Which hole should the flute film be attached to?

Where should the flute membrane be attached? The hole is ** *** *** * * 5 points

The position of the membrane hole is as shown in the picture. Let’s talk about the attachment of the flute membrane.

1. Go to the drug store to buy a small piece of donkey-hide gelatin (the size of your thumbnail is enough, about 2 yuan), or simply buy a few pieces of bletilla striata to stick to the flute membrane. Because they all contain sticky substances that can stick to the flute membrane, it is recommended to use donkey-hide gelatin, which lasts a long time, and most players, whether amateur or professional, use donkey-hide gelatin.

2. Choose flute membrane

At present, reed membrane is mostly used. Bamboo membranes and casings are also used, but it is said that the sound quality is not added. Choose a reed film with a clear color and do not choose an old reed film that is yellowed. Some professionals also recommend using a thinner film when playing the qudi and a thicker film when playing the bangdi.

3. Process the flute membrane

Cut the flute membrane into small sections (small tubes) of 1.5 to 2 cm, break the small tubes into small square pieces about the size of your thumb, and cut them Knead it into small balls or roll it into small rolls in the vertical direction of the reed fibers to make the flute membrane pleat.

4. Sticky flute film

Dip a drop of donkey-hide gelatin in water and apply it evenly around the film hole (note that the mucus should not stick to the inner wall of the film hole. Even if it does, wipe it with your little finger Just drop it off), unfold the small ball of flute membrane, and gently pull the four corners. The fiber direction of the flute membrane should be consistent with that of the bamboo flute fiber. Place one side against the edge of the membrane hole, and then use the thumbs of both hands to gently flatten the flute membrane. In this way, the flute membrane covers the membrane hole, and the wrinkles pulled out with the thumb should be perpendicular to the flute body (note that the wrinkles are only undulating and must not overlap), and the flute membrane is attached.

5. Supplement

The effect of pasting the flute membrane has a great relationship with the timbre. If the membrane is too tight, the sound will be dull and unclear; if the membrane is too loose, the sound will be broken. And the high notes are not easy to blow out. The color, thickness, and tightness of the flute film mentioned above must be determined through continuous practice and exploration by oneself. It is best to have guidance from people in the industry. It cannot be accurately described by written words alone.

Which hole is the flute film attached to?

(1) Film application: including evenly applying an appropriate amount of mucus (donkey hide gelatin, etc.) around the film hole. (1) Use a sharp knife to neatly cut and cut the film tube. A sharp knife can prevent The effective surface of the flute film is squeezed and denatured by the strong force of fingers

. The shape of the film after unfolding is roughly rectangular, so try not to deal with it casually. If the membrane is slightly better, do not rub the membrane.

(2) Generally, we pursue brilliant and bright flute timbre, so I suggest that you adopt the smooth-paving method, that is, the membrane fiber texture is parallel to the flute body fiber texture. Use the thumb and index finger of both hands to gently pull the membrane, and it will appear many wrinkles (perpendicular to the membrane fiber lines). This is called drawing, and it should be considered a meticulous work. You can practice more and try your best (that is, try your best but not force it) to draw out fine and parallel wrinkles. The better the membrane, the easier it is to draw out fine and parallel wrinkles. The intensity should be just as long as the texture you want appears. Try not to pull too hard. This is something you will feel after practicing more. There are no more theoretical techniques. Then the process of sticking it on the film hole is also something that needs to be explained. There are no particularly detailed explanations in many flute textbooks. Some authors are even too casual, and their explanatory text is questionable. Maybe they themselves do not do it that way. Our approach is to cut the flute membrane as long as possible. After stretching, we should work together with both hands at the same time to align the membrane hole and gently press the membrane onto both sides of the membrane hole basically at the same time. This is not like what some books say: First press the film on the left side of the film hole with your left thumb, then pull the thread with your right hand, and then press on the right side of the film hole. Perhaps because of our limited skills, the process of pressing the film on both sides of the film hole has never allowed us to smoothly and satisfactorily apply the film.

For a classmate’s transverse flute, which hole at the bottom should the flute membrane be attached to, and which hole should be played? 10 points

If you put it in the wrong direction, count the first one from bottom to top. The holes are for blowing, and the second hole is pasted with the flute membrane

Which hole is the membrane attached to? Where is the membrane of the flute in F key? 5 points

From top to bottom, there are blow holes and membrane holes on the flute.

That is, you stick the flute film on the second hole. No matter what the tune of the flute is, the membrane is stuck there. Moreover, the flute membrane should be chosen larger than the hole. Then cover the hole tightly. If you are a beginner and don't know how to apply flute film, it is better to use transparent glue.

What is the hole on the flute that is stuck with the flute membrane used for?

The membrane hole is the one next to the blow hole. . . The blow hole is the first hole counting from the mouthpiece. . So the membrane pore is the second one. . .

Which hole should be attached when attaching the film to a flute in D key?

The membrane hole is the one next to the blow hole. . . The blow hole is the first hole counting from the mouthpiece. . So the membrane pore is the second one. . .

Which hole is the flute membrane attached to?

One end of the flute is blocked.

Count from the blocked end to the other end, the second The first hole is for the film. The first hole is for blowing. The other holes are for pitch control.

Why does the flute need a film?

The outstanding feature of the Chinese flute is that the flute membrane is attached to make the pronunciation crisper and brighter. Therefore, the flute membrane has a great influence on the timbre, volume and sensitivity of the flute. To play the flute well, you must first Attach the flute film.

There are reed membranes, bamboo membranes, casing membranes, etc. Among them, the bamboo membrane is too brittle and easily broken when blown, while the casing membrane is too stretchy and the sound is small when blown. Reed membrane is the best, not easy to break and has moderate stretchability. Reed membrane is a thin film adhered to the reed stem. The younger reed membrane is thin, bright and transparent, and has a certain stretch force. After the flute is attached, the sound will be bright and strong. Both too thick and too thin films are not suitable. If it is too thick, the sound will be dull, while if it is too thin, the sound will be loose, sandy, and easy to break. Applying the diaphragm is a very delicate job. If the diaphragm is good but not well pasted, it will not produce the best sound. The correct method is: cut the flute film into square pieces larger than the film holes, dip the flute film in water with bletilla striata (traditional Chinese medicine), gum, peach gum or garlic, rub it around the film holes, and remove the flute film after the glue is produced. Pinch the membrane with the thumb and forefinger of both hands, and gently pull it to both sides to make it appear dense and neat wrinkles (perpendicular to the lines of the reed membrane itself), make it perpendicular to the flute body, and stick neatly to the flute body. On the membrane hole, make the texture of the flute membrane itself consistent with the texture of the bamboo flute, then use the thumbs of both hands to press the flute membrane on both sides of the membrane hole, and gently wipe it on both sides to make the flute membrane tight and appropriate, and the bass will be round and smooth when playing. The treble is bright. When applying the film, pay attention to the cleanliness of your fingers and the inside of the film hole. Do not make the film dirty or wet, which will cause the film to deteriorate and affect the playing and timbre.

The membrane of the flute is thin and delicate. It is easily affected by changes in temperature and humidity and becomes loose or tight, so it needs to be adjusted frequently and carefully. If the diaphragm of the flute is loose, you can use a folk method called "waking up the diaphragm". Put the flute close to your mouth, blow hot air into the diaphragm, and then blow cold air away from the diaphragm or place the diaphragm against your face or place it on your face. Under the armpit, let it be heated to evaporate the water vapor. Repeat this many times, and the flute membrane will gradually become tight. The "waking up film method" is more time-consuming. If you want to adjust it quickly, you have to use another method: soak the place where the flute film is attached. If the film is loose, apply it to both sides. If the film is tight, press it lightly on the film. It becomes loose and this method is quick and time saving.

The flute membrane is prone to water in winter because the hot air blowing out of the mouth turns into gas water when it is cooled in the flute tube, which soaks the flute membrane. At this time, the membrane holes can be air-dried and the inner wall can be coated with a layer of water. A layer of wax or Vaseline will prevent air and water from soaking the flute membrane. When a single flute is not installed in a flute case, the flute membrane should be rolled with slightly harder paper and wrapped with elastic bands to protect the flute membrane and prevent it from aging and cracking.