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Who can talk about the details of the development of Foshan ceramic industry in past dynasties?

As early as the late Neolithic Age in Beiqiu, Shiwan Ceramics had already unveiled the historical preface of firing pottery, and the history of large-scale kilns in Shiwan can be traced back to the Tang Dynasty at the latest. In 1950s and 1970s, the kiln sites of Tang and Song Dynasties were discovered in Shiwan, Foshan and Kistler, Nanhai. The excavated kiln sites are all semi-ceramics, with low temperature, low hardness, thick green tires and loose tires, which are typical southern pottery in Tang Dynasty.

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The variety of glaze color in Song Dynasty was also much richer than that in the previous generation. In addition to the traditional yellow glaze, black glaze and blue and white glaze, colored glaze was also created.

/E3 {([； E t art, calligraphy, painting, design, collection, auction, photography, art college entrance examination and seal cutting are more novel and diverse, and the decorative techniques are more abundant, such as carving, painting, printing, painting, laminating, embossing, using leaves and paper-cutting stickers. Ceramic production is one of the most important commodity production in Song Dynasty.

The vast majority of export commodities are ceramics. In order to adapt to export and expand foreign trade, the ceramic industry has gradually developed from the mainland to coastal Zhejiang, Fujian, Guangdong and Guangxi. Art, calligraphy, painting, design, collection, auction, photography, art college entrance examination, seal cutting 7t! n)I0K7`3~$m-j

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In Song Dynasty, Shiwan daily-use pottery injected artistic expression into the modeling and decoration techniques, with full and balanced modeling, smooth lines and rich varieties, including soul altar, short pottery jar with overlapping tiles and eaves, painted vase, pottery piano and so on. , involving various pottery categories, such as utensils, Wan Wen, animals and figures. The Shiwan Taobanzhuoqin, existing in the National Palace Museum, is a masterpiece of Wan Wen's pottery sculpture.

& ampV6 _-I% k The art, calligraphy, painting, design, collection, auction, photography, art college entrance examination and decorative arts of Shiwan pottery in Song Dynasty all attached great importance to decorative patterns. These patterns have a wide range of themes, rich images and exquisite craftsmanship, reaching a fairly high artistic level. Judging from the cultural relics unearthed from the Song Tomb in Shiwan and the Song Kiln in Kistler, in the Song Dynasty, "there were freehand brushwork in painting flowers, such as bluegrass and bamboo leaves, which were elegant and interesting". In addition, there are rope patterns, chord patterns, wave patterns, melon ridge patterns, branch-binding patterns, two-way continuous patterns and so on.

9V # o+N2 _ 5j； Among them, the flower pattern of winding branches is very exquisite, the flowers and creeping grasses stretch freely and curl freely, and the bending, stretching, rolling and winding of winding branches are full of natural vitality. $ c4k % a； z $ l； Shiwan, located in the south corner of China, mainly produces daily-use pottery. Although the pottery-making skill has reached a certain level, it is far less than the famous kilns in the north, and it has no significant position in the ceramic forest of the Song Dynasty. From the Southern Song Dynasty to the Yuan Dynasty, Foshan was the settlement of immigrants from the Central Plains. They brought the northern pottery-making skills to Shiwan and merged them with the original pottery-making skills in Shiwan, which greatly improved the manufacturing level and artistic level of Shiwan pottery. Therefore, "Shiwan is a masterpiece of famous kilns in the Song Dynasty", and the products of Ding, Ru, Guan, Ge and Jun were vividly imitated by Shiwan, and the shapes, glazes and decorative means of the eight major porcelain systems were digested and absorbed by Shiwan, becoming famous kilns with the characteristics of "good imitation" in South China, especially "Guang Jun" and "Nijun".

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: j o $ y "z1n 4 _ # p" x-1o0b Artists Forum As a folk kiln, Shiwan has always been open to the general public. Therefore, both pottery and plastic arts are based on the principle of practicality, which combines beauty with practicality and has obvious decorative characteristics. The relationship between Shiwan pottery sculpture art and architecture is particularly close. In order to meet the decorative needs of ancestral temples, temples and some buildings, the art of making flowerpots, fish tanks, flower stands, flower windows and screen walls has been developed. In order to meet the needs of religious activities, Shiwan has produced a large number of idols and door gods. Shiwan Late Decorative Artists Forum 0h)]*`%g:y

Decorative pottery art is born out of quasi-art with strong practicability, so it also has traces of practicality.

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Shiwan tricolor vase absorbed the style of Tang tricolor in glazing technology. Because of the different texture and firing temperature, it has formed its own rough and simple artistic characteristics.

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