Sentences and paragraphs that set off the atmosphere with scenes or the mood of characters with scenes.

The sunshine is so bright, it always seems to be a gentle smiling face, and even the songs of birds in old books begin to sound sweet, like celebrating a happy festival.

It's dark and very cold. Grass bowed its head, branches winding, looked up and found dark clouds gathering. Unexpectedly, the rain has started to rain quietly.

You are sitting under the eaves wet with rain, and the cold autumn wind sweeps over your eyebrows, messing up the bun on your temples and your thoughts. "When * * * cuts the western window, we talk about the rain at night". The dark night can't hide your tears, and endless family worries linger in the downpour. ...

The deep night sky masked the noise of the day. A pair of indifferent eyes, a young and lonely figure, slightly cynical, strolled in the corridor outside the school gate with the footsteps of April ... A few leaves, accompanied by the cold wind, drifted around leisurely, reflecting a long sadness and drifting away ... The coolness became stronger, and I trembled and tightened my thin clothes. Suddenly looking back, I found that there was a dead silence around me, as quiet as a pool of autumn water, which instantly tore my heartstrings. Old wounds suddenly welled up in my heart, rippling and breaking my heart. .....

There are milky fog on both sides of the road, and there is a long ancient road ahead, which is confusing and magical.

I want to find my own happy life along this mysterious ancient road. A very thin beam of light is projected from the distant sky, stroking the notch of the ancient road that has gone through a long time, and it shines with dazzling light.

Even if we don't know each other, our faces are dusty and our temples are frosty. From the first sentence, I was immersed in the sad atmosphere created by Su Shi and couldn't get out. )

? A moment that should last forever has come and gone before I know it. (Sadness is mostly due to helplessness ...)

? Last spring, in this door, the girl's face contrasted with the peach. I don't know where to go. Peach blossoms are still smiling in the spring breeze. Things have changed, and naturally there is a special sadness. That's a real pity. )

? There are infinite painters in the world, and a piece of sadness can't be painted. Don't say anything, 555555

? Looking around, lonely and sad. It's the hardest time to rest when it's warm and cold. There are seven consecutive overlapping words at the beginning of the sentence, and all the adjectives that can describe chaos and desolation are used up. )

? The tree wants to be quiet and the wind will not stop, and the son wants to be filial and not kiss. (sad, because it's true ...)

? It is better to have no life than to know me like this. There is no happiness in life. If you were not born in an extremely miserable and difficult environment, how could you be so desperate? )

? Four machines, Yuanyang wants Qi Fei, and the poor old man is white first (still helpless ...)

? Wine becomes sorrow, acacia becomes tears. (Raise a glass to drown your sorrows. )

? Poor bones by the river, I am still a dream girl. Only by comparing this sentence did I realize how powerless those anti-war songs in the west are. )

? Life and death are generous, and Zi Cheng says. Hold your hand and grow old with your son. (the true feelings in simplicity)

? Don't pay attention to the beating rain in the forest. Mei sings a long whistle and walks leisurely. Bamboo poles and sandals are more dexterous than riding horses. What's to be afraid of? A raincoat and hemp fiber, despite the wind and rain, still live my life. No one is more straightforward, open-minded and calm than him. )

? Xiao Lang was a passer-by as soon as Houmen entered the sea. (I'm glad to have it, but I can't give up my love. Life is seven bitter, and one sentence takes two seats. )

? He joined the army at the age of fifteen and didn't come back until he was eighty. I couldn't help crying at first sight. )

? Teenagers don't know the taste of sorrow and fall in love with the floor. Fall in love with the floor and worry about adding new words. Now I know the taste of sadness, and I want to talk about it, but I want to talk about it, but it is a cool autumn. (The sadness that can be said is not sadness ...)

? Gambling books were so fragrant that it was just unusual at that time. You don't know how to cherish until you lose it, but you can't go back. I fell in love with Nalanxingde because of this sentence. )

? But he didn't find the person he was looking for in two places. Above, he looked for green space, below, yellow spring. (Good persistence ...)

Wang Guowei, a close friend, further pointed out in "Words on Earth": "All scenery words are sentimental words." It can be seen that emotion and scenery are indeed the most basic contents in classical poetry.

Because of the different ways of constructing emotion and scene in poetry, we can look at the combination of emotion and scene in Tang poetry from the following aspects.

First, touch the scene. In this kind of poetry, the feelings in the poet's heart are still hidden, and the hidden feelings are suddenly exposed and embedded in the scenery because of their feelings about the scenery. Such as Du Mu's "Mountain Walk":

Away from the cold mountain, the stone path is oblique. There are people in the depths of white clouds.

Stop and sit on the night of love and LAM Raymond. The frosty autumn leaves are redder than the flowers in February.

In poetry? It is not surprising that an autumn color map of a mountain forest, such as distant mountains, ramps, white clouds and people's homes, is the characteristic of a general mountain forest; But the joy of mountain scenery hidden in the poet's heart makes the author want to stop. I didn't leave until very late, but it was because of the maple leaves all over the mountains that "the frost leaves are red in February flowers" touched the poet's mood of being willing to seek beauty, stop for appreciation and stop for tasting, and made the poet's warm and vibrant feeling of autumn trigger the maple leaves.

Second, feelings are in the scene. There is a kind of poem, which is often written on the theme of scenes. Some are the scenery of the previous sentence and the feelings of the next sentence; Some write landscapes online and love offline; Some write landscapes in the first half and feelings in the second half; Some are the scenery of the last film, the love of the next film and so on. Although the scene description of this kind of poetry focuses on it, its connotation is unified, and the scene paves the way for emotion, which permeates the scene to show aura. For example, Du Fu's Ascending the Mountain:

The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.

The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.

Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.

After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.

Through the perspective of Qiu Jiang, the whole poem tells the poet's complex feelings of long-term wandering, old illness and loneliness, which is impassioned and touching. The first half of the poem describes the scenery, the second half is lyrical, and the writing style is different. The first couplet focuses on describing the specific scenery in front of us, just like the meticulous brushwork of a painter, showing the shape, sound, color and state one by one. The second couplet focuses on rendering the atmosphere of the whole autumn, just like the painter's freehand brushwork, which should only be vivid and easy to understand, so that readers can supplement it with imagination. Triple expression of feelings, from vertical (time) and horizontal (space) two aspects, from wandering to sick and disabled. Quadrupling the number of white hair, protecting illness and abstinence from alcohol can be summed up as the hardship of the times is the root of poverty. In this way, Du Fu's feelings when he was worried about the country and hurt the country jumped from the page. The whole poetic style well embodies Du Fu's "gloomy and frustrated" poetic style. The scene is very touching.

Third, love scenery. In this kind of poetry, because the poet has strong thoughts and emotions in his heart and needs to vent these emotions, he either makes his environment emotional or arranges scenery that is in harmony with his emotions. On the whole, he obviously attached his subjective feelings to the scenery. Such as Wang Ji's Wild Hope:

Looking at the dusk in Gaodong, I want to rely on it.

Trees are all autumn colors, and mountains are only sparkling.

The shepherd brought the calf back, hunted horses and brought birds back.

Care for no acquaintances, Long song pregnant with Cai Wei.

The description of autumn scenery in this poem is full of subtle emotions, which makes the whole poem shrouded in subtle sadness and shows the poet's hesitation and helplessness. This poem begins and ends with two lyric words. In the middle, two pairs of couplets depicting scenery skillfully link the poet's loneliness and hesitation with the autumn twilight scenery covering the fields, bringing readers an intuitive artistic impression and beautiful pleasure. The infinite meaning contained in the poem makes people chew it for a long time.

Fourth, the scenes complement each other. In this kind of poetry, the relationship between emotion and scenery sets off each other, and emotion is more real because of the scenery; The scenery is deepened by love. Such as "Bai Xuege Farewell Tian Shuji Wu Home":

The north wind swept across the earth and messed up Pennisetum, and the weather in August will be covered with heavy snow.

Suddenly, like a night wind blowing, like a pear tree in blossom.

Snowflakes fell into the curtains and wet them. The fur was not warm and the gold cup was too thin.

The bow became stiff and almost impossible to pull out, and the metal of the armor condensed on people.

The desert freezes over/kloc-0.000 feet, with a crack, and the sky is full of darkness and melancholy.

In the manager's account, this wine is a farewell party, and the Huqin Pipa flute ensemble adds luster to this entertainment.

In the evening, in front of the headquarters gate, heavy snow fell, the red flag froze, and the wind could not drag.

Luntai East Gate, welcome to the capital. Go, the mountain road is covered with snow.

I haven't seen you in the winding mountain road, leaving only a row of horseshoe prints.

This is a poem that praises the snow scene on the border of the country and sends a farewell message. At the beginning, it is interesting to write about the snow scene in the wild and compare the winter scene in the border area with the spring scene in the south. Then write it from the account to the account, and write about the cold weather through people's feelings. Then we moved out of the tent, sketched the magnificent snow scene outside the Great Wall, and arranged the specific environment for farewell. Finally, I wrote and sent out the military gate. It was at dusk with heavy snow. The snow closes the mountain, and the mountain turns away, which means parting. The whole poem uses the word "snow" and describes the snow scene in four different pictures before and after parting. The scenery is diverse, colorful and very touching. Although the snow is cold, the love between friends is warm. This feeling of farewell is more affectionate against the backdrop of the snow scene.

Emotion and scenery are inseparable. Scenery writing is for lyricism, and lyricism is to set off the environmental function of scenery. When appreciating poetry, we can't separate emotion from scenery. Because only by grasping the relationship between emotion and scenery can we better understand the theme expressed in poetry and thus understand the poet's mood at that time. However, the appreciation of poetry can also be appreciated from other angles. Here I just talk about my point of view from the combination of emotion and scenery.