Appreciation of the Original Text and Translation of Anonymous Between Ten Mu

Between ten acres, the mulberry is idle, and the line and son are still happy. In the adjacent large mulberry fields, the beautiful girls picked Santos leisurely, and they chatted and chatted together. Translation and comments between ten acres

In a big mulberry field, young girls are leisurely picking mulberry, and they go home together singing songs. In an adjacent large mulberry field, the beautiful girls took Sando for a leisurely time, and they talked and laughed together and turned home.

note between ten acres: refers to the field in the suburbs. Mulberry picker: A person who picks mulberry. Leisure: broad and leisurely appearance. Ok: let's go. Say and, will. Drain (yi): the appearance of harmony; When it comes to crowds. Death: return; Say it. Appreciation between ten acres

Wei is located in the north, "its land is poor and its people are poor and frugal" (Zhu Xi's words). However, the Chinese ancestors were industrious and optimistic. Wei Feng's Ten Mu (Between Ten Mu) sketched out a fresh and tranquil pastoral scenery and described the relaxed and happy working mood of mulberry pickers.

at sunset, at dusk, cattle and sheep return to their stalls, and the smoke from the kitchen gradually rises. The setting sun is slanting, shining through the green mulberry leaves into a wide mulberry garden. The mulberry picker who has been busy all day is ready to go home. Suddenly, there was a voice of calling partners and friends in the mulberry garden. People gradually walked away, but their laughter and singing seemed to be still swirling in the mulberry field. This is a picture of mulberry fields returning home late in Between Ten Mu.

The most distinctive aesthetic feature of Wei Feng Between Ten Mu is to express a happy mood with a relaxed melody. First of all, this is related to the proper use of modal particles. The whole poem is six sentences, and the chapter is repeated. After each sentence, the modal particle "Xi" is used, which naturally lengthens the intonation and shows a soothing and relaxed mood. Secondly, more importantly, it is related to the content of poetic expression. The poem shows the scene when the girls call their partners and friends to go home together after work. Therefore, the word "Xi" contains a relaxed and soothing breath after intense labor; It also contains a sigh of satisfaction and pleasure in the face of the fruits of a day's labor. Poetry and poetry, intonation and mood have reached a perfect unity. The so-called moving the cat, no need to carve. Another article in The Book of Songs, Nan Zhou's Cricket, also focuses on labor scenes and feelings. However, due to the different labor scenes it depicts, the melody rhythm and aesthetic sentiment of poetry are also different. Nan Zhou's Ephedra is about the labor process of a group of women picking plantain seeds. It shows the girls' skillful picking skills and cheerful working mood through the constant changes of picking actions and the rapid increase of harvest results. Structurally, four words and one sentence are short and powerful, which makes the rhythm of the whole poem bright and compact. Wei Feng's Ten Mu and Nan Zhou's Gooseberry are in sharp contrast and become the two most comparable labor ballads in the Book of Songs in artistic style. The predecessors commented on "Between Ten Mu and Wei Feng" and "Elegance is as light as pottery" (Chen Jikui's Reading the Wind and Supplementing it). Tao Yuanming's "Returning to the Garden" (the third part) does write: "In the morning, I will promote the waste and filth, and bring the moon lotus to hoe home. The narrow path covered with vegetation, and the night dew moistened my clothes. But the former is full of girls' relaxed joy, while the latter contains Tao Gong's leisure and detachment; The former is lively, while the latter is gloomy, seemingly and strangely. Appreciation between ten acres

Wei is located in the north, "its land is poor and its people are poor and frugal" (Zhu Xiyu). However, the Chinese ancestors were industrious and optimistic. Wei Feng's Ten Mu (Between Ten Mu) sketched out a fresh and tranquil pastoral scenery and described the relaxed and happy working mood of mulberry pickers.

at sunset, at dusk, cattle and sheep return to their stalls, and the smoke from the kitchen gradually rises. The setting sun is slanting, shining through the green mulberry leaves into a wide mulberry garden. The mulberry picker who has been busy all day is ready to go home. Suddenly, there was a voice of calling partners and friends in the mulberry garden. People gradually walked away, but their laughter and singing seemed to be still swirling in the mulberry field. This is a picture of mulberry fields returning home late in Between Ten Mu.

The most distinctive aesthetic feature of Between Ten Mu is to express a happy mood with a relaxed melody. First of all, this is related to the proper use of modal particles. The whole poem is six sentences, and the chapter is repeated. After each sentence, the modal particle "Xi" is used, which naturally lengthens the intonation and shows a soothing and relaxed mood. Secondly, more importantly, it is related to the content of poetic expression. The poem shows the scene when the girls call their partners and friends to go home together after work. Therefore, the word "Xi" contains a relaxed and soothing breath after intense labor; It also contains a sigh of satisfaction and pleasure in the face of the fruits of a day's labor. Poetry and poetry, intonation and mood have reached a perfect unity. The so-called moving the cat, no need to carve. At this point, readers naturally think of "Nan Zhou Waste", which also mainly writes about the scenes and feelings of labor. However, due to the different labor scenes it depicts, the melody rhythm and aesthetic sentiment of poetry are also different. "Grupo" is about the labor process of a group of women picking plantain seeds. It shows the girls' skillful picking skills and cheerful working mood through the constant change of picking actions and the rapid increase of harvest results. Structurally, four words and one sentence are short and powerful, so that the rhythm of the whole poem is bright and compact. Between ten acres and the cricket are in sharp contrast, and they have become the two most comparable labor ballads in the Book of Songs in artistic style. The predecessors commented on "Between Ten Mu" and "Elegance and Elegance Like Pottery" (Chen Jikui's Reading Wind and Conceiving Supplement). Tao Yuanming's "Returning to the Garden House" does write: "In the morning, I will promote the waste and filth, and bring the moon lotus home. The narrow path covered with vegetation, and the night dew moistened my clothes. But the former is full of girls' relaxed joy, while the latter contains Tao Gong's leisure and detachment; The former is lively, while the latter is gloomy, seemingly and strangely.

apart from the politically attached "stabbing time" theory in the preface to Mao's poems, there are also Su Zhe's theory of "retiring with friends" and Fang Yurun's similar theory of "husband and wife retiring together". In fact, this is a reader who has a hidden sense of "seclusion" and feels the pastoral scenery depicted in the poem, but the creative imagination born is not based on the objective interpretation of the poem text. In addition, there is still a saying of "love poems and songs", that is, "line and son return" and "line and son die" are interpreted as girls greeting their lovers to go together. This is due to the ambiguity of the meaning of the word "zi". Fine taste of the whole poem, the poem chapter shows a picture of the mulberry garden returning home late when the mulberry picking girl calls her companion. Creation background between ten acres

There have always been many views on the theme and background of this poem. "Preface to Mao Poetry" says: "Between ten acres" is also a thorn. It is said that the country is small and the people have no place to live. In addition to the theory of thorn in the preface to Mao's poems, there are Su Zhe's theory of "retiring with friends" and Fang Yurun's theory of "retiring with couples", and there are also people who advocate the theory of "love poems and love songs", that is, to interpret "line and son return" and "line and son die" as girls greeting their lovers to go together. Nowadays, many people interpret this poem as a poem describing the time when mulberry picking girls returned with their partners. Poems: Poetry between ten acres Author: Anonymous poems in pre-Qin Dynasty Classification: Book of Songs, Pastoral