Red sorghum composition after reading

Red Sorghum tells the story of the war of resistance against Japan, but it is not the real story of the war of resistance against Japan. So how to write a post-reading composition about red sorghum? The following is my essay on reading Red Sorghum. I hope it helps you.

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Five Essays on Mo Yan's Reading Red Sorghum

Reflections on the 800-word composition after reading in junior high school

Hong Gao Duliang Hougan junior high school

Red sorghum feels high after reading it, five articles in grade two.

Red sorghum feels 2000 words after reading

Comments on Red Sorghum (1)

Red sorghum is a myth and legend. The whole novel eulogizes humanity and exuberant vitality with mysterious colors. Therefore, praising life is the theme of this book. "It is to praise life, the inexhaustible vitality of life and the freedom and stretch of life through the shaping of characters.

"Red Sorghum" is not a realistic work, nor is it the root of national culture. On the contrary, in this story related to the past tense of three generations, a personality with future significance is created, which transcends the specific social surface and has the depth of humanity and essence. The theme of Red Sorghum from beginning to end is vigorous vitality, that is, to promote an undistorted, unrestrained and frank outlook on life. Therefore, the works before readers are not an understood world, but an ideal of life in a world.

This ideal is in the myth of "sun worship". Red Sorghum is different from any previous book reflecting farmers, and its perspective has changed from the traditional praise of land to the praise of life. The extraordinary characteristics of the story determine the unreality of the narrative, and the location of the story has also been diluted. In Red Sorghum, the village, the most basic structure of society, was even diluted. All narrative elements and audio-visual elements of Red Sorghum are serving this warm, free and stirring style of natural life.

Different from previous exploration novels, Red Sorghum also bears the author's thoughts on the theme of life, but it doesn't completely dilute the plot like Yellow Land, and directly expresses the director's thoughts with the shock of pure language. In the next novel, the author weaves a complete, wonderful and moving story frame from the actual situation and the specific characters in the specified situation, so that the thoughts naturally overflow through the twists and turns of the story, the behaviors and actions of the characters. Here, how does the author achieve the perfect combination of the two through specific methods?

First of all, Red Sorghum itself has a complete story line, but most of this narrative line is completed by the feeling of words. Red Sorghum begins with a narrative of "I"; "I'll tell you something about my grandparents, which was mentioned in my hometown." This is a reading point of the present tense, and this "I" is the narrator of a story here. Because he didn't appear in the story, he should be an objective narrator, but he is the descendant of the characters in the story, which gives him a sense of participation and thus has the meaning of being narrated. Therefore, this reading point is very strange and novel, which gives the author a very comfortable reading point reference when dealing with Red Sorghum. It is very free and comprehensive. At the same time, his narrative characteristics pull the story far away and have the effect of historical alienation. On the basis of this reader, Red Sorghum explains the fiction of the story at the beginning. "After a long time, some people believe that some people don't believe it." So it is very comfortable to integrate the story into unrealistic time and space.

Readers can almost feel the main plot turning points in Red Sorghum, such as the relationship between characters, the surrounding environment and the turning point of time. For example, the relationship between my grandmother and leprosy shopkeeper Li Datou, Gao Liang's "something congenial", the rules for the bride to return to her hometown after three days of marriage, the killing of Li Datou, the process of kidnapping my grandmother with a gun, the departure of uncle Lohan, the appearance of Japanese and so on. Red Sorghum also undertakes a kind of "pre-narrative" function. For example, in "The Sedan Set Out", he told the readers that the sedan chair style would become my grandfather, which increased the reader's "reading desire" and made the story more tense. The space and words in Red Sorghum can also be used freely, and most of them use words to express sedan chairs, road robbery, sexual intercourse, worship of gods and total solar eclipse, so that thoughts are attached to specific pictures and ceremonies with strong symbolic significance of life, thus achieving an artistic situation of coexistence of reality and reality. It "sews up" the past and the present, thoughts and stories.

Secondly, when we face red sorghum, we will feel that red sorghum is saturated with brilliant red. Red is the color of the sun, blood and sorghum. Here, the use of color in Red Sorghum is highly stylized. At first, grandma's rosy face was full of vitality, beautiful and young. Then, there is the red gauze skirt that fills the screen, the warm and full red sedan chair, the sun shines on the dancing sorghum stalks during sexual intercourse, the red sorghum wine like red rain, bloody human flesh, and the whole movie is shrouded in red.

The author's choice of this tone almost completely deprives us of the plot of Red Sorghum and enters a pure emotional experience in a specific modeling space. This is a yearning and praise for the perfect and free natural life. This is not a completely realistic representation of time and space, but the spiritual externalization of our inner vitality. Red Sorghum ended in the mysterious total solar eclipse, and the expansion of red gained a solidified and almost eternal silence effect. Black and red sorghum flows continuously, filling the whole space of red sorghum, which is extremely brilliant, gorgeous and magnificent.

Thirdly, the spatial environment and modeling description of Red Sorghum are trying to find a simple color and a mysterious and spacious space. All trivial contrast, coordination and transition are abandoned, creating a noble, sacred and mysterious living space. Red Sorghum is mainly composed of two spatial environments: sorghum field and brewing workshop, which embodies the ancient life consciousness, such as the round door cave in 18th Li Po, just like a castle.

And that piece of sorghum field, which is left to fend for itself, reveals the sacredness of life. When describing the sorghum field, red sorghum is a huge natural life symbol group, which is continuous, grand, intense, warm and generous. Red Sorghum has rendered sorghum three times, showing the integrity of human and natural life. When my grandmother was lying on the altar trampled by my grandfather in tears, there were four peaks dancing wildly in the red sorghum. Here, the sorghum field is the witness of the birth of life. When the Japanese forced the people to trample on sorghum, they felt the shock of life being destroyed. At the end of Red Sorghum, my grandfather and my father stood in the red sunshine like clay sculptures. Facing the high-speed flowing sorghum lens, what we evoke is a kind of confidence in life and a tribute to a warm and tragic life.

Reflections on Red Sorghum (2)

The overall impression of Red Sorghum is that it fully and fully expresses the author's worship of primitive vitality. This is a film with Zhang Yimou's strong subjective thoughts, which should be regarded as a typical author's film.

In Red Sorghum, Zhang Yimou's irresistible praise and eulogy of primitive life will and vitality can be said to have reached an extreme and superb level, which is a state of worship.

The first is the worship of the divine power of sex. On the surface, the scene of "dispensing glue" is a banter and prank played by the burly man in the sedan chair of the Tathagata on a bride sitting in the sedan chair. But from a deeper point of view, it is not only a spontaneous catharsis of the potential joy and sexual desire of several shirtless strong men in the face of the charm of the bride Jiu-Er, but also a spontaneous episode of Jiu-Er's helpless sadness and resentment in the face of unreasonable and inhuman sexual union. And the only divine power that can make this singing and dancing "glue-dispensing" disco come to an abrupt end from the top of madness is nothing more than Jiu-Er's sobbing in the sedan chair.

At this transition point of mood and rhythm, the director's insight into the beautiful human nature of these rough and strong men is the crowning touch at the beginning of the film. The emotional gap caused by the pause of this rhythm determines the truly sacred position that Jiu-Er actually occupies in the hearts of barbarians, which is a clear evidence of the film's worship of sexual power. In this group of sedan-chair strong men, only "my grandfather" Yu Zhanao, driven by the divine power of sex, dared to put his inner turmoil and desires into external practical actions one by one with his stronger willpower-compared with other strong men, Yu Zhanao was indeed superior and a veritable leader-with the beautiful eyes given to him by Jiu-Er, so that later killing her husband, stealing her wife and even making love in sorghum fields were successful.

The "benevolence" here cannot be based on the narrow law, but must be found from the broader laws of nature and primitive life-the benign reproduction and development of species and the survival of the fittest; The "beauty" here is naturally the beauty of the film after artistic selection and rendering (such as omitting the direct description of "killing the husband", etc. ). When there is a close-up of Jiu-Er's infatuation on the screen, which is as hazy as a poem, Yu Zhanao kneels on one side of the sorghum clearing and looks down at the big prospect in front of Jiu-Er in the shape of a red "big" (this is simply a solemn ceremony of religious worship and reproductive worship! ) And the dynamic empty mirror of red sorghum swaying in the bright sunshine and the breeze against the light can be said that in this kind of scene and scene blending painting, the film's worship of primitive vitality is pushed to the commanding heights of artistic beauty-but in contrast to the film, Zhang Yimou really should make the concentration of the article more sufficient here, so that the sexual scene of red sorghum, which is "a perfect match made in heaven and beautiful in earth", miraculously reaches a more sacred position.

Secondly, the worship of the divine power of death. In Red Sorghum, what Zhang Yimou wants to show us is the picture of life: these eighteen Libo people, male and female, live freely and happily; For the sake of national hatred and humiliation, they must also stand up and fight for revenge. Even if they die for this, they will die freely and happily! Life and death, love and hate are opposite, complementary and consistent. Indeed, these people say die. It seems that Li Datou, the highwayman who pretended to be "bald and shot three times", died so easily, so easily and silently.

Naturally, we are not referring to these negative deaths here. Those positive deaths, those who died in the resistance to foreign invasion-whether Uncle Lohan or Jiu-Er or even the "Baldheaded Third Artillery" died under the butcher's knife and artillery fire of the Japanese invaders, all turned into heroic and shocking deaths! Therefore, Zhang Yimou did not hesitate to let people accept bloody sensory stimulation in the film, and made a strong contrast between the slaughter of cattle and the sacrifice of human slaughter. In this regard, we should not regard it as an exegetical explanation of the original concept of the word "sacrifice" on the surface, but as an internal metaphor that the sacrifice of cattle is different from that of human beings. The ending of the film made the bloodthirsty Japanese invaders understand that cows were slaughtered and sacrificed in silence, while people made their own sacrifices in the outbreak of resistance and would die with the butchers. The performance finally proved the power of death.

The third is the worship of the divine power of wine. Kaoliang liquor, which is euphemistically called "Shi Lihong", won the highest praise in Song of Sacrifice to Wine, which has been sung twice: "Drinking our wine will nourish yin and strengthen yang, but it will not stink ... drinking our wine will not kowtow to the emperor ..." It is in the magical power of wine that Yu Zhanao vomited his ambiguity with Jiu-Er in the sorghum field, and the character of red sorghum wine is the free character of eighteen miles. 147,369: Isn't it the first time that Jiu-Er, the only woman in 18th Li Po, announced her nickname "Jiu-Er" (Jiu-Er) to the employees of 18th Li Po Winery? Wine and people have the same divine power and character because they were both born in red sorghum fields. Eighteen Li Bai people take wine as their ethos, and eighteen Li Bai people rely on wine; /kloc-In the 0/8th century, Li Popo sprinkled wine between them, and wine became the catalyst for Li Popo to adjust and strengthen interpersonal relationship in the 0/kloc-8th century. In the final analysis, the film's worship of the divine power of wine is the worship of the divine power of eighteen Lipo people.

Red Sorghum, with its worship of the divine power of sex, death and wine, shows the most basic spiritual source of human nature-the worship of the original desire and will of life, which is the essential power of life; In my opinion, it is at this point that the film has won unanimous applause from the international film industry; Never sum up "the more national, the more cosmopolitan" in one sentence.

Comments on Red Sorghum (3)

I haven't seen the film Red Sorghum, and of course I haven't seen the original. Mo Yan didn't borrow this book until he got the Nobel Prize in Literature recently.

It was a particularly sunny afternoon when I watched it. You can't imagine enjoying a bright afternoon in a place where there is almost no sun in winter, but in this afternoon that makes me extremely happy, it makes me feel like I am in the water full of fire. I'm stuck in the role of Yu Zhanao. I'm just but an animal. I'm obsessed with what he went through. What he did, what he thought and thought made me hard to understand, and the violence and cruelty in the book made me even more unreasonable-why do you want to deal with things in such an extreme way? This may be because I am completely divorced from that society and can't feel the values of people in that society at all. But at the same time, I have to marvel at the amazing resistance of the protagonists Yu Zhanao and Dai Fenglian. In such a turbulent era, they expressed their resistance and dissatisfaction with suffering in their own way. They strongly defend their freedom and live proudly. After reading this book, I seem to see a group of red sorghum heroes, who have sorghum blood and fresh humanity.

In the process of reading, I feel that Mo Yan skillfully shows off his novel skills and flashbacks, and at the same time, he pours a lot of feelings into his writing, which makes the whole time clue confusing and reasonable, and sometimes makes me a little confused, but after reading it, I am amazed at the author's arrangement. The climax of the book "Commander Yu ambushed the devil, and my grandmother died" is arranged in the front, and the love and hate between Yu Zhanao and my grandmother is unfolded in the back, telling all kinds of stories behind my grandmother's death. Mo Yan's mastery of clues shows that he has the overall situation in mind. It is not easy to write it out in this seemingly complicated clue and grasp it clearly. Sometimes I can't find clues for readers.

At the same time, the unique perspective of the author's characterization has also greatly influenced me. Although the Red Sorghum Family is a novel set in War of Resistance against Japanese Aggression, it describes the theme of war. However, unlike the previous novels on the theme of the Anti-Japanese War, he created a nearly perfect patriotic hero of justice, which is a strong contrast between justice and evil. Some anti-Japanese heroes portrayed in The Red Sorghum Family are the synthesis of justice and evil. They are a unique group with vivid life and humanity, which should be unique to red sorghum. How does the author view society from a unique perspective? I think this is due to his past experience.

In order to understand the author's unique perspective and amazing works, I first learned some of his background. Mo Yan comes from the countryside. He suffered some hardships when he was a child and joined the People's Liberation Army. I think it was these experiences that inspired him to write this book. He magnified the rural thoughts he saw, the hardships he suffered as a child, and the experiences he experienced in the army.

I know that the novel "Red Sorghum Family" is an early work of Mo Yan, and it is also a famous work of Mo Yan. Because Zhang Yimou adapted this work into a film, this novel has a high popularity. Under the rendering of the film, many people pay attention to red sorghum, which is full of wildness and primitive desire. When Nobel Prize in Literature presented the prize, he called Mo Yan's works "magic realism". I think it is this beast and cruel power brought by Mo Yan's works that tears off the false veil of warmth in civilized society, directly peels off the skin of war, death and lust, and shows the most cruel side to readers. It is not a subtle and elegant expression of general literary works. This is also brought by the author's past experience. His childhood experience made him see the wildness of these people, and his experience in the army made him hate the war because he saw the cruelty, violence and cruelty hidden in the war exposed.

After reading this book, I believe that the past experience is the inspiration for writing. The more things you experience, the more you accumulate, and only when you accumulate can you be inspired. If it weren't for Mo Yan's previous experience, how could he have such inspiration and experience, and how could he write such an amazing novel? It is impossible for a writer who has lived in a greenhouse since childhood to write such a character who has experienced many hardships, and the articles written are just a bunch of words without any feelings. On the other hand, it also reminds me not to blindly envy other people's achievements, which are the precipitation after the storm. If you want to do something, you must fight for it yourself.

Comments on Red Sorghum (4)

After reading Mo Yan's Red Sorghum, my mind is sorghum sea. Late autumn in August, red and boundless.

The vitality of red sorghum lies in the vibrant red color. Yes, red is a vibrant color. Zhang Yimou, a famous director, tried his best to exaggerate this provocative color in many of his works. Perhaps all this stems from his famous work Red Sorghum.

The novel created a striking female image for us, that is, my "grandmother". In Mo Yan's works, "grandma" is first of all a romantic woman full of vitality and temptation. She got married at the age of sixteen, hoping to be turned upside down in the arms of a strong man. She didn't know that her greedy father married her to a leper, just because Shanjia was the richest man in Fiona Fang within 100 miles, just because she promised him a mule. Grandma was desperate, and she was born after her death. Desperate, she obediently accepted everything in the sorghum field and Yu Zhanao. The novel depicts this passionate scene with bold strokes. One is Yu Zhanao, a powerful highwayman who later became a bandit commander, and the other is a young woman who was pushed into a fire pit by the etiquette world, but was rescued from danger and the fire of desire surged. In that era when all old things hung over people's heads, people's spirit and body were in harmony, traditional feudal ethics disappeared in front of them, and the fire of life burned wave after wave. The red sorghum-like red character in My Grandma was also formed.

The image of "Grandma" completely deviates from the three obedience and four virtues advocated by Confucianism in China, but is a symbol of freedom, freedom, enthusiasm and heroism. Some people think that this image has some western aesthetic characteristics. In fact, the cultural background of this image still comes from the bottom of our traditional society, especially the vast rural areas in northern China. Up to now, a vulgar cultural way with original meaning and confrontation with traditional ethics is faintly visible. In this cultural way, people take survival as their first wish and regard love as human nature. Perhaps this stems from their personality characteristics of daring to act, daring to love and hate, and clear grievances. The image of "grandma" fully embodies some characteristics of this popular culture.

The unique visual images in the novel impact every reader's spiritual barrier. The endless red sorghum is like a sea of blood. The thrilling scene of Uncle Liu Luohan being scolded by the Japanese, the questioning and proud self-extension of Grandma before she died are all passionate sensory descriptions. Mo Yan's feelings are different from others. He left the dogma of traditional ethics behind, completely integrated into the desolate and primitive land in northern China, and formed a special picture with the most primitive tension and vitality of life, explaining the characteristics of China folk culture. In order to properly express this mentality, Mo Yan's novels are always used to starting from the perspective of childhood. "Red Sorghum" takes the memory of 14-year-old Dou Guan as the main line, plus the supplementary combination of "I". Therefore, this novel also shines in the palace of literature, opening up another vast sky outside the traditional brushwork in the field of local literature.

The author of Red Sorghum agrees with China's folk values without hesitation. His strong physique, heroic temperament and the quality of sacrificing his life for righteousness are all vivid characters. In contrast, he often expresses indignation at the ugliness and meanness of modern civilized cities. Mo Yan wrote at the end of the title of Red Sorghum: "I want to use this book to summon the spirits wandering in the endless red sorghum fields in my hometown. I am your unfilial son. I'm going to take out the heart marinated in soy sauce, chop it up, put it in three bowls and put it in the sorghum field. Fu Wei is still very popular! Shangyi! "

Yu Zhanao, the grandfather of "I" in the novel, is not a traditional hero who fought against Japanese aggression for the revolutionary belief of national justice. He just avenged his dead life and fought for the continuation of life. And "my" grandmother's perception of her life before her death is more like a gorgeous hymn. It is with such a humanistic feeling of respecting the essence of life that the novel Red Sorghum has touched countless readers and guided people to correctly examine our lives.

Comments on Red Sorghum (5)

Red Sorghum tells a very old story, which is not what people of my age like to watch. When I first heard the name Red Sorghum, I thought it was a beautiful love story. In the red sorghum field, a pair of childhood friends separated and finally came together. This is a beautiful love story. Perhaps, as our generation is used to watching TV movies about love and love, everything can be linked with love and love, but I don't know the opposite story.

Red Sorghum tells the story of the war of resistance against Japan, but it is not the real story of the war of resistance against Japan.

A wicked woman is about to marry an old leper, and a sedan chair bearer falls in love with this wicked woman. What happened in the meantime tells their indifferent love and the simplicity of people's lives at that time. This story happened in those sorghum fields full of lush sorghum, which also added a charm to the story.

However, at the beginning of this story, it is about the concept of son preference. Daughter is useless. In order to improve her life, selling her daughter to a dying leper, is it true that women's lives have been so poor since ancient times? What I want to accuse is that women at that time had no status, a girl as beautiful as flowers and pure as jade, and it was rude for her parents to sell her daughter for some money. Fenglian, the heroine in the story, dedicated herself to Yu Zhanao, a sedan chair bearer. Even if it is not love, this person is at least better than that leper. This scene just wants to tell the audience that a woman wants a man who can take care of herself, not to sell herself for money. Fortunately, the old man was killed and happiness came. We should believe that the god of luck is always by our side. What we have to do is to be kind to life, and life will not be stingy with us.

Love has results, and children grow up slowly; Brewing first-class sorghum liquor; Life is more and more prosperous. When life is calm and beautiful, something always happens. Japanese vehicles trample on the quiet sorghum fields, so the village is no longer calm. The cruelty of the Japanese is in sharp contrast with the kindness of the China people. The Japanese cruelly asked the butcher to skin people, and only the Japanese would do such a terrible thing. Otherwise, how could germ warfare happen in China?

This story also tells us that we should remember the painful history and the inhumanity of the Japanese. We China people should strive for self-improvement and not lose to the Japanese!

To tell the truth, I don't understand this story very well, and neither do I. But the truth in the story is understood by ordinary people. It tells the story of humanity, freedom, life and unity, and is a praise for people's lives at that time. It's so simple and simple, without false disguise, and face the reality. Not every story can tell some truth so directly. Like our generation, we need to watch more movies with such themes in order to understand people's lives at that time and truly understand the truth expressed by movies, whether attacking reality or praising history. ...

The title Red Sorghum is very suitable for this story. The beginning of the story took place in the sorghum field, and the end of the story was inseparable from the sorghum field, which left a mark of wealth and history for the people in the village.

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