Important figures in A Dream of Red Mansions and their plots? thank you ! ! !

Commenting on the characters in A Dream of Red Mansions, Jia Baoyu, the leading actor, is the most important. As a figure throughout the book, the author Cao Xueqin devoted the most effort and the deepest trust to him. He became one of the most successful artistic models in the history of China's novels, and even everyone said that this image implied Cao Xueqin himself. But in my opinion, this typical image is by no means created by the author, but a perfect artistic image created by the author according to the same type of characters in real life and combined with his own imagination.

In the third time, Lin Daiyu returned to her old job in Jia Yucun, abandoned her father and went to Beijing. There were two "Xijiang Yue", which described Baoyu like this:

Looking for sadness and hatred for no reason sometimes seems crazy. Even if you are born with good skin, your stomach is rough. Poor and ignorant, stupid and afraid of reading articles. It is a slander to the world to behave in a remote and perverse way!

Being rich does not know happiness, but being poor is miserable. There is no hope of living up to the good times at home and abroad. The world is incompetent first, unparalleled in ancient and modern times. Send a message to wan ku and Gao Liang: don't affect this style!

Some readers, after reading these two "Xijiang Moon", have decided that Baoyu is a spell that only loves powder. But in fact, these two "Xijiang Yue" are based on the thoughts of feudal rulers, reflecting the "good intentions" of feudal parents in order to inherit the cause of the landlord class and hope that Baoyu will be promoted and made a fortune. It is through "Xijiang Moon" that the author combines praise and criticism, and comprehensively summarizes Baoyu's most outstanding bright spot-rebellious character.

It is said between the lines that he is "down and out, ignorant, afraid of reading articles, and his behavior is remote and perverse. It doesn't matter if the world slanders him!" In fact, that is to say, he refused to "attach importance to the way of Confucius and Mencius and commit himself to the way of economy", and did not want to take the road of life of reading, making friends with officialdom, observing etiquette and helping the world, but despised fame and fortune and hated the study of "official career economy". He even thinks that those Confucian works, such as Zhu Neo-Confucianism, are "caused by predecessors" and "fabricated". As for stereotyped writing, it is even more: "Later generations are lured by fame and fortune" and "living on the fame and fortune of Anyi". He criticized that Confucian Taoism, which regarded feudal rulers as gods, was worthless. Based on this idea, he would rather read novels such as The West Chamber and Du Danting, which were regarded as bad books by feudal moralists, than read four books, talk about stereotyped writing and listen to the "asshole words" of official career economy.

He has a strong hatred and contempt for secular men who study hard and become officials.

Not only that, in the thirty-second episode of A Dream of Red Mansions, Shi Xiangyun advised him: "We should often meet these officials and butchers, and talk about some knowledge of official career economy so that we can communicate with the world in the future." Baoyu was very uncomfortable when he heard this. He quickly said, "Miss, please sit in another sister's room. I have carefully polluted your knowledge of economics here. "

Jia Baoyu's rebellious spirit is not only manifested in his resolute refusal to take the road of feudal life, but also in his bold challenge to the feudal traditional concept of "men are superior to women". Of course, in his character, the most impressive thing is his hatred and contempt for secular men and his special love and respect for girls. The second time, he published his original unconventional opinion: "It turns out that people are born the spirit of all things, and all the beautiful scenery of mountains, rivers, the sun and the moon is only for daughters, and men with beards are just scum." "Daughters are made of water and men are made of mud. I feel refreshed when I see my daughter, and I feel smelly when I see a man. " Later, when Baoyu grew up, his thoughts became more and more mature, and he found that "daughter" was constantly changing, so he had the view that his daughter changed from "priceless pearl" before marriage to "dead pearl" after marriage and finally became "fisheye". This shows that he gradually realized that girls were the most oppressed in feudal society. So he showed unusual gentleness and consideration to his daughter in action.

Moreover, the sample Baoyu extremely despises the pecking order, and there are other feudal hierarchies. Jia Huan is not only his brother, but also a monk. "All brothers are afraid of big brother" and "set an example for children" are his family rules, but Baoyu is "don't be afraid of me", so Jia Huan and his family are not very afraid of him, and even want to kill him and Xifeng if they push their luck. Even though Jia Huan deliberately scalded himself with hot wax oil, he was still covering for Jia Huan. He also had no distinction between master and slave, which directly destroyed the feudal order. Yan Ming also nothing important matter, everyone around to play for a while, "tear fan daughter smile" turned Qingwen into a smile. Jinchuan was humiliated and died, and Baoyu never forgot it. Ignoring such an important event as celebrating Xi Feng's birthday, he secretly went to a deserted place in the suburbs to weep and pay homage.

Moreover, even the love and marriage pursued by Baoyu is based on this rebellious thought. He has made the idea of pursuing marriage autonomy and personality liberation clear to the world. He shouted in his dream, "How can you believe what monks and Taoists say?" What' golden jade and good marriage'? I said' marriage of wood and stone' ". He even held xiren's hand and poured out all his feelings for Daiyu.

So some people say that Jia Baoyu's image embodies the original thought of democracy and equality. But after all, his thoughts are still a little narrow. For example, he dared not completely break with the feudal system; He never dared to have a direct conflict with feudal parents, and the confrontation was relatively negative; When he was struggling to find a way out, he had an illusory idea of dying and "turned to ashes."

Erlin Daiyu

Lin Daiyu's influence on readers' minds is similar to Jia Baoyu's. She is another rebel of the feudal aristocracy carefully shaped by the author. Every time I finish reading a dream of red mansions, she can make me think deeply. She used her sensitivity and doubt, her resistance, her pain and tears, and even her love to resist the oppression of the ruling class. But at the same time, she has many weaknesses.

Because of Lin Daiyu's family background and birth, she is a noble group at the most fundamental point. After Tanchun finished cooking, Daiyu commented, "This is better. Our house is too expensive. Although I don't take care of things, I always take care of them when I am free. I pay more and get less. If I don't save money now, I will lose my hand. " O sixty-two) It can be seen that she belongs to the aristocratic class and is extremely concerned about the fate of the Jia family that is closely related to her. Xiang Yun was very angry when she told others that the actor who played Xiao Dan looked like Lin Daiyu. Daiyu sneered. "... I used to make fun of you, treat me as a player, and make fun of everyone! This is not only because she is a "little girl", but more importantly, she has drawn a deep gap between herself and people with low social status, such as actresses. So I think it's an insult to compare myself with such a person. Here, her sense of class superiority is outstanding.

On the other hand, although there are rebellious factors in her character, it does not mean that she is blindly fighting against the feudal class. When Baoyu's rebellious thoughts clashed with feudal traditional ideas, and the contradiction was the most intense-when Baoyu was beaten, Daiyu advised Baoyu: "You can change from now on!" (34) What is Daiyu's idea of persuading Baoyu here? Also, she occasionally said two sentences of "Peony Pavilion" and "The West Chamber", which was heard by Baochai, who told her a long section of feudalism. Not only did Daiyu have no antipathy to this, but she became very close to Baochai from then on. So what kind of ideas does Daiyu rely on to give Baochai advice here? Obviously, in Daiyu's character, feudal traditional ideas and rebellious factors coexist.

Lin Daiyu's personality is closely related to the environment in which she grew up. As she was born in a noble family and was loved by her parents since childhood, it is not surprising that she developed the character of a noble lady. However, the most prominent point in her character is her rebellion against feudal ethics.

Lin Daiyu was born in the "aristocratic family" of the hereditary marquis. Because she lives in the south where her thoughts are new and her environment is relatively open, and her parents love her, she is educated as a boy, which makes her more open-minded and talented. After her parents died young, she lived in Jiafu, where hatred, fighting, competition and fraud occurred every day. "360 days a year, the wind and the sword press each other", "the whole family is like a black-eyed chicken, I wish you ate me, and I ate you". In such a sinister environment, Daiyu can't get any joy and happiness. But at the same time, the sinister environment also cultivated her rebellious character. She will never learn Xue Baochai's tact, nor will she learn to please the feudal rulers. There is no sand in her eyes, but there is no room for sharp flowers in her heart. Ignoring the existence of "gentle and honest" feudal norms. She used the words "worse than a knife" to expose and ridicule the darkness and ugliness of aristocratic families. We often say that Daiyu is willful, suspicious, sensitive and narrow-minded. But in fact, we should see that she resisted the shackles of feudal ethics in her own unique way.

In addition, Lin Daiyu also directly resisted feudal ethics. Guo Baochai once solemnly preached to her the feudal creed that "a woman without talent is virtue", but she didn't take it to heart at all. She is so talented that she doesn't want to write poems or write poems. Moreover, she also has the same hobby as Baoyu, and likes reading such "dynamic" and "miscellaneous" books as The West Chamber and Peony Pavilion. She despised the vulgarity of feudal ethics, cursed the hypocrisy of stereotyped writing, never advised Baoyu to be an official, and never used "bullshit" such as "official career economy" to persuade Baoyu, so she won Baoyu's respect and was regarded as a "confidant" by Baoyu. Their * * * connection has also become the same foundation of their love.

But sadly, the love between Bao Daiyu is doomed to be a tragedy. The stubborn feudal ethics does not allow the love between them to exist. So she disliked her sick body and small family and warned them of their love again and again. From "Good Marriage" to "Hui Zijuan's Love Talk" and then to "The Death of Qingwen". Finally, it reached the stage of love destruction in Cha Daguan Garden. In this disaster, Si Qi, Fang Guan and others are all victims. Even Qingwen, whose eyebrows are like sister Lin's, was forced out of the Grand View Garden when she was seriously ill, and finally she bowed down and died. The feudal forces here completely abandoned the signal of Daiyu. Since then, Daiyu's condition has gone from bad to worse, even seriously ill. The beautiful ideal was finally destroyed. Daiyu won love, but not a happy marriage.

Lin Daiyu's artistic image is deeply rooted in people's hearts, touching readers and making people feel sympathy. But this image is also vivid. Her complex personality, obvious weakness, and distinctive personality of daring to resist and pursue love constitute a living individual. Let us feel that she is someone we know well and someone we love deeply.

Three Xue Baochai

After talking about Baochai, it is natural to say Baochai. The evaluation of Baochai has been mixed for a long time. For this kind of character, we can't completely deny it, and we can't completely affirm it. Although she is the guardian of feudal ethics and an accomplice of feudal forces, at the same time, she is also one of the millions of people who are oppressed and poisoned by feudal forces. So when describing this character, the author is both sympathetic and critical.

The author sympathizes with her, and she is also a "person with life but no happiness" in "Misfortune Division". The author also praised her, her talent and her appearance are obvious to all. She is well-read, versatile, piano, chess, calligraphy and painting, poetry and songs, omniscient, local conditions and customs, and has a varied life. Even medical theory. Baochai also knows a thing or two. So Baoyu often admires. Her artistic attainments are profound and she is famous in the Grand View Garden. Poetry is smart and often takes the lead, comparable to Daiyu. As for her charm of "more charming and romantic than Daiyu", Baoyu often envies her. Indeed, Xue Baochai is a girl with both talents and looks.

But the more the author exaggerates and praises her talent, the better people can criticize her feudal morality. But at the same time, the author didn't write her as a clown, but achieved the goal of criticizing the feudal system by criticizing Baochai. There are praises in the derogatory, and there are derogatory in the praise, but they basically hold a negative attitude. I think this is the author's attitude towards Xue Baochai.

In A Dream of Red Mansions, Baochai rarely preaches and maintains feudal ethics directly, but reflects her true personality through her words and deeds in daily life.

In life, Baochai doesn't show her true feelings like Daiyu, but often hides her heart. On the surface, she is "keeping up with the times", "playing dumb and clumsy" and "not saying much", and her every move seems to be "dignified and virtuous", which is completely in line with the feudal "lady" demeanor. But in fact, what she is looking forward to is "the good wind will send me to Qingyun with its strength." Behind the gentle and honest instrument model is the ambition of "wanting to repay Bai Di". She is sophisticated and sincere. Although "I stayed in Jiafu for several years" seems to be silent and complacent, in fact, I am "observing carefully", so even in Guo Rongfu's complex and contradictory environment, I live in harmony like a duck to water. Even Aunt Zhao, who is very jealous, praised her: "generous" and "capable of being a man".

"Being a man" is indeed Xue Baochai's character, and her "gentle and honest" exposed characteristics make her praised by everyone. Baochai's principles of "being a man" and "it's none of her business, not opening her mouth and shaking her head without knowing it" made her turn a deaf ear to everything, pretending not to see it, but knowing it in her heart, just like Daiyu. This made those feudal lords who did something shameful on weekdays praise her as a "man." Baochai's "knowing people and being good at her duties" is not only reflected in her wooing the supreme ruler of the feudal class, but also in her selling the oppressed of the lower classes of the feudal class. Jia mu gave her a birthday and invited her to play, so she said it according to Jia mu's usual preferences. He also said that the sweet and rotten food that Jia Mu liked was his favorite food. As a result, after Mrs. Wang was forced to die, she and the hitter heard the news, and even the hitter who had always been a slave did not cry. However, the ruthlessness of the exploiting class made her feel "strange", so she quickly left the hitter and came to Mrs. Wang to comfort her. Blame everything on Jin Chuaner's "confusion". She also said, "But if you give her a few taels of silver, you will do your duty as a master and servant." In order to win over her future mother-in-law, Mrs. Wang, Baochai showed great generosity and said that she was not afraid to give her clothes to a dead slave. She immediately went home and took some clothes. For the oppressed rulers of the lower feudal class, Baochai concealed the fact that she lived in clothes in order to punish and maintain the status of the feudal ruling class. She also managed to win over Daiyu and sent her bird's nest and sugar tablets for treatment. Even aunt Zhao, a disgusting woman, sometimes has to send a gift from Baochai, which makes her flattered. When I met her talking about career economy in front of Baoyu, Baoyu, who was annoyed, gave her a marching order in person. In order to be a "good man", Baochai couldn't get angry, so she had to bury her efforts in her heart and laugh it off, which made Aron admire her reputation as a "good man" again. Baochai not only knows how to be a man, but also often uses the opportunity of being a man to show her talents. Shi Xiangyun wanted to set up a poetry club, but without money, Baochai took the opportunity to set up a poetry club for her. Baochai asked Xiangyun to bring something from home to invite everyone, but when she went out, she called a woman and said, "After dinner tomorrow, invite the old lady and aunt to enjoy osmanthus." On the surface, Baochai, who knows how to be a man, has helped the poor, weak and orphaned girls a lot, but in fact it is a blow to another "golden marriage". She invited everyone on the pretext that she was actually trying to please the parents of feudal rule. She is careful everywhere, and everything is arranged to please her grandmother. This shows how Baochai, who can be a man, can be a man.

Another main character feature of Baochai is hypocrisy. Although she said that the "golden wedding" mentioned by monks and Taoists was nonsense and that it was boring to wear a golden lock, it was not the case. Baoyu went to see the sick Baochai. Baochai took his jade and "looked at it twice". Then he scolded Yinger, the maid, for not pouring tea, which caused Yinger to laugh and say that "the words on the collar are a pair with the girl", which just achieved the purpose of attracting Baoyu's attention. Then I will take out the boring golden lock from the red coat inside. The same is true of Xue Baochai leading a string of red musk deer in the street. Originally, she didn't like pollen, dressed simply and didn't like dressing up the most. But the golden lock is for jade, and the musk deer string was given to her and Baoyu by Yuan Chun alone, which is a predestined marriage. So it can be proved that only she is worthy of Baoyu. The hypocritical "capable" Baochai is like this, covering up as a "lady" and using her hidden scheming to hint and please Jia's parents.

But in terms of its social status and high evaluation in people's minds, Baochai's "being a man" is successful. Maybe we can get some enlightenment from it. In today's complex and changeable society, I'm afraid I have to learn a few tricks from Baochai if I want to deal with it calmly. But there are gains and losses, which may promote your true nature. But I think, as long as we get rid of its dross, take its essence and learn only its good side, it may be very helpful to us.

Four kings Xifeng

In A Dream of Red Mansions, the author created a negative image of success, that is, Xifeng. In her body, it embodies the class essence of the feudal ruling class, greedy, fierce, cruel, vicious and cunning. It can be said that through the author's successful description, readers can see the ruling class itself as well as Wang Xifeng.

Wang Xifeng is a very vivid figure. Wherever she appears, at least there will be excitement. At the age of 20, she presided over Guo Rong's housework. At the beginning of the volume, we introduce Leng Zixing: "She is extremely beautiful in appearance, smooth in speech and meticulous in calculation, but one person is not as good as a thousand." "Although she is young, she is older than this world. Now, she looks like a beautiful woman. Say less. There are ten thousand minds. If you want to gamble again, ten talking men will say that she is just. " So I have a little impression of her, but these impressions are relatively indifferent after all. But the first time she went out, she was immediately presented to the readers vividly, and she will never forget it. This is the first time Daiyu has met her grandmother. When the granddaddy cried with his granddaughter in his arms, even Mrs. Wang, Li Wan and all the ladies were "holding their breath and being serious and tidy". Only one person from the backyard said with a smile, "I came late and didn't meet any guests from afar." Just one sentence gives a particularly vivid impression. This sentence was said by "this one" of Xifeng. Maybe everyone in the Jia family has become dull, but like Daiyu, we feel particularly distinct: "Who is the newcomer?" Is it impolite to celebrate your birthday like this? "This is feng, jia's favorite. Then a brief description, we saw a busy man, a red man. She was late because she was busy. In a short party, I also talked with Mrs. Wang about two other things. Talking to Daiyu also seemed very busy: I smiled and said a few words, immediately wiped my tears with a handkerchief, turned grief into joy, and quickly asked about the situation and arranged the way to entertain guests. Because of her popularity, she dared to speak out, and her grandmother specially gave her the title of "provocative goods", which seemed to have both praise and blame. This is the same as Xifeng's personality. She likes to express herself and always strives for the first place. The author's rich brushwork makes her appearance extremely vivid. Next, Cao Xueqin continued to describe Xifeng on various occasions, exposing other aspects of her personality step by step, such as talent, arrogance, greed, hypocrisy and so on. Through this description, she wrote a complete and vivid Xifeng.

The author not only describes Xifeng from the front, but also expresses the image of Guan Fengjie through observing and describing others. Grandma Liu, a poor relative of the Jia family, showed her "magical power" well when she first met Xifeng. Granny Liu managed to get into Guo Rongfu. After many twists and turns, when "Xifeng" came down, only voices were heard, but no one was seen. After drinking, she was "completely silent for a long time" and finally got an interview. But what I saw was "pink and shiny, sitting there solemnly, stirring the dust in the stove with a small copper fire chopsticks." Pinger stood on the edge of the kang, holding a small tea tray with a small cover clock in it. Feng didn't pick up the tea or look up, just dusted the stove. Asked slowly,' why don't you come in?' I looked up and saw granny Liu standing underground, "too busy to remember, but" I greeted her with a big smile before I got up. "This paragraph is particularly wonderful, a few strokes, vivid enough. In particular, the details of her "dusting stove" are written "Chasing the Soul". "Although this kind of detail description is concise, it has written enough about the prestige of a grandmother in charge of a noble family to a poor relative. In addition, his servant Xing 'er commented on him as "evil in heart and sharp in mouth", "bitter in mouth, double-edged, laughing on it, stumbling under his feet, Ming is a pot of fire, and darkness is a knife", which also accurately reflects Feng's personality characteristics.

From the twelfth time, the author shows the true face of Xifeng's character through the description of the big plot. The Bureau of Poison and Acacia wrote about her viciousness, Associate Ning wrote about her talent, and The Iron Threshold Temple of Thrones wrote about her greed and fraud. These descriptions make readers more aware of the dark side of their character. An old nun in Shuiri Temple begged Xifeng to break up Zhang Jinge's marriage. As a result, Xifeng got 3.2 thousand pieces of silver and forced a couple to marry. However, just after he used the relationship between Jia and Wang to make the plot succeed, "Xifeng is getting more and more courageous and will act arbitrarily in the future", and the author's condemnation is very obvious.

Unlike Jia Zheng and Wang Fu, Feng wears a mask of generosity and kindness. She didn't realize that she was doing something bad, but she was bold. She once declared that "I never believe in things circulating in the underworld, so I will do whatever I say", which shows that she dares to challenge any force that prevents her from doing bad things. In this sense, Xifeng's philosophy of life is probably the same as that of Cao Cao: "I would rather teach me to be negative to the world than to teach the world to be negative to me." But people will never confuse her with Cao Cao. At the same time, because of her greedy and vicious nature, coupled with Feng's softness and intelligence, she is good at catering to language and making herself more subtle and complicated. In the greedy pursuit of money, she really loves money like life. She wouldn't let Jia Lian usury, and even moved out the money of the servant girl every month to usury. Later, the Jia family lived on the open space, and the money was really not enough. Ji Lian asked her to ask Yuanyang, and she asked for a reward of one or two hundred and twenty silver. Even the intrigue between husband and wife shows that it was indeed a moth before the collapse of Jiafu.

In the typical plot of "Five Xi-feng disturbing Ningguo Mansion", the author used nearly two pages to show Xi-feng's character completely and vividly. When Xifeng learned that Jia Lian had secretly married Second Sister You, she learned all the news from her mouth and took different countermeasures for different people. First, I humbly wooed Second Sister You, pretending to cheat Second Sister You to stay in the Grand View Garden, and then killing people with a knife. Zhang Hua, who sued Jia Lian for "showing prestige", was finally killed and silenced. What she did is indeed the best test of what Xing Er said.

The full description of Xifeng's character effectively exposed the ugliness of the feudal ruling class and the darkness of the feudal society. The author's "judgment" on Wang Xifeng is that "the authorities are fascinated and calculating Qingqing's life. My heart was broken before my death, and my sex was ethereal after my death. It is better to have a rich family, but eventually a family will die and everyone will go their separate ways. It's a waste of time to hang on to your heart for half your life: it's like swinging for three times. Suddenly like the first floor, suddenly like Yi Deng. Ah! One happy and one sad. Sighing that the world is hard to decide. " Thus, the author still sympathizes with it. The more capable Xifeng was, the more she accelerated the collapse of Jia's dilapidated building, and she herself was mutually assured destruction.

In a word, this image has rich artistic charm and profound social significance.

Wu

Shi Xiangyun is one of the characters created by Cao Xueqin in A Dream of Red Mansions. She ranks among the best among the "Twelve Women in Jinling" and occupies a very important position in the complex image system of A Dream of Red Mansions. Her image has played an important role in profoundly exposing social contradictions and widely expressing her works.

"Xiangyun Judgment" says: "What is wealth? Parents were disobedient when they were babies. In a blink of an eye, Xiangjiang died of Chu Yunfei. " The verdict summed up Xiang Yun's tragic experience of being born with wealth, being longer than suffering, losing his parents since childhood, and unfortunately living a miserable life in poverty. Because her life is full of changes, her personality also changes with the change of life situation.

Because she lived in the high wall and deep courtyard of feudal rule and was imprisoned in the feudal residence like the sea, the long-term standard feudal upbringing made Shi Xiangyun accept a set of stale traditional concepts. In the paragraph "Shi Xiangyun and Maid Cuilv Talk about Yin and Yang" written in the 31st time, Shi Xiangyun thinks that "heaven and earth are endowed with Yin and Yang, no matter good or evil, strange or strange, ever-changing, they are all obedient. How many lives come out, people are rare and strange, and the reason is still the same. " When Cui Lu put forward that "everything has yin and yang since ancient times", Shi Xiangyun called her "confused" and "fart", and then went on to elaborate his own point of view: "Everything has yin and yang, can there be another yin and yang?" The word yin and yang is just one word, when yang is exhausted, it becomes yin, and when yin is exhausted, it becomes yang; It is not the exhaustion of yin that gives birth to another yang, and the exhaustion of yang gives birth to another yin. "Shi Xiangyun's macro theory highlights the depth of her suffering from feudal idealism. Exposed the essence of its feudal class.

In this sense, Xiangyun and Baochai belong to the same ideological system. When she first appeared in the front of Jiafu, she shared a bed with Lin Daiyu, but when she was invited to join the poetry club for 37 times, she was dragged to Wu Hengyuan by Xue Baochai. On the 2nd1,when she saw that Jia Baoyu wanted to eat rouge, she slapped the rouge and scolded him, "How long will it take to get rid of this problem?" From this point on, the feudal Taoist spirit of this noble girl began to appear. Then, in the tone of Xue Baochai, he persuaded Jia Baoyu to make friends with people like Jia Yucun and take the road of career economy. Xue Baochai's style of speech angered Baoyu, and immediately dismissed it as "bullshit" like Xue Baochai, embarrassing her and driving her to another room. It can be seen that in Shi Xiangyun's bones, it is still a deep-rooted feudal thought.

However, Catkin Poems at the Last Poetry Meeting, with its unfortunate experience of being dependent on others, the decline of four big families and the turmoil in the Grand View Garden, clearly shows her reluctance to the feudal class's "spring gone" and her infinite attachment and sorrow for the complete fall of Heaven.

However, the biggest change in Xiang Yun's personality was in 1976. On a bright night of the Mid-Autumn Festival that year, Jia Mu led the whole family to hold a banquet in Daguan Garden to enjoy the moon. Although they played hard and had a good time, beating gongs and drums, singing poems and telling jokes, a cold and shabby atmosphere surrounded them tightly. Coupled with the whimpering and piercing flute from time to time, sensitive and sad Daiyu naturally felt sorry for her writing and leaned against the bar to cry. At midnight, the banquet broke up, leaving only Shi Xiangyun, who was in the same boat, to comfort Lin Daiyu. At some point, she couldn't help complaining to Baochai that she was haunted. "I hate sister Bao, and I've been saying that everyone should enjoy the moon in the Mid-Autumn Festival this year. To join a club, I abandoned us today and went to enjoy the moon by myself. " After the great changes in Jiafu, she was snubbed by Baochai and realized that Xiangyun was finally isolated from feudal forces. Together with Daiyu, she sang a desperate lamentation of the aristocratic class before the collapse of "crossing the crane shadow in the cold pond and burying the flower soul in Leng Yue". In addition, in Shi Xiangyun, we can also see a series of following images such as "heroic and broad", "needing the scenery of the moon" and outstanding talents.

As a successful artistic model, Shi Xiangyun's dialectical character thought plays a very important role in revealing the social contradictions expressed in his works.

Six other people

In A Dream of Red Mansions, in addition to the above-mentioned main characters, the author also created many characters, each with his own unique and distinctive personality. Gentle attacks, aloof Miaoyu, timid Yingchun, You Erjie, You Sanjie, Qingwen and Tan Chun, who dare to resist, are all flesh and blood and have distinct personalities. Even Jiao Da, Big Silly, Xiaohong, etc. People who don't write well in the book leave a clear and deep impression on people.

Substitute bride

Xiangyun zuiwo

Wen Qing fan si

Treasure butterfly

Baoyu was beaten.

I don't know how to summarize this, but Baodai's reading of The West Chamber is really classic.

Grandma Liu enters the Grand View Garden.

You Sanjie committed suicide.

The fifth dream visit refers to twelve women drinking fairy tales and performing a dream of red mansions.

The twelfth time, Wang Xifeng set up a lovesickness bureau, and Jia Tianxiang looked at the moon.

Back to the thirteenth Qin Keqing dead dragon commandant Wang Xifeng associated with Ningguo mansion.

The sixteenth time, I chose Fengzao Palace, the place where Qin died.

The 17th exam of Grand View Garden was titled, and Guo Rongfu returned to the province to celebrate the Lantern Festival.

In the eighteenth time, Huang En's parents were happy in Chongyuan Princess Province, and Baoyu was talented.

The 22nd time I listened to Qu Wenbao and Wu Yu Zen machine guessing riddles and Jia Zheng's sad prediction.

The Twenty-third Story of the West Chamber tells the story of Peony Pavilion.

I told you the thirty-second time that I was fascinated and Baoyu was ashamed to death.

Tearing the fan for the thirty-first time made my daughter laugh out a white-headed binary star because of Kirin.

Back to the fifty-second time, Qiao Pinger's beard bracelet that loves to cover shrimp and brave Qingwen's illness make up the sparrow's golden hair

Back in 120, Zhen Yinshi detailed the space situation of A Dream of Red Mansions as Jia Yucun.