Where was Xue Xuanlin born?

Xue Xuanlin

Xue Xuanlin (1957.1---) was born in Nanjing, Jiangsu. The founder of the Relativity School, a member of the Chinese Artists Association, a distinguished painter of the Jiangsu Traditional Chinese Painting Academy, the vice president of the Chinese Painting Research Association, and the director of the Nanjing Xue Xuanlin Art Museum.

Chinese name: Xue Xuanlin

Nationality: Chinese

Birthplace: Jiangsu

Date of birth: 1957.1-

Occupation: Painter

Representative work: "New Exploration of Concepts and Techniques of Chinese Painting"

Character Profile

Xue Xuanlin (1957.1~), a native of Nanjing, Jiangsu, is The founder of the Relativity School, referred to as the Relativity School, the director of the Online Painting Academy of the Relativity School Art Network, the art director of the China Social and Cultural Development Foundation, the China Cultural and Museum Art Development Charity Foundation, etc., the discoverer of the three constant laws of beauty, and the pioneer of the art of inimitable painting. . Studied at Lu Xun Academy of Fine Arts, Liaoning University, and Shenyang Artillery Institute. Served as a lecturer in philosophy and aesthetics. Founded the Relativity School in 1986. In 1989, he proposed "Xue's Six Methods" ("Xuan Painting-Six Elements of Chinese Painting Modeling"). In 2006, he proposed and defined the theory of Xuan painting (Chinese painting, traditional Chinese painting). He created the "unique symbol of beauty" art of the Relativity School. He is an important promoter of modern Chinese Xuanhua (Chinese painting, traditional Chinese painting) art.

Monographs

Published art monographs: "New Exploration of Concepts and Techniques of Chinese Painting" (1989);

"On the Eternity of Art" (1993);

"Xue Xuanlin's Art Theory" (2003). He published several papers and formed a systematic theoretical system of art aesthetics. Created a unique series of relative paintings of dreamy human bodies, seascapes and landscapes. Settled in Beijing in 2007.

Comments

Overview Xue Xuanlin, the founder of the Relativity School, is such a pioneer who dares to innovate. In order to concentrate on the study of artistic innovation, he resolutely left his position as a lecturer in the military academy and gave up the opportunity to be promoted to associate professor. Due to various reasons, the art academy was unable to accept him and embarked on the road of professional painter. The training in the military academies has cultivated his character of a professional soldier who loves the motherland and is indomitable.

Artistic thoughts are concentrated in the academic monograph "Xue Xuanlin Art Theory" published by Tianjin People's Fine Arts Publishing House in 2003. It brings together the theoretical thoughts on artistic aesthetics from the academic monograph "Renewal of Chinese Painting Concepts and New Explorations in Techniques" published by Shenyang Publishing House in 1989 and "On the Eternity of Art" published by Nanjing University Press in 1993.

For the first time, he proposed a systematic theoretical perspective: the new "Six Methods" of Xuan Painting (Chinese Painting) (Xue's Six Methods); after more than 20 years of exploration and creation, Xue Xuanlin formed a complete personal artistic aesthetic theoretical and ideological system.

Relativity School

Relativity School is referred to as "Relativity School" and its founder Xue Xuanlin was founded in 1986

Relativity School is referred to as "Relativity School" as a general concept . Relativity School (Reality and Illusion): The merging of concreteness and abstraction, seeking harmony amidst disharmony. He is a famous Chinese painter, famous art theorist, and founder of the Relativity School, Xue Xuanlin, who founded it in 1986. The original works of Xue Xuanlin, the founder of the Relativity School, which is referred to as the Relativity School, all have anti-counterfeiting codes, that is, encryption measures (the Da Vinci Code). "Xue Xuanlin is the founder of the relative painting school, the discoverer of the three constant laws of beauty, and the pioneer of inimitable painting. In 1989, he published "Renewal of Chinese Painting Concepts and New Explorations in Techniques" and established the relative painting school, (that is, the merging of abstraction and concreteness, disharmony Pursuing harmony.) Obtained China's first art patent in 1987 (see page 448 of "Dictionary of Contemporary Inventors of China", patent number 871015749)..." ---Inner cover of "Xue Xuanlin Art Theory".

Xue Xuanlin: Painting schools are created, not built.

Painting school refers to the painting form that forms a "unique and beautiful symbol" based on a unique painting art concept. (Xue Xuanlin’s definition can be found in various dictionaries) The painting school must have the following prerequisites and conditions. First, the theoretical premise or conditions of the school of painting. Must have unique artistic ideas or modeling concepts. Second, the practical prerequisites or conditions of the school of painting.

Create your own unique artistic style and technical system works. Third, one or more groups. Only when the above three prerequisites or conditions are met at the same time can it be called a painting school. Traditionally, we have always been accustomed to understanding the painting school as just a group, which is a misunderstanding. "The formation of a painting school mainly depends on unique artistic ideas, modeling concepts and modeling forms, or artistic expressions. It does not depend on the number of people. A person can be called a painting school or painting as long as he meets the above prerequisites. The founders of the school. For example, the Cubism School and Picasso; the Abstract Painting School and Kandinsky; the Surrealist Painting School and Dali, all successfully became the founders of painting schools or painting schools. See 2006-3-17 "Xizhi Painting and Calligraphy". Newspaper"

Great works of art are the historical foundation of great painting schools and great artists.

Great works of art are "unique and beautiful". "Symbol" artistic works are the historical foundation of great painting schools and great artists. Unique aesthetic concepts and uniquely beautiful symbolic works are the premise of the painting school.

China's regional painting schools are the product of history and have become In the past

Currently, the regional sects practiced across the country have almost no new artistic ideological systems, modeling concepts and unique art forms. However, the most unified slogan is "pen and ink should follow the times". But this sentence came from Shi Tao in the Qing Dynasty. What he said in the Qing Dynasty has become the artistic thought or main slogan of our new regional painting school. Is this because our nation lacks innovative spirit? Or is it because we have entered a misunderstanding? What is equal to zero? ·····The conclusion of using the negation of negation theory of dialectical materialism to judge the current national regional painting schools is also zero, that is, every province, city, and region is equal to no painting school. This is a truth that everyone with general knowledge of philosophy knows. If our regional painting school develops into a new regional painting school, what will it be called in the future? If we agree to call it the "Chinese Painting School", then we can no longer call it the "Xinxin Regional Painting School"... In the history of Chinese painting, there are only "literati painting schools" and "academic schools" that can be called it. Painting schools, and other so-called painting schools, are actually sects formed by masters, disciples, and geographical relationships, rather than painting schools in the true academic sense. See 2006-3-17 "Xi Zhi Shu Pictorial". "Xue Xuanlin: China's regional painting school is equal to zero" reporter Zhu Tong

Artistic insights

The aesthetic and creative value of Xue Xuanlin's "unique beauty symbol" in relative painting

1. The Relative Painting School is "like reality and illusion": the merging of concreteness and abstraction, seeking harmony in disharmony.

2. The uniqueness, uniqueness, and historical and cultural nature of the works of Xue Xuanlin's Relative Painting School. Xue Xuanlin pursues eternal innovation and the creation of eternal beauty. Xue Xuanlin creates with inspiration and passion, never copying or repeating. Each of Xue Xuanlin's figures is unique in different periods and styles, and each of Xue Xuanlin's works is unique. The creative requirements are very strict and the works retained are very limited (Xue Xuanlin only retains 20 works or less each year).

Personal works album