Zhong Ya households lock the door.

The line of "Bud Family Association" is をじるときのをるべくこのためなは.

Hu Jie of Zhong Ya is also called Journey of Zhong Ya. This line can be roughly understood as "we will return the natural land such as mountains and rivers that have been used for a long time to the sun god, so please help us appease the earthworm disaster that caused the disaster." According to legend, primitive beliefs prevailed in Japan in the ancient rope pattern era, when the gods were rich and called "eight million gods".

They were shaped into various gods and placed on the border of the village. The place where these little Buddha statues are located is also called the "gate" of the village. However, after Buddhism was introduced, primitive religion was quickly replaced, and the primitive god "land god" at the head of the village was also replaced by Tibetan Buddhism. Therefore, when closing the "door", you need to say such a spell silently. Pray to the forgotten god of land, and pray that the ruined land will be returned to the god of land to calm the resentment of the gods.

Evaluation of the film "Bell and Bud Connected":

1, Zhong Ya's journey also follows Makoto Shinkai's consistent visual style, bright colors, jumping light and shadow, and ultra-high restored aesthetic scenes, allowing the audience to follow Zhong Ya on a road trip.

2. In terms of animation, Journey to the Bell Bud represents the top level of the film industry. The audience followed in the footsteps of the heroine Zhong Ya, and got a glimpse of the beauty of Japan from a more delicate female perspective, while showing the hardships and warmth in the journey. Although the theme is "disaster", the overall tone of A Journey to the Bell Bud is relaxed and clear.

3. Although it is still in the narrative framework of "world system", A Journey to the Bell Bud has more "self-obsession" and more real social concern than the films before Makoto Shinkai. In Journey to the Bell Bud, Makoto Shinkai's iconic "self-awareness" in Your Name, Children in the Weather and other works gradually no longer occupies the theme, but is replaced by further thinking about disaster, life, affection and life.