Missing and caring poems after parting

The poems of missing and caring after parting are as follows:

1, Jingkang shame, still not snow; When will courtiers hate it? Driving a long car to break through the Helan Mountain, hungry to eat pork. Laugh about the thirst for Hun blood; Leave it at the beginning and clean up the old mountains and rivers.

Appreciate:

This is a long poem of 840 words. The whole poem is about the love story of Li Longji and Yang Yuhuan, emperors of the Tang Dynasty. One of them, "I am hungry for pork, laughing and thirsty for Hun blood", expresses my concern after I left, my indestructible determination and my yearning for my old friend.

There are no birds in hundreds of mountains, and there are no footprints in thousands of paths. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.

Appreciate:

This is a poem by Liu Zongyuan, a famous poet in the Tang Dynasty, which expresses the poet's lonely feelings and deep yearning for his old friend. In particular, "there are no birds in a hundred mountains, and there are no footprints in a thousand paths." It shows the loneliness and isolation distance after many years of separation, which is particularly thought-provoking.

3, smoke cage cold water moon cage sand, night parking near Qinhuai restaurant. Strong women in business don't know how to hate their country, but they still sing backyard flowers across the river.

Appreciate:

In the first sentence, the words "smoke", "water", "moon" and "sand" are connected by two words "cage" to form a hazy and watery night scene. At the end of this article, I began to think about the past with the rich connotation of "near the restaurant". Qinhuai area was a famous amusement place in the Six Dynasties, and there were many restaurants, so the endless prosperity of song and dance banquets in the past was actually included in the poet's thoughts at this time.

The last two sentences are caused by a poem "Flowers in the backyard", and the word "still singing" skillfully combines history and reality, hurting the pain of time, euphemistically and profoundly. Shen Deqian, a critic in Qing Dynasty, praised this poem as a "swan song", and Guan Shiming even called it a masterpiece in Tang Dynasty.