Qi Shihuai, sitting under the flower stand, blew a few times.

Huang Jingren's poems were sung several times among the flowers.

Several times, I sat under the flowers and played the flute, and the red wall of Han Yin looked into the distance.

Like this star is not last night, for whom the wind and dew stand in the middle of the night.

The lingering thoughts are exhausted, and the heart is peeling bananas.

In March and May of 1935, that poor glass of wine not fade away.

Make an appreciative comment

The original meaning is patterned silk, and later it is extended to beauty, which is a beautiful feeling. For Huang Jingren, a poet in Qing Dynasty, this kind of beauty comes from a kind of despair that love is lost and nowhere to be found, so it is even more touching. Huang Jingren was with his cousin when he was young, but the story has only a warm beginning and a silent ending. Because of this, there is a vague sadness in Love. This sentimentality is intertwined with unsolvable sweet memories and bitter reality, which makes the poet fall into despair step by step. In the first couplet, I sat under the flowers and played the flute several times, and the red wall in Han Yin looked into the distance. Accompanied by the bright moon, blowing flowers, a beautiful encounter. But this is just the beginning. Although the red wall where the Iraqis are located is close at hand, it is as far away as the silver man in the sky. The second couplet is like this star, not last night, for whom the wind and dew stood in the middle of the night. This is the most admirable couplet. Yes, tonight is not last night. Last night's stars recorded the romantic story of playing flute under the flowers. But today's stars only accompany sad people. The poet is sober, he knows that the past cannot be repeated, and it is precisely because of this sobriety that he has fallen into deeper despair. In Huang Jingren's poems, all illusory comforts have disappeared, and only a lonely person still keeps the posture of looking at the moon and missing. Imagine the poet's independent heart, looking at the moon for a long time, Coody Leng wet his clothes and his heart at night. However, the outcome of this kind of waiting can only be nothingness. This disillusionment of missing, and knowing that you are disillusioned, can't help missing, is the most desperate state of mind. The third joint is full of lingering thoughts, heartbreaking and peeling bananas. This sentence can be compared to the spring silkworm in Li Shangyin's untitled poem, which will spin silk to death and shed tears every night. Spring silkworms spin silk and wrap themselves up, just like poets themselves, and surround themselves with heavy thoughts. Silkworm silks and cocoons die, while red candle tears die. And death, naturally, is the most desperate ending in the world. Bananas are also a symbol of pain. There is a line in Li Shangyin's "Gift" poem that the banana does not show lilac knots, and the spring breeze is in the same direction. In March and May of 1935, that poor glass of wine not fade away. The tail couplet echoes the first couplet. In March and May of 1935, I naturally sat under the flowers and played the flute several times. At that time, the wine had already turned into bitter wine tonight. And this bitterness can never be eliminated. Because the poet can't miss it, he can't break through the gap between the past and reality. Miao Sai, a famous French poet, said: The most beautiful poems are also the most desperate poems, and some immortal chapters are pure tears. It is precisely because of this despair that Huang Jingren's seven-character poem "Fifteen of Sixteen Seven Huai Poems" is even more attractive.

Stop and sit in LAM Raymond's love.

Stop and sit in LAM Raymond's love.

Mountain travel

Author: Du Mu

Original text:

As far away as Hanshan, the stone path is oblique, and people are in Bai Yunsheng.

Stop and sit in the maple forest late, and the frost leaves are red in February flowers.

Precautions:

1, Hanshan: It is cool in late autumn and chilly in Shan Ye.

2. Stone road: a road paved with stones.

3. Oblique sound: In order to rhyme, it can be pronounced as xi according to the ancient sound.

4. Sit: Because.

5, red in: redder than.

Poetic:

The stone road winds to the depths of the cliff, and there are some families where the white clouds rise. Just because I like the maple forest in the evening, the maple leaves in first frost are actually more red than the flowers in February.

Appreciate:

This is a seven-character quatrain that describes and praises the scenery of mountains and forests in late autumn. The first sentence: the stone path of Hanshan Mountain is oblique, from bottom to top, write a stone path winding to the full mountain in autumn. Cold words in late autumn; Write down the length of the mountain road in distant words; The oblique characters take care of the distant characters at the beginning of the sentence and write a high and slow mountain. Because the slope is not big, you can travel by car.

The second sentence: Someone in Bai Yunsheng described the distant scenery that the poet saw when he was hiking in the mountains. The word "somebody else" will make people think of smoke curling up, chickens barking and dogs barking, making them feel that the mountains are full of vitality and there is no dead terror. Some people also take care of the stone road in the above sentence, because this stone road is a passage for mountain residents.

The third sentence: Stop and sit on the night of loving LAM Raymond. Because the evening scenery of the sunset maple forest is so charming, the poet deliberately stopped to watch it. The word "late" in this sentence is exquisitely used and contains multiple meanings: (1) points out that the first two sentences are seen during the day and the last two sentences are scenes at night. (2) Because there is a sunset glow in the evening, the gorgeous sunset glow and the flaming maple leaves reflect each other, and the maple forest is particularly beautiful. (3) The poet lingered, and in the evening, he reluctantly boarded the bus and left, showing his love for red leaves. (4) Because you stop and observe carefully for a long time, you can realize it.

The fourth sentence: Frost leaves are red in February flowers is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use red instead of red? Because red, like flowers in spring, is nothing more than decorating natural beauty; Red flowers are incomparable to spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.

This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.

This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.

Stay away from the cold mountain, the stone path is oblique, write mountains and write mountain roads. A winding path winds to the top of the mountain. The far word describes the length of the mountain road, and the oblique word echoes the above word to write a high and slow mountain.

Someone is in Bai Yunsheng, writing about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. People here take care of the stone road in the previous sentence. This mountain road is the passage for those families, right? This organically links the two kinds of scenery. There are white clouds around, which means the mountain is very high. The poet used the technique of breaking through clouds and mountains, so that these white clouds covered the reader's sight, but left room for imagination: there must be another kind of scenery besides white clouds, right?

The poet is only describing these scenery objectively. Although a cold word is used, it just sorts out the following late words and frost words, and does not show the poet's emotional tendency. After all, it is only to prepare for the following description to outline the environment where Fenglin is located.

Parking and sitting in the maple grove at night is different, and the tendency is obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.

Frost leaves are red in February flowers. To add the third sentence, a beautiful scenery of maple forest in late autumn is displayed in front of us. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It is really full of mountains and clouds, just like bright rosy clouds. More fiery than the spring flowers in February in Jiangnan! What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene.

Unlike ordinary feudal literati, this poet did not sigh sadly when autumn came. He praised the beauty of autumn in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a wave of his pen. This is an autumn hymn.

The fourth sentence is the center of the whole poem, written by the poet with strong colors and coherent brushwork. Not only did the first two sentences set off the gorgeous autumn scenery, but even the seemingly lyrical narrative of stopping to sit and love maple trees late actually played a role in setting off the scenery: the poet who stopped to watch, Tao Ran drunk, became a part of the scenery, and with this scene, the autumn scenery became more charming. After a rewriting, it came to an abrupt end, and it seemed melodious and memorable.

Huaxiazui

Li Shangyin was drunk under the flowers.

I don't feel drunk when I look for incense.

Sleeping on a tree is slanting.

When guests wake up late at night after drinking,

More holding a red candle to appreciate the residual flowers.

Translation and annotation

As a poem, this is a poem that expresses the infatuation and nostalgia for flowers.

The first sentence does not feel drunk when looking for incense. Write about the process from finding incense to getting drunk. Because I love flowers, I go alone to find incense with strong interest and passionate mood; I found it and really liked it; I was deeply attracted by the beauty of flowers as soon as I met them, and I couldn't help it. After lingering in admiration, I unconsciously got drunk. This is double drunkenness. Liu Xiahui is a fairy wine in myths and legends. According to Lun Heng, Xiang was a Taoist, studied magic, and came back from home to live for three years. He said to himself, if you want to eat and drink, the gods need to drink me to give up summer. Drink one cup at a time and you won't be hungry for days. Here, drunkenness is used as a pun, meaning to be drunk with sweet wine and bright flowers. From the word Liu Xiahui, we can imagine the magnificence and brilliance of flowers, their fragrance and modality, and strengthen the specific sensibility of drunken characters. Is it because I feel a little drunk after drinking before I look for fragrance, or because I am in a bad mood during the process of looking for fragrance? Are you intoxicated by your obsession with flowers, or do you feel the intoxicating charm of flowers because you are slightly drunk? It's hard to tell. Perhaps the poet wrote about the interaction between physical drunkenness and psychological drunkenness, and the fusion of strange talk and this pun. The word "unconsciously" vividly depicts the state of being dazzled, intoxicated physically and mentally, and not knowing why, and the brushwork is extremely wonderful.

The second sentence leans against the tree and sleeps, and has further written drunken words. I don't feel inclined to lean on trees because I am drunk (leaning on trees means leaning on flowers, and flowers grow on trees, if they are flowing); Leaning against a tree without being sleepy; From a deep sleep, I can't feel the sun setting. The narrative is orderly, but the drunken words are closely linked everywhere. Drunk under the flower tree, the whole body and mind are surrounded and immersed by flowers, and even dreams have that intoxicating flower fragrance. So this kind of deep sleep can be said to be the intoxication of flowers. This sentence seems to be transformed from flowers tempting me and stones comforting me. The sentence of "Tian Jia" in Li Bai's "Climbing Mount Tianmu in a Dream" further describes the state of being immersed in flowers.

It seems that the sunset has reached the extreme of infatuation, which is unsustainable. Three, four, two sentences suddenly turn into a bright future and a new territory-after waking up in the middle of the night, guests will hold red candles to enjoy the residual flowers. In the deep sleep leaning against the tree, time unconsciously went from sunset to midnight, the guests had dispersed, the wine had woken up, and it was hazy and silent all around. In this environment, ordinary people will not think of enjoying flowers; Even if you think about it, you will be bored by the cold and cold. But for a poet who loves flowers, such an environmental atmosphere can actually arouse the interest in enjoying flowers. When the wine is scattered, you can enjoy it quietly; Sober and refreshing, it has a different flavor from enjoying flowers in the hazy eyes; Only after midnight can you see a modality that people have never seen before. Especially when he thought that the flowers that bloomed in the daytime might be lost in the Ming Dynasty, a deep attachment to beautiful things came into being, prompting him to seize this last chance to appreciate the dying beauty, so there was a scene of holding a red candle to appreciate the residual flowers. In the dim night, against the backdrop of red candles, this withered flower seems to present a strange brilliance at the last moment of life, as beautiful as a colorful hazy dream. The poet also got a new and final intoxication in the process of appreciating the residual flowers with candles. Rewarding after waking up in the middle of the night is a deeper manifestation of drunkenness. As Yao Peiqian said, this is the ultimate love of flowers (comments on Li Yishan's poems). Qing dynasty horse said: Li Yishan poets woke up late at night after drinking, and even held a red candle to admire the residual flowers, which impressed them deeply; Su Zizhan was afraid that the flowers would fall asleep at night and have a high fever. The silver candle shone with red makeup and looked very rich. The second son loves flowers to rejuvenate (essay on autumn window). Today, we may have reservations about the comments on elegance and wealth, but it comes down to this. It is true that the earth is full of love and a hundred flowers blossom.

Stop and sit down and watch the whole LAM Raymond Night.

Stop and sit down and watch the whole LAM Raymond Night.

Mountain travel

Author: Du Mu

Original text:

As far away as Hanshan, the stone path is oblique, and people are in Bai Yunsheng.

Stop and sit in the maple forest late, and the frost leaves are red in February flowers.

Precautions:

1, hiking: walking in the mountains.

2. Hanshan: refers to the mountain in late autumn.

3. Diameter: path.

4. Bai Yunsheng: a place surrounded by white clouds.

5, sit: because; Due to.

Translation:

In late autumn, I walked on the winding mountain road on the mountain. In the foggy place, you can vaguely see several families. I can't help but park my car on the side of the road, because the beautiful scenery of the maple forest really attracts me tonight. Frosted maple leaves are redder than flowers in February.

Appreciate:

This is a seven-character quatrain that describes and praises the scenery of mountains and forests in late autumn. The first sentence: the stone path of Hanshan Mountain is oblique, from bottom to top, write a stone path winding to the full mountain in autumn. Cold words in late autumn; Write down the length of the mountain road in distant words; The oblique characters take care of the distant characters at the beginning of the sentence and write a high and slow mountain. Because the slope is not big, you can travel by car.

The second sentence: Someone in Bai Yunsheng described the distant scenery that the poet saw when he was hiking in the mountains. The word "somebody else" will make people think of smoke curling up, chickens barking and dogs barking, making them feel that the mountains are full of vitality and there is no dead terror. Some people also take care of the stone road in the above sentence, because this stone road is a passage for mountain residents.

The third sentence: Stop and sit on the night of loving LAM Raymond. Because the evening scenery of the sunset maple forest is so charming, the poet deliberately stopped to watch it. The word "late" in this sentence is exquisitely used and contains multiple meanings: (1) points out that the first two sentences are seen during the day and the last two sentences are scenes at night. (2) Because there is a sunset glow in the evening, the gorgeous sunset glow and the flaming maple leaves reflect each other, and the maple forest is particularly beautiful. (3) The poet lingered, and in the evening, he reluctantly boarded the bus and left, showing his love for red leaves. (4) Because you stop and observe carefully for a long time, you can realize it.

The fourth sentence: Frost leaves are red in February flowers is the central sentence of the whole poem. The descriptions of the first three sentences are all paving the way for this sentence. Why do poets use red instead of red? Because red, like flowers in spring, is nothing more than decorating natural beauty; Red flowers are incomparable to spring flowers. It is not only brighter in color, but also more cold-resistant and can stand the test of wind and frost.

This little poem is not only an impromptu ode to scenery, but also an expression of ambition. It is the expression of the poet's inner spiritual world and the sustenance of his interest, so it can enlighten and inspire readers.

This poem depicts the colors of autumn and shows a touching autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not juxtaposed in the same position, but are organically linked, with the master and the slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences describe the background, which creates an atmosphere for the fourth sentence and plays a role in paving the way and setting off the background.

Stay away from the cold mountain, the stone path is oblique, write mountains and write mountain roads. A winding path winds to the top of the mountain. The far word describes the length of the mountain road, and the oblique word echoes the above word to write a high and slow mountain.

Someone is in Bai Yunsheng, writing about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. People here take care of the stone road in the previous sentence. This mountain road is the passage for those families, right? This organically links the two kinds of scenery. There are white clouds around, which means the mountain is very high. The poet used the technique of breaking through clouds and mountains, so that these white clouds covered the reader's sight, but left room for imagination: there must be another kind of scenery besides white clouds, right?

The poet is only describing these scenery objectively. Although a cold word is used, it just sorts out the following late words and frost words, and does not show the poet's emotional tendency. After all, it is only to prepare for the following description to outline the environment where Fenglin is located.

Parking and sitting in the maple grove at night is different, and the tendency is obvious and strong. Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.

Frost leaves are red in February flowers. To add the third sentence, a beautiful scenery of maple forest in late autumn is displayed in front of us. The poet was pleasantly surprised to find that under the sunset glow, the maple leaves were about to drip and the forest was dyed. It is really full of mountains and clouds, just like bright rosy clouds. More fiery than the spring flowers in February in Jiangnan! What is commendable is that the poet saw the vitality of autumn as spring through this piece of red, which made Lin Qiu present a warm and vibrant scene.

Unlike ordinary feudal literati, this poet did not sigh sadly when autumn came. He praised the beauty of autumn in nature, embodied the spirit of being bold and uplifting, and showed the poet's talent and insight with a wave of his pen. This is an autumn hymn.

The fourth sentence is the center of the whole poem, written by the poet with strong colors and coherent brushwork. Not only did the first two sentences set off the gorgeous autumn scenery, but even the seemingly lyrical narrative of stopping to sit and love maple trees late actually played a role in setting off the scenery: the poet who stopped to watch, Tao Ran drunk, became a part of the scenery, and with this scene, the autumn scenery became more charming. After a rewriting, it came to an abrupt end, and it seemed melodious and memorable.

The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Do you want to see more quatrains and ancient poems? Please enjoy the sad sentences of missing youth.