The film Hero mainly adopts the principle of asymmetric composition.

It is wrong for movie heroes to mainly adopt the principle of asymmetric composition.

Hero is an action adventure film directed by Zhang Yimou, starring Jet Li, Tony Leung Chiu Wai, Chen, and written by Feng Li, Wang Bin and Zhang Yimou. It was released in China on June 24th, 2002. The film tells the story of the rise of the Seven Chivalrous Men at the end of the Warring States Period, but Qin was the most powerful country, eager to annex six countries and unify the whole country. In order to resist the annexation of Qin, the chivalrous men of the six countries all wanted to assassinate the king of Qin. By the end of 2002, the film had a box office of 248 million, becoming the box office champion of China in 2002.

In 2003, he was nominated for best foreign language film in the 75th Academy Awards and the 60th Golden Globe Awards. In the same year, he was nominated for Best Film in the 22nd Hong Kong Film Awards, Best Co-production in the 23rd China Golden Rooster Awards and Best Feature Film in the 26th Hundred Flowers Award.

Film evaluation:

The protagonists in hero films are all dressed in solid colors and bright colors, decorated with solid colors, full of personality and meaning. The different colors also seem to imply the different fates of the four protagonists, which has become a great artistic achievement of this film.

Hero is an important symbol of director Zhang Yimou's artistic transformation in the face of film globalization and commercialization. Stars gather, the scene is grand, the picture is exquisite, and the martial arts design is freehand, which combines the traditional artistic conception of China with the violent aesthetic modeling of action movies, creating a new round of box office myth and film industrialization model of Chinese mainland movies. The American "Wall Street Journal" said: "Hero really opened the curtain of China's blockbuster era".

At the same time, the grand narrative strategy of Hero between business and art has also aroused fierce debates among intellectuals, the general public, official ideology and film professionals. Its oriental style, color and artistic conception, aesthetic audio-visual wonders, the combination of China stars, and the creation of multinational and cross-regional production teams such as Du Kefeng, Cheng Xiaodong, Emi Wada and Tan Dun provide a replicable model for China commercial blockbusters.