Xia shan's ancient poems

Author: Li Bai

Lazily shaking a white feather fan to get rid of the heat, naked in the forest.

Take off the headscarf and hang it on the rock wall, leaving the cool breeze between the pines and the pines overhead.

Precautions:

(1) Naked: refers to the informal form in which a poet takes off his headscarf in the green forest.

(2) Green forest: refers to the lush trees on the mountain, which cover the sky and the sun.

Translation:

Too lazy to shake the white feather fan to cool off the heat, stay naked in the green forest.

Take off the headscarf and hang it on the stone wall, so that the cool wind among the pine trees can blow over your head.

Make an appreciative comment

"Summer" and "in the mountains" are the keys to understanding this poem. Because it is summer, there is a "white feather fan"; Because it is in the mountains, I am too lazy to shake it with a fan.

There are only four sentences in the poem, which describes a small scene, but shows the summer in the mountains and the summer in the mountains to the readers in a true and appropriate way. The summer breeze blew, the pine leaves rustled in the mountains, and the poet took off his turban and hung it on the stone wall in the mountains. How cool and pleasant the weather is. The whole poem writes the author's broad-minded and natural image, with Wei and Jin demeanor.

Summer in the Mountains is a five-character quatrain written by Li Bai, a romantic poet in the Tang Dynasty. The summer life scene described in the poem truly and aptly shows the summer scene in the mountains. He is lazy to shake the white feather fan and is naked in the green forest. Because it is summer, there is a white feather fan. Because it is in the mountains, he is too lazy to shake it. Because there are few people in the mountains, the poet dares to take off his headscarf and show it. The poet took off his turban and hung it on the stone wall in the mountain, which was cool and pleasant. When he was topless and lived under the forest, it was interesting to return to nature. He expressed the poet's yearning for nature through "detachment" and "showing off".

The whole poem describes the image of the author who is unrestrained, broad-minded, unrestrained and unconstrained by etiquette in the mountains. He has the demeanor of Wei and Jin Dynasties, is a poet named Li Bai, whose name is Taibai, and is the most unique and greatest romantic poet after Qu Yuan. He has the reputation of "poetic immortal" and is also called "Du Li" with Du Fu.