Comment on the Third Crosstalk of De Yun Dou Xiao She

I didn't understand the variety part of Deyun Society in this issue, and I felt very confused. On the contrary, the crosstalk part becomes more and more exciting. I think it is more wonderful than some box sealing performances of Shang Yan Deyun Society. Actors also work hard, even Luan Yunping can write new works in a short time, and the level is not low. To be honest, it looks quite enjoyable.

First of all, give Mr. Qian a thumbs-up and marvel at his level. A few simple words, no hurry, no delay, all the preparations have been completed, and the audience immediately understood the theme. This can be seen from the teacher's language organization ability, which may be related to his being an actor.

In this issue, we don't evaluate Xiaoyue's crosstalk. They are only supporting actors. We only evaluate the nine actors who participated in the ensemble. But to praise Xiaoyue, he not only performed well himself, but also performed equally well for Wang Jiulong.

On the contrary, Sun Yue, as a teacher, stayed at home for too long and neglected the war for a long time. Guan Mucun said Dedema shouldn't.

On this issue, I think Qin Xiaoxian is the worst and Luan is the best.

Comment one by one.

The first couple: Shang Jiuxi and Zhang Jiuling. As I said last time, it's not open. This time, Shang Jiuxi directly detonated the audience. Although Mr. Guo once again criticized Shang Jiuxi for being "reluctant" and was right, I still think that Jiu Xi's future is limitless.

There are two kinds of actors. One is that they know the stage rhythm and performance size, but they lack crosstalk materials and burdens. The other is that they can always find coke baggage from their lives and refine it, but they are slightly lacking in the overall structure. I prefer the latter of the two actors. Shang Jiuxi is undoubtedly the latter actor.

Zhang Jiuling's performance is also quite good, although it is "on ridicule", but as a champion, he can distinguish between primary and secondary, and can also make a comeback at critical times. The problem of nine years old is still creation. He didn't find his own creative direction. His performance on the stage is very distinctive.

But this time, I saw the level of Jiu Liang. In just a few minutes, he immediately adjusted and entered the role. If we have read this passage by Lang He Yan, we will find that they are two completely different styles of hand-holding, but they are so smooth that you simply don't feel that they are two new partners.

Jiu Liang is so young, I don't know how his stage experience is practiced. Is it a gift?

The third pair: Wang Jiulong. It's not that Wang Jiulong's cross talk is that good. I just appreciate his courage. Lao Guo can really give his nephew such a difficult task.

For a comedian, in such a tense competition stage, the most feared is Master. It can be seen that Kowloon's anxiety is really not a performance, and then Master made a big mistake just after he appeared. In this case, he didn't collapse and his brain went blank. I think it's quite rare to perform it completely.

However, Lao Guo was merciful, and Wang Jiulong was held in the audience. I can see that I still love my nephew. If you are interested, you can find Lao Guo's "I Want Happiness" for Abortion. The abortion field is about to collapse, and Xu Deliang gave it to Peking University in the early days. That day, I felt that Xu Deliang almost cried.

The fourth pair: Qin Xiaoxian and Meng. I think this performance fully shows the true level of Qin Xiaoxian. His understanding of jokes, stage experience and even the rhythm of dialogue between partners are far from perfect. If Meng didn't answer questions at any time and make himself look like a joke, the performance might be very cold.

I give an inappropriate analogy to Qin Xiaoxian's performance, like just beginning to learn to write novels. The outline of the story and the plot of the characters are all designed, and then the first few magnificent words are well written, but I can't write them out at all.

Qin Xiaoxian still has a long way to go.

I also found an interesting thing about Meng's bouquet. As the closest person to Mr. Yu, his style is very similar, even his expression is the same.

The sixth pair: sesame seed cake, Yunping, Lu 'an. I also dedicated my best jokes and best performances to Luan Yunping.

I really want to talk about Luan Yunping, from the perspective of pure amateur crosstalk.

The reason why Luan was rated as the first is that his language expression ability is no less than that of his teacher. In just a few words, he completely made the audience understand his intention. His speech was equally slow and comfortable, while the baked wheat cake over there was a bit confusing. His expression and manner were in line with this person's design (vice president), so I voted for him.

But that doesn't mean I agree with Luan Yunping's style.

Luan Yunping explained his pursuit of style in the program, that is, let the audience ignore the existence of bangs as much as possible. My understanding is to let everything happen in the natural dialogue, do subtraction, never add words, and make the plot smoother. In the choice of turning over the baggage and the integrity of the paragraph, the choice of the paragraph is complete.

Let me give another example of literature. People evaluate Ba Jin's literary works in his later years: he can't see the decoration, and all the words seem to flow from his heart, and his feelings are hidden in these words.

I think this is what Luan Yunping pursues. But the problem is: you are a comedian, and the plot develops in the hands of comedians. Can you realize your wish? If you meet a bad joke and hold it so flatly, will no one listen?

Therefore, Luan has a teasing requirement.

However, Mr. Gao has studied for many years, but his two teachers, He, don't agree.

Master Shao Ma also said that there are three kinds of crosstalk performers, and only those who are praised by both experts and laymen are good actors.