On emotion in wine poems.

Li Bai's "Entering the Wine" will enter the wine. Author: Li Baijun, how the water of the Yellow River went out of heaven and into the ocean, never to return.

Have you noticed that the lovely hair in the bright mirror in the high room, although it is silky black in the morning, has turned into snow at night.

Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! .

Since God has given talents, let them be used! As for the money, although it is scattered, it will get together again.

Cook a sheep, kill a cow, sharpen your appetite, and let me, 300 bowls, take a big drink! .

Master Cen, Dan Qiusheng, bring the wine in! Let your cup never stop! .

Let me sing you a song! , let your ears participate! .

What are bells and drums, delicacies and treasures? I hope I will never wake up.

Ancient sober people and sages were forgotten, and only great drinkers can be immortalized.

Chen bought a barrel of wine with 10 thousand gold coins at a banquet in the temple, and everyone laughed and said one-liners

Why do you say, my master, your money is gone? , to buy wine, we drink together! .

Five-flowered horse, golden autumn,

Give them to the boy in exchange for wine and share your sorrow forever. Thoughts:No.-:"You can't see how the water of the Yellow River flows down from the sky-never point his golden cup at the moon!" " . Express your feelings about the short life and the happiness of meeting your bosom friend. The first four sentences profoundly describe the flight of time. The beauty is that the poet can find the best expression image and the most suitable singing rhythm. "Don't you see how the water of the Yellow River flows down from the sky and into the ocean, never to return!" In The Analects of Confucius, it is recorded that Confucius once pointed to the river and said, "The deceased is like a husband, never giving up day and night." So later, the passage of time is often expressed by the passage of water. "Not seeing you" is a common method in the early days of Han Yuefu. For example, Du Fu's poem "I don't see the three hundred rivers in the Han family". Li Bai followed the old topic and expression of Yuefu in Han Dynasty. The first two sentences say that you should not look at the surging water of the Yellow River as if it had fallen from the sky and rushed to the sea, never to return. The last sentence says that the coming of the big river is unstoppable, which is extremely high in the birthplace of the Yellow River. The next sentence says that the river cannot return. These two sentences describing the surging momentum of the Yellow River are obviously implicit, as if they were a portrayal of the poet's wild character. At the same time, it is also a kind of rise, symbolizing the fleeting time with "gone forever". Think that human life passes away like water and will never come back. This kind of writing is common in China's ancient poems, such as Su Shi's "Nian Nu Jiao", "Red Cliff Nostalgia" and "One River does not return, and the waves wash away all the romantic figures through the ages". It is also from the passage of water that I think of the passage of time. From the passage of time, I think about what historical figures are like. Here, an unusually vigorous and broad image is chosen to express the poet's artistic personality. The rushing yellow water runs across Yuan Ye, its source is directly in the sky, and it seems to fall from the sky and flow to the sea. This image especially strengthens the feeling of never coming back. Songshan is in the middle of the five mountains, standing in the Central Plains, not too far from the Yellow River. Looking from a distance, you may see some traces of the Yellow River, but at most, it is just "the Yellow River comes like a silk sky" and you won't feel the rolling torrent of turbid waves. The poet is completely interested in his own eyes, galloping his imagination and freely creating lyrical images. These two sentences are very intense and energetic. Let's use the long and big water of the Yellow River to arouse the following words and naturally transition to the old age of life: "Didn't you see the lovely lock in the bright mirror in the high room, although it was silky black in the morning and turned into snow at night?" This is from writing about scenery to writing about the world. You can't see the white hair in the mirror of Gaotang, but you are sad. In the morning, your head was covered with hair, but it turned white at night. Don, a room. In front of the mirror in the first room, I was very sad to see my white hair in the mirror. If the first two sentences exaggerate the space category, they exaggerate the time category. The process of life from childhood to adulthood is said to be dusk, which exaggerates the brevity of life. It is impossible for a person's hair to turn black and white at night. However, this kind of artistic exaggeration truly conveys the fleeting youth and is in harmony with the image of yellow water flowing above. These two sentences and the above two sentences form a symmetrical sentence, and each sentence is drunk with the word "didn't you see", which not only increases the momentum of generous singing, but also makes its feelings more obvious because of the sharp contrast between them. There is also a contrast in the first four sentences, comparing the fragility and smallness of life with the eternal greatness of the Yellow River. This beginning can be described as extremely sad, which is a kind of great sorrow. People with lofty ideals cherish yin and are most afraid of wasting their lives. Li Bai left Chang 'an in Tianbao for three years, and now he has spent eight years roaming. This unchangeable and helpless reality inspired the poet to sing the following six sentences "Life": "If you succeed in life, you must be happy, and don't let the golden cup be empty to the bright moon", which means that when you are proud of your life, you should enjoy yourself and don't let the golden cup be empty to the bright moon. "Don't make trouble" and "empty instead of straight" double deny Chen, and the tone is more emphasized. "Golden bottles", wine glasses, expensive wine glasses. "On the moon", the ancients paid attention to drinking on the moon. It is the habit of the ancients to enjoy flowers and drink the moon. Since we can't change the objective situation, friends get together and finally live a good life, we should drink more. The latter sentence naturally refers to drinking, but when the word "on the moon" is touched, it means it is a good time. As for the future? Let it go first: "Since God has given talents, let them find jobs!"! , spin a thousand silver, all come back! " Since Heaven was born, it must be useful. Don't worry. Money is circular, and it will get together again when it is used up, let alone pitiful. This reflects Li Bai's extreme self-confidence and openness. The poet wrote a capital "I" in his symbolic poem. Born in the world, I must be useful material. As the saying goes, "Sometimes, I will go straight to my Yun Fan and bridge the deep sea." For such an optimistic and confident future, I will drink with my friends, even if my daughter is gone. Pursuing money instead of being enslaved by money once again embodies the poet's wild and unruly ideological character. Therefore, "killing sheep and cooking is fun, and it makes me drink three hundred bowls at once!" . Write a feast of drinking. "And", temporarily, temporarily. "Will" means when, "will have to", should. Drinking and chewing means. There is cheerful optimism in helplessness, and firm self-confidence in the bleak future, as if to see the moon through the clouds and sweep away sadness. The poet's feelings changed from melancholy at first to wild. The first paragraph wrote "Eat, drink and be merry" to show Li Bai's lofty aspirations. Although 3 or 4 sentences are a little emotional and anxious, life is short and black hair will soon turn into white hair. But judging from the whole mood, it is positive and optimistic. "If you succeed in life, you will be happy" and "Since God has given you a gift, let it work! , spin a thousand silver, all come back! " Or to express heroism. The feeling is that because of the passage of time, talents are not satisfied, but in the heroic spirit, talents are not satisfied. There are four short sentences as the transition between the first paragraph and the second paragraph: "Cenfuzi, Dan Qiusheng, will drink wine, and can't stop drinking." Call friends by their first names ("Master Cen", Cenxun; "Dan Qiusheng" and "Yuan Danqiu" are appellations for men. Please drink and don't stop your glasses. Coupled with these colloquial short sentences, the rhythm of poetry is full of changes, and the wine meets the opponent. No wonder the poet wants to "sing with you-music, let your ears participate!" . I'll sing you a song, please listen carefully. Take the persuasion at the banquet as the transition, and turn to the second paragraph to express the poet's own views on life. What is the content of this song? The following six sentences are expressed in songs: "What are bells and drums, delicacies and treasures? Let me be intoxicated forever, never come to reason! " . The bells and drums are full of jade-it means that life is rich. Rich people have to ring bells and ding ding when eating, and the dishes are exquisite as jade. "Jade", used as a verb, eats precious food like jade. The word "jade" is a metaphor. The luxurious life of beating gongs and drums is the best life of being popular as jade. It refers to the home of dignitaries. But the poet thinks it is neither expensive nor rare, and he only wants to be intoxicated for a long time and never wake up. Why not wake up? He expressed dissatisfaction with the turbid society and the behavior of dignitaries, and expressed his opposition to the society and dignitaries at that time with this attitude. The poem continued to write a banquet, but it turned from madness to anger. In contrast, since God has given talent, let it work! My expectation makes me drunk forever and never awake! It reflects the contradiction between Li Bai's unique ideal and reality. "The sea is vast and the sky is wide, and there is no way out", so we have to drown our sorrows by drinking. The ancient sober people and sages were forgotten, and only great drinkers can be immortalized. It is said that the sages since ancient times are still unknown to the world, and only the names of drinkers can be circulated in the world. Who will appreciate them when they are all withered and lonely? Only the name of the drinker is passed down through the ages. In these two sentences, the reason for being drunk for a long time is mentioned, which shows the anger and boredom of the reality of not distinguishing between virtuous and foolish. Said he wanted to get drunk, but he wasn't drunk. In the second paragraph, there is contempt for the powerful and there is also contempt and sympathy for the sages. Sages are not taken seriously, and then a method to get rid of depression is put forward. If the real society doesn't work, then "you don't have to wake up when you are drunk." This passage is an expression of dissatisfaction with reality by drowning one's sorrows in wine. The third paragraph: "Prince Chen paid for a banquet at the completion palace"-the end. Wang Chen, Cao Zhi. In the sixth year of Taihe (232), he was named King Chen. Quote Wang Chen's old story to explain the reason of binge drinking. This is to borrow the ancient people's wine glasses and water their own pieces. Here, Li Bai used the phrase from Cao Zhi's Du Ming, "Go back to the banquet for a good time, and win the wine for thousands of years". What these two sentences mean is that Wang Chen, an alcoholic, is no longer in people's minds today? Li Bai had a great passion for politics, so what he said in the poem is obviously a repressed and angry language, which reflects the long-term repression in the poet's chest. Heat and anger are wrapped in seemingly decadent sentences. Hot because of the unswerving pursuit of realization and ambition, angry because there is no chance to show your arms after all. In this way, the poet's mood changed from wild to angry here. In the last paragraph, the poet first mentioned the ancient sages, and in this paragraph, Cao Zhi, who is ambitious and hard to be rewarded, was cited as an example. On the one hand, the poet is open-minded and optimistic, on the other hand, he also shows the injustice of the poet. "Master, how do you say that there is less money? Let's buy wine and drink together!" . "Why", interrogative sentences, that is, "what" and "why". Why did the host say there was less money? "Jing", a universal word, is always, directly. Xu Jing, just do it. Sell, buy. Sell and buy wine. How can I say that I am the host of the party? Just say to get a drink with you. This not only takes care of the sentence "1000 yuan has been spent", but also causes the following sentence: "Five flowers and ten thousand horses, thousands of gold and jade, give it to this boy for good wine, and you will be worried forever." "streaky horse", the horse's fur has patterns, indicating a valuable horse. Confucius once asked Luz what your ambition was. Luz said he wanted a white horse and light fur. In ancient times, "horse" and "autumn" were the embodiment of a relatively high life. "Autumn", leather coat. "Qianjinqiu" is a fox fur coat worth several thousand yuan. Will, take it. "Going out" means taking it out. These four words are: a five-flowered BMW, a thousand dollars, and expensive clothes will be replaced with wine to accompany you to drink, to pin your mind. The reason for saying "eternal hatred" is that "those who are sober in ancient times are forgotten", and the worries that people with lofty ideals have never met in ancient and modern times must be sold off with wine. After another wave of unrest, the poet's madness reached its peak, and Qiu Ma's heroic act of changing wine portrayed madness vividly. Indulge in wine is selling sorrow, and the degree of binge drinking just shows the depth of sorrow. His broad-minded, optimistic and uninhibited personality jumps from the page. It is consistent with the idea of "spinning a thousand pieces of silver, it is all back" and "what are bells and drums, treasures and treasures?" And formed a self-image of a poet who is full of self-confidence and detached from the world. The whole poem ends with a word "sorrow". The word "sorrow" embodies the poet's fear of the passage of time, lamenting the ups and downs of life, suppressing hard-won ambitions and hating secular and ugly social reality. All this poured out in front of the bosom friend, feeling sad and unrestrained, and the social content was rich and profound. This poem itself is like the water of the Yellow River. It is magnificent and comes and goes in a hurry, which appropriately shows the poet's unrestrained attitude of pursuing personal free life. It is also very representative in art. This is a lyric poem. No matter what feelings are expressed, it is a kind of self-affirmation to the lyricist. This poem is Li Bai's self-affirmation What he expressed was a kind of sadness and resentment, but in this kind of sadness and resentment, he showed his affirmation of his own value. The first half of the poem expresses an idea of eating, drinking and having fun in time, which is only superficial. But what really impressed me was this part. There are three points worth paying attention to and pondering: 1, which is explosive at the beginning. Inspired by "how the water of the Yellow River moves out of the sky and into the ocean, never to return", the size and length of the Yellow River, especially the well-known Yellow River, are combined into a magnificent and life-giving landscape, showing a roaring and extraordinary life. Into the ocean, never to return, the water of the Yellow River, soon lost its life, but this process is also great and spectacular. It is precisely because this extraordinary Yellow River is used to cheer up the spirit that it leads to fleeting youth and short life ("the lovely lock in Gao Tingming's mirror is silky black in the morning, but it turns into snow at night"). This feeling is not weak self-pity, nor helpless moaning. The feelings he evokes are only sadness, not pessimism. This emotional color is not gloomy, but bright; Its state is not a kind of cold and cheerless, stop, but excitement and upward; The feelings it guides are not depressed but high. So here is the affirmation and treasure of life, which embodies self-confidence and strength. This is the feeling and thought-provoking significance at the beginning. Speaking of "Oh, let a man with spirit take risks in his favorite place", we can't simply treat it as "eating, drinking and having fun". Eating, drinking and having fun is the superficial pursuit of happiness, but in fact it contains a kind of self-confidence, that is, since God has given talents, let them play their role! . On the basis of this confidence, there is a tendency to pursue freedom. This is a requirement for personal freedom. "Since God has given talents, let them find jobs!" And "Oh, let a spiritual person take risks where he likes" should be combined. The first half, ostensibly eating, drinking and having fun, shows a tendency of self-confidence and freedom here, which is the pursuit of expressing people's personality awakening. The second half of the poem expresses how to drown one's sorrows by drinking. On the surface, it is a complaint, but in fact it has a profound thought: (1) first points out "What are bells and drums, delicacies and treasures?" It is not worth cherishing and nostalgia. Why did Li Bai say that? He believes that a rich life is not eternal, and fame and fortune will not last long. This thought is the common thought of poets since the early Tang Dynasty, that is, wealth can also decline, and poverty can also be rich. Therefore, it is not worthwhile to blindly pursue wealth and be bound by wealth. (2) He believes that "since God has given talents, let them be employed!" And "Spin a thousand silver, come back!" It is not a problem that a man like himself will be of great use to this wealth. So he also thinks, "What are bells and drums, delicacies and treasures? "(3) The wealthy families that Li Bai saw in reality were mostly decadent, vulgar and mediocre, which was despised by poets. Based on these three points, he thinks, "What is a bell and drum, what is a delicacy and what is a treasure? "3. It is also said that" the ancient sages are lonely ",and the sages are not understood and recognized. I was lonely and embarrassed before I was born, but I was often ignored after I was born, so I don't need to pursue being a saint, that is, I don't take a saint as an example. If you must leave a name for future generations, it will be "a swan song" or as good as Cao Zhi. These two points are not about seriousness, but about expressing Li Bai's feelings. The connection between these words he said is an emotional logic, not a rational thinking or theoretical logic. He seeks self-affirmation in a negative way. He denied the two highest pursuits of the literati at that time: one was wealth, and the other was to follow the example of sages, which was essentially an affirmation of himself. When you are drunk for pleasure, it is the most meaningful thing to get rid of this secular fetter and get free. Fame and fortune is a false value and cannot exist forever. Li Bai once wrote that "three cups lead the way, and a bucket is in harmony with nature" (drinking the bright moon alone), "the fairy is in a trance, and being drunk is true" (the third antique), and the so-called "being in harmony with nature" and "being drunk is true" all pursue this kind of personality freedom. This is the meaning of "I hope I will never wake up when I am drunk" in Into the Wine. At the end of the story, "I'm worried about selling with you forever" is to show the freedom of drunkenness to dispel the unconfirmed depression in reality. So the real meaning of this poem lies in its self-affirmation with conceit, self-confidence and freedom as its content. Although the poem gives people a feeling of "eternal hatred" and drowns it with wine, the tone of the poem is still optimistic, because it dilutes the depression and resentment in the heart with heroism and expresses this optimistic, confident and unrestrained spirit with heroic language.