CoCo Lee, as a Hongkong person, how can you sing Cantonese songs like this?

I just finished watching the seventh issue of "The Sound Never shuts off" and can't wait to say something. Some things are really like drowning in the throat.

The theme of this issue is "city life", and representatives from different countries will be sent to participate in the war in the second half. Although I am quite dissatisfied with the results of this issue, I have to admit that this issue is the one that has contributed the most since the launch of "The Road to Never Shut Up". Not much to say, let me briefly talk about my feelings first.

It's a pity to sing.

Although JOEY gave GIGI some advice before the game, it was obvious that Miss GIGI didn't listen to Tianhou. Joey Yung said that the song "My Heart is Pale" should first try to open your mouth as wide as possible and shout out your emotions, then slowly see where you need to collect it and gradually adjust it to your own style. Because to be honest, this song "Heart Lamp" has a wide range, especially the high notes below. It is precisely these high notes that reflect the emotional outburst, that is to say, if these places are not handled well, it will be difficult to express the heartbreak after lovelorn in Heart Light.

However, GIGI's ruthlessness is really a bit too weak. I don't know whether it's the arrangement or her singing skills. From the beginning, we waited for an emotional outburst, but we didn't wait until the end. It seems that not everyone can sing Zu Er's songs.

It's beyond description.

I still remember when Eason Chan sang "Lonely Patient" on the scene when Kangxi came, and only sang two sentences. Small S can't help but exclaim: "That's great, that's great."

Yes, Dr. Chen has this ability. The essence of this song lies in one of the lyrics "extroverted lonely patients pull themselves", expressing a sense of loneliness hidden behind their personality.

Mao's hard singing is already very narrative, but maybe it's just ahead! When he sang this kind of loneliness, it didn't make people break their defenses for a second, but there was still a kind of loneliness in "eliminating sorrow", which could only fall within the rules.

It's good.

Chile is a born singer, who has never let people down. I wish you good luck from modern love stories. This song "Waiting" and Danny's interpretation have their own merits, but only one thing makes people feel a little sorry: Chilam uses a lot of air to cover up the sincerity of the voice, which is not so sincere and warm, but the overall voice is good.

Bottom line: I don't know what the child is doing here. Goodbye.

Beautiful, beautiful, but not Hong Kong.

Personally, I think Li Jian is a very smart person and is willing to accept opinions. He probably guessed that his Cantonese level was too low, so he gave up singing this song in Cantonese.

This song is my personal favorite of all the songs of Xifeng except the tears of civilization. And Li Jian's voice is very suitable for singing this lyric song.

Generally speaking, it's very nice, but because there are no lyrics in Mandarin, I changed a few words temporarily and sang Cantonese lyrics directly in Mandarin. I can't say anything strange. It's probably still a matter of rhyme. It's a little less Hong Kong, but it still has emotion and atmosphere. In the next issue, I hope someone can sing Xiao Xifeng's Behind the Wedding Dress.

Very good, great singing, very complete performance.

Maybe it's because this song is not sung like that! But I can't say where something is missing, so that it hasn't reached an alarming level.

Over the years, Keqin has made no mistakes and made no progress.

Actually, there is nothing to say about Keqin. This song has been listened to from childhood to middle age. Same tone, same melody, same taste. Even using holographic projection to create the artistic conception of duet with oneself, or Hacken Lee helping Hacken Lee to harmonize, all these have not brought out new ideas. On the contrary, it lacks the sincerity of the original. It's also the opinion of my family! Just because I have never appreciated the stability of Hacken Lee.

Very steady and sincere, it is a work that embodies the singing style of thousands of songs.

Decisively collect the songs into the car.

Qian Wan is very suitable for singing this kind of songs, with emotional narration as the mainstay, narrow range and self-growth of lyrics. Personally, I think her interpretation is not even lost to SAMI, and singing this song has its own flavor.

I look forward to the next issue of If I Continue.

I don't think anyone is at the top of the audience.

First of all, this song is well chosen, which has both retro DISCO flavor and magical flavor. With the simple and magical dance, it's hard not to follow it! Secondly, Sara's Cantonese pronunciation has made great progress in this song. She used to be airy and wanted to learn from Faye Wong's casual singing, which always sounded strange. But in this song, she finally got the word, and sure enough, the charm of Hong Kong music came out immediately.

As for why we lost to CoCo Lee, I think there is a harmonious society that respects the old and loves the young besides the higher popularity of Dance Street!

An unacknowledged explanation.

"Dancing Street" and "Rebellion" are two fast-paced dances in the same album by Priscilla Chan's sister. The lyrics of both songs depict the turbulent heart of an adolescent girl. A rebellious youth, always looking forward to dark, can go outside to "wet" and "pu", mixed with the confusion of girlhood, to help Huixian's sister's voice, which is very picturesque.

However, there are two slots in CoCo Lee's interpretation, and it's really unpleasant to spit.

First, Cantonese pronunciation. This is really an eternal puzzle. As a native of Hong Kong, CoCo Lee sings Cantonese, and her pronunciation is not as good as that of Sarah and BiBi Zhou. Why do I repeatedly emphasize the importance of the pronunciation of Cantonese songs? One is that the standard of Cantonese directly determines the intonation after a sentence is sung to some extent; Another problem is rhyme. If you can't read it correctly, the flavor of Hong Kong will be greatly reduced. CoCo Lee always pronounced AI as EI when she sang Dancing Street, which sounded awkward, so every time she sang Cantonese songs, she made me feel like a ghost girl learning Cantonese, which made me uncomfortable.

Second, dance. In fact, sometimes I really want to shout COCO. Although you are middle-aged and have a good figure, you are not a girl after all. Pay attention to the appropriate limits when using this trick. If you are not careful, it will cause physical and mental discomfort to the audience. What's more, Dancing Street was originally about girls' rebellion and confusion. Personally, I feel that this beautiful dance does not match the civilized way. Instead of taking the sexy and hot route, it is better to dance disco with a group of JK girls.

The above is my personal view on this ending problem. After reading so many issues, I found a big contradiction: fans who really know Cantonese culture and fans who don't know Cantonese culture have different expectations for Cantonese songs. For example, Wei Lan, Deng Lixin and Xie Anqi, which we have been talking about, are unheard of by many people in non-Cantonese cultural areas, because everyone only knows the Four Heavenly Kings, Leslie Cheung and Beyond; ; Songs with strong port city culture, such as "Valley", "Circle" and "How to Tears", can only be understood by people who have watched TVB grow up.

What makes many real Hong Kong fans feel uneasy is that the theme songs and selections of each issue are like scratching their boots, being caught, and singing a lonely song. Many excellent works were not selected, and many representative Hong Kong singers were not invited. It is suggested that the program group can hold some special topics in the later stage, similar to "Deduction of Award-winning Works of Emerald Pure Gold over the Years" or "Rereading the Theme Song of TVB TV Series".

So, do you think what I said makes sense? Welcome to comment.