Poems of Pingdi Manor

1. Poetry about the courtyard, 8 yuan to send books.

Tang Bai Juyi

Bow before entering the pavilion and retreat to the porch for dinner. Back in Zhao, people lay on horseback and rested on their saddles.

But I slept until noon, and I sat up in awe. When the weather is fine, it will be fine after the rain.

Persimmons are lush, and the Wangs' courtyard is spacious. Huxian bottled wine, Nanshan on the wall.

Sleep alone or sit alone, and the wind will open ahead. The Zen monk and the poet met for the second time.

If you want to talk all night, you must sleep all day. There is nothing to do but pay tribute to the court.

Long health, officials and the poor are safe. Fortunately, there is no urgent illness, and it is neither bitter nor hungry.

From then on, speak appropriately, but not on the outside. Only those who should be quiet believe it, while those who move are hard to speak.

Yuan in Taichung served the imperial court and became a Langguan sooner or later. No official, no one is idle.

Play the new court tree and sing.

Tang Bai Juyi

At the beginning of April, the new leaves became cloudy. Shake the beautiful scenery and build a deep courtyard.

There are people who have nothing to do, but I'm looking here. You can only play with things at that time, but you can also open your eyes.

Talk to a Taoist or listen to a poet. Spring is full of fragrance, and nightingales abound.

I live a leisurely life, so I forget the worldly thoughts. People who know the truth before they know it are not necessarily in the mountains.

Spring sixty rhyme

Don

As soon as you open your mouth, you will weave shells and cut onions. Drunk and charming, two bright pupils overflow in the water wave.

But if you enjoy infinite happiness, you will know how to hate it. The bridal chamber is leisurely and graceful, and the courtyard is lush.

Langtaosha

Don

The past is only sad, but it is difficult to arrange the scenery.

Moss invaded the courtyard in the autumn wind.

The bead curtain is idle. Who comes all day long?

2. What are the poems about "Yard"? 1. In front of the courtyard, the phoenix tree falls and the water is full of hibiscus.

Shah dynasty: Zhu

The phoenix tree in the yard has lost all its leaves, and the lotus in the water has lost its charm during the day.

I seem to know the poet, my mind.

A frosty red leaf left the branch and flew near. Let me write a poem.

Explanation:

In front of the courtyard, the phoenix tree leaves are exhausted, and the lotus flowers in the water have long lost their charm. As if knowing the poet's mind. A frosty red leaf leaves the branches and flies close to me to write poetry.

2. Looking at Yushu before the court, I was heartbroken and remembered.

"Sacrificing Snow for My Brother" Tang Dynasty: Li Bai

Last night in Liangyuan, Brother Han didn't know.

Looking at Yushu in front of the court, my heart is broken and I think of branches.

Explanation:

Last night, we played together in Liangyuan. My brother is cold, and you don't know it. I came to the yard alone and saw Yushu in the snow. I really feel heartache for the connected branches.

3. Last night, the phoenix tree rained in front of the court, and it rustled into the short chest.

Appreciate Wang Song in autumn:

When you are sad, you pour your own wine, and when you look at the sword, your tears are deep. Huang Jintai is ashamed of having few confidants, and Jasper's tune will be empty.

Ten thousand leaves autumn wind lonely museum dream, Yi Deng night rain hometown heart. Last night, the phoenix tree rained in front of the court, and it rustled into the short collar.

Explanation:

When sorrow is strong, take the wine and pour it yourself. When you shine your sword, you won't feel deep tears. Huang Jintai is still ashamed of her lack of intimate friends, and Jasper Song will sigh her good voice. In the autumn wind, the dream of a lonely pavilion is hard to come true, and a dim light in the night rain evokes homesickness. Last night, the phoenix tree in front of the courtyard murmured, and the rustling cold blew into my short skirt.

4, bead curtain does not roll smoke, painting a swing in front of the court, sunny.

Mao Wenxi: Five Dynasties Little Mermaid Bao Jintan Road Yuanyang Pillow

Treasure Jin Tan Lu Yuanyang pillow, ribbon board official brocade. The sunset is low and the window is bright, and the trees in the south garden whisper, making it difficult for dreams to come true.

Yuluxiang is warm and often added, and the ground is full of light flocs. The bead curtain doesn't smoke, and the swing is painted in front of the court, and the sun is shining.

Explanation:

The pink mandarin duck pillow is carved with golden rays, and the gorgeous belt is tied with gorgeous palace brocade. The sunset seems to be intentional, coming towards my dark little window. On the green trees in Nanyuan, there are a pair of tender words of orioles. Alas, I can't dream of you anymore. The jade stove smells sweet and warm, but I still add fragrance frequently, and catkins float gently outside the window. The room was full of dust and smoke, but I still didn't roll up the bead curtain. The swing stands picturesque in front of the court. Alas, this sunny day really failed.

The laurel bush in front of the courtyard was loosened by the snow, and the sarong hung under the porch.

Changing clothes in Tang Dynasty: Liu Yuxi

Boshan incense burner wafted fragrant incense, and red candle led the emperor's son to Shang Yixuan. The night is long, the sky is not clear, and the cold geese have passed.

Snowflakes, pine branches and snowflakes in front of the courtyard are in harmony with the lanterns in the porch. The guests were still drinking and reveling, and the curtain of music was played.

Explanation:

There was a fragrant mist floating in the Boshan furnace, and Zifu led Emperor Wu to light a red candle and came to Shang Yixuan. The night is long, the day is not clear, and the cold geese have passed. Snowflakes are falling in front of the courtyard, and pine trees and laurels are snowing, which complement the lanterns under the porch. The guests in the class are still drinking and having fun, and the music in the curtain is disturbing.

3. The poem describes that the courtyard is wide open and the room is far from the Peach Blossom Garden.

Opposite the door is a deep and quiet path, with flowers and plants such as Du Ruo on both sides, and the fragrance is overflowing, which makes people linger. The winding path leads to a secluded place, and not far from the living room is the beautiful and charming Peach Blossom Garden. The poet borrows two allusions, which makes it difficult for people to write and present the gorgeous and intoxicating scenery like a picture.

Note: path, path.

Chu Qingshan's yard, where did the noise come from?

The heavy rain has just passed, the sky is exceptionally clear and everything is fresh. The courtyard located among the green trees is cleaner, brighter and spotless, and no noise can be heard. Quiet and deep environment, such as Xanadu, reveals the poet's aversion to muddy reality and his love for rural life.

In the clear moonlight, they lived quietly under the pine trees until sunrise, when the gloomy sky was full of roosters and dogs barking.

The houses in the pine forest are quietly bathed in the bright moon. The sun came out of the clouds, and chickens and dogs barked in the morning light. The poet expresses the tranquility and leisure of rural life by writing static and moving, and fixing static by moving.

Note: Houses and windows refer to houses here.

The narrow path is full of flowers, and it is leisurely and sweeping. Cui Yu plays orchids, and scales move lotus handles.

Next to the winding garden path, the spring flowers are about to wither, and the empty courtyard has been cleaned by me with a bamboo broom. Jade birds chirp and play on orchids, and golden crucian carp rolls and swims beside lotus flowers in the pool. The poem fully shows the scenery in the alternate period of spring and summer, which is delicate and vivid.

Note: chēng, red. Tiao, grass flower.

The back of Tang Guo has become the shadow of white grass, and the riverside is a familiar green suburb. Castanopsis kawakamii forest prevents the sun from singing wind leaves and cage bamboo smoke drops. For now, flying generals will count their children, and they will frequently say that Yan Xihui has built a new nest.

stop

With the help of relatives and friends, Fu built a thatched cottage on the banks of Huanhuaxi in the western suburbs of Chengdu. The poem depicts the beautiful natural scenery of the thatched cottage-the thatched cottage covered with white grass has its back to the city wall, adjacent to Jinjiang, and is located on the high ground along the river, overlooking it.

The countryside is green. The forest blocks the sun, and the wind blows the leaves, like singing a poem in a low voice. Light smoke enveloped the bamboo forest and dew dripped from the bamboo leaves. What is more gratifying is that crows and swallows bring their children to the thatched cottage to build their nests and settle down. This poem is vivid and detailed.

It shows the joy of the poet when he first settled in a new house with his wife and children after the war. Counting Children and Building a Nest and Attracting Phoenix are not only about birds, but also about poets.

Note: Castanopsis fargesii (Q:) is a kind of tree. Stop it, Perch. Will, take it.

The moon is high and the dog is quiet, and the door covers the cold pond. Night bamboo is deep, autumn court Leng Shi bed.

The night sky is clear, the moonlight is bright, there is silence all around, and the closed door faces the cold pond. The thatched cottage is hidden in the green bamboo forest, and the stone bed in the courtyard is cold because of the autumn wind. This poem renders the elegant, quiet and slightly cold atmosphere of Lu courtyard, paving the way for expressing the author's dissatisfaction with society and resentment against useless talents.

Nothing happens behind closed doors, and autumn grass grows in the courtyard.

The next cloudy day, no one visited at home, the courtyard door was closed, and the yard was overgrown with weeds. The twists and turns of autumn grass in the courtyard suggest that the owner is unwilling to take care of the courtyard. This poem fully reflects the loneliness, loneliness and frustration of the protagonist in his official career.

Half of the 100-acre courtyard is covered with moss and peach blossoms are in full bloom. Where does Taoism return? Liu Lang came again today.

In the wide yard, moss is almost everywhere, peach blossoms are gone, and vegetables are blooming. Where did the Taoist who planted peaches go? Liu Lang, who looked at flowers before, is back now. Metaphorically, the author's political opponents are dead or out of power, and the author returns to the court again with unyielding image.

Note: Peach blossom is a metaphor for new wealth. Taoist refers to the authority responsible for suppressing the innovation movement at that time. Liu Lang refers to the poet himself. Before that, the poet wrote the poem "Yuanhe went from Langzhou to Beijing in ten years to give a play to the gentlemen who look at flowers". Among them, peach blossom was used as a metaphor for conservative nouveau riche and was satirized, so it was relegated to Lianzhou for the second time. Fourteen years later, I returned to Chang 'an and wrote this poem again.

The old house in Fenyang is now a temple, as well as a song and dance building at that time. Over the past 40 years, horses and chariots have been lost, and the deep alleys of ancient Huai are full of gloom.

Guo Ziyi, a famous veteran, has been dead for a long time. Forty years later, the house where he lived became a temple. There is still a song and dance pavilion in the inner palace, but it has gone deep into the ancient bosom, with no horses and chariots and few people. In the boundless twilight, from time to time there came a sad cicada's cry. The poet put pen to paper on the sad scenery of Guo Ziyi's former residence, expressing his infinite admiration for the famous soldiers who fought to save the country.

Note: Fenyang was born in Huazhou, Guo Ziyi (now Huaxian County, Shaanxi Province). Xuanzong served as our emissary in northern Xinjiang, pacified Anshi, unified Uighur, gathered Tubo and kept the country safe for 20 years. Tired officer to Qiu Zhongshu order, sealed.

4. What are the young women who show the decline of the courtyard in the poem?

Song sushi

Deep courtyard is clear, peaches and plums are red at the beginning.

Willow silk covered with Yushu, drizzling outside the curtain, light cold.

The terrace of yat sen villa is getting brighter and brighter, and I am drunk before I can spell flowers.

It's quieter to invade the corridor, walking around alone, thinking.

Niannujiao

Song Qingzhao

Depressed courtyard, oblique wind and drizzle, heavy doors must be closed.

Fondling willow flowers to eat cold food, all kinds of nasty weather.

Writing a poem is a leisurely taste.

When you spend too much money, it's hard to get rid of a thousand worries.

It was chilly in the spring for a few days upstairs, and curtains were hung on all sides. The jade fence was dry and careless.

Dream Leng Xiang's new dream. Go to sleep and don't be sad.

Clear dew in the morning, the introduction of new tung, how much is spring!

The sky is crisp and the smoke is rolling. Is it sunny today?

Linjiangxian

Song Qingzhao

The courtyard is deep, and the cloud window and fog pavilion are all haggard and hurt for anyone.

Just dream at night. It should be Nanzhi.

Jade thin sandalwood light infinite hate, south building Qiang tube Hugh blowing. Who knows when the fragrance blows away,

Don't fatten apricot flowers on warm days and nights.

Huanxisha

Song Qingzhao

The bun hurts the spring and combs more, and the evening wind falls to the courtyard at the beginning of plum blossom, and the light clouds travel to and from the moon.

Jade duck smoked the brain, Zhu Ying covered the tassel, and rhinoceros also relieved the cold.

5. Li Bai's "Emei Mountain Yuege" is matched with "Pingqiang"

The autumn colors of Emei Mountain are reflected in the Pingqiang River. Qingxi went to the Three Gorges every night without seeing Yuzhou.

Tashahang

Ouyang Xiu

When the plum blossoms are fragrant in the pavilion and the willows are thin in the stream bridge,

The grass is warm and swaying.

Sadness is getting farther and farther away,

The distance is like a spring.

Inch by inch, soft-hearted, full of pink tears,

The height of the building is not near the dangerous fence.

At the end of the plain, there are spring mountains.

Pedestrians even spring outside the mountain.

Here are some poems about Pingqiang, but the text does not contain Pingqiang:

Looking at Emei Mountain on Pingqiang Road

Lu you

White clouds are like a jade city, from which green hills rise. My mind wandered for a long time before I suddenly fell down. If you don't come for 200 days, you will die suddenly and happily. Fei Xianyao raised his hand and called me tax martingale. Whether this trip is possible, the screen is quiet. Why go back to the mountain, but also break the waves.

He Houyuan Pingqiang

Author: Wang Jue Dynasty: Tang Dynasty

Poetry:

The imperial edict promulgated and expropriated the new land Phoenix Forest Movement, which has made great achievements in the past 400 years. Congling has been blocked by Hengqin, and Jincheng has also fallen into the Han territory. It's really old-fashioned to sit on empty seats and fold arrows to court. Zero rain is unheard of, and it is not worth going back to Duke Zhou.

6. Poems about tranquility Sitting alone in Jingting Mountain, you never tire of looking at each other.

I see how charming Qingshan is, and I expect Qingshan to look at me like this.

Rain and wet clothes are invisible, idle flowers fall to the ground and listen to silence.

Feather drunk me, the first floor of the romantic tube sank into the lake.

I don't know who I am when I'm drunk. I am not a crane in Feiyun.

Birds sing in the empty mountains, and people live with white clouds. The gurgling spring is in my heart, and the fish are playing in the deep pool. The wind blows the mountains and the moon moves. The world of mortals gathers and scatters like a dream, and is deeply sad.

The heart is always as comfortable as white clouds, and everything has the meaning of running water.

Ask rain what is loneliness? Listen to the sound outside the window. Clouds are light, and lewdness is harder to find.

Nanqi is my favorite, while Dongpo loves bamboo.

The clouds and water are gone, and the heavens and the earth are empty.

It is better to hold incense in the branches and wait for death than to be blown into the north wind.

The water is long and clear, and the snow window is high and the clouds are flat.

Romantic heartless people secretly change, and the old tour is like a dream.

The flower branches near the water back to the embankment also shine on the Qingjiang River and silt.

What are bitter dreams and troubles? All the old things are self-disturbing.

Sitting alone in Jingting Mountain, you never tire of looking at each other.

White stone in the west of Beijing, cold and fine red leaves. There is no rain on the mountain road and the air is green and wet.

7. The underground courtyard is characterized by a village composed of underground courtyards. People are often difficult to find when they are 100 meters away. Only when you are near the edge of the courtyard can you see its true colors. Therefore, there is a folk saying: "You can't see the mountain when you go up the mountain, and you can't see the village when you enter the village. Smoke rises from the ground and you suddenly smell the sound of chickens and dogs. "

In Pinglu and Ruicheng counties at the southern foot of Zhongtiao Mountain in southern Shanxi, there are such underground courtyards everywhere. Industrious farmers plant trees in front of the courtyard slope, and the underground courtyard is shaded by trees. The voices of chickens and dogs are heard but not seen, and there is no news. It is a living form that is very suitable for the local natural environment and has become a unique village landscape type in Shanxi, so it has been highly valued by folklore and anthropology experts at home and abroad.

According to statistics, there were 17000 caves in Pinglu county before 1960s. Today, less than 600 islands are inhabited. The earliest way of living in China was cave dwelling.

"Book of Rites" says: "In the past, the king had no palace, lived in the camp cave in winter and lived in the cave in summer." The "Camp Cave" is a crypt-style house.

"Mozi Ci Guo" also said: "The ancients did not know the palace, but lived in the tomb." Later, it developed into a horizontal cave house, that is, a cave.

Then there is the vertical cave room, that is, the crypt courtyard and the semi-crypt room. Finally, the ground building was created.

Of course, human cultural choice is non-unitary, and the choice of residential form is no exception. In Pinglu with the same natural environment, there are other forms of living, especially in recent years, with the improvement of people's living standards, brick houses have gradually increased.

Similar to Pinglu's natural environment, such as Wenxi, Wanrong and Linfen in the southwest of the mountain, as well as Henan, Shaanxi and Gansu provinces, there are also pits. However, the courtyard of Pinglu levee is so common and has obvious characteristics that it has become a unique style of loess plateau in Shanxi Han folk houses and continues to this day.

The origin and construction method of "underground courtyard" is that Zhangdian is high in altitude and windy and dusty. According to the local "County Records", local people invented this kind of underground house in ancient times because of the scarcity of stones and frequent floods here. They work on the ground during the day and rest underground at night. People call them "underground courtyards", which are the best barriers to avoid the tyranny of natural disasters and have continued to this day.

There are hundreds of square meters in the basement, and dozens of square meters in the smaller one. Its structure is to dig a rectangular or square pit with a depth of seven or eight meters, a length of12m-15m as a yard, and then dig 10- 14 caves with a depth of 8m-12m and a width of about 4m on the four walls of the pit.

The cave wall is vertical below 3m, and arched to the top above 3m. One of the holes is cut into a slope, forming a stepped arc tunnel leading to the ground, which is a passage for people to travel, called doorway, and also an entrance and exit of underground courtyard.

During construction, a flat land is selected, a deep pit similar to a patio is dug from top to bottom to form an open-air storage yard, and then the pit wall is cut into a main kiln, a left kiln and a right kiln to form a structure with one open and two dark. Then dig a long doorway in the corner of the yard, and the gate is at the top of the doorway.

Most people live in caves facing the sun, and the caves on both sides pile up sundries or raise livestock. Generally, deep pits are dug in underground yards, and the walls are plastered with lime mud to store rainwater, which can be used for drinking by people and animals after precipitation.

In order to drain water, a big pit was dug in the corner of the courtyard, commonly known as "dry well". When it rains, the rainwater flows into the dry well, which will not flood the yard, and it can also be drunk. Most farmers have a drainage channel under the door to prevent rainwater from pouring into the cave during the downpour.

Most caves where people live are threshing floors, and caves are directly drilled into chimneys. Many people use the caves in the yard as granaries and dig holes in the threshing floor. The dried grain can be directly poured into the kiln bin through the small holes in the threshing floor, which is energy-saving and time-saving. Usually, the hole is sealed with stones.

Dig a pit in the ground and make a kiln on the pit wall. There is no better way of life in the Loess Plateau, which is short of trees and stones, windy and cold.

At the beginning of the 20th century, Rodolfsky, a German, called it "bold creation, refined techniques, abstract language and rigorous modeling" in his book "Architecture without Architects". According to the application for intangible cultural heritage of Diyuan, "Diyuan is the physical remains of the development and evolution of early human caves, with a history of more than 4,000 years."

Wang Shouxian's home is the oldest and best-preserved quadrangle in Zhangdian Village. As a representative building of the local area, the local government listed Wangjia as an underground courtyard tourist spot.

National Highway 209 divides Zhangdian Village into two halves. Entering the village from the south side of the national highway, a sign with white characters on a red background is very eye-catching.

Walking more than ten steps along a path next to the signboard is the underground passage leading to Wang Shouxian's home. The dark passage extends obliquely downward, turns right after about 10 meter, and suddenly a courtyard-like courtyard appears.

The main cave is east-west, with three holes on all sides, of which the hole is *** 10 "hole". The yard of Wang Shouxian's house is about 100 square meter.

People in China advocate geomantic omen when building houses, and the orientation of courtyards is determined by geomantic omen. According to the orientation of the main kiln, it is called Dongzhen House, Xiduifu, Linan House and Beikan House, and Wangjiafu belongs to Xiduifu.

There is a flower pond in the middle of the yard. In late autumn, passion fruit is blooming brightly.

The southeast corner of the yard is a drinking well, and the pulley on the well is still intact. Twenty years ago, Zhangdian village had running water, and the pulley was no longer used.

In 2009, Wang Shouxian was named as "representative inheritor of architectural skills of provincial intangible cultural heritage projects" by Shanxi Provincial Department of Culture. No one builds graves anymore. The latest crypt in Zhangdian Village was built in the early 1980s.

In 2006, the architectural skills of Pinglu Diyuan were listed as the intangible cultural heritage of Shanxi Province. In 2008, it was declared as a national intangible cultural heritage.