A 400-word composition describing Beijing Opera.

1. "Views on Peking Opera" composition, 400 words, speed Young friends nowadays don't like Peking Opera very much, but I am very interested in Peking Opera.

My interest in Peking Opera is influenced by my grandparents. They like Beijing opera very much. As long as there are Beijing opera programs on TV, such as Kyushu Theater, they always want to watch them.

Over time, I was also infected. I found that there are many essences of traditional culture in Beijing Opera.

To tell the truth, I know very little about Beijing opera, except that Beijing opera pays attention to "singing and playing" and only knows that Beijing opera can be divided into five kinds of businesses: "living fine and living ugly". I often confuse "Zheng Dan" with "Hua Dan" and sometimes even call them "Xiao Dan".

I have only read three complete works: Qin Xianglian, Jiujiangkou and Jiudaoben. Nowadays, Peking Opera performed in cultural programs or variety shows are mostly famous dramas, but I have seen many small jokes like this.

I like the scene outside the Spring and Autumn Pavilion in Sorin Port, the scene of War in the Blue Sky by Xu Ce running to the city, and the scene of Su San leaving Hongdong County by Yu Tangchun. Some people think Beijing Opera is slow and impatient.

In fact, Beijing opera has a strong sense of rhythm, and the speed is fast or slow, but it all depends on the plot. Come on, it's too fast for you to listen. Before you know what it means, you have finished singing.

For example, in Qin Xianglian, "Master Xu takes a closer look", how fast! It is impossible to hear clearly if there are no subtitles on the TV screen. Why so soon? Just to express Bao Gong's anger and his eagerness to make Chen Shimei recognize Qin Xianglian.

Slow, slow to drag a word for half a minute. For example, how slowly Yang Guifei's lyrics are drunk is to reflect Yang Guifei's elegant temperament and lost mood.

In a word, the art of Peking Opera is very attractive. As long as you appreciate it with your heart, you can find endless beauty. I will continue to watch and study Peking Opera, and I hope more and more young friends will know and love Peking Opera.

2. Composition about Beijing Opera Young friends nowadays don't like Beijing Opera very much, but I am very interested in it. My interest in Peking Opera is influenced by my grandparents. They like Beijing opera very much. As long as there are Beijing opera programs on TV, such as Kyushu Theater, they always want to watch them. Over time, I was also infected. I found that there are many essences of traditional culture in Beijing Opera. To tell the truth, I know very little about Beijing opera, except that Beijing opera pays attention to "singing and playing" and only knows that Beijing opera can be divided into five kinds of businesses: "living fine and living ugly". I often confuse "Zheng Dan" with "Hua Dan" and sometimes even call them "Xiao Dan". I have only read three complete works: Qin Xianglian, Jiujiangkou and Jiudaoben. Nowadays, Peking Opera performed in cultural programs or variety shows are mostly famous dramas, but I have seen many small jokes like this. I like the scene outside the Spring and Autumn Pavilion in Sorin Port, the scene of War in the Blue Sky by Xu Ce running to the city, and the scene of Su San leaving Hongdong County by Yu Tangchun. Some people think Beijing Opera is slow and impatient. In fact, Beijing opera has a strong sense of rhythm, and the speed is fast or slow, but it all depends on the plot. Come on, it's too fast for you to listen. Before you know what it means, you have finished singing. For example, in Qin Xianglian, "Master Xu takes a closer look", how fast! It is impossible to hear clearly if there are no subtitles on the TV screen. Why so soon? Just to express Bao Gong's anger and his eagerness to make Chen Shimei recognize Qin Xianglian. Slow, slow to drag a word for half a minute. For example, how slowly Yang Guifei's lyrics are drunk is to reflect Yang Guifei's elegant temperament and lost mood. In a word, the art of Peking Opera is very attractive. As long as you appreciate it with your heart, you can find endless beauty. I will continue to watch and study Peking Opera, and I hope more and more young friends will know and love Peking Opera.

Today, in Chinese class, we learned an excerpt from the Beijing opera "Red Mulberry Township", which aroused my strong interest in Beijing opera. I went home and looked it up online. I learned that Peking Opera is one of the quintessence of China and one of the operas formed in Beijing. Twenty years after Daoguang, on the basis of Hui Opera and Han Opera, it absorbed the advantages of some operas such as Kunqu Opera and Shaanxi Opera.

I found that the role division of early Peking Opera was very strict. At that time, there were seven lines: fate, Dan, clean, extreme, ugly, martial arts and fashion (walk-on). Now there are only four lines: fate, Dan, clean and ugly. I asked my father, and he also said that there is still a corner in Beijing opera. The four Huizhou classes of Beijing Opera are Sanqing, Sixi, Hechun and Chuntai. In the fifty-five years of Qing Qianlong, Sanqing class, which enjoyed a high reputation in Anhui, entered Beijing for the first time. Beijing opera is good at expressing historical themes, most of which are adapted from articles, books and novels.

I like Mei Lanfang best. He is one of the most outstanding Peking Opera performers. During his stay in War of Resistance against Japanese Aggression, he grew a beard because he didn't sing to the Japanese. I once read an article about Mei Lanfang. Art cannot be bought by money. At present, his representative works include Cosmic Peak, Farewell My Concubine, Drunk Imperial Lady and so on.

I deeply appreciate the charm of Beijing opera.

In the past, there was no curtain on the Peking Opera stage, and the audience could see the whole stage at a glance.

Generally, there is only one table around the table and two chairs with chair covers on the stage, which is called "one table and two chairs". There is decorative embroidery on the table and chair cover.

Sometimes there is nothing on the stage. Later, a curtain was added in front of the stage to cover the stage before the performance.

Sometimes, during the performance, another curtain will be put on, which is called the "second curtain". It is used to keep the preparation work such as setting tables and chairs behind the scenes and changing clothes for actors. Actors can perform in front of the curtain at the same time, making the performance of Beijing Opera more compact. The time and space of the Peking Opera stage is very free, not limited by the time and space of real life.

After the curtain is opened, the stage does not represent any time or place before the actors take the stage. The time and space of Beijing Opera dance is determined by the actors' activities.

For example, after a character in Beijing Opera enters the stage, he can show that the stage is his study by chanting and singing. However, after he left the stage, the study did not exist, and then another character appeared. Through his physical performance, we can see that the stage is a rugged mountain road.

A person sits around his home and wants to go to a friend's house, so he walks around the stage (called "circus"), and his home is transformed into a friend's home. Another example is the shock of the people in the play when they hear an unexpected news. This should be an instant psychological reaction, but they can sing for a long time in order to portray the characters.

On the contrary, the process of writing, reading and drinking would have taken some time, but for simplicity, just perform a gesture and play a suona qupai at the same time, and it will be completed. Therefore, when enjoying Beijing opera, the audience needs to use their imagination with the chanting, singing and performance of the actors, so as to understand the time, place and environment in the play.

The role types of Peking Opera are commonly known as "Shang", which are mainly divided according to the gender, age, identity, status, personality and temperament of the characters in the play. The business of Peking Opera evolved from Kunqu Opera, Han Hui Opera and other ancient operas.

At first, it was divided into ten roles: life, Dan, end, foreign, clean, ugly, miscellaneous, introductory, starting and popular. Later, due to the development of performing arts and the richness of repertoire, it broke the strict business boundaries and integrated the four major businesses of life, Dan, Jie and Ugliness.

Each line contains several different types of roles. The vocals of Beijing Opera are mainly "Xipi" and "Huang Er", which is called "Pihuang" for short.

Xipi and Huanger are two kinds of accents, which are divided into several "plates". These plates are all developed and changed on the basis of a tune.

Xipi and Huanger have boards such as original board, adagio, fast three eyes, scattered board and rocking board, and Xipi also has boards such as Erliu, flowing water and Allegro. Beijing opera gongs and drums also have a special function, which is to unify various means of expression.

All the conversion between singing and playing, and the adjustment of stage rhythm are completed through gongs and drums. Therefore, gongs and drums run through the whole play.

The pronunciation of white characters in Beijing opera is also very distinctive. It is different from the language in daily life, but a stage language after artistic processing and musicalization. Appreciating Beijing opera is different from appreciating traditional Chinese opera. Audiences and actors can communicate directly.

For example, an actor raises his hand, blocks another actor's line of sight with his sleeve, and tells the audience what he thinks. Assuming that the other party can't hear these words, it is called "bowing back". Watching Beijing opera is not as restricted as watching traditional Chinese opera, and the audience can respond to the evaluation of the actors at any time.

For example, the actor's superb martial arts, beautiful drawling, and the wonderful "Flower Over the Door" played by the pianist all won warm applause and loud applause immediately. Encouraged by the audience, the actors performed harder, so that the stage echoed and the theater was full of warm atmosphere.

Writing a composition about the origin of Peking Opera Since its birth more than 200 years ago, Peking Opera has experienced a process of development and prosperity in Zhao Yan, from the traditional ancient stories of emperors and generals, talented people and beautiful women, farmers and fishermen, immortals and ghosts to stories praising contemporary heroes such as Xie Zhenguo, Bayi Storm, Battle Map, Shajiabang, Red Lantern Story and Battle in the Plain. On the stage of Zhao Yan, a touching and wonderful event was staged. In fifty-five years (1790), China's ancient national quintessence art was Qing Qianlong, and Emperor Gaozong celebrated his eightieth birthday. Huizhou classes in the south of the Yangtze River went to Beijing by water and land to participate in the celebration. Pass through Hebei, perform at the water and land terminal, and then bring Huang Er to Hebei. Since then, Pihuang has gradually become popular in Beijing, Tianjin and Hebei. Many Hebei Bangzi actors also learn from the leather spring, which flows to Hebei folk with the influence of Bangzi. In the 17th year of Guangxu (189 1), Wang Chengban of Tian Jiyun initiated the performance mode of "two pots" of clapper and leather spring, and many theatrical troupes followed suit. Since then, Piquan point has flowed into all parts of Hebei. In the early days of the People's Republic of China, there were Peking Opera Troupes in all provinces and cities. After 1953, Peking Opera no longer co-performed with other operas. After 1966, Hebei Peking Opera Troupe, Tangshan Peking Opera Troupe and Zhangjiakou Peking Opera Troupe had great influence all over the country. During the "ten-year turmoil", some local troupes were forced to study Peking Opera one after another. However, there are only eight model operas. However, amateur Peking Opera Troupe and amateur clubs are all over the province. After Beijing Opera was introduced into Hebei, it had a great influence on local operas in Hebei. The repertoire, makeup, costumes, performances and music of Beijing Opera have influenced Hebei local operas to varying degrees.

Please write a 400-year-old China opera to describe Peking Opera or Cantonese Opera, imitating Tibetan Opera in Book 6 of Primary School Chinese. It has a long history and distinctive national style, and is a popular literary form. Many parts of the country have their own operas, which are full of flowers and colorful. Beijing opera originated in Beijing, the capital of our motherland. Now, let's walk into the treasure of national culture-"national quintessence" Peking Opera has a history of more than 200 years. It is a treasure in China's traditional opera art, and it has gradually evolved on the basis of Hui Opera and Han Opera, absorbing the advantages and specialties of some operas such as Kunqu Opera and Shaanxi Opera. Peking Opera music belongs to the banqiang opera, and its main vocals are Huang Er and Xipi. Therefore, Peking Opera is also called "skin yellow". The commonly used vocals in Beijing Opera are Nanbangzi, Siping Tune, Gaobazi and Chuiqiang. Beijing opera is good at expressing political and military struggles with historical themes, and most of the stories are taken from historical romances and novel scripts. There are not only the whole drama, but also many operas, and some operas with Taiwan Province as the whole. The role of Peking Opera can be divided into life, Dan, Jing and Qing in the early stage. The music accompaniment of Beijing opera is stable, which gives people a seamless sense of stability under the accompaniment of Jinghu. The performance style of Peking Opera is serene, neither too high-profile and passionate, nor deliberately bad-mouthed, and never emphasizes violence and blood. Beijing opera is developing, innovating and advancing with the times, but it is not satisfied with the status quo. Only by bringing forth the old and bringing forth the new, and constantly bringing forth the new, can Beijing Opera carry forward its peaceful, steady and serene characteristics and sit on the throne of "national quintessence" on the drama stage! Peking Opera is the essence of our nation's excellent culture. Unfortunately, many teenagers know little about it now. Many people like to listen to pop music, rock music and watch "Super Girl" ... They don't like go to the opera, and they don't like to watch Peking Opera, the quintessence of our country. Many people think that Beijing opera is boring and old-fashioned, and it is not as interesting and popular as the current music. So I hope you can watch more Peking Opera and get to know the "quintessence" of our Chinese nation.

6. Composition about Peking Opera Before 500 words, there was no curtain on the Peking Opera stage, and the audience could see the whole stage at a glance. Generally, there is only one table around the table and two chairs with chair covers on the stage, which is called "one table and two chairs". There is decorative embroidery on the table and chair cover. Sometimes there is nothing on the stage. Later, a curtain was added in front of the stage to cover the stage before the performance. Sometimes, during the performance, another curtain will be put on, which is called the "second curtain". It is used to keep the preparation work such as setting tables and chairs behind the scenes and changing clothes for actors. Actors can perform in front of the curtain at the same time, making the performance of Beijing Opera more compact.

The time and space of the Peking Opera stage is very free, not limited by the time and space of real life. After the curtain is opened, the stage does not represent any time or place before the actors take the stage. The time and space of Beijing Opera dance is determined by the actors' activities. For example, after a character in Beijing Opera enters the stage, he can show that the stage is his study by chanting and singing. However, after he left the stage, the study did not exist, and then another character appeared. Through his physical performance, we can see that the stage is a rugged mountain road. A person sits around his home and wants to go to a friend's house, so he walks around the stage (called "circus"), and his home is transformed into a friend's home. Another example is the shock of the people in the play when they hear an unexpected news. This should be an instant psychological reaction, but they can sing for a long time in order to portray the characters. On the contrary, the process of writing, reading and drinking would have taken some time, but for simplicity, just perform a gesture and play a suona qupai at the same time, and it will be completed.

Therefore, when enjoying Beijing opera, the audience needs to use their imagination with the chanting, singing and performance of the actors, so as to understand the time, place and environment in the play. The role types of Peking Opera are commonly known as "Shang", which are mainly divided according to the gender, age, identity, status, personality and temperament of the characters in the play. The business of Peking Opera evolved from Kunqu Opera, Han Hui Opera and other ancient operas. At first, it was divided into ten roles: life, Dan, end, foreign, clean, ugly, miscellaneous, introductory, starting and popular. Later, due to the development of performing arts and the richness of repertoire, it broke the strict business boundaries and integrated the four major businesses of life, Dan, Jie and Ugliness. Each line contains several different types of roles.

The vocals of Beijing Opera are mainly "Xipi" and "Huang Er", which is called "Pihuang" for short. Xipi and Huanger are two kinds of accents, which are divided into several "plates". These plates are all developed and changed on the basis of a tune. Xipi and Huanger have boards such as original board, adagio, fast three eyes, scattered board and rocking board, and Xipi also has boards such as Erliu, flowing water and Allegro. Beijing opera gongs and drums also have a special function, which is to unify various means of expression. All the conversion between singing and playing, and the adjustment of stage rhythm are completed through gongs and drums. Therefore, gongs and drums run through the whole play.

The pronunciation of white characters in Beijing opera is also very distinctive. It is different from the language in daily life, but a stage language after artistic processing and musicalization. Appreciating Beijing opera is different from appreciating traditional Chinese opera. Audiences and actors can communicate directly. For example, an actor raises his hand, blocks another actor's line of sight with his sleeve, and tells the audience what he thinks. Assuming that the other party can't hear these words, it is called "bowing back". Watching Beijing opera is not as restricted as watching traditional Chinese opera, and the audience can respond to the evaluation of the actors at any time. For example, the actor's superb martial arts, beautiful drawling, and the wonderful "Flower Over the Door" played by the pianist all won warm applause and loud applause immediately. Encouraged by the audience, the actors performed harder, so that the stage echoed and the theater was full of warm atmosphere.

Since its birth more than 200 years ago, Peking Opera has experienced a process of development and prosperity in the land of Zhao Yan, from the traditional ancient stories of emperors and generals, talented people and beautiful women, farmers and fishermen, immortals and ghosts, to stories praising contemporary heroes such as Xie Zhenguo, August 1 Storm, Warring States Policy, Shajiabang, A Red Lantern and Fighting in the Plain.

The quintessence of China with a long history.

Qianlong was fifty-five years old (1790), and Gaozong lived 80,000 years. Huizhou classes in the south of the Yangtze River went to Beijing by water and land to participate in the celebration. After passing through Hebei, they performed at the water and land terminal, and then they were brought to Hebei by Huang Er. Since then, Pihuang has gradually become popular in Beijing, Tianjin and Hebei. During Tongzhi period, Pihuang Children's Club appeared in rural areas of Hebei. During the period from Tongzhi to Guangxu, in the 17th year of Guangxu (189 1), Wang Chengban of Tian Jiyun initiated the performance mode of clappers and leather springs, which was followed by many theatrical troupes. Since then, Piquan cavity has flowed into all parts of Hebei.

In the early days of the People's Republic of China, there were more than 50 professional Peking Opera Troupes in Hebei Province, and there were Peking Opera Troupes in all provinces and cities. After 1953, Peking Opera no longer performed on the same stage as other operas. After 1966, Hebei Peking Opera Troupe, Tangshan Peking Opera Troupe and Zhangjiakou Peking Opera Troupe all had great influence in the whole country. During the "ten years of turmoil", some local theatrical troupes were forced to change their habits one after another.

After Beijing Opera was introduced into Hebei, it had a great influence on local operas in Hebei. Its repertoire, make-up, costumes, performances and music have influenced Hebei local operas to varying degrees.

8. Walking into more than 600 words of Beijing Opera composition can only provide some knowledge about Beijing Opera. For your reference, it is said that Peking Opera is a profound traditional art today. Peking opera has been one of many forms of performance since childhood, and it is the quintessence of China when it grows up. In fact, Peking Opera was a "popular song" in the society at that time before the appearance of film and television, and the fans' pursuit of famous actors was no less than that of groupies now. With the changes of the times and the influence of foreign cultures, the modern cultures of the whole world tend to be similar, which makes every country lose its audience in entertainment forms that have a little history or can't keep up with the trend of the times. However, these performance forms do not record the style and form of the society at that time, so they can only be archived or used for historical research or protection and inheritance. However, Beijing Opera, as a form of performance, has been affecting the development of music, singing and performance in China. Beijing opera is not all orthodox, but it is an eulogy to warn the world. There are also performances that have to break the secular world for a living. Up to now, Beijing opera has left most of its essence and removed those unbearable things. Peking Opera has been the art of corners since ancient times, that is to say, watching a play means watching a corner, just like the stars holding the moon, just like playing a TV series or a movie now. But one can't sing a play without a supporting actor, so the pear garden always stresses the spirit of "one dish". The singing, rhythm and soundtrack of Beijing opera have their own fixed forms, so Beijing opera is a stylized art, but in its stylization, it can be ever-changing, which is what Beijing opera calls "drama flavor"