Joke Collection Website - Mood Talk - Go to see the second disease in the opera
Go to see the second disease in the opera
I personally admire and even rejoice in this attitude. At first, when I was a teenager, I felt that this trick was so naive that I was ashamed. It was not until I saw tim burton's The Big Fish that I suddenly realized that "truth" and "sincerity" are two different things, and I never doubted them again. Recently, I read Thomas Mann's Confessions of crull, a liar, and I feel more and more proud. It was the first time that I found an experience similar to my own in a novel, and it was actually written by a German. Unfortunately, the author died at the beginning of the book, and no one can continue.
Our environment today is vast and we don't need much imagination. Because of its poor practicality, people often mistake it for madness or cunning. If you talk to people about imagination, they will think that you are not practical and sincere enough, which will cause disgust. Imagination is useless and has to be used for aesthetics, because aesthetics is not practical. These days, they are forced. The more depressed things are, the more economical they are, so I use them to train myself in my spare time. I call my training method arithmetic progression summation method.
Speaking of which, I want to mention a person, his name is Liang Yiming, and he is a singer. The first time I saw this name, it was in Ding Bingjun's Old Records of Chrysanthemum Altar. Ding talked about Ma's disciples and descendants and scolded them one by one. Among them, a few words are addressed to Liang Yiming. The original text is like this: "During Ma's prison term, there was a Yi Ming who specialized in singing horse-racing on the overpass in Beiping. Because he can't see the horse, a businessman outside the city. However, after seeing the horse's long-term fans, he looks like a savage and a vulgar figure. He is poor and arrogant. He actually claimed to be' Li Anliang' on the flyover, which really broke the words Ma Li Anliang. 80% of the first game, the second half can't sing the third game, and he has disappeared since then. " From this point of view, Liang Yiming is just a dirty actor, a juggler, similar to the current street imitation and cosplay. I haven't heard the recording, but I am convinced of the comments, because I know Ding's words must be very pertinent.
According to Liang Yiming to occupy the table, let's talk about a man named Jin Futian. I once saw a video of the Peace Cup Beijing Opera Fan Competition on the Internet. 1996 The third gold medal winner, one of the top ten fans, Jin Futian. He is a famous ticket for the horse brand. That day he sang "Su Wu Shepherd", which is his specialty. Full of charm and charm, just say it. Singing was really touching, and I heard tears come down. I said in my heart that he is better than Zhang Xuejin! I'm an amateur in Beijing opera. I'll take whoever touches me. Although Zhang Xuejin is famous, I have never been touched by his videos once. Horses give people the impression that they are old foxes, witty, smart and worse. How can you call him Ma Pai? However, Zhang Xuejin and Feng Zhixiao are today's Ma faction leaders. Now, even Zhang Xuejin has passed away, and the younger generation, such as Zhu Qiang and Yuzu, can hardly see it or hear a word. At that time, I thought, Jin Futian is really good, so should the horse brand! His words, "I came to this Jianghu on the orders of my king before, and I didn't want to be taken in by Wang Fan", I chanted and imitated them all day and got a treasure.
? So what is the relationship between Liang Yiming and Jin Futian? Why put them aside? Because one day I happened to see an article on Douban called "An Old Opera Fan with an Appointment between Lu and Yu". The author, a young fan, recorded such a conversation in the article, which brought me great shock. He wrote:
"I didn't catch the particularly early corner. I have worked in the theater for nearly six years. At that time, going to the theatre was 80 cents. If there were good horns, it would be one dollar and one dollar ... it was not expensive, but it was also very bad. At that time, a piece of meat was only 20 cents, and a dollar was enough for you and the two of you to go to a restaurant for dinner and drink! I'll listen to the cheap one, Minghua ... "
? "Have you ever heard of Liang Yiming?"
? "Yes, I've been listening."
? "So what? Ok? "
? "Yes, Mr Ma, there really are two sentences. But don't listen carefully It's no good listening carefully. Besides, he is not as beautiful as Teacher Ma. It's a little narrow ... but better than these. Tian Qiang is richer than gold. "
? "Jin Futian is not bad."
? "Yes, I heard that his Su Wu shepherd in dongcheng cultural center. People sat solemnly in the department. Later I quit this job and worked in a department. Can that be the same? But it is not as good as Liang Yiming. He also did science, and people do it and perform it every day. That's different. "
After reading this passage for a long time, I was speechless. In my eyes, Jin Futian, who is already a big cow, is not as good as Liang Yiming. Go online and search Liang's recording quickly. There is only one "bucket kiln". After listening to it, I believed it.
From then on, I found my way to the theatre. For example, watching Zhu Qiang's "Three Mothers and Godsons", listening to him sing and enjoying the senses twice. Maybe it's Zhang Xuejin. From here on, business trip is enough, Jin Futian and almost, from the top, there are Yan and Wang Helin, so we got a group of arithmetic progression. In other words, Zhu Qiang is not alone at this moment. If my imagination is strong enough, there will be many old snow treasures standing on the stage at this time, both in color and black and white. They are all trying to sell pies. If you add this series together, the horse will get. On the red flag, these old snow treasures are like the doppelganger of Naruto Usagi, slowly overlapping together, showing the figure of a horse. Their civil and military scenes also overlapped one by one, and the music became clear from the noise. Finally, Yang Baozhong and Qiao Yuquan appeared. As soon as the gongs and drums rang, the applause from the audience was layered and finally deafening. At this time, the play began to be interesting.
Another example is Yan Qinggu's "Three Thieves kowloon cup". Watching a drama through time and space is certainly not really burning money, but it is much more enjoyable than watching Yan Qinggu. Looking at Qingshishan in the middle of the road, I thought of Li, Sun and Zhou Ruian all the way until I saw how the national flag swept the carpet when I kicked on the nine-tailed fox. Look at Wang Zhengping's Stealing the Horse. It is dignified and generous, and looks like a rebellious hero. Unlike today's actor, he was just a thief when he performed. However, when he thought of Hou, he didn't know how wonderful he was.
Such greed, respecting the past and the present, is probably also a disease, and going to the opera is the second disease.
It is said that the owner of Red Bean Restaurant wrote an article "Eating Drama Rice", comparing celebrities to famous dishes. For example, Tan Xinpei is the official swallow with chicken sauce, Wang Guifen is the fairy chicken stewed with cloud legs, Sun Juxian is a pot with flavor, Liu Hongsheng is braised shark's fin, Yu Shuyan is steamed soup with Agger powder, and so on. Ma Li Anliang came to the bottom and gave him an evaluation of fried chicken with chestnuts, followed by four words: a little taste. Maybe in the eyes, the horse is just a business trip.
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