What have you learned from China writers who use verbs best?

Who is the best writer in China who uses verbs? There is no doubt that only Acheng. Who is Acheng? Mo Yan once said that he is a "person who can understand and live clearly." Wang Shuo said that he was: "In this place of Beijing, every few decades, someone will become a fine person, and Acheng is the person who has trained fine people in these decades. I admire this man very much. If the whole country is ordered to worship idols, I will chase Acheng. " If Liang Wendao hears that you don't know Acheng, he will say with great regret, "You haven't heard Acheng tell stories? Oh, what a pity! "

In 1980s, Acheng published the "Three Kings" that shook China's literary world-Chess King, Tree King and king of the children. At that time, all the scholars shouted Acheng's name.

Later, Acheng wrote Romance Everywhere, and his skillful language established his top position in China's writing. In the Diary of Venice and Common Sense, he talked about the past and present and learned a lot about foreign experiences. His profound knowledge and profound reasoning are amazing.

After reading his article published in Harvest, Wang Shuo said: "What he said is common sense, and every sentence is rooted. This person pays more attention to life than writing articles. Fortunately, it left us room to live. What is a verb? His language is precise and concise, returning to the original, often only one or two words, but it is better than a thousand words. After use, it is not wordy, clean and beautiful, and penetrates into the back of the paper.

Taking the canyon as an example, the full text 1300 words is concise and has nothing to do with the plot. It only describes one existence and one state. The verbs used are novel, precise and tense. A word "squeeze" and a word "float" are personified, and people often use actions. However, he did not put forward new ideas and turned the performer into a bright and kind person. "Smoking" and "trembling" are synaesthesia, the rendering and vibration of the whole environment, and a very strange sense of use. "The whole world is still, and no one wants to talk too much", but the abstract world is transformed into people, and everything in the world is transformed into people. Many tongues are used to compare noise.

The language of Acheng is like this. It's short, but it's powerful, energetic and rhythmic. The sentence is short but the meaning is long. It does not lose its connotation because of brevity, but can create more vivid effects. In the word 104, there are *** 15 verbs, of which 8 verbs are exquisitely written. "ribs are moving one by one", a word "moving", you put your hand into your back and scratch, and the ribs are stirred up under the skin; The newly opened cigarettes are so tightly packed that it is difficult to take out one. However, when you pour the cigarette case upside down, the cigarette will stand out because of inertia, usually the action of the old cigarette rod; The word "lick" highlights that Wang Yisheng was cherished by a cigarette when he had not smoked for a long time. On the one hand, "Chi" looks like Wang Yisheng's thinness, on the other hand, it shows that its center of gravity is on the elbow to smoke; The moment when the whole body "swings", that is, the moment of shivering and cramping, is vividly displayed in front of us, making people smile at this comfortable feeling. Let's talk about the rhythm in his article again. In Acheng's own words: "A good article can go all the way without a good sentence, but a stupid sentence that seems to be unworkable. The good sentence that comes later seems to be the ultimate." He wrote "Chasing the Ancient", with ancient meanings of verbs and excellent use of short sentences. As he himself said, punctuation in his article is not used to break sentences, but to play a rhythm role.

Acheng said in an interview: "Punctuation plays a rhythmic role in my writing, not grammar. When I changed' he stood up and walked over and said' to' he stood up and walked over and said', the rhythm appeared.

Rhythm and speed are two different things; Rhythm is a type, such as two beats and three beats. The so-called speed refers to speed. I think any artist is usually looking for his rhythm; Speed can be found quickly, but rhythm is hard to find. Everyone has a different rhythm. Some people have syncopation in triple time, which is often in the western way, while China's language is based on quarter time, so our idioms are all four-character. If I split four words into three words, and one word into four words, it will be the word itself, not the content itself, which will be meaningful, aesthetic or stimulate our aesthetic feeling. "His writing style comes from China's classical literature, especially the novels of Ming and Qing Dynasties. For example, a dream of red mansions, three words and two beats.

For example, the language features of the four traditional classical novels, although not polished, are generally concise and profound, and so are Acheng's novels. In his writing, there is no verbosity, complexity and confusion. Most of them are short and pithy, separated by commas, with mixed words and precise meanings. ?

Isn't this calm and peaceful narrative style derived from the charm of ancient poems, lyrics and novels? In addition, China's traditional poetry always pays attention to "refinement" and "scrutiny". In ancient times, Du Fu's "Ci is not surprisingly endless", but now Acheng's "Ci is poetic" and his characters are as precious as gold. He won't put the words through, and he will write his feelings to the extreme with only one word or a few words, which is full of imagination and aesthetic space.

When Acheng's works first came out, Wang Meng once said, "I haven't seen such writing style and narrative style for a long time, which is different from the popular pen and ink, but it is not uncommon." Today, 34 years later, the language of Acheng's novels still conforms to the current aesthetics, even higher than the contemporary writing aesthetics, and not many people in modern times can write such works full of the aesthetic feeling of classical poetry.

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