The monotonous rhythm of poetry

First, the level and rhythm of poetry.

& ltI > Equivalence in Poetry: Equivalence is a term of poetic meter: poets divide four tones into two categories. Flat tones are divided into flat tones, falling tones, rising tones and entering tones:

1, Pingsheng: Pingsheng is divided into Yin Pingsheng and Yang Pingsheng, which are the first and second sounds in our pronunciation now, and are called Pingsheng.

2. Pronunciation includes rising tone and falling tone (i.e. three tones and four tones). Well, literally, it means uneven. There is no fluctuation in the flat sound, which is relatively long. The other three tones are rising and falling, which are short (the entering tone may also be slightly rising or falling), so two types are formed. If these two tones appear alternately in poetry, they will make the tones diversified instead of monotonous. Although the so-called "sonorous voice" of the ancients has a lot of attention, balance and harmony are one of the most important factors.

3. Rusheng refers to a short tone, which is basically absent in modern poetry, but there are still reservations in Jiangsu, Zhejiang and Guangdong, such as "house" is Rusheng.

It is worth paying special attention to: in the confrontation of five words and six languages, there can be no "loneliness" or "loneliness". What is loneliness and loneliness? It refers to a sentence of five or six words. If there is only one flat voice, it is "loneliness" or only one flat voice, it is loneliness.

< second > the rhythm of poetry includes three aspects: first, it is flat and flat, and attention should be paid to the coordination of flat and flat tones. The second is duality. In verse, especially in metrical poems, the requirement of duality is strict. Poetry is generally a sentence right, and it is all in Fu and Eight-part essay.

There are many sentence pairs and paragraph pairs. The third is rhyme, that is, rhyming words usually pause in appropriate places and appear regularly.

1, poetic level: it is an intensive training for beginners' aesthetic feeling and a modification of poetic realm. Is to make poetry catchy to read.

2. The antithesis of poetry is to juxtapose similar concepts or opposing concepts. Duality originates from the natural symmetry and psychological association of everything in the universe and the principle of aesthetic comparison and balance, which embodies the dialectics of unity of opposites: where there is a square, there is a circle, where there is life, there is death, and where there is light, there is darkness. So the mountain is to water, the wind is to rain, and the sky is to the ground. Duality in poetry is called duality. The general law of duality is: noun to noun, verb to verb, adverb to adverb.

3. Rhyme of poetry: Rhyme is one of the basic elements of poetry, and rhyme in poetry is roughly equivalent to vowels in Chinese characters. The so-called rhyme refers to putting two or more words in the same position in a poem, usually at the end of a sentence, so it is called rhyme.

In verse, especially in metrical poems, as far as the metrical requirements of rhyming are concerned, rhyming words are key words, and the pronunciation of key words does not conform to the medieval phonology, which disrupts the metrical rules and destroys the beauty of music. As for rhyme, if there are no other rules, I think the author can play it freely, as long as it is not awkward and catchy, at least it doesn't matter. Good rhyme can serve as a link between the past and the future for the whole poem, enhance the rhythm of the poem and set off the aesthetic feeling of the poetic mood.