

Moreover, the above is only in terms of creative materials, and it is important to understand the theme of the work. Lu Xun's two favorite relatives have been talking about kites from the perspective of children's education. Zhou Jianlao clearly pointed out: "I think he wrote this mainly to criticize some people's incorrect attitudes and educational methods towards children at that time." Wouldn't it be unified to understand the theme of Kite as criticizing the feudal ideas and methods of children's education and advocating the scientific concept of modern children's education? Is there any fundamental difference in the spiritual essence between Lu Xun's two relatives?

(Selected from After the Publication of Luxun's Masterpieces, Fudan University Press, 1986)

2. Understanding from the perspective of criticizing feudal educational thoughts and ethics (Wang Chongzhi)

Kite tells a story about me and an emotional experience it brought me. The "I" in the work has never liked flying kites, and my younger brother is not allowed to fly kites. Once, I rudely destroyed the kite that my little brother worked so hard to make. This trivial matter, which I didn't care about at that time, suddenly appeared in my memory twenty years later, devouring my mind so violently. I longed for remedy, but it didn't help. It just added a heavy burden to my mind. Every time I recalled it, I felt an "uncertain sadness". After reading it, we can't help but feel deeply sorry for my little brother's unfortunate experience, feel sorry for "me", and also feel that there are some problems to think about.

An innocent child, his normal nature, his reasonable wishes can not be developed, can not be realized, and even have to pay a price for it, just because it violates the "creed" of adults, which makes people feel that it contains something tragic. Although it is a ruined kite, it is also a gentle heart that should be caressed. The author calls it "spiritual cruelty", which is very profound. How did this "cruel spirit" scene come about? This is an intriguing question. Of course, we can't attribute the cause of the incident to my "self-serious" character. The author said that although our every move seems to be our own master, in fact, most of them are restrained by you damn fool, and pointed out the influence and poison of traditional old ideas and concepts on people. Flying a kite is "the most proper behavior of a child", but "I" regarded it as "a toy made by a hopeless child" and restricted my little brother, so that "I was angry that he kept it from my eyes", "stole the toy made by a worthless child", destroyed the kite that my little brother worked so hard to make, and "immediately reached out and broke the wing bone of a butterfly and turned the wind wheel. So ruthlessly trampled, "I" did it without scruple. The little brother was treated so unreasonably that he could only bear it. Because "I" in "The Theory of Longevity" is my brother, I feel that I have unlimited power. From the attitude of "I" towards kites and the rude behavior of destroying kites, we can clearly see some distinctive marks of "I" in spirit and psychology-the marks laid by feudal educational thoughts that stifle children's nature and the stale concept of seniority. It should be said that what I do is not only personalized, but also has the characteristics of the times, which makes this debate about kites have profound social significance.

This kite incident is not necessarily a fact in the author's experience, but it is a fact that society would exist at that time. Feudal thoughts are destroying our generations tangibly and invisibly. In the old society, such trivial things as kites always happened and existed everywhere, but they were often ignored or even taken for granted, just as I realized the "I" in my previous works. The works repeatedly emphasize the heaviness and sadness of "I", which not only shows the personal regret of "I", but also contains the author's feelings of anxiety and regret about this universal mental numbness. With his keen observation and profound thinking, the author captures this material from life, generalizes it, spreads it, and reproduces it artistically, expressing his denial and hatred of feudal educational thoughts and ethics, and inspiring people to think and feel something. Therefore, this work is very instructive. Even today, the remnants of feudalism are far from being eliminated in all aspects of our lives, and we can still get great ideological lessons from our works.

(Reading Kites and Weeds Appreciation, Fujian People's Publishing House, 1982)

3. Understanding from the perspective of self-anatomy (Yao Yao)

Mr. Lu Xun once said, "I do dissect others from time to time, but more often I dissect myself more mercilessly." He added, "I know myself. I dissect myself more mercilessly than others. " We have read many incisive articles by Lu Xun about dissecting others, such as "Scream" and "Kite in the Wild Grass", which have profound self-criticism and left an indelible impression on people. It is because it is easier for us to realize the noble quality of a revolutionary who dares to face up to his shortcomings from such articles. As Lu Xun himself said: "However, revolutionaries are never afraid to criticize themselves. He knows very well that they dare to say it. " Lu Xun has always hated "deception" and "deception". One of the main characteristics of Ah Q's spiritual victory method is that he dare not face up to his own shortcomings. The reason why Lu Xun criticized the spirit of Ah Q so profoundly is to inspire people to wash their souls bravely and move towards the road of reform. Take "kite" as an example. When describing a childhood life 20 years ago, the author felt that he had done something wrong to his little brother, so he expressed his feelings with guilt. "My heart seems to have turned lead and I fell heavily." Of course, Kite is lyrical through narration, and the author's thinking is clear, so its content is not difficult to understand.

(Excerpted from Weeds and Lu Xun's Works, People's Literature Publishing House, 1984 edition)

4. Understand (Kang) from the perspective of family.

Being good at introspection and self-reproach is the inner feeling and virtue of an aspirant. Lu Xun is a person who devoted his life to practicing "dissecting himself is no more merciful than dissecting others", because he realized: "There are many races who are not complacent, always advance and always have hope." Sad, sad! "("Random Thoughts ") Kite is a beautiful essay, which vividly reproduces Lu Xun's self-reproach and introspection in poetic style. It played a warm song, with beautiful human feelings, which made people intoxicated with nature, harmony and harmonious poetry and painting.

Kite was written on June 24th 1925. This day is the first day of the first lunar month in China. At this time, Lu Xun lived in Beijing "all around is still cold in winter", but one or two kites appeared in the distant sky, which made me seem to see "the long-lost spring in my hometown is rippling in this sky", thus showing a beautiful picture of the kite season in my hometown in front of me and readers: in the sky, I looked up and saw a crab kite or a tender blue centipede kite. On the ground, willows have sprouted and peaches have sprouted more. This early spring and February scene is in harmony with the decorations in the sky. The author puts the memories of the past in such a picture, so that the "cold force" of the harsh winter in reality and the "gentleness" of the spring in the memory set off each other, which not only increases the sadness and moving power of the memories of the past, but also makes the works show some bright colors, revealing the author's dissatisfaction with the dark reality and yearning for the bright world. It is not only a reflection of children's innocent spiritual beauty represented by little brother, but also a catalyst for "I" to feel helpless, touch the scene, cause self-blame and reflection. The author's poetic description and intentional exaggeration of the beautiful kite season in February in his hometown is not only the expression of the author's love for beauty, but also the expression of his younger brother's love for beauty, thus writing a touching ode to spiritual beauty.

This ode to the beauty of the world ripples in the description of my little brother's infatuation with kites, in the pain of "panic" and "despair" when his kites are destroyed by "me", and in his heart of "complete selflessness and no resentment".

This kind of ode to humanity is echoed in the laughter of "I don't like flying kites", "I hate flying kites" and "I'm not allowed to fly kites", so I despise my little brother's "favorite" kite. I wantonly destroyed my little brother's hard-earned kite and left proudly. I echoed the prejudice that kites are "the plaything of worthless children" and the "uncertain sadness" that I was eager to "make up" and finally could not make up.

A few paragraphs of emotion rippled, all splashed with ink, real and moving. Firstly, the work vividly describes my little brother's fascination with kites: he doesn't have kites, just "gawking" at other people's kites floating in the air, "lost in thought" and "sometimes it takes half a day"; He sometimes "exclaims" that someone's kite suddenly falls; He sometimes "smiles" for other people's kites because of "retracting" ... "What a beautiful heart, what a pure emotion! The more the author describes his little brother's infatuation, the more he can accuse him of the feudal family rules that deprive him of the right to fly kites, and the more he can stir up emotional waves in the heart of "I" who lives in severe winter and yearns for spring, so that he feels that he is not allowed to fly kites and regards his little brother's infatuation as a "laughing stock" and a "despicable" thought and behavior, which is a serious destruction of a tender childlike heart. The work goes on to write a "spiritual cruelty", which vividly depicts two people who are ready to go: after the secret was discovered, "I" stole a kite because I was "angry that he wouldn't let me see it", and then "immediately reached out and broke a wing bone of a butterfly and threw the wind wheel to the ground and trampled it flat". A few strokes outline a psychological state with a somewhat authoritarian color, showing the anger and arrogance of "I" Where's the little brother? He "stood up in horror, pale and cringed" and "stood in the hut in despair". A soul that pursues beauty is strangled without complaint, and a soul that hurts beauty is "triumphant" because of morbid prejudice and the power of feudal ethics based on seniority. The description of the two moods has formed a strong impact, which makes people tremble. In this way, when the fresh scientific breath of "games are children's most legitimate behavior and toys are children's angels" is sucked into my poisoned mind, I will feel a sense of "punishment", and the scene of "mental abuse" will be unforgettable, and my heart "seems to have turned into lead at the same time, falling heavily". This kind of guilt and regret is undoubtedly the result of the new trend of the times, and it is also undoubtedly the expression of "I" abandoning the old self and pursuing the beauty of human nature of the new self. When describing the future "I", the work expresses two beautiful feelings more vividly: from "I don't like flying kites" and "I hate flying kites", opposing my younger brother to fly kites and destroying kites to "giving him kites, agreeing to fly kites and persuading him to fly kites, so I will fly kites with him". What a change! " I "shook off the shackles of spirit and seemed to restore the nature of children," Shouting, running and laughing ". In the cheerful melody, extremely short sentences jump with the relaxed rhythm, as if reproducing the lively and happy scene of children flying kites. But this is just a comparison, because times have changed and everything is irreversible. The result can only aggravate my feelings and regret. This common sense of regret is beautiful. Especially when "I" begged my little brother for forgiveness with a heavy heart, my little brother "completely forgot" what I thought was "spiritual cruelty". Listening to the past, he "smiled with surprise": "Is there such a thing? "This unpretentious text shows two beautiful hearts: one is strict with self-blame and implores to forgive his mistakes; A kind of innocence, completely forgetting other people's mistakes. What a beautiful and noble sentiment! If we can have such human beauty in our interpersonal relationship, the society will be purified!

I love the profound ideological power of kites, and I love the beautiful feelings in people's hearts. It gives people the warmth of "hometown spring" in the cold winter! This ode to human beauty written by Lu Xun with sincere and touching feelings will always reverberate in people's hearts.

(A sweet song with beautiful human feelings —— Reading Kite, A Classified Appreciation Dictionary of Luxun's Masterpieces, China Women's Publishing House, 199 1 Edition)

5. Understanding from the perspective of pursuing good things (Li Guotao)

The kite was written in 1925+ October. But in September of 19 19, Lu Xun published an article "My Brother", the content of which was completely the story in "Kite". My Brother is only over 300 words, like the outline of Kite.

Of course, My Brother is an independent work, which expresses a sense of guilt, indicating that the instinct to suppress children's games is wrong and even cruel. "Kite" also wrote these, and also showed this feeling, this idea. However, Kite is a brand-new work after all, and it expresses much more than that. The beginning and end of Kite are written with a suppressed and blocked spring. If snow looks for spring in winter, then kites feel the cold in winter in the spring breeze. This is still a poem about spring and youth, and it is Lu Xun who continues to "look for lost youth".

Kite was first written in Beijing's lonely spring and gloomy spring. Then, it is the memory of my hometown "Spring February", which was "a mild spring day". Kite is a symbol of hometown spring and beautiful youth, which guides readers into the "long-lost spring".

Qiao Feng once said in "On Lu Xun": "Lu Xun sometimes emphasizes one thing, or deliberately plays with it. For example, the article he wrote against his brother pasting kites and flying kites is like this. In fact, he is not so opposed. He doesn't fly kites himself, but he doesn't strictly object to others flying kites. This is what the author who wrote Lu Xun should know. " Lu Xun himself also said in "A Brief Discussion on Flowers in the Morning" that "it is somewhat different from the actual capacity, but I just remember it now". Everyone knows that memory will be inaccurate, and art also allows fiction. The artistic charm of kites is irresistible. It can bring any reader, regardless of age, into the childlike innocence of childhood, and let you feel sadness and hope with your little brother in the work. The work also makes you feel ashamed and sad to be with that brother, which makes your heart fall heavily.

"Kite" shows the longing for spring and youth, and the fascination and exploration of beautiful things with great enthusiasm. It requires a healthy and happy life with the beauty of spring; It is extremely regrettable to inadvertently damage a healthy and happy life. However, if there is no spring day, how can we explore a new life? Now, the kite incident has passed, and my little brother's mental trauma has long been calmed down; And spring and youth have long been elusive-"long gone." The saddest thing is this passing away, and it is also the mood to carry out the whole article. This is really an "uncertain sadness".

The article begins: "Where am I now?" In the "cold winter" At this time, the author recalled the lost spring. At the end of the article, I saw the spring in my hometown again; At this time, "it is obviously winter around." The concern from beginning to end is from reality to nothingness-the kite in Beijing reminds me of the spring in my hometown; From virtual to reality, from spring in memory to winter in reality.

(Excerpted from The Art of Weeds and Searching for Lost Youth, Shanxi People's Publishing House, 1982 edition)

6. Multi-angle understanding (Li Yunjing)

Kite is one of the prose poetry collections Weeds. Some people say, "This article ... deeply analyzes itself and criticizes itself" (Li Yecao's note). Some people say that the "I" in Kite is not Lu Xun himself or self-criticism. Min Hangsheng, talking about me in the kite. Opinions are sharply opposed.

Generally speaking, the "I" in lyric poetry is mostly the author himself, and the feelings expressed should also be the author's feelings in real life. In addition, more than five years before Lu Xun wrote this kite, he also wrote My Brother, also a prose poem, which was published in the State Gazette on September 9, 2009. More than five years later, Lu Xun thought that his previous "My Brother" had been "lost", so he wrote it again with the title "Kite". Although the two prose poems use different words, they are consistent in opposing the little brother flying kites. This tells us that this thing that made him feel guilty has been lingering in Lu Xun's memory for a long time. It is a fact that he has experienced, and it will not be an unfounded artistic fiction. In this way, the "I" in Kite is still Lu Xun himself, and self-dissection is also one of the central contents of this prose poem.

When Lu Xun was young, he didn't like flying kites. He thought that "this is what worthless children do." Because his father died young, he restrained his younger brother as a feudal parent, not only forbidding him to fly, but also stepping on the kite he secretly made. Many years later, when Lu Xun learned from a foreign book that "games are children's most legitimate behavior and toys are children's angels", the scene of "spiritual cruelty" suddenly unfolded before his eyes, and guilt and heavy feelings attacked him, making him fidgety and "surprised and sad".

In the artistic description showing remorse, there is an intention of self-criticism, and there is also a criticism of feudal ethics that stifles children's nature. Lu Xun has always believed that being good at self-reproach and introspection is a virtue. In his essay Random Thoughts, he said: "People of many races are not complacent. They will always move forward and there will always be hope. Sad, sad! " He once called for "saving children" and "liberating youth", but in Kite, he deepened this anti-feudal ideological struggle to the depths of his soul. After reading this prose poem, people will undoubtedly be moved by Lu Xun's noble sentiments.

However, if self-dissection is the only content of Kite, I'm afraid it's also one-sided.

The first two paragraphs and the last paragraph of Kite are emotional. The author wrote: "Where am I now? It is still cold in winter, but the long-lost spring in my hometown has been rippling in this sky. " This shows that Lu Xun experienced a transition from the climax of the May 4th Revolution to the low tide, and his feelings also moved from excitement to silence. In the mid-1920s, the warlord scuffle, the split of the New Culture Movement, the classic retro reading in the education circle and the prevalence of lovelorn poems in the literary garden all made him feel that darkness hung over everything, just like being in a cold winter, which made him feel "surprised and sad". It is precisely because of this that he is more eager for "the tenderness of spring."

In the works of poets, spring is often synonymous with hope, youth, life and ideals. These words are familiar to us in many poems of Weeds. In Hope, the poet once looked forward to the rise of youth and pursued "youth is outside"; In Snow, didn't the author think of the News of Youth from the snowflakes in the south of the Yangtze River? In Kite, Lu Xun made a sharp contrast between "cold winter" and "tenderness of spring", expressing a deep affection for "spring" and "winter".

Kites are angels who herald spring. Because the children are eager for the arrival of the spring girl, they greet her with kites, dress her up and praise her. The arrival of spring means that winter has been repelled. In the south of the Yangtze River, when the kite is released, the peaches and willows sprout, which is in harmony with the decorations of the children in the sky, making it a mild spring day. From the perspective of enjoying the spring scenery, it is really fascinating and carefree! However, although it is early spring in the north, there are one or two kites floating in the sky, but the ground is full of snow, how can there be spring! Spring god is suffering, cold air threatens her and winter destroys her. Can this not make people feel "amazing and sad"? At that time, my little brother greeted spring with a kite, but he played a cruel prank, which is hard to regret so far! So, now, where is the little brother's "spring"? Where is my "spring"? There is darkness all around. Who is making darkness? Who is the dying sadist in modern times? There is no spring in the spring season, but winter is the spring season. How can this prevent the poet from having an "uncertain sadness"? This is the sorrow of the people and the sorrow of the times! Here, the poet strongly protested against the dirty reality through the layers of siltation he felt! Because of this, the poet's feelings involuntarily turned from "sadness" to "grief and indignation". At the end of the article, he wrote: "I might as well hide in the cold winter-but obviously it is surrounded by cold winter, which gives me great cold and air conditioning." This is the poet's grief and indignation, as well as the people's grief and indignation. It can be seen that the yearning for "spring" and the protest against "winter" are another important ideological content of Kite.

It is the writing feature of the prose poem Kite to skillfully show the deep remorse brought by "spiritual cruelty" and the strong protest against "social cruelty" and successfully combine self-criticism with social criticism.