How to change your white voice when singing

How to change the white voice and falsetto when singing? Why do you sing with a white voice? The first is that you overuse your vocal cords when singing, and the second is that there is no breath support or the breath and voice are in a state of separation. Below is how I changed my white voice and falsetto when singing. I hope it will be helpful to you. The breath here is the breath in the narrow sense, which refers to the air that is sent out along with the sound when singing with the correct breathing method, and the broad sense of breath refers to a vocal system that correctly applies the breathing and sounding method to sing pop songs. It is a set of method. So back to the topic, we have to rely on three steps to solve the problem of singing with a white voice: The first step is to make sounds, we practice through bubble sounds. The bubble sound method is not compiled particularly well, but the general principles and practice methods are also explained. For more information, you can see the compilation of bubble sound information, with questions and answers. Let’s talk about the general learning process again. Bubble sounds are used to find the correct way to pronounce sounds. They need to be relaxed and natural. The first step is to ensure that the bubbles are emitted. The bubbles at the beginning will be relatively frizzy and difficult to control the size. At this time, it is enough to ensure that the grainy feeling exists. The second step is to slowly let the particles, that is, the bubbles, emit more stably. The third step, after you become proficient, let the particles continue to become smaller and the frequency of the sound become higher, you can use bubbles to bring out the sound. The key is to feel the sound resting on the vocal cords. In the second step of breathing, we practice abdominal breathing. Abdominal breathing method_Baidu Encyclopedia What is the difference between chest breathing and abdominal breathing? The general learning process is, the first step is to feel the existence of the diaphragm and let the diaphragm move. The method mentioned earlier: you can laugh, quickly Breathing, or even vigorous exercise, forces the diaphragm to move. The second step is to allow the diaphragm to move more freely instead of just relying on the appearance of whether the belly is bulging. This is a misunderstanding that many people have. The third step is to adjust your breath more skillfully in conjunction with the movement of the diaphragm and the rhythm of breathing. The third step is breath support, which is the synthesis of the previous two points. The combination of the two major points means that if the first two steps are done well, this step should be natural. There are often many strange situations. Therefore, we can practice with sighing, which is to sigh relaxedly. Let the breath and sounds slowly and better connect together. The meanings of breath support and breath-voice integration are actually similar. Some people asked me why I don’t have a good breath-voice integration when I sing with a white voice when I have breath. At this point, it can be divided into two branches. The one that focuses on vocalization and the one that uses breathing to assist is called straight singing. Breathing singing is the method that focuses on breathing to drive vocalization. The difference is that straight singing requires more vocal cord ability, while breath singing relies more on control. It's just that relatively speaking, both singing methods need to be controlled and learned! Up to this point, if you have learned everything well, then the problem of the big white voice in the natural range, that is, the alto range, should be solved. And a high-pitched white voice is another problem. Not being able to sing high notes is a matter of ability and technique, which is determined by both nature and nurture. Innateness is the ability of the vocal cords, which can be simply considered as the ability to sing high notes. Acquisition is all about voice changing skills, which are skills that allow you to sing high notes more easily and naturally. The road is long and the journey is long, but there is no end to learning and working together. Other techniques: 1. Breath When talking about this topic, I feel a little confused, because it is the hardest thing to express in words. Before I started singing, I practiced bel canto for two years, which gave me a deep understanding. The basics of breath helped me a lot. Generally speaking, people who have never learned vocal music have a very flat voice, and they pronounce it in the normal speaking position (throat). We call their voice "white", without color or filter. Below I will describe the method of practicing bel canto. The sound should originate from the lower abdomen. Imagine that the sound passes through the back of the spine, to the back of the head, and to the back of the mouth. The entire sound should be upright and backward. Please look for this feeling: you take a big bite of an apple, expose your upper teeth, and make a "hmm" sound while biting it down. Feel the sound at the back of the mouth and the upper part of the nasal cavity. This is one of the bel canto sounds. ***Ming point.

Why? Because the moment you receive a fright, your lower abdomen is tense. (Think about the feeling of being frightened. Do your muscles all over the body tighten?) Because of this foundation and a strong airflow ( It can be understood as the breath of singing), it goes straight to the throat, and it is strange that the voice is not high. Therefore, you can understand the feeling of hitting a high note as "tension" and "energization". Remember, everything is based on the lower abdomen. To sing high notes, you don't have to raise your head and pull up. It is a kind of rebound force that feels the center of gravity downward. Feeling 2: Have you ever seen a rubber water pipe? What should you do if you want the water in the pipe to rush farther? Tighten the front end of the water pipe. If the gap is small, the pressure will increase, and the water will rush farther. In fact, high notes do not necessarily have to be very loud. Some singers sing very loudly when singing high notes. We say that they are singing with strength and lung capacity, rather than using breath and skills. If you imagine the faucet theory, you should be able to understand some truth. Find the feeling 3: There is a big stone on the ground, lift it up. You bend down and count in your mouth: "One, two, three, go..." I think you must have used your breath for the word "go". I won’t say more, just feel it, there is something heavy around you... Haha! These are just some methods I created to make you feel the breath. It is not formal, but it is very effective. I also want to tell you that the ability to express high notes is related to your own voice condition. If your voice is naturally high, it is a great advantage. For example, "Sun Nan" has a typical high voice, and it will not be so strenuous to perform high notes. Singers with poor voice conditions must rely on a lot of breath and methods, but no matter whether the voice condition is good or not, the sound is sung through breath, just like a cigarette passing through a filter, and the sound will be more beautiful if it is filtered. In addition, I also tell you a psychological method. When singing high notes, imagine that you are singing in front of the vast sea, and you can't see the sea and sky. Isn't this scenery worth shouting out? ;