Let's talk about Maggie Cheung's movies ~ ~

"I am still very poor"-Ruan 199 1 year.

Maggie Cheung said, a figure who is completely out of his shadow is Ruan. When she saw Ruan, she felt as if someone who had nothing to do with herself was performing on the stage.

Against the background of the old cheongsam, and Ruan's clothes and sideburns overlap, becoming a leader in retro style, with a touch of intimate alienation and warm sadness throughout. No matter how nostalgic and exquisite the art is, no matter how clever the lens is, no matter how simple the lines are, no matter how attractive the structure is, no matter how intriguing the intention is, it can't compare with a woman's low eyes and graceful demeanor. The admiration of later generations shows the reappearance of totem, and Hong Kong movies have taken on a new look since then. The aesthetics of profiteering dominated by men has transitioned to a lovelorn but unlucky beauty. Although it turns out that the ferry is too far away and relying on a green canoe is just a drop in the bucket, it breaks the inherent film pattern and makes women no longer just vases hiding in the corner. So Ruan died nobly and finally got the money with a humble gesture. You are a girl of your dreams. This nostalgic film, which crosses the concept of time and space and negotiates the relationship between film and truth in a friendly way, will soon become a gorgeous feast of Hong Kong Hotel. From then on, Hong Kong people should not forget to look up when crossing dense sidewalks.

A fragmented and perfect foxtrot has pulled away a wonderful part of film history and conveyed the past of beautiful singing. When we arrived here, in addition to colorful celebration banquets and dazzling golden statuettes, we also completed Maggie Cheung's most amazing turn, and behind her was another woman's faintly audible sigh. Don't wake up, you are a dreamer.

The best way to "go your own way"-Xinlongmen Inn 1992

This is a martial arts era in which things are man-made and things are man-made Unfortunately, the story happened in the desert. Under the washing of the north wind, there is only a coquettish proprietress left in the barren desert, who is comfortable among various forces and plays a world in the vast yellow sand. The originality is quite close to the rivers and lakes. It makes people sit up and take notice here, which is just the opposite of a glimpse in Ruan at the same time. After The World of Red Dust, Maggie Cheung won the Grand Slam in the second confrontation with Brigitte Lin. Xia Qing was limited by his role, but he had lost the delicacy of his youth. Although she looks good, she has no charm. In contrast, Jin Xiangyu's fiery personality actually adds a lot of color to Maggie. There is no doubt that women's arrogance can be seen here, and it is difficult to hide their outstanding edge. A handful of acting skills have added a bit of richness and calmness to the martial arts catastrophe in Hot Blood Jianghu. It turns out that coquettish is also an extreme. She is a cactus proudly independent in the desert, covered with thorns, which is her passport to survival. Jin Xiangyu rejected the epitaph.

A proprietress who runs a black shop propped up her weak body with strong thoughts. She is neither black nor white, everything is forgiven, and she is full of a woman's lonely pursuit. She achieved a thoroughly remoulded nirvana, like a phoenix flying out of a fire, because she fell in love with someone, Ren Pingsheng, Tianya. A woman's pride and persistence, as long as she can bear it, will never be put down, and she will undertake another woman's glorious mission. Deep in the sunset, a hero set fire to his painstaking efforts, with a sword of justice pinned to his waist and tender feelings in his heart. That's called a thrilling.

The most enchanting-Green Snake 1993

Who can resist the charming temptation in the sea of love and hate? The starlight of the floating water lamp illuminates the love that is a thousand years late, and risks being subverted to achieve the last lingering on the West Lake. Since then, the lies of caring for each other and forgetting each other in the rivers and lakes have been firmly exposed. A deconstruction and deduction of the legend of the white snake thoroughly remould oneself, fulfilling the long-cherished wish of the green snake and forming a doomed love.

Is it the graceful swing of the waist skirt, or endless hatred, dazzling and dreamlike? The bustling moment of flying with ribbons is dotted with the desolate fate track and traces of time. As always, the white snake walks on the life cycle of its own choice, while the green snake always wanders like a unwilling lonely child. Inadvertently turned around and suddenly became bizarre and popular.

Look at that lotus flower, delicate as Iraq, infatuated as a woman, with two different customs. The white snake is beautiful and charming, and will always be the master of the lotus pond. The green snake is a lingering passing by, drifting away, and her life is doomed to be shrouded by her sister. When the two sisters on the West Lake twisted their backs and wagged their tails between songs and dances, it was a thing of the past. Xiaoqing's infatuation with Xu Xian's undercurrent is just a punishment for White Snake's forgetting sisterhood, a kind of propaganda and demonstration, and a 500-year mistake. The real victim is Xu Xian, who inevitably exposed his fragile will in front of his sisters. The white snake's point of no return urged her to continue walking, and the water flooded Jinshan. Xiaoqing waved the flag and shouted to let them bury the hatchet and keep their hearts together forever. At this level, Fahai helped the two sisters, resolved their grievances and forged an indissoluble bond.

At first glance, Li Bihua's novels are amazing, but over time, they become boring. She is best at tearing the earthly love between the world of mortals and then scarring it again. Xu Laoguai, on the other hand, holds the complex psychology of exploring the delicate world of women's affection, friendship and love, vowing to expose the intertwined love and hate lingering between women, thus brewing the predestined love between green snake and Fahai, and the lingering between white snake and Xu Xian, and under the spell of the magic fox Lorca, a luxurious Millennium myth was born luxuriously.

When the dust settles, I know that in the bamboo forest, every year is for love. Who can smile calmly? Life is like this, life is like this, fate is life and death, who knows, who knows?

The most "sad"-the ashes of time 1994.

The ashes of time washed away the burial of yellow sand, and the fleeting time carved by wind and rain accompanied the beautiful sculptures in white camel mountain. At night, I hide my face and cry, and the flowers of youth are at arm's length. Few people know the true meaning of a flower and a desert, a sword and a river and lake, and those who know it are inevitably frivolous. Year after year, I always stand on the white camel mountain in a red shirt and look at the west. There are people in the distance who I have to wait all my life. Some people say that I can fall in love with my back, but I hope the person who said this has never said it. At the best time of life, what's the point if my beloved is not around you, even if I live forever? People who know how to love are as desolate and lonely as those who know how to hate. They will never forget jealousy or loneliness.

Maggie Cheung knows best how to understand a woman's loneliness. Two proud lovers want to know that the other loves them more, so they are always so generous and give gifts to the hurt of love. Until, I knew I couldn't go back, once. A war without winning or losing. Abandon yourself in the shadow of love, let the love hurt you are brewing pierce yourself first, and then sting him, so as to support your arrogant and vain self-esteem in front of your lover. We know how effective it is to punish each other by destroying ourselves. In the end, he doesn't know all your thoughts. When he knows everything, it will be too late. Two beloved people are most afraid of the distance between their hearts.

Laughing like flowers and tears like roses, I have woken up from my dream, leaning against the window, and my heart is broken and lingering. I am attached to his self-exile in the desert, listening to camel bells on the long yellow sand, and those hopeless expectations and hopeless waiting, such as flying flowers in the rain, are secretly enchanting. Sunset, north wind, a kind of waiting, a kind of loneliness, missed, a staring look, lost, a peach blossom reincarnation, who can know that they have done something wrong but don't regret it, that kind of paleness is not worth mentioning. It's desert wind again, and the residual flag is fluttering, bitter and jealous.

In quiet rivers and lakes and lonely deserts, can the ashes of time melt a love?

The Best of Ordinary Truth-Sweet Honey 1996

I don't know whether love is the return of Chen Kexin or a long journey. If love is compared to sweet love. A song full of deep affection and wandering feeling runs through the best decade of social development in Hong Kong.

And love is like a soft finger, circling around and returning to the starting point. It is precisely because of this that it has become an eternal topic for mankind. The middle process may make people have stomach cramps, but without these, love is just boiled water, and nothing tastes good. Without Li Qiao and Li Xiaojun, how many marriage fans would Hong Kong films lose? Painful and happy love and affection have always been the eye-catching lens, especially the love that blends into the changing background of the times, and the joys and sorrows are all in people's hearts. Perhaps it is to confirm an old saying that real gold is not afraid of fire. "Sweet Honey" has produced a kind of heavy love, which may make people breathless, but no one will deny the director's superb performance. However, the destination is never the final destination. This is rootless. The rootlessness of human beings is reflected in love, which is nothing more than wandering, meeting, missing, and meeting again, and things will be different. Hong Kong people's "1997" mentality is vividly displayed under the lens of Chen Kexin.

Psychologically, people are often unchangeable and pure in love, but in reality, it is difficult to do this. Too much procrastination makes love grow in weeds and impurities. Like Li Qiao and Li Xiaojun, like Sun Na and Lin Jiandong, they always turn to different things, and then they suddenly repent. If love is eternal, what is it? I won't forget her leaning helplessly on the steering wheel, looking at her boyfriend who is drifting away, and looking at the three words on the white shirt-"Teresa Teng", which is a symbol of love.

The most dignified breath-Song Dynasty 1997

Before this, no one could have imagined that a Miss Hong Kong could interpret the broad mind and strong belief of the motherland so vividly. Maggie Cheung's steady turn this time has really made her a "big Tsing Yi" in the film industry, and it is not a problem to control any role. The true nature of the motherland is solemn, but she was not born to shoulder the heavy responsibility of the country. The mother of the country also has her own childhood fun, teenage troubles, teenage romance and middle-aged dignity. This requires a process, and Maggie Cheung is the person who grasps this process attentively, and interprets the ups and downs of a ups and downs life legend smoothly and excessively, neither calmly nor grandstanding. This is a drama, not a historical documentary. It is also Maggie Cheung's first film after a short rest, which just makes her patiently experience the different feelings of stars and ordinary people, and relatively offsets her sense of distance from great people. She can truly show Soong Ching Ling's frustration and helplessness when encountering setbacks, and fully interpret the pure warmth of a woman behind the sense of national responsibility.

Soong Ching Ling's flowing gentle breath, flashback memories in the camera, and Soong Ching Ling's dying desire to see Song Meiling in the ocean, the only relative in the world, the intimate alienation between sisters, the partisan struggle for more than half a century, the vicissitudes of life, how to hide the soft touch of longing for the return of family ties, and what to say about the Soong sisters, a love for money, a love for patriotism and a right to love, only they can realize the kind of true feelings that need not be said.

Through the carved glass on the door, a nervous woman's face came from next door. She is talking to a man in uniform. In another cell, his voice is not very clear. The other two women looked around and waited here. Under the dim light, a changeable era is being prepared and the story goes back to the past. ...

The most elegant and forbearing-In the Mood for Love, 2000.

What is the best way to convey the charm of In the Mood for Love? It is as beautiful as a flower, as fleeting as water, and as colorful as a flower. All these are ruins. Looking around in Maggie Cheung style, all women's amorous feelings are engraved. In the end, only the high collar supports the arrogant self-esteem, crystal clear as snow sculpture, exquisite as jade, flawless and intertwined. It's always embarrassing, as if happiness is only a stone's throw away, and someone has to speak. It seems that when he got up his courage, it was not the right time to say it, and he got an ambiguous refusal. No, they will never be condemned by the soul and whipped by morality like those two happy people. None of them can stand it. A repressed and exquisite unrequited love ended in a hurry and a long time.

A lonely and cautious carnival, long tango with spirit, and homesickness bred by Wong Kar-wai seem extravagant in the light and shadow circulation. Sorrow, bitterness, joy and joy all stagnate in Maggie Cheung's unhappy face, and he wants to stop talking, and also sinks in Tony Leung Chiu Wai's eyes. Not so firm, not so strong, everything is calm, only in the mottled and quiet Angkor Wat, whispering unknown secrets, the ancient Khmer will use its unfathomable mysterious smile to silently guard everything that happened for him.

Yan arrived late and flew into the West City. As if in late spring, there was always a beautiful silhouette standing beside the swaying curtains for a long time. ...

Summary: In addition to these, she also has the soul washing in cleanliness. Revenge in Hero: Love and hate in the love season in a foreign land; Pure beauty and childlike innocence in Rolling the Red Dust; There are few virtuous people in The True Story of Teddy Boy. Heroic determination in God of War; There is despair and helplessness in Tears, and there are many ... If you want to appreciate the enduring charm of this woman, thank you, one is life, and the other is movies.

These are all objective evaluations. Personally, I like Jackie Chan's movie Never Give Up, and < Green Snake >.