Shouting nice words and phrases in the drizzle

1. Good words and sentences Write drizzle Du Fu's "Delighting in Rain on a Spring Night": "Good rain knows the season, when spring comes.

Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright.

Look at the red and wet place, the flowers in Jinguancheng are heavy. "Spring is the season when everything germinates and grows, and it is also the season when rain is badly needed.

But spring rain is as expensive as oil and it rains in spring. Isn't it "good rain" ! A word "good" fully shows the author's happy mood when he sees the spring floating down. Three or four sentences spring rain comes with the breeze at night, quietly moistening everything, writing the role of spring rain, with delicate pen and ink.

In the last two sentences, I saw the flowers in Chengdu, and the early morning Jincheng was ruddy under the nourishment of the spring rain. Flowers are heavy because they are full of rain, and the feelings I write are also very profound. There is no word "hi" in the whole poem, but the joy is beyond words.

Han Yu's "Early Spring Rain": "The rain in Tianjie is crisp and the grass is far and near. The most important benefit is the spring of the year, which is better than the willow. "

The poet praises Xiaoyu with full passion, sees the big from the small, and combines reason and emotion in the landscape. Comparing "Xiaoyu" to the first mature crisp wine, it tastes sweet, smooth and moist, even the grass is stained with rain and dew. The grass in the drizzle is slightly green, but it is green in the distance.

In the end, it boils down to "the benefits of a spring", which can't even compare with the scenery of the Forbidden City. The scenery in early spring is described delicately and vividly.

Once upon a time, on the road, it rained heavily for three days on the night of July 25, and Qiu Miao took Sue and said happily, "The sun turned into rain overnight, and I dreamed of cooling my clothes. Don't worry about the bed leaking wet, like the depth of the stream.

Thousands of miles of rice flowers should be beautiful, and the leaves of Wu Gengtong are the best sounds. There is nothing like dancing, let alone looking forward to the New Year on the field. "

After a long drought, I was ecstatic, even my clothes and bed were wet, expressing the poet's love for rain and concern for people's livelihood. Su Shi's "Rainstorm in Youmeitang": "When the tourists thundered, the clouds could not turn.

In the distant horizon, the wind moves with the clouds, and the sea stands like a mountain. A rainstorm, which crossed the Qiantang River from eastern Zhejiang, hit Hangzhou. It's very golden and convex, and a thousand sticks knock on the cause and effect drum.

I really want to wake up the drunken Li Bai, wash his face with the waterfall in this mountain, and show him that this scene is like everything in the palace. The whole poem vividly describes the scene before and after the storm: thunder roared, dark clouds were gathering, black wind fell from the sky, and the sea stood up for it, showing its fierceness; The storm fluttered with the wind and crossed the river from eastern Zhejiang, showing its swiftness.

The lake and the sea are rising, the thunder is sonorous, and the poet's talent is also urged by the storm. Qin Guan's "Spring Day": "The light thunder fell all over the night, and the tiles were uneven.

Affectionate peony contains spring tears, weak rose lies on the branches. "Write a light thunder, the spring rain is falling.

After the rain, in Chuqing, the sun seemed to float between the blue tiles that had just been washed by the rain. After the spring rain, peony is tearful and affectionate; Rose is lying on her back, which is very charming.

Although he mainly wrote about the scenery after the rain, he revealed his praise for the moisturizing power of the spring rain. In addition to poems about rain, there are also many sentences describing rain and scenery in rain in other poems of the ancients: "Clouds are like smoke, and dense rain is like silk."

(gold? Zhang Xie's Ten Miscellaneous Poems describes the rain as dense as scattered silk thread. "The residual rainbow collects rain, and there is no new flow on the shore."

("Southern Dynasties Chen? Zhang wrote in "Boating on the Back Lake" that at the beginning of the summer shower, the rainbow broke on the horizon, and the rising lake water flowed out of the gap to form a new flow. "Wet peach blossom rain, blowing face is not cold. "

(Tang? The drizzle in the apricot blossom season will deeply wet the clothes; The breeze blowing willow branches makes people feel warm and sweet, and the poet makes people feel Zen. "See you in Xiaoyutang, and you will understand better" (Tang? Du Mei's "Qiu Si") is slightly rainy, and the pond in the rain is full of artistic conception; The good wind blows and the sleeves are warm.

"The rain is steep and the clouds are low." (Tang? Dai Shulun's "Sulingyan Temple" describes the mountain scenery seen by the poet on the mountain road of Lingyan Temple (located at the northern foot of Fangshan Yangshan Mountain in Changqing County, Jinan suburb) in the rain.

"Rain and wet clothes are invisible, and idle flowers fall to the ground to listen to silence." (Tang? Liu Changqing's "Don't Say a Poetry Garden") drizzle wet clothes, does not show its shape; Idle flowers fall to the ground, but their voices are not seen, which can be described in detail.

"Fish comes out in the drizzle, and Yan is inclined in the breeze." (Tang? Du Fu's "Two Water Sills") Only when it rains in Mao Mao, the fish will float, and it will not come out when it rains heavily; Only the "breeze" makes the swallow oblique. If the wind is also down, it won't fly.

Observing the scenery in the breeze and drizzle is full of interest. "The rain in thousands of feet shakes the bottom of the river, and the bamboo in the court shakes a window in autumn."

(Tang? Du Xunhe's "Leaving a Topic for Zhang Tingxia" makes the scenery interesting by comparing the falling rain with the fluttering sound. "After the rain, the willow branches are heavy and loose with deep smoke."

(Tang? Zhang said that willow branches bring rain, branches and leaves gain weight, and the pine color is deep in the misty rain. "Spring tides bring rain late, and there is no boat to cross the wild."

(Tang? Wei Wu Ying's "Xixi on Chuzhou") Spring tides surge, the rain suddenly rises, pedestrians disappear, and boating is horizontal, which shows the beauty of boating. "It rains at home in Huangmei season, and the grass pond is full of flowers."

(Song? Zhao Shixiu's "You Yue" depicts the idyllic scenery of Huangmei in the south of the Yangtze River with rainy days and frogs everywhere. "Outside the forest in the spring rain, the apricot blossoms are numerous on the first day of the house."

(Song? Ouyang Xiu's "Tian Jia") Pigeons sound sweet in the distance, and apricot flowers reflect the sun nearby. The movements are appropriate, and the sound and sound set each other off, showing the beautiful spring scenery of farmers in the south of the Yangtze River. "The earth is frequently urged by rain, and thousands of flowers are in bloom."

(Song? Spring Breeze and Spring Rain, one of the idyllic scenes of the four seasons in Fan Chengda, moistens the earth, plants sprout and flowers bloom, weaving into a vibrant spring scene. "Dark clouds turn over ink and don't cover mountains, while white rain jumps over boats" (Song? Su Shi's "Five Exquisites of Drunk Books in Wanghulou on June 27th" wrote: Dark clouds are rolling ink, and summer shower clouds have not yet covered the mountain, but raindrops like pearls are also hitting the cabin.

"The wind is like a mountain, and the rain is like a river." (Song? Lu you wrote the trend of the wind and rain.

"It's thundering, and rain is coming." (Ming? Li Panlong's "Yangguangshan Road") Thunder roared like a thousand peaks; The rain is pouring down and the smoke clouds are rolling, like thousands of peaks coming head-on, writing the momentum of thunderstorms.

"A wild goose falls into the sky, and the mountain floats with rain." (Qing? Look up the sentence written on Shen Xing's "Deng Bao's Fifth Floor": When the rainstorm comes, geese fly to shelter from the rain; The next sentence said that the rainstorm came quickly and the mountains seemed to float in the rain.

In addition, there are many poems that are lyrical because of rain. Such as: "the wind and rain are like dark, and the chickens are like crowing."

("Poetry? .

2. Introduce Yu Hua's work "Shout in the drizzle", which should be his masterpiece. Compared with I saw him alive a long time ago, the artistic expression is not what Yu Hua used to be. I think this is the work that best reflects his writing skills. His ability to control words is surprising and shocking. /view/464089.htm？ Fr=ala0_ 1_ 1 Go to this website. Shouting in the drizzle has to be evaluated, and after reading this book, I have to feel my heart. When I finished reading Yu Hua's Shouting in the Drizzle, I realized that the so-called masterpiece of Yu Hua's novels had come to an end in my reading experience at this stage.

However, it is not ruled out that I will pick them up again at some uncertain time in the future. Once a good work comes out, it becomes an experience for human beings.

This is also a matter of time, which is close to the content to be discussed in this paper. Because standing in the future and looking back at the present, when you play with the emotions, shocks and mixed feelings of the past, what finally flows out of your heart must be the disappointment and satisfaction that has already surpassed the work itself and grafted into time and survival experience.

Yu Hua grasped the whole process of life with three works, from Mao Mao Rain to Xu Sanguan, and finally to being alive. Although the narrative of the work and even the life of the protagonist will last for a long time, the foothold is solid.

Xu Sanguan left us with the bitterness of blood donation in middle age, not the frivolous and rogue in youth and prime of life. Fu Gui began to suffer in his early years, but the biggest tribulation in his life was in his later years. Rain wrote many stories about teenagers, but they didn't escape the author's prediction at the beginning of the work.

Yu Hua wrote, "My brother accidentally walked out of time. Once he is out of time, he is fixed, and we will move on as time goes by.

Sun Guangming will watch time take away the people around him and the surrounding scenery. "After the novel was written, I, as the narrator, was the only one who stubbornly went to the end with time. The best friendship, elusive affection, and love that never flashed in life all disappeared in the fog on the river of time.

The story begins with a fire when I returned to the south gate, and finally ends in this fire. The writer's pen made a big circle around the thin line of time. It involves "my" insignificant birth and messy home, as well as my mother's most humble anger; Circle into the "my" girlfriend Su Yu and ignorant adolescence, as well as the past of Lu Lu badminton, Feng Yuqing; It includes the eccentric and sleek model bridge builder's great grandfather, his love, patience, wisdom and final victory; It also contains the most precious affection of "me", more like my father's Wang Liqiang and the warmth he gave me.

This is a novel that keeps moving forward in time and memory. There are so many parting and sufferings in the years, only a short stay can bring warmth; However, it is gratifying and cruel that the novel finally returned to the South Gate Fire. In a trance, I can't help asking myself whether the passage of time is real, and where did those who stopped in time start their lives again? This is the difference between Mao Mao Yu and Yu Hua's other works, and it is also what I think stands out.

In the repeated delay and overlap of novels, life blooms and withers, warmth and cruelty are staged in turn, happiness and suffering are accompanied, and the uncertainty of reality and the true warmth of memories converge into a force, which touches people's hearts for a long time. The title of the novel "Shouting in the Drizzle" is also quite memorable.

Shouting expresses the uncertainty of life in the fog, but when we look at it with a long-term attitude, is this shouting in the years or outside the time? I think the most impressive thing in the book is the' South Gate' in the first chapter. After reading "South Gate", I couldn't stand it at once and found it out of place with the author.

3. What are the language features of Yu Hua's Crying in the Drizzle? Yu Hua himself said in the preface: I read my own language again. It is much younger than it is now. It is full of courage and confidence. It seems to describe the ruler. It tries to end a thing with one sentence. It infected me today, and its rhythm is like the "crackling" sound when bamboo burns.

In a novel of180,000 words, you can't find a dispensable nonsense. This is very difficult.

I am used to marking my favorite words with colored pencils, and this love is fully revealed in this book. For example, there is a simple sentence at the beginning of the novel: "At that time, sunlight seemed to be more like a gentle color rubbed on us than a dazzling light."

Tenderness and daubing are not warmer and sunnier than these two words, just like in the memory of the movie, the child who jumps slowly and happily, the sunshine precipitates into milky softness, and his body exudes a soft halo. Words are a game, and touch expresses permutation and combination.

It takes talent to play with children. If I say a bumpy country road passes through a golden rice field at the entrance of the village.

This description is plain and smooth, but when you see that the crying in the morning is described as bumpy, have you broken through the surge of dawn? This originality can be seen everywhere. It's like eating a wonderful wine chocolate.

The "I" in the book always exists as a person who knows the ending and narrates the ending in advance, as if he is the master of memory, and he has the inevitable helplessness of fate. In particular, I wrote about the death of Sun Guangming: "In this way, I have been watching Sun Guangming die triumphantly in an unknown place, while the child who will live for a long time in the back, holding two baskets left and right, staggered and exhausted to catch up with the dying man in front."

I noticed that he collapsed on September 7, 199 1 year, that is, when he was 3 1 year old. What he said tried to end the language of a thing with one sentence: "The living can't see the sun clearly, and only the eyes of the dying can see the sun through light." "After burying the dead, the dead will lie there forever, while the living will continue to walk.

As time passed, he settled down and we moved on as time passed. "Maybe words just express your thoughts, but how to make your words search your frequency band and let others impact your frequency band through your words.

When I was a child, I stepped on one corner of the floating slate and splashed the dirty mud in the other corner. I like it very much, so I also ate it. You find your familiarity in other people's narratives, but you can't tell your joy.

4. Yu Hua's "Shout in the Drizzle" The work that really calmed Yu Hua was his first novel "Shout in the Drizzle". This novel changes the violent and bloody discourse characteristics before Yu Hua, and its rhythm becomes slow and sad, just like the two images in the title, "drizzle" and "crying", the former is gentle and the latter is sharp. Yu Hua's narrative in this novel has been entangled in these two discourse systems, and the fear and trembling of the narrator "I" have also grown in the cracks between these two discourses, which are mixed with sadness, despair and warmth caused by memories. Although the novel still continues Yu Hua's consistent theme of fear, despair and sinister human nature, the bloody scenes that are too intense have been cleaned up, and the appearance of the novel is no longer a virtual abnormal society. The story really happened in a family and a small town. After Living and Xu Sanguan Selling Blood, the authenticity of the novel's appearance is more obvious. After bypassing the narrative, Yu Hua returned to his early narrative attitude-"imitation of the factual framework", but at the same time he was more concise, simple and calm.

Why did Yu Hua change so much after shouting in the drizzle? I think the most fundamental thing is Yu Hua's understanding of people and the world, which is no longer a single shadow of violence, blood and death. In his narrative, more is the dimension of seeking comfort and longing for hope. In Shouting in the Drizzle, it is the lonely and helpless cry of the woman at the beginning, and the expectation of the response voice; That is the uneasy touch of memory to reality; Just those sweet little jokes. In Living and Xu Sanguan Selling Blood, Yu Hua's request for comfort has changed again. Different from Crying in a Drizzle, she expects an empty rainy night to "calm her crying voice", but to explore the inherent nobility, kindness, optimism and humor in people to cope with the burden and tears imposed on the characters by life. We know that when Yu Hua wrote novels such as 1986 and A Reality, there were almost no such dimensions in his vision. At that time, most of the characters in Yu Hua's novels died of violence and despair, and the cause of death was often unknown.

After Yu Hua shouted in the drizzle, she really became broad and gentle. That is to say, after shouting in the drizzle, the life of the characters in Yu Hua's works is cruel, bitter and full of blood and tears, but Yu Hua has found a way to alleviate this tragic life, which is manifested in the narrative, that is, from the past to the bright and relaxed, from shouting in the drizzle to Xu Sanguan selling blood. The change of this narrative clue is clear at a glance.

Let's start by shouting in the drizzle. The novel's way to relieve pain is to recall. As Yu Hua himself said: "What this book tries to express is that people are more confident in the past than in the future. Because the future is full of adventures and invincible mysteries, only when these are over will surprises and fears become humorous and sweet. " (1 1) Indeed, the touching thing about memories is that you can choose and combine your past life and let you experience it again in your own memory. And because of the long time, even a miserable life will begin to glow with warm light in my memory. This is the source of all comfort for me in the novel. Nine years ago, I once described this feeling of the characters in an article:

Under the pressure of the adult world, when the resistance of "I" can't pose a threat to them, sadness and depression will quickly drown "I". This is the background of "I" looking for warmth and comfort in the cracks. When depression comes, the warmth in the heart becomes the main force to resist depression, so that the spiritual pure land in the depths of "I" consciousness will not disappear. Since I was a child, I left the South Gate to study abroad. In this long life history, my warm memories are: a little kindness, generous funding from primary school students, kindness of Dr. Su in an accidental illness, resignation of my mother, false friendship of Su brothers, and so on. In fact, these are just insignificant fragments in the history of life, because compared with those who are too desperate, these fragments contain some characteristics of an ordinary mind, which are precious in my heart. Every time Yu Hua narrates here, he will fall into a dilemma: on the one hand, "I" is eager for these warmth, on the other hand, Yu Hua is unwilling to expand the only warmth. This kind of contradiction has become the paragraph that can arouse the reader's mind most in the novel. ( 12)

At that time, I called this warm memory "superficial tenderness", which meant that it was somewhat false, but it actually helped a poor, depressed and desperate young mind and partially eased the suffering of life. What is particularly touching is that Yu Hua collects the warm fragments in his memory like hope through the narrative of "I" to cope with the growing shadow in his heart. However, Yu Hua in this period finally let the suffering of life prevail. He believes that suffering is the ally of life. "Looking back on the past or thinking of hometown is actually just pretending to be calm after being overwhelmed in reality, even if there is some kind of lyric company, it is just a decoration." Therefore, in Crying in the Drizzle, the relief of memory to suffering is still very limited, and the narrator "I" of the child always keeps fear and trembling.

-Xie Youshun: Yu Hua's philosophy of existence and its unsolved problems.

5. Is the reading note shouted in the drizzle written like this? It took me three days to finish reading Shouting in the Drizzle, which is a book highly recommended by the beauty editor. . Please forgive my ignorance. I always thought Yu Hua was a lady. Because I don't know the author, I have nothing to say, so I just want to talk about his works.

The first feeling after reading it is a bit like Oliver Twist, but each has its own characteristics. I read Oliver Twist in high school. It was a long time ago, but I can't remember the details. I only remember that Oliver Twist is a boy with bad karma, who has experienced all the sad and painful things (please forgive me again, every book can't leave any deep impression when I read it for the first time, and I basically drink it with water. So I have to watch many important favorite things more than twice. In a word, Sun Guanglin still has many happy childhood memories, although Sun Guangcai is so rubbish. . This seems more real. This article is more of a simple narrative. I like this kind of atmosphere created by the author, or laying a clue to explore the reader's inner imagination or a memory, so as to achieve understanding, and finally emotion arises spontaneously. What I want is a work that is closer to life and reflects my feelings more truly. Because I, born in 1980s, need to know a lot about society and complicated human nature.

I have read many similar literary works, such as The Beggar's Boy. . I know very well that people need to go through hardships and setbacks. As early as "Mencius told the son", there is a saying that "the sky will fall on the people of Sri Lanka, and they must first suffer their minds, their bones and muscles, starve their skins, and empty their bodies, so they can endure and get what they can't." People are unchangeable, and then they can change. Trapped in the heart, balanced in consideration, and then made. " I have talked about these reasons in detail. Only in the era of Mencius, these hardships, tiredness, hunger and emptiness were all hardships. However, most of us born after 1980s have not reached the point of hunger and fatigue (except for a few cases). So for a long time, I have been thinking about what we are missing after 80. Why do so many people say that we are the beat generation? How far are we from each other? Why can't we shoulder the heavy responsibility? In fact, physical torture is only a form, and psychological and emotional changes in the face of adversity are the process of growth. What we want to accumulate is the heavy blow of being knocked down countless times and the determination to stand up countless times. All the dilemmas of narration and simulation are futile and meaningless for us to understand. Again, people can only grow if they have experienced it. And these hardships are just talk after success. If you take it out too early and expose it to the world, the result is nothing more than a little tear of Xianglinsao and the listener. Don't expect sympathy from others. Tragic life experiences can't be used as an excuse. This is the best and similar works I have ever seen. It's not human feelings, it's one's own internal cultivation. When you become a king kong, everything is insignificant except faith. Go your own way, others can never go for you!

I thought of the struggle between Han Han and Bai Ye. It doesn't matter who is right or wrong. I just hope that seniors will treat the growth process of the post-80 s with a tolerant heart. After all, we are not the main force of society. After all, it still needs the baptism of years. After all, everyone is ignorant and stupid, and we still have a long way to go. After all, literary works are far from real life and unpredictable. Who knows what will happen in the future? Everything is unknown. What we can do is to discover and feel the world with our own eyes and hearts!

6. Is the reading note shouted in the drizzle written like this? It took me three days to finish reading Shouting in the Drizzle, which is a book highly recommended by the beauty editor. . Please forgive my ignorance. I always thought Yu Hua was a lady. Because I don't know the author, I have nothing to say, so I just want to talk about his works.

The first feeling after reading it is a bit like Oliver Twist, but each has its own characteristics. I read Oliver Twist in high school. It was a long time ago, but I can't remember the details. I only remember that Oliver Twist is a boy with bad karma, who has experienced all the sad and painful things (please forgive me again, every book can't leave any deep impression when I read it for the first time, and I basically drink it with water. So I have to watch many important favorite things more than twice. In a word, Sun Guanglin still has many happy childhood memories, although Sun Guangcai is so rubbish. . This seems more real. This article is more of a simple narrative. I like this kind of atmosphere created by the author, or laying a clue to explore the reader's inner imagination or a memory, so as to achieve understanding, and finally emotion arises spontaneously. What I want is a work that is closer to life and reflects my feelings more truly. Because I, born in 1980s, need to know a lot about society and complicated human nature.

I have read many similar literary works, such as The Beggar's Boy. . I know very well that people need to go through hardships and setbacks. As early as "Mencius told the son", there is a saying that "the sky will fall on the people of Sri Lanka, and they must first suffer their minds, their bones and muscles, starve their skins, and empty their bodies, so they can endure and get what they can't." People are unchangeable, and then they can change. Trapped in the heart, balanced in consideration, and then made. " I have talked about these reasons in detail. Only in the era of Mencius, these hardships, tiredness, hunger and emptiness were all hardships. However, most of us born after 1980s have not reached the point of hunger and fatigue (except for a few cases). So for a long time, I have been thinking about what we are missing after 80. Why do so many people say that we are the beat generation? How far are we from each other? Why can't we shoulder the heavy responsibility? In fact, physical torture is only a form, and psychological and emotional changes in the face of adversity are the process of growth. What we want to accumulate is the heavy blow of being knocked down countless times and the determination to stand up countless times. All the dilemmas of narration and simulation are futile and meaningless for us to understand. Again, people can only grow if they have experienced it. And these hardships are just talk after success. If you take it out too early and expose it to the world, the result is nothing more than a little tear of Xianglinsao and the listener. Don't expect sympathy from others. Tragic life experiences can't be used as an excuse. This is the best and similar works I have ever seen. It's not human feelings, it's one's own internal cultivation. When you become a king kong, everything is insignificant except faith. Go your own way, others can never go for you!

I thought of the struggle between Han Han and Bai Ye. It doesn't matter who is right or wrong. I just hope that seniors will treat the growth process of the post-80 s with a tolerant heart. After all, we are not the main force of society. After all, it still needs the baptism of years. After all, everyone is ignorant and stupid, and we still have a long way to go. After all, literary works are far from real life and unpredictable. Who knows what will happen in the future? Everything is unknown. What we can do is to discover and feel the world with our own eyes and hearts!

7. How to evaluate Yu Hua's novel Crying in the Drizzle 1? In this work, the writer has made a profound interpretation of fate, a unique interpretation, and a ruthless analysis and criticism of human nature. The whole work truly and accurately shows people's emotional despair in the "cultural wasteland" period.

The tone of the whole work is bleak, with heavy sadness. The appearance of Sun Guanglin as a spectator has increased social indifference, death and despair.

The owner of the work, Gongsun Guanglin, grew up in a disharmonious family. At the age of six, he was sent to a soldier's home for adoption. The dying adoptive mother and the strong adoptive father can't live a normal husband and wife life, while the extremely depressed adoptive father ruined his life because of an extramarital affair. His foster mother ran away from home, and Sun Guanglin was abandoned again. In extreme fear, he returned to the south gate at the age of twelve. The work is full of descriptions of death in the breath of despair.

2. Shouting in the Drizzle is a book about memory, and it is the first novel published by Yu Hua in 199 1. Its structure comes from the feeling of time, specifically the feeling of known time, that is, the time in memory.

This book tries to express that people are more confident in the past than in the future. Because the future is full of adventures and invincible mysteries, only when these are over will surprises and fears become humorous and sweet.

This is why people love memories so much. It is like a flowing river, forever and widely rippling in different languages of different nationalities, supporting our life and reading. Yu Hua was awarded the Knight of French Literature and Art in March 2004 for this novel.

3. Yu Hua, 1960 was born in Hangzhou, Zhejiang Province on April 3, and is a modern writer. 1977 After graduating from high school, he entered Beijing Luxun College of Literature for further study.

1983 started writing, and in the same year he entered Haiyan Cultural Center in Zhejiang Province. 1984 began to publish novels. Living and Xu Sanguan Selling Blood were selected as the ten most influential works in the 1990s by hundreds of critics and literary editors.

His works have been translated into English, French, German, Italian, Spanish, Dutch, Korean and Japanese, and published abroad. In 2005, he won the China Book Special Contribution Award.

Now he works in Hangzhou Federation of Literary and Art Circles.