What impressed you most about Night on the Grassland? Say it first, and then simply write it down.

Night on the Grassland has been loved by music lovers, especially intellectuals, since it was published in the 1960s. However, the good times did not last long. Only after a short period of time, an unprecedented cultural revolution broke out. In that ridiculous year, all the outstanding cultural heritage of mankind was swept out as garbage, and publishing and singing were banned. Our cultural performances at that time were three contents: one was to praise the red sun; Second, the revolutionary rebellion dance; 38 model operas. In addition, a better song does not mean that your content is reactionary, but that you are the decadent voice of the bourgeoisie and belong to Huang Ge. The lightest statement is that petty bourgeoisie is unhealthy. It was not until the late 1970s that all kinds of literary works before the Cultural Revolution began to be lifted one after another. Including this song "Night on the Grassland". Since then, this song has been sung by many big-name singers. Their characteristics are bel canto, accompanied by the same big band, and no one has innovated the orchestration, and no one dares to change the singing method of some sentences. In previous editions, I have heard of Meng Guibing, Zhu Chongmao, Zang Yuyan and Li Shuangjiang's editions. At that time, listening to them also felt very good. At that time, people listened to a person sing well, mainly because you sang like a singer who didn't like the first singer. They were basically the same and had no personal characteristics. However, since Tengger singer became a singer, his singing style has become obvious and full of passion. Later, Tian Zhen's version of Night on the Grassland came into being. She went one step further, making some changes to individual music scores and the prelude, which made people feel fresh and pleasant.

This time, Dao Lang's version of Night on the Grassland has made great innovations. First of all, he takes modern guitar as the main instrument, and also matches the drum rhythm of light rock. This change has given this Ansong an obvious modern style. In the arrangement, he also rewrote the prelude and interlude. In singing, it is still his seemingly casual but measured singing, which is more in line with the nostalgia, lyricism, waiting and yearning mood of this song. In particular, his change of the ending tune was very successful. On a prairie night, only his piano is swaying gently, accompanied by such an ending: Alas, ............ really gives people a lingering feeling, which is memorable. Dao Lang really expressed the homesickness of a person far away from home.

However, I don't know if you have noticed that Dao Lang's Night on the Grassland actually has two versions, one of which is included in Desert Love Song. The prelude and accompaniment of that song are completely different, and the ending is still the past: "Come on, come on, ...". This ending. Grassland Night under the Northern Sky is the same as the first snow in 2002, with another style at the beginning and end. I guess most people hear the latter version. Because of my preference for Night on the Grassland, I have collected various versions of Night on the Grassland. There are light music songs, flute solo, Tengger singer version, Tian Zhen version, Zhu Chongmao version, Li Ji version, boy quartet and so on. Now there's the Dao Lang version. Dao Lang's version of Night on the Grassland is the most popular of all these versions.

The song "Night on the Prairie" has been with me for more than forty years, and my love for it has not diminished. So I often think that music is not only a flowing time, but also a solidified moment. In my life, Night on the Grassland has accompanied me through many unforgettable years, and at the same time, it has also fixed scenes of eternal moments for me.

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