Tide watching learning method

First, the main points of learning

1. Introduction to Tides in Qiantang River

Hangzhou Bay outside Qiantang River is a typical trumpet-shaped bay with wide outside and narrow inside, deep outside and shallow inside. The estuary is 100 km wide, reaching Ganpu in the west, and the river suddenly shrinks to 20 km. When we arrived in Yan Guan Town, Haining, the river was only 3 kilometers wide. At high tide, a large amount of seawater suddenly enters the wide and deep bay mouth. Because the river shrinks rapidly, it becomes narrower and shallower, and the rushing tide on the road can't rise evenly, so the waves behind push the waves in front, and each wave is higher than the other. Near Dajiashan, there is a huge underwater sandbar, and the tide swarms in, setting off a towering and amazing wave, forming a steep water wall and forming the initial tidal peak.

"August 18th tide, spectacular world." This is an eternal famous sentence of Su Dongpo, a native of the Northern Song Dynasty, praising the autumn tide in Qiantang. For thousands of years, Qiantang River has attracted many tourists with its unique and extraordinary trend. Every year around August 18th of the lunar calendar is the best time to watch the tide. During this period, the autumn is sunny and the golden wind is pleasant. On the seawall at the mouth of Qiantang River, tourists gathered together to watch this spectacle with great interest. "The tide comes to splash snow and float to the sky, and the tide goes to Lei Wusheng", which accurately depicts the spectacular scene of the tide.

Watching autumn tide in Qiantang has become a custom as early as the Han, Wei and Six Dynasties, especially in the Tang and Song Dynasties. According to legend, August 18 of the lunar calendar is the birthday of the tide god, so the tide peak is the highest. The court of the Southern Song Dynasty stipulated that this day would be a day to inspect the navy on the Qiantang River, and later it became a tide festival. Pan Lang, a poet in the Northern Song Dynasty, wrote:

Looking at the lake for a long time is full of people vying for the river to look up. I suspect that the sea is empty and drums are beating all around.

Xiang Tao, the frolic in the frolic, stands upright and keeps the red flag wet. I don't see the dream a few times, but I am still chilling.

This word is a true portrayal of the activities of "frolicking the tide" and "watching the tide" in those years.

2. Introduction of the author and the original book

Zhou Mi (1232 ~ 1298), a famous grass window, was an old man from Yangyang, a native of Zhushan, Huabu, and a poet in the Southern Song Dynasty, who laughed at everyone. Originally from Jinan, he now lives in Xing Wu (now Huzhou, Zhejiang). Song Deyou was an order of Yiwu County (now Zhejiang). Into yuan seclusion. He has made great achievements in both poetry and prose. He is good at painting poetry and rhythm, especially at collecting and discarding school books. After Xin Qiji and other bold poets died one after another, they became the representative writers of the metrical publishing school at the end of the Song Dynasty. His early poems were full of melancholy, beautiful rhymes and harmonious voices. After the mid-term, he turned to sadness, expressing homesickness, with elegant style and sobbing. And (word dream window) are also called "two windows", and their collections are called "Frequency Zhou Yu Di Pu" and "Caochuang Ci".

During his seclusion, Zhou Mi took it as his duty to preserve the historical materials of the Song Dynasty and wrote a lot. Dong Qiyu Ye can supplement the historical biography, while The Legend of Wulin has a wide range of stories and stories. In addition, Gui Xin Miscellaneous Knowledge and Hao Ran Zhai Ya Tan preserved a number of documents and cultural relics of the Song Dynasty. He selected the works of 132 wonderful ci families, and the works of many famous and unknown poets were handed down from this selection.

Legend of Wulin was written before the 27th year of Yuan Dynasty (1290). According to the spirit of "Ci is more valuable than literature", the author gives a detailed account of the court ceremonies, customs of mountains and rivers, shops and brokers, the events of the four seasons, and the music department of teaching workshops in the Southern Song Dynasty, which provides rich historical materials for understanding the urban economy, culture, citizens' life, the appearance of the capital city and court etiquette in the Southern Song Dynasty. Wulin is Lin 'an (now Hangzhou, Zhejiang), the capital of the Southern Song Dynasty. This book has ten volumes.

The summary of the total content of Sikuquanshu said: "The lakes, mountains and mountains are full of songs and dances, which are extremely prosperous and declining. The old minister is sad and sad, and the true song is sent outside the words, which is both a custom and a city. " This book records the cautious memories of the former dynasty and the reluctance to part with the past.

3. Text analysis

"Watching the Tide" describes the tidal scene and the grand occasion of watching the tide in Qiantang River in the Southern Song Dynasty. With refined pen and ink, the article describes the spectacular scenes of the tide, the moving scenes of naval exercises, the athletes and the masses watching the tide in the lake, the majestic momentum of the tide in Zhejiang, the complicated water performance and countless scenes in four paragraphs, but in this short article, the author has written it methodically and clearly for ten times. On the one hand, this is because the author's structure is exquisite, taking tide as a clue, combining scenery with notes, and combining front description with side contrast. On the other hand, because the author cherishes ink like gold, the language is very concise.

The first paragraph describes the power of tides. "The tide in Zhejiang is a great world view." The first sentence is a judgment sentence, always starting from the full text and pointing out the center. "Fang Qi is far away from Haimen, just like a silver line; As soon as we approached, the snow-capped mountains in Yucheng came from the international sky, thundering, shocking and lashing, devouring the sky and the sun, whistling and sweeping. This paper makes a positive description from four aspects: shape, color, sound and potential, and writes a magnificent tidal scene by using rhetoric means such as metaphor and exaggeration in the order from far to near. At the end of the article, Yang Wanli's poem is quoted, echoing the first sentence, which confirms the majestic and vivid image of Qiantang water gushing described in the previous sentence and paves the way for the following.

The water army exercises, frolic performances and tide-watching scenes described in the second and third paragraphs not only set off the magnificent tidal bore of Qianjiang River, but also formed landscape paintings and genre paintings of capital life in the Southern Song Dynasty, which showed the brave spirit of fighting between man and nature. In the first sentence of the second paragraph, it is summarized that Silent should teach the navy to read at this time of the year, and then the wonderful scenes of naval exercises are described: many ships participated in the exercises, and the positions in the exercises were varied. The sailors were skilled in fighting, fierce in fighting and huge in momentum, and quickly retreated after the exercises. A complicated exercise, based on the quiet scene of "smoke and calm waves", is not only a writing method of dynamic and static contrast, but also paves the way for another water performance below. The third paragraph is about the courage to make waves. The athletes in Wuzhong marched forward bravely in the whale wave in Wan Ren, striving for a wonderful performance, showing their brave and vigorous qualities. "Holding ten colorful flags", "Climbing in various ways" and "The tail of the flag is not wet" show his superb water skills.

At the end, watch the tide. Tide watchers jostle shoulder to shoulder, which fully illustrates the attraction of river tide and water performance, and sets off the prosperity of river tide and the wonderful water performance from the side.

This article is a masterpiece with artistic characteristics, with the tide as the clue, the combination of scenery and notes, the combination of front description and side contrast, and concise language. The description is very vivid, not only using metaphor, exaggeration and other descriptive techniques, but also using simple line drawing.