What poems in Burying Flowers show Lin Daiyu's extremely sad mood? Why is she so sad?

Song of Burying Flowers is the representative of all the sad songs that Lin Daiyu encountered in her life, and it is also an important work by Cao Xueqin to shape this artistic image and express her personality characteristics. Like The Daughter of the Lotus, it is a text that the author tries to copy. This song, which imitates the style of the early Tang Dynasty, is lyrical and artistically successful. This poem is not only sad and sad, it still has an air of suppressing injustice. "Liu Cong Fang Fei is long, no matter whether the peach is floating or Li Fei", there are resentment against the cold world and attachment to human feelings; "360 days a year, the wind, the sword and the frost are pressing each other hard", isn't that an indictment of the ruthless reality that has persecuted her for a long time? "May slaves have wings and fly to the end of the day with flowers. After all, where is Xiangshan? If you don't collect gorgeous bones, a pure land will shelter you from the wind. It is better to lead an honest and clean life than to be trapped in a ditch. This is an aloof character who is unwilling to be humiliated and polluted and unwilling to bow his head and yield when he fantasizes that freedom and happiness are unattainable. "These are its ideological values. Another value of this poem is that it provides important clues for us to explore the tragedy of Baodai in Cao Xueqin's works. Jia Xu used to have a comment on writing: "I read" Buried Flowers "until three or four o'clock, so sad that I forgot my life experience. I raised my pen four times, but I couldn't approve it. A guest said,' Mr. Wang is not Baoyu, how can he write?' Hey! The perseverer wanted to get inspiration from The Stone, so he stopped writing and began to wait. It is worth noting that the comment on writing points out that it is impossible to comment on this poem without reading Yu Xiong Hou Wen. It is for this reason that the book approver "stops writing and waits". So what does "Yu Xiong Hou Wen" mean? It refers to the next time, that is, the beginning of the twenty-eighth time, which tells how Baoyu felt when he listened to this poem sung by Daiyu on the hillside. Its text says: ... just nod and sigh first; After hearing the words "Nong buried flowers today, we know who they are when we buried them" and "If you don't mourn for me, people will die and I don't know when", I felt scared and fell down the hillside, scattering the fallen flowers all over the floor. Imagine Lin Daiyu's beautiful face. When it is impossible to find it in the future, I would rather be heartbroken! When Daiyu finally couldn't find it, she pushed it to others, such as Baochai, Xiangling and Xiren. Or when it is impossible to find it. When Baochai and others can't find it after all, how can they live in peace? And I don't know where to go, then I don't know who my last name is, Si Chu, Si Yuan, Hua Si, Si Liu! So, one and two, two and three, repeatedly pleading, I really don't know why I have to wait for something stupid and know nothing at this time, so as to escape from the dust net and explain (free) this sadness. Baoyu's premonition of "Burying Flowers" is that "Daiyu will never see", and then it is extended to others, flowers and willows in his own grand view garden. It can be seen that the calligrapher's meaning of "how can he write without Baoyu" is to point out that this poem is not a general statement. Only when Daiyu and Baoyu are nowhere to be found can we understand the true meaning contained in the poem. It can be seen that Burying Flowers is actually a poem written by Lin Daiyu. This can be proved by the quatrains in tihongloumeng, which were written by the author's contemporaries and probably by the author's friends. His poem said, "A sad funeral poem seems to come true and I don't know it. There is a ray that died for love and woke up to grow into HongLing? " "It seems to be true" can only be said by people who know the plot of Daiyu's death written by the author. In the past, we thought that Yi Ming might not be able to read the whole novel like Yan Zhi. Now, it seems very likely that he finished reading the second half of the manuscript, or at least listened to the people in the author's circle who talked about the main plot in the second half in detail. If the things mentioned in Ming Yi's quatrains, such as "gathering like a dream of spring scattered like smoke" and "returning to the mountain without aura", can be understood by speculation, then we can write poems such as Baoyu's poor and scrawny "Wang Sun" and his conviction led to the unfortunate death of people in his heart "Shame on Skillen". The same is true of the last two sentences in the poem quoted above: He said that he really hoped that the "death for love" that came back from the dead could save Daiyu, let Bao and Dai get married, and reconnect the red silk rope that the old man was holding under the moon. Imagine, as long as the "sinking cup" can rise, the "HongLing" can continue, which is different from the reason why the sequel later imagined the tragedy of Bao and Dai as involuntary marriage. If everything is as written in the sequel by Cheng Weiyuan and Gao E, Baoyu already belongs to him. What's the use of "sinking" Daiyu? Is it to make her "Aunt Bao Er" and "renew HongLing"? This poem "Nong buries flowers and laughs today." Who did he know when he was buried? ”？ ..... "At the end of several sentences, such as repeated several times in the book, it is particularly emphasized that even learning to write parrot poems mentioned that the date when a known beauty dies of old age is really when the spring flowers fall, and it is not a function word. At the same time, what is said here is "he knows who it is when he is buried", and what is said earlier is "who has pity on the fragrance and jade after it has died" and "a wandering is hard to find" and so on. So there is no doubt that Daiyu died in a very miserable and lonely situation like Qingwen. At that time, not everyone was too busy to attend to Baoyu's wedding. On the contrary, Baoyu and Xifeng were both exiled because of avoiding disaster. It was the day when "the family was ruined, not talking about relatives" and "each got his own door". In the poem, "The willow pod is from Fangfei, whether the peach floats with Li Fei" or this meaning. The fragrant nest has been built in March, and Liang Jianyan is too heartless. Although next year's flowers can be pecked, it is difficult to grasp the meaning of the sentence "no one can go to the empty nest of Liang", which is between solvable and unsolvable, and it is difficult to grasp the meaning. If you regard it as a prophecy, it is clearer now. Probably in the spring, Bao and Dai's marriage has been basically settled, that is, the so-called "fragrant nest has been built", but in the autumn, something happened, just like the swallow between Liang Yan flew away mercilessly and was forced to run away from home. Therefore, she lamented that "it is difficult to leave the soul of flowers and birds" and imagined that she could "give birth to wings under threat" and go with her. She cried for a day and a night, and finally "tears ran out." In this way, "I don't know when flowers fall and people die", and it is completely appropriate to compare "flowers fall" with Daiyu and "people die" to Baoyu. Whenever Baoyu encounters the so-called "ugly disaster", someone else will be unlucky, first Jin Chuaner, then Qingwen, and finally Daiyu. Therefore, there is a pun in the poem that "quality is clean and clean, better than being trapped in a ditch", which can be used to explain and explain Qi. The following autumn, Baoyu returned to Jiafu and found that Hongyi courtyard was "red, thin and green", and Xiaoxiang Pavilion was a bleak scene of "falling leaves and cold smoke". Daiyu's boudoir and Baoyu's crimson porch saw "cobwebs covered with carved beams". Although Baochai still exists and will be her "golden wedding" in the future, how can this make up for the great mental pain caused by Baoyu's "childlessness"? "Although the flowers can be pecked next year, it is impossible for people to go to Liang's empty nest! "Isn't that what you mean? The above are just some details that can be confirmed from the clues mentioned in the fat review, which may not be so appropriate, but this poem must take care of Baodai's tragic plot, which is probably not subjective. In fact, the poem "seems to come true" doesn't stop there. Goodbye by Dai Yu. "Autumn Window Storms" and "Peach Blossoms" also have this nature. The former seems to say unfortunately that she left Baoyu later, while the latter seems to be a preview of her "tearful death" ending. Some people say that Poem of Burying Flowers was born out of two poems by Tang Yin. Of course, poetry has its inheritance and reference, but the relationship between "source" and "flow" of literary and artistic creation should not be reversed. When it comes to the use of predecessors' works in some words and sentences and artistic styles, it is really unnecessary to look for them in the books of the Ming Dynasty. Isn't it enough to borrow and use some well-known poems such as "Flowers change this year, flowers will bloom next year" and "Flowers are similar year after year, and people are different year after year" in Liu Xiyi's "Waiting for the North Pulsatilla" in the early Tang Dynasty? That is, the plot of burying flowers does not necessarily follow the story of Tang Yin burying peony flowers on the east bank of the medicine column. Cao Yin, the author's grandfather, wrote a poem "A peach blossom buried in a lonely grave for a hundred years". Isn't that enough to inspire his thoughts? But these are all "streams", only used. They can neither represent the main spirit of poetry nor replace the author's creation divorced from real life. What's more, as mentioned above, the author's originality in this poem does not lie in the lingering words that hurt spring and cherish flowers. Of course, the negative depression in Burying Flowers is also extremely strong and can not be ignored, which has a bad influence on readers who lack analytical ability. Although this kind of emotion fully conforms to Lin Daiyu's ideological character formed by her artistic environmental position, after all, because the author consciously expresses her life experience through the mouth of the person she loves, to some extent, she exposes the weakness of her own thoughts. We sympathize with Lin Daiyu, but at the same time we also see that this sentimental aristocratic lady is very fragile in thoughts and feelings. Ten Poems of Nostalgia Xue Baoqin often boasted that he had followed his father in business since childhood, with a wide footprint and much knowledge. This is credible. However, it is a lie to say that Ten Homesickness Poems are all historical sites of places you have experienced. Not to mention whether it is possible for her to go to Hohhot in Inner Mongolia in the north and Jiao Jiao in the south, just as the legendary author of Putuo Temple and Meihua Guanben compiled, how can she find the historic sites? Li Wan's explanation of "there are many graves in Guanfu" is only to cover up her shame. The boasting of her childhood experience is consistent with the overall low emotional appeal of nostalgic poems, which reflects the deterioration of her family of origin. Otherwise, why would she go to Jia's house? However, what she lived in front of her eyes was always the luxurious life of a noble lady. Her really sad days will come with the decline of the four major families. At that time, she will go away from home again, and she will recall the life of the Grand View Garden with great sadness. This point is left to be said in "Poetry of Zhen Guo's Daughter". Xue Baochai is critical of her two poems "Pudong Temple" and "Plum Blossom View", saying that there is no test in the history books, "we don't know much about it". She asked her to write two more poems, and in a few words she painted the face of Baochai's defender very vividly. Daiyu laughed at her "affectation", which was a broken word. Is "Nostalgia for Ancient Poetry" really to reflect on ancient love and do spring lantern riddles? I'm afraid not. Homesickness quatrains are not real historical ode, and their appreciation of historical figures and events does not necessarily represent the author's or novel's view of history. If we insist on discussing it from this aspect, it will be reluctant. We also put forward another view on these poems, which need further discussion, so they are written in the "preparation" for reference. The following Five Beautiful Songs also imitated this point.