About composition: When quoting ancient poems or allusions, how should the context be connected?

As long as the quoted ancient poems are the same as what you want to express, there is actually no way, just follow suit. When quoting poetry, it must be natural and harmonious, and never quote for the sake of quoting.

Put an ancient poem at the beginning and use its distinctive structure to guide the full text, thus playing the role of "dragon head":

Example: (1) "My menstruation" "Ten years of life and death are ambiguous, I will never forget it, and there is nowhere to talk about the lonely grave." This year is February 5, 2004. It should be ten years. Ten years ago today, my aunt passed away.

(3) "My Happiness" People have joys and sorrows, and the moon has ups and downs, but I still have my happiness.

Second, put ancient poems in the text and use their unique ideas to rhetoric sentences. This will not only make your point of view find a strong backing, but also play a role of "adding wings to the tiger", making your article more vivid and beautiful.

In "Spring", Zhu Ziqing quoted "Blowing the face without cold wind" in the poem "Jueju" by a monk from Zhinan to describe the softness of the spring breeze. In order to express the scientific workers' spirit of exploration, Hao Mingjian quoted "The road is long, Xiu Yuan and Xiu Yuan are Xi, and I will go up and down to seek" in Li Sao, a poet of Chu State. In "Litchi Honey", Yang Shuo wrote the beauty of litchi with only "300 lychees a day, but he didn't hesitate to grow up to be a Lingnan person" (from Su Shi's "A Unique Skill in Huizhou").

"Today's basketball game" ... our class lost the last basketball game, and this is the last chance. I don't know how to feel the tragic feeling that "the wind is rustling and the water is cold, and the strong man is gone forever." Teacher Chen's whistle sounded, and my heart tightened: "It's time to play!" "

I found a kind of pride in "the river does not return, the waves are exhausted, and the eternal romantic figures"; "When is the moon in spring? How much do you know about the past? " I found a way to look back; "I made an appointment not to come in the middle of the night, knocked on a chess piece and fell to my death." I found a silence; "I smile at the sky from the horizontal knife, leaving two Kunlun mountains in my liver and gallbladder." I found a kind of heroism; "Clear water produces hibiscus, and carving is natural." I found a simple. -"Pursuing Dreams"

Looking for the past in Japan and China is Tao Qian's leisure to "pick chrysanthemums under the east fence and see Nanshan leisurely"; It is the magnificence of Di Wei's "bleak autumn wind and surging waves"; It is the joy of Yi 'an's "returning to the boat at night and straying into the depths of the lotus"; Releasing Weng's "Julian Waghann Beiding Central Plains Day, Family Sacrifice Never Forgets" is a free and easy way; Looking for the past in Japan and China is the firmness of "clothes are getting wider and wider, never regret, and languish for Iraq"; "The Arctic court does not change, and the western hills steal from each other" is Du Gongbu's confidence; It is a surprise of "looking for her with thousands of Baidu, suddenly looking back". -From "Classic Plot"

At the end of the three poems, the icing on the cake

Quoting the end of a poem is very infectious and often gives readers a strong sense of regret.

For example, according to the sea and heaven, at the end: "Didn't you see how the water of the Yellow River came out of the sky into the sea and never came back?" . You can't see the lovely hair in the bright mirror of the high room. Although it is silky black in the morning, it has turned into snow at night. "Time is like running water, time is like electricity. Perhaps, only history can make the "inscription on the tombstone without words" full. Perhaps, only history can best interpret Zeng Guofan's sentence of writing down his life's mood when the sky is broken and the yellow robe is about to be added: leaning on the sky shines countless flowers on the sea, the water is high, and the heart knows itself.

Candidates quote Li Bai's poems and Zeng Guofan's own poems as the conclusion, which further deepens the author's point of view and leaves readers with endless reflection.

Use the philosophical characteristics of famous poems to summarize the full text and deepen the theme. Good poems and your good articles are icing on the cake, and people will agree with you after reading your articles. This has played a "finishing touch" role.

At the end of the junior high school Chinese textbook "Pear Blossoms in the Post Road", I wrote: "I look at these energetic Hani girls and the white pears, and I can't help but think of a poem:' Pears in the Post Road are everywhere'."

This ending not only describes the natural pear flower, but also describes the futile spirit of Lei Feng, which takes care of the theme in structure, deepens the theme in content and has rich implications.

Quoting poems skillfully closes the full text, which is memorable and thought-provoking. This is the charm of quoting poetry.

If the beginning and end of the article can flexibly quote poems and echo them back and forth, the effect will be better.

For example, in 2003, the perfect composition "Youth Sorrow" was written like this.

Beginning: Xin Qiji once sang such a sentence: "Teenagers don't know the taste of sorrow and fall in love with the floor;" Fall in love with the floor, say worry gives new words. "Our cross-century teenagers have long tasted sadness. This is not "arguing irrationally", but "telling the truth", which is a heavy burden for us young students every day.

……

Conclusion: But in any case, I still want to say to all the students who are "ignorant of worry" and have tasted the taste of worry: "Teenagers should know the taste of worry, teenagers should look forward to it, teenagers should not forget it, and teenagers should not be afraid."

-quoting Xin Qiji at the beginning; The ending is flexible and plays a sublimation role;