After reading the map of the Yangtze River, let's talk about the serious injury of literary films.

When a movie sells you feelings and talks about grand themes, you should pay attention. It usually has serious injuries.

Although this is an award-winning film, we can't be afraid to doubt and speak out because of this aura.

The most obvious manifestation of this kind of injury is that you can't tell the story well. However, this is not the most deadly. The most fatal thing is that the director's ambition is usually great, and he usually has to express a grand theme. In this film, Gao Chun goes upstream along the Yangtze River to the snowy mountain at the source, and finally discovers the origin of Anlu and the secrets of the Yangtze River. It feels like a mysterious epic that reveals the civilization in the middle and lower reaches of the Yangtze River, but it is far-fetched to express such a big thing according to the content presented in the film, and good feelings can't cover up the emptiness of the content.

In fact, I know that literary films must be a bit reluctant, that is to say, people can't understand them casually, otherwise how can they appear as a literary minority? Therefore, the original intention of literary films is probably to pursue the blank sense in China's landscape paintings, and to pay attention to a point-to-point effect that is thought-provoking and memorable. Therefore, the lines should be short, the story should not be too straightforward, and some special shooting techniques should be paid attention to. For example, the picture is either extremely slow or violently shaking.

However, the reality is that a poorly made literary film often presents the audience with such an effect: even a basic story line is fragmented, leading to a rigid and far-fetched theme. Always deliberately hide the transition, resulting in more like a stream of consciousness between movie clips, or even unintelligible. Originally, I wanted to create an atmosphere, but the result will become mysterious and obscure. Feelings are great, but the details can't stand scrutiny.

We don't talk about those excellent movies here. People who have seen literary films may feel this way. Film reviews are more exciting than movies. If you don't rely on the interpretation of the great god, you really doubt that you have no culture. Many films with obvious injuries have won five-star praise. Is it really not a water army?

The second common fault of literary films is that the rhythm is too slow. If there is a close-up slow motion in a movie with normal rhythm, we know that the director must have ulterior motives, either to pave the way for the following plot, to highlight the role of the theme, or to shock the audience's emotions. For example, in Infernal Affairs, Sergeant Huang was killed in front of him and thrown down the stairs. Tony Leung Chiu Wai's unforgettable close-up made the audience unforgettable.

However, this rule does not exist in literary films. The director doesn't really want to express anything in slow motion. For example, in Map of the Yangtze River, it is understandable for the director to shoot the Yangtze River, but it is unbearable to shoot the boat all the time. The camera shot slowly from the bow to the stern. The ship is an ordinary ship covered with black tarpaulin. Or shoot people, shoot an action, from beginning to end, maybe just take a cigarette and smoke, and don't say a word for a long time, I almost fell asleep. ...

Of course, the standard of literary films also includes unhappy leading actors, usually decadent beards who haven't bathed for a few days. Please refer to the map of the Yangtze River, the future is boundless. He either looked up at the sky at a 45-degree angle and read a poem, or suddenly burst into tears. I love you so much that my ideals and beliefs are shattered. It seems that the whole society is sorry for them, and the world is drunk and I wake up alone. However, washing your face is not good.

The heroine wears a woman writer's three-hair cotton and linen suit, and her hair hangs down forever. Either she charms you with her little smile, or if she disagrees with you, she will become hysterical. Both men and women are a sentimental thing. Collected the bad habits of moaning, self-pity and putting on airs.

Of course, sex is an essential element in literary films. No matter what theme you want to express, you must talk about sex. This kind of sex can't make the audience deeply feel the beautiful feelings of human beings. The sound of arousing emotion seems to be entangled in love, but when the hero and heroine meet, they are silent and incoherent. Isn't it just another kind of online dating? For example, An Lu in the movie, having a husband is just an affair. Please don't put on the coat of love when you decadent young people have excessive hormones.

It is also found that in recent years, domestic literary films always attach a few poems and Buddhist scriptures to boost the popularity of the films, but how many are necessary? Let's think back, are there one or two classic lines that we can remember vividly? These things that could have been the finishing touch only got smarter in the end.

In a word, the film "The Yangtze River Map" has many literary injuries. The so-called story is not enough. Let's take pictures together. However, if you go upstream along the Yangtze River and make a landscape documentary with magnetic narration, it won't be much worse.