Those poems that didn't return in splendor

Tang dynasty in the mountains: Wang Wei

The stream of the river has been flowing for less than a day, and white stones are exposed on the riverbed. The weather is getting colder and the red leaves on the branches are becoming scarce.

There is no rain on the winding mountain road, the smoke is misty in the dense pine trees, and the water vapor is heavy, as if to flow, and then the clothes of passers-by.

Appreciation: The "wet clothes" of this poem is an illusion and illusion, expressing the poetry of dark green mountains. The winter scenery in the mountains, which is composed of white stone and phosphorus creek, bright red leaves and boundless thick green, is colorful and poetic, without bleak silence.

Looking at the moon reminds me of a distant Tang Dynasty: Zhang Jiuling.

The moon, at this time is at sea, over the end of the world.

People who love hate long nights and sleepless nights and miss their loved ones.

Put out the candle to love this moonlit room, and I wander in the deep night dew in my clothes.

You can't have beautiful moonlight, just want to meet you in your dreams.

Appreciation: put out the candles and cherish the moonlight in the room. I wandered around in my clothes, feeling the cold at night. I can't give you beautiful moonlight, I just hope to meet you in my sleep.

Tang Dynasty: Bai Juyi (Excerpt)

His face was covered with dust, which was the color of smoke burning, his temples were gray, and his ten fingers were burnt black.

What is the money for selling charcoal for? Buy clothes, buy food in your mouth.

Pity that he is wearing thin clothes, but he is worried that charcoal can't be sold, hoping it will be colder.

At night, it snowed a foot thick outside the city. Early in the morning, the old man drove a charcoal wheel to the market.

Appreciation: "Burning charcoal with reduced salary" summarizes the complicated working procedures and the long labor process. "His face is covered with dust and fireworks, his temples are gray and his fingers are black." He vividly described the portrait of the charcoal seller, wrote the hardships of labor, and also got the image performance.

Guiyuan Tianju ranked third in Wei and Jin Dynasties: Tao Yuanming

I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.

Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.

The narrow path covered with vegetation, the night dew wet my clothes.

It's not a pity to get wet, but I hope it won't be against my will.

Appreciation: The narrow mountain road is overgrown with vegetation, and the night dew wet my clothes. It's not a pity that my clothes are wet. I just hope it won't go against my original intention of returning to agriculture.

Midnight Wu Ge Qiu Ge Tang Dynasty: Li Bai

There is moonlight in Chang 'an, and all the families in Yi Dao are there.

The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border.

When will the border war be settled and when will my husband end his expedition?

Appreciation: The city with silvery moonlight is calm on the surface, but the sound of smashing clothes contains the pain of thousands of families; The autumn wind is endless, and it also places deep affection on the border. Reading is exciting. To sum up a sentence is the expectation of the boudoir and a person's voice.