How do beginners learn to sing?

1. Bubble sound: the starting point of active operation of vocal cords, a simple embodiment of the cooperative state of generators, which is used to preliminarily locate the spatial position of acoustic energy conversion.

Seeing this, everyone will have a question: GPS? Hehe, it's actually not like this. First of all, you should make a bubble sound when you relax (I can't imagine a friend who has a bubble feeling in his throat when he gets up and stretches in the morning, this is the bubble sound), haha, but don't be too happy, this is just the usual bubble sound, the bubble sound when singing. To achieve correct bubble sound, three conditions need to be met: moving up and down, moving back and forth, and changing bubble sound into sound.

1. Move back and forth: We can stick out our tongue (wide and flat), which is a bit like eating food, hehe! Then after doing this, we will make a bubble sound. At this time, we will find that the sound is relatively backward and easier to come out, so this part is completed.

2. Move up and down: We can swallow a mouthful of saliva or something, which means that the Adam's apple will move up and down. Then when our Adam's apple reaches the lowest point, we stop and make bubbles. At this time, we can feel that your voice is coming from the collarbone or even the chest, so the depth of this voice is also there. Then combine the above actions to get the correct bubble sound.

3. Bubble sound to sound: After learning bubble sound, we are not finished, because we are not singing with bubble sound. It's time to touch the sound. Specifically, it starts with the correct bubble sound, then the bubble gradually shrinks (densely), then the bubble sound and the sound are half (the sound sounds hoarse at this time), and finally the bubble sound decreases and the sound comes out completely. PS: When the sound comes out completely, it means that the position of the bubble sound cannot be moved. We can regard the ratio of bubble sound to sound as 9999: 1. Do not lose your position.

Well, that's the explanation of the bubble sound. Let's continue:

2. Primary breathing

When someone sees this title, they will think of some advanced techniques such as belly sinking and abdominal breathing, but they are all floating clouds at the primary level. Let me talk about what a primary breath is. Learn step by step, don't aim too high, success will always slip away.

Primary breathing: "Breathing" and "sucking" alternate regularly.

Some people will see this explanation and say, "Idiot, who doesn't know this? People who don't know are fools. " Hey, don't laugh yet, there is a lot of knowledge in it. o(∩_∩)o...！ ! !

1. Experience breath: In any case, people who are alive have breath. First of all, we try not to inhale, but directly exhale or sigh. I believe anyone can do it, because it is impossible for a human body not to breathe. The breath of singing is not how much you smoke, but how to control and use it reasonably.

Stop for a moment: I'm not asking you to wait in line. Make a sound first (remember to make a sound in the way you learned before), but realize that at the beginning of time, there is breathing before the sound, and then at the end, the sound stops first, and then the breathing stops.

3. Breathing alternation: inhale in the shortest and most relaxed way at the beginning of each sentence, then immediately put in active and controlled exhalation (singing), and so on. For example, if you sing 1-2-3-3-2- 1, our breathing point should be at the beginning of the second 3. When I talk about inhaling here, I don't want to find the feeling of smelling flowers, as the Bel Canto course says, because the sound of inhaling is too loud, then there will be a loud whistle in your recorded voice, which will affect the whole song. After all, singing is the art of whistling, so we should make a fuss about whistling. We should inhale through the nose and mouth at the same time. We have to relax, and we don't even feel the breath, but a relaxing action, such as 1-2-3-4 in the army, so you will feel that you have read 1 well and there is no breath at all, so we will continue to read 2. In fact, before 2 years, the diaphragm has returned to its position, which we call it.

4. Practice of weak sustained sound (silk): This should be no problem, but it should be noted that the vocal cords do not vibrate when you pronounce this sound. Some people use the breath of their mouths directly, which is ineffective. You must feel the whole process of breath from the lungs through the throat, into the mouth, budding until the mouth, producing "silk" Send "silk" gently and extend 15 seconds, continue to change the climate (pay attention to the position of ventilation), and breathe several times as a group.

We don't know if you have noticed that some people haven't learned any vocal techniques, but they have beautiful voices and can imitate many singers. So we're going to discuss the next technology we're going to learn-sound transmission.

3. Sound transmission: the muscle group part of tone color is transmitted, modified and changed by shaping the shape, quantity and hardness of the tone cavity, which is related to the two departments of articulation and sound production.

Some people say that they should sing their own style, not imitate it. In fact, this is completely unnecessary, because you are a learner and there is no need to fix the timbre. The more timbre there is, the richer it is, and the greater the success rate of this person in the future. Ok, let's talk about how to transmit sound ~

1. The front is big and the back is small: first, open your mouth, and then we imagine drawing two lines to the inside of your mouth on both sides of your palate and tongue, and gradually close at the deepest part. At this time, you feel that you have swallowed an egg in your throat.

2. Upward movement: divided into facial movement and flap (soft palate) movement.

Facial movements: A. Keep a surprised expression B. Wrinkle your nose C. In the action of wrinkling your nose, the muscles on both sides of your nose extend to both sides.

Cover action: first of all, we can lie flat and use the gravity of the earth to experience it. When you lie flat, you will feel that the lid will fall off. The key is to keep that feeling when you get up. Also, the flap should be relaxed and soft as far as possible, and it should not be too hard, otherwise it will be stiff. If the soft palate can't be lifted, it will lose the ability to pronounce words, but stretch backwards and downwards. At this time, you want to yawn and sneeze.

3. Chin movement: A. Keep the included angle between chin and neck at about 90 degrees, and keep the chin muscles soft. B. the tongue is flat and covers the molars. At this time, I feel a little sick.

Ah, I'm exhausted. I said so much. Ok, go on, the next one is pronunciation.

In fact, we only need to learn five vowels and jaw movements, especially the jaw. Some friends who want to sing especially high notes should pay attention to their jaws.

Five vowels: a (a) e (e) i (yi) o (oh) u (woo);

A: Big mouth, very open vowels, the largest oral space. This vowel is easy to make mistakes, such as exaggerated movements leading to nervousness and laziness leading to occlusion.

E: The mouth shape is half that of A, so we should pay special attention to the pronunciation with the upper mouth. The mistake that this pronunciation is easy to make is to argue with the second half of the mouth.

Me: small mouth. On the basis of e, the upper mouth is slightly smaller, the mouth is almost closed, and the front teeth are almost in contact, but don't touch the teeth inside. This sound is easy to make mistakes, shallow and flat.

O: Round mouth, pay attention to your lips close to your teeth and try to expose your front teeth. The easy mistake of this sound is that your lips are pursed.

U: flat mouth, which closes the mouth along the teeth on the basis of o vowels. The easy mistake of this sound is that the lips are too hard.

This is the action of the great white shark. First of all, we should understand what the jaw is: the junction of the maxilla and mandible is the jaw. The correct approach should be like this:

Open the upper part of your mouth forward and upward, and keep the lower part basically motionless, and then argue with the front teeth with the tip of your tongue, just like when biting an apple.

That is the "four major parts" in singing. Do not underestimate them. They play a very important role in your singing. Even if you learn advanced technology in the future, they will still occupy the main body. So you should practice the four major departments in the way of1+1,connect one technology to another in series, and so on. Then I believe you really started singing.

Let's talk about the last lesson in primary school: point a continuous string and listen with mass, gas and magnetism ~

First, explain the topic: small is the area of your voice. The sound line here is the track of sound propagation, and the latter sentence refers to texture, air, magnetism, music and hearing.

To do the above, I want to learn three skills: small point, sound line and front.

Small: the first step is to make the voice a little louder and thinner while maintaining the phoneme. The less you sing like your usual voice, the better you sound. The second step is to turn on the channel first, then make a thicker (louder) sound, and then hold down a channel all the time and sing the sound softly. You can also shut up and pronounce HM (hum), and then change the pronunciation to vowel, so that your A is smaller than your original A point.

Sound line: As I said just now, the sound line here is the path of sound propagation. We can imagine that the stomach growls first, then the sound is transmitted to the throat, then there is a bubble sound, then it is transmitted to the mouth, then to the nasal cavity, and finally out of the body. This is the spread of sound.

Front: The front here is not front to front, but back to front. For example, if you throw a stone, if you put it in front of it, it won't be far away. If you put your hands behind your back and then make a forward movement, it will be very far. In fact, the sound is also like this. It should be transmitted forward and upward in the deepest and last place, so that the sound can have the feeling above. Some people don't need to use too much force to call a person, even if that person is 100 meters away, he can easily hear his voice, which is the charm of this paragraph.