I don't want to practice the piano. . .

Well, I don't think so. Although I can't play the piano and I'm not a music major in the Conservatory of Music, I studied saxophone with many professional teachers when I was a child. Some musicians are lofty. Your teacher may really dislike you, but it doesn't mean you can't. You can compete with people who have devoted themselves to playing the piano since childhood. Your successful admission to the Conservatory of Music shows that you are very strong. At that time, when I was considering whether to take the conservatory of music, the teacher officially told me that there were many children from musical families with high standards and connections. Everyone wants to enter the Central Conservatory of Music, but I don't have much hope. I gave up at that time. So, now I admire you, envy you and sincerely wish you success.

Lang Lang is one of my favorite pianists. I always thought he was valued by many people since he was a child. At least in his piano career, he was successful. But after reading the interview with him, I realized that when he was in the Conservatory of Music, he also received many questions. Many teachers don't agree with his understanding of music because he is unique. He didn't give up playing the piano because of the teacher's disapproval. He gave up those teachers and went to Beijing to find a teacher who recognized him. He walked with difficulty step by step, and he finally succeeded, because he finally lost himself in the beautiful music.

If you really love music, if you really suffer, maybe you should talk to your relatives. You are a student of the Conservatory of Music. You should be more aware of the hardships of those masters in the history of music than I am, and play music that shows the hardships, pains and dissatisfaction of musicians. It should be easier for you to understand those works at this time. Play those songs, talk to the masters and impress your teachers!

In fact, it is also possible that there is a misunderstanding between you and the teacher.

Teachers just don't know you, and you don't know those teachers. You should approach your professional teacher as actively as possible and chat with him more. Let the teacher know your thoughts. The teacher may be embarrassed to talk about you. After a long time, I should be strict with you when I get to know you. Next time you attend a professional class, tell your true thoughts and opinions about the teacher. If the teacher really despises you, there is no need to be serious with him in the future. If there is a misunderstanding, this will formally give the teacher a chance to get to know you again. Maybe the teacher doesn't know if you just want to play or are really into it.

You may not be as familiar with the teacher as those students who have followed the teacher of the Conservatory of Music since childhood. Their advantage is that they are familiar with the teacher's musical thoughts, and it is easier for them to accept and understand the teacher's musical thoughts than you. And your advantage is that it is easier to form your own musical concept than them, not in the shadow of the teacher.

You said you practiced hard at home. Actually, practicing the piano should not be so painful. Your classmates decorate the piano room and play in the piano room for a while, so that they will be happy when practicing the piano and get into the state more easily than you. If you always think about the relationship with the teacher, or just want to play well and impress everyone, I'm afraid it's difficult to concentrate when practicing the piano. The effect will naturally not be too good. In class, because of being with the teacher, it is easier to lose concentration and calm down. I went to the teacher's house again and the result was not good. The teacher slows down again and again, which is the part in butterfly lovers that refuses to get married. The speed was very fast, and all the voices were spit out. I can't spit clearly. Fingers and tongue don't cooperate well, and sometimes they swallow sounds. Anyway, it was always a mess when playing this paragraph in class that day. The teacher seemed very dissatisfied, so he played the metronome for half an hour, over and over again. Under normal circumstances, it should be solved soon (because the speed is already very slow), but I was particularly anxious that day, and my parents were sitting next to me. I've been practicing these lines for two weeks, and the effect is too poor to explain to anyone. But when I was at home, it obviously went well. Then I cried, gasped and blew, and then I had to finish class early.

So I think, when playing ball, don't think about how good I usually play, how good I want to play today, and don't think that I always make mistakes in this place, and I don't make mistakes today. When practicing, you just need to think about how to deal with each sentence, let your fingers remember that feeling, and let that way become a habit, so that you can express your feelings naturally and smoothly when playing.

After all, I am an amateur. Now I can only take saxophone as a hobby. You are different. You are a professional. Now that you have chosen, quitting will be more difficult and painful than persisting. Don't give up your ideal. These are just personal suggestions. I think you should be more professional and understand than me in practice. It's just that you may turn your relationship with the teacher into pressure, which is too great for you and affects your practice. Go back to the state when you were admitted to the Conservatory of Music, and believe in yourself. Since you stand out and have been admitted to the Conservatory of Music, you are the best.

If you think what I said is helpful to you, I am willing to continue chatting with you.

QQ: 294 154075 (Please note: Baidu knows. Piano)

Wish you success!