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What does this poem tell us?
2. Original text
Topic Xilin wall
Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces.
I can't recognize the true face of Lushan Mountain because I am there.
3. Vernacular translation
Seen from the front and side, Lushan Mountain is undulating and peaks stand tall. Seen from afar, near, high and low, Lushan Mountain presents various appearances. The reason why I can't recognize the true face of Lushan Mountain is because I am in Lushan Mountain.
Extended data
1, the meaning of this poem is profound, but the language used is extremely simple. Simplicity is one of Su Shi's linguistic features. Su Shi has no habit of carving when writing poems. What the poet pursues is to express a fresh and unprecedented artistic conception in simple and fluent language; And this artistic conception, from time to time flashing the light of philosophy.
Judging from this poem, the language expression is concise, but the connotation is rich. In other words, poetic language itself is a high degree of unity of image and logic. In four poems, the poet roughly describes the image characteristics of Lushan Mountain.
At the same time, it is accurately pointed out that it is irrelevant to see the mountain. Bright sensibility and clear rationality are intertwined and mutually causal, so the image of poetry is sublimated into a model in the field of rationality, which is why people regard the last two sentences as philosophical epigrams for thousands of times.
This is a landscape poem with pictures, and it is also a philosophical poem, and philosophy is contained in the description of Lushan scenery. What you see in the first two sentences is the peak on the side of the mountain. The distance is different. In fact, it is what you see when you visit the mountain. Lushan Mountain is a hilly and gully mountain with undulating peaks and valleys. Tourists are located in different places and see different scenery. These two sentences summarize and vividly write the various forms of Lushan Mountain.
4. At the end of the sentence, I don't know the true face of Lushan Mountain, but toward which corner of the mountain. It's just improvisation, talking about the experience of traveling to the mountains. The reason why I can't recognize the true face of Lushan Mountain is because I am in Lushan Mountain and my vision is limited by the peaks of Lushan Mountain.
What I see is only one peak, one ridge, one hill and one valley in Lushan Mountain, which is only partial and inevitably one-sided. These two sentences are wonderful, and the whole artistic conception is fully displayed, which provides readers with a space to recall experiences and gallop their imagination.
5. Su Shi was a writer, painter and gourmet in the Northern Song Dynasty. Zi Zi Zhan, named Dongpo layman, is called Su Dongpo in history. I have a bumpy career, profound knowledge, extremely high talent, and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the eight masters in Tang and Song Dynasties.
Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu.
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